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Essays on Blossoms of the Savannah, The Pearl, Memories we Lost and other stories and A Doll's House
2019, JB Publishers
These are comprehensive essays on the novel The Peal by John Steinbeck, the novel Blossoms of the Savanah by Henry Ole Kulet, the play A Doll's House by Henrik Ibsen and the collection of short stories, Memories we Lost specifically the story Window Seat, How Much Land Does A Man Need, The Hansdomest Downed Man in the World, No Need to Lie, Folded Leaf, My Father's Head, Hitting Budapest, The President and Light.
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International Journal of Applied Linguistics and English Literature
Despite the century and three-decade gap between them, Henrik Ibsen’s A Doll’s Houseand Zainabu Jallo’s Onions Make Us Cry have often been studied for their indebtedness to two movements that have shaped human history and conditioned contemporary thoughts: the former as a play that inaugurates the modernist discuss in literature and pioneered the feminist subject, and the latter expressively reflecting this gender-based discourse. However, the position of this study is that aside the woman question, the texts share some other important elements. They both provoke the question of being and existence: the being of human reality and of truth. In Ibsen and Jallo, we witness Nora’s and Malinda’s experience of existential structures, their perspectival grappling with the perceptual realities of their existence, the psychological alteration that comes with this ontic awareness, and how the perception of ‘what is’ moves one to revolt against ‘what has been’. The plays are seen as capturing ...
American Literature, 1991
Orbis Litterarum, 1970
A Doll's House is a controversial play written by Norwegian playwright Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is about a Norwegian town around 1879. The play is critical and controversial for the way it deals with the fate of a wife, who at the time in Norway lacked reasonable opportunities for self-fulfilment during a male-dominated world. Though Ibsen denies he had intended to write down a feminist play, it aroused an excellent sensational response at the time and caused a "storm of outraged controversy" that went beyond the theatre to the media and society. Once the topic of public controversy, defended only by the avant-garde theatre critics of the nineteenth century, Ibsen's prose dramas now are famous as successful television plays and are an important part of the repertory theatre everywhere. They no more invite inflaming audience reactions and now acceptable fare to the foremost conservative theatre-goer. The basic objective of this paper is to make learners aware of the play 'A Doll's House' and to discuss about the author, the period, and the text, This paper also discusses the character sketch of the major characters, the significance of the title of the play, and also provides the critical analysis of the play.
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International journal of applied research, 2020
In Ibsen’s A Doll’s House, the central conflict revolves around Torvald’s controlling; demeaning treatment of his wife Nora. The tragedy of the story is not only to superiority of the husband over his wife but also the dehumanizing of the children, who are never given a voice or allowed the possibility of bettering their position. They begin the story under an institution that has marginalized them, and they remain confined to subhuman status throughout the play. In this way, Ibsen’s work; as he claims goes beyond being a work about woman’s rights and becomes instead a work dealing with the rights of all human struggling under an oppressive, patriarchal society.
This research paper attempts to give a feminist analysis of Henrik Ibsen's A Doll's House based on the Anglo-American approach to feminist literary theory. It will first explain the feminist literary theory as a term as well as a practice and its function in literary criticism, followed by an explanation of the Anglo-American approach and some of its prominent writers. The paper will also explore how and to what degree (if at all) Henrik Ibsen, who is mostly famous for his realist dramas but has also been credited for his feminist characters and content, is involved with the women's cause by referring to some of his speeches, letters and acquaintances. It will then attempt a feminist analysis of the play based on the Anglo-American approach and Showalter's feminist critique, using quotes from and references to the three acts of the play as a justification to show how Henrik Ibsen challenged the stereotypi-cal representation of women in literature with his female characters .
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