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The Year of Endurance

Hope and uncertainty amid a pandemic that wouldn’t end.

In 2021, the pandemic forced us all to think hard about who we do and don’t trust

Introduction by david rowell.

As a nation, we are supposed to be built around trust. Look at the back of the bills in your wallet. “In God We Trust.”

Trust the system.

Trust yourself.

Trust but verify.

Trust your instincts.

Love may be the emotion we like to think ultimately propels us, but it’s trust that informs how we go about our daily lives. And yet. Our level of trust, our very foundation, has been crumbling for a long time now. Scandals, abuse and corruption in the major pillars of our society — religious institutions, education, business, military, government, health care, law enforcement, even the sports world — have made us a wary people.

When the pandemic came, first as murmurs that were easy to tune out, then as an unbounded crisis we couldn’t tune into enough, our relationship to trust was newly infected with something we didn’t fully understand. And before long, who and what we trusted — or didn’t — in the form of elected leaders, scientists and doctors became one more cause of death here and all over the world. In this way, distrust was a kind of pandemic itself: widely contagious and passed by the mouth.

As the first American casualties of covid-19 were announced, President Trump kept insisting it would disappear “with the heat” or “at the end of the month” or “without a vaccine.” Like a disgraced, fringe science teacher, he entertained this idea at one coronavirus news conference: “I see the disinfectant that knocks it out in a minute, one minute. And is there a way we can do something like that by injection inside, or almost a cleaning?” With leadership like this, the country was receiving an injection — of chaos.

The pandemic ripped through the rest of 2020, and America was not only more splintered than ever, but also a dangerous place to be. Some politicians declared to the public, “I trust the science,” as if that were an unprecedented and heroic stance.

As we navigated our way into 2021, questions about what to believe led — painfully and predictably — to doubts about the most reliable way we had to stay safe: wearing masks. With the return to schools looming, the debate about masks and children — masks as protectors, or masks as educational folly — played out like a plague of rants. No one seemed to trust others to do the right thing anymore, whatever that was. By summer’s end, trust felt like the latest variant to avoid.

Trust takes lots of forms, but can we actually see it in a photograph the way we can identify a cloud or a wave, or an overt moment of joy or sadness? The photo essays that follow capture a full tableau of human responses in year two of the pandemic — trepidation, but also a sense of renewal; celebration, but caution as well. And despite rancor and confusion still being in as steady supply as the vaccine itself, the permutations of trust have their own presence here, too, if we’re open enough to seeing them.

When Jay Wescott went on tour with rock band Candlebox, he was documenting one of the many performing acts that returned to the road this summer, after the long hiatus. On tour there’s a lot variables you can control, and just as many, if not more, that you can’t — and in the time of covid, control and trust form their own essential but perilous interplay. The picture of the band’s drummer, Robin Diaz, who is vaccinated but unmasked, setting up his kit in such proximity to road manager Carlos Novais, vaccinated and masked, not only captures that still-odd dynamic that goes into making any live performance happen right now; it is also a welcome contrast to all the images of masked and unmasked protesters screaming at each other about what and whom to trust. On tour with Candlebox, Westcott observed how trust is carrying the band forward, creating harmonies on and off the stage.

Much farther away, in Michael Robinson Chavez’s pictures from Sicily, we bear witness to religious celebrations as part of saint’s days, which were canceled last year because of the pandemic. The celebrations resumed, though stripped down, this September, with vaccines readily available, but then, as Chavez notes, the people of Sicily were vaccinated at lower numbers than those in other regions of the country. In one image, we see a tuba player, his mask down below his chin as he blows his notes out into the world. Behind him are masked adults and maskless children. And, perhaps all through the festival, a trust in God to watch over them.

Lucía Vázquez trained her lens on the eager crowds of young women who descended upon Miami, a city known for its own style of carnival-type celebrations, though decidedly less holy ones. These women have left masks out of their outfits and are trusting something not quite scientific and not quite political, but more personal: their guts. Such a calculation comes down to a conviction that either you won’t get the coronavirus, or, if you do, you’ll survive. It means placing a lot of trust in yourself.

As a visual meditation, the pictures in this issue offer a portrait of a historical moment in which trust and distrust have defined us. Ultimately, the photographs that follow, reflecting various realities of the pandemic, are tinted with hope that we can reclaim our lives. Not exactly as they were in the past, but in a way that still resembles how we had once imagined them for the future. These images remind us that even in our fractured, confused and suffering world, it remains possible that where we can find trust again, we can be healed.

Ready to Rock

Unmasked fans and mayflies: on tour with the band candlebox, text and photographs by jay westcott.

I n February 2020, after a dear friend passed away (not from covid), all I could think about was getting on the road with a band so I could lose myself in the work and create something that would bring joy to people. The world had other plans, though.

Sixteen months later, I headed out on tour with Candlebox. Almost 30 years has passed since the Seattle hard-rock group released its debut album and saw it sell more than 4 million copies. Frontman Kevin Martin and his current lineup invited me along to document the first part of their tour. I packed up my gear, drove west, and met the band at Soundcheck, a rehearsal and gear storage facility in Nashville, as they prepared for the tour.

Whenever people learn that I photograph musicians, inevitably they ask me what it’s like on a tour bus. I tell people it’s like camping with your co-workers from the office where you all sleep in the same tent. For weeks on end. That sours their midlife fantasies about digging out that guitar from the garage and hitting the road to become a rock star.

The people who do tour and play music, build the sets, mix the sound, sell the merch and lug the gear night after night are some of the hardest-working people I’ve ever met. They are a special breed of artists, deep thinkers, poets, masters of their instruments. Music has the ability to make you move and stop you in your tracks, to change your mood, make you smile, cry, think. The goal is the same: Put on a great show. Every night. Play like it could be your last show.

It’s easy to sit back and armchair quarterback on social media about the risks of holding festivals and rock concerts amid the pandemic, but this is what people do for a living. Few people buy albums or CDs or even download music anymore. It’s all about streaming and grabbing viewers on social media now. Touring and merch sales are about the only way musicians have to make money these days. Music is meant to be performed in front of people, a shared experience. With everybody on the bus vaccinated and ready to go, we headed to Louisville for the first of a 49-show run.

The crowd of mostly older millennials and GenXers were ready for a rock show. They knew all the words to the hits in the set — especially Candlebox’s mega-hit from the ’90s, “Far Behind” — and were into the band’s new songs too. It felt good. Then came the mayflies, in massive swarms.

The next stop on the tour was a festival along the Mississippi River in Iowa. I was up early, and as soon as we pulled in you could see mayflies dancing in the air all around us. As the day wore on, the flies intensified, and by nightfall any kind of light revealed hundreds upon hundreds of them, dancing in their own way like the crowd of unmasked fans below them. Also there were Confederate flags everywhere. Boats tied together on the river flew Trump flags in the warm summer breeze.

I was asleep when we crossed the river and made our way to St. Louis, the third stop on the tour and my last with the band. A great crowd: Close your eyes and you can easily picture yourself at Woodstock ’94. But it’s 2021 and Kevin Martin and company are still here.

Jay Westcott is a photographer in Arlington.

‘He Gave Me Life’

A cuban single mother reflects on isolation with her son, text and photographs by natalia favre.

S ingle mother Ara Santana Romero, 30, and her 11-year-old son, Camilo, have spent the past year and a half practically isolated in their Havana apartment. Just before the pandemic started, Camilo had achieved his biggest dream, getting accepted into music school. Two weeks after classes began, the schools closed and his classes were only televised. A return to the classroom was expected for mid-November, at which point all the children were scheduled to be vaccinated. According to a UNICEF analysis, since the beginning of the pandemic, 139 million children around the world have lived under compulsory home confinement for at least nine months.

Before the pandemic, Ara had undertaken several projects organizing literary events for students. After Havana went into quarantine and Camilo had to stay home, her days consisted mainly of getting food, looking after her son and doing housework. As a single mother with no help, she has put aside her wishes and aspirations. But Ara told me she never regretted having her son: “He gave me life.”

Natalia Favre is a photographer based in Havana.

Life After War in Gaza

A healing period of picnics, weddings and vaccinations, text and photographs by salwan georges.

A s I went from Israel into the Gaza Strip, I realized I was the only person crossing the border checkpoint that day. But I immediately saw that streets were vibrant with people shopping and wending through heavy traffic. There are hardly any working traffic lights in Gaza City, so drivers wave their hands out their windows to alert others to let them pass.

Despite the liveliness, recent trauma lingered in the air: In May, Israeli airstrikes destroyed several buildings and at least 264 Palestinians died. The fighting came after thousands of rockets were fired from Gaza into Israel, where at least 16 people died. Workers were still cleaning up when I visited in late August, some of them recycling rubble — such as metal from foundations — to use for rebuilding.

I visited the city of Beit Hanoun, which was heavily damaged. I met Ibrahim, whose apartment was nearly destroyed, and as I looked out from a hole in his living room, I saw children gathered to play a game. Nearby there is a sports complex next to a school. Young people were playing soccer.

Back in Gaza City, families come every night to Union Soldier Park to eat, shop and play. Children and their parents were awaiting their turn to pay for a ride on an electric bike decorated with LED lights. In another part of town, not too far away, the bazaar and the markets were filled ahead of the weekend.

The beach in Gaza City is the most popular destination for locals, particularly because the Israeli government, which occupies the territory, generally does not allow them to leave Gaza. Families picnicked in the late afternoon and then stayed to watch their kids swim until after sunset. One of the local traditions when someone gets married is to parade down the middle of a beachfront road so the groom can dance with relatives and friends.

Amid the activities, I noticed that many people were not wearing face coverings, and I learned that the coronavirus vaccination rate is low. The health department started placing posters around the city to urge vaccination and set up a weekly lottery to award money to those who get immunized.

I also attended the funeral of a boy named Omar Abu al-Nil, who was wounded by the Israeli army — probably by a bullet — during one of the frequent protests at the border. He later died at the hospital from his wounds. More than 100 people attended, mainly men. They carried Omar to the cemetery and buried him as his father watched.

Salwan Georges is a Washington Post staff photographer.

Beyond the Numbers

At home, i constructed a photo diary to show the pandemic’s human toll, text and photographs by beth galton.

I n March 2020, while the coronavirus began its universal spread, my world in New York City became my apartment. I knew that to keep safe I wouldn’t be able to access my studio, so I brought my camera home and constructed a small studio next to a window.

I began my days looking at the New York Times and The Washington Post online, hoping to find a glimmer of positive news. What I found and became obsessed with were the maps, charts and headlines, all of which were tracking the coronavirus’s spread. I printed them out to see how the disease had multiplied and moved, soon realizing that each of these little visual changes affected millions of people. With time, photographs of people who had died began to appear in the news. Grids of faces filled the screen; many died alone, without family or friends beside them.

This series reflects my emotions and thoughts through the past year and a half. By photographing data and images, combined with botanicals, my intent was to speak to the humanity of those affected by this pandemic. I used motion in the images to help convey the chaos and apprehensions we were all experiencing. I now see that this assemblage is a visual diary of my life during the pandemic.

Beth Galton is a photographer in New York.

Finding Hope in Seclusion

A self-described sickle cell warrior must stay home to keep safe, text and photographs by endia beal.

O nyekachukwu Onochie, who goes by Onyeka, is a 28-year-old African American woman born with sickle cell anemia. She describes herself as a sickle cell warrior who lives each day like it’s her last. “When I was younger,” she told me, “I thought I would live until my mid-20s because I knew other people with sickle cell that died in their 20s.”

The Centers for Disease Control and Prevention describes sickle cell anemia as an inherited red blood cell disorder that causes those cells to become hard and sticky, and appear C-shaped. Healthy red blood cells are round and move through small blood vessels to carry oxygen, whereas sickle cells die earlier and transport less oxygen. The disorder can cause debilitating pain and organ failure.

In June 2020, Onyeka began preparing her body for a stem cell transplant — a new treatment — and underwent the procedure in April. She is now home in Winston-Salem, N.C., recovering from the transplant. Despite the positive results thus far, Onyeka’s immune system is compromised and she is at greater risk of severe illness or death from viruses.

I asked about her life during the pandemic. She told me: “My new normal includes video chat lunch dates. I have more energy now than ever before, but I have to stay indoors to protect myself from airborne viruses, among other things.” Onyeka believes she has been given a new life with endless possibilities — even though she is temporarily homebound.

Endia Beal is an artist based in Winston-Salem, N.C.

Baker’s Choice

A fun-loving, self-taught baker decides to open her shop despite the pandemic, text and photographs by marvin joseph.

T iffany Lightfoot is the owner and founder of My Cake Theory, where she merges her love of fashion with her gifts as a baker. Undaunted by the pandemic, she opened her first brick-and-mortar shop on Capitol Hill last year. Lightfoot, 41, combined the skills she learned as a student at the Fashion Institute of Technology with dozens of hours watching the Food Network and YouTube videos — and spun her self-taught baking into a business. With these photographs I wanted to show how much fun she has baking — while building a career she clearly loves.

Marvin Joseph is a Washington Post staff photographer.

Leap of Faith

Despite low vaccination rates, sicilians resume religious parades, text and photographs by michael robinson chavez.

T he island of Sicily has been overrun and conquered by numerous empires and civilizations. The year 2020 brought a new and deadly conqueror, the coronavirus. The lockdown was absolute — even church doors were shut tight. But in 2021, Sicilians brought life and traditions back to their streets.

Saint’s days, or festas, are important events on the Sicilian calendar. Last year, for the first time in more than a century, some towns canceled their festas. The arrival of vaccines this year seemed to offer hope that the processions would once again march down the ancient streets. However, a surge in summer tourism, while helping the local economy, also boosted the coronavirus infection rate.

Sicily has the lowest vaccination rate in Italy. Nevertheless, scaled-down celebrations have reappeared in the island’s streets. In the capital city of Palermo, residents gathered for the festa honoring the Maria della Mercede (Madonna of Mercy), which dates to the 16th century. Children were hoisted aloft to be blessed by the Virgin as a marching band played in a small piazza fronting the church that bears her name. Local bishops did not permit the normal procession because of the pandemic, so local children had their own, carrying a cardboard re-creation of the Virgin through the labyrinth of the famous Il Capo district’s narrow streets.

As the fireworks blossomed overhead and the marching band played on, it was easy to see that Sicilians were embracing a centuries-old tradition that seems certain to last for many more to come.

Michael Robinson Chavez is a Washington Post staff photographer.

Defiant Glamour

After long months of covid confinement, a fearless return to 2019 in miami beach, text and photographs by lucía vázquez.

O n Miami Beach’s Ocean Drive I’ve seen drunk girls hitting other drunk girls, and I’ve seen men high on whatever they could afford, zombie-walking with their mouths and eyes wide open amid the tourists. I’ve seen partyers sprawled on the pavement just a few feet from the Villa Casa Casuarina, the former Versace mansion.

I’ve seen groups of women wearing fake eyelashes as long and thick as a broom, and flashing miniature bras, and smoking marijuana by a palm tree in the park, next to families going to the beach. I’ve seen five girls standing on the back of a white open-air Jeep twerking in their underwear toward the street.

My photographs, taken in August, capture South Beach immersed in this untamed party mood with the menace of the delta variant as backdrop. They document young women enjoying the summer after more than a year of confinement. Traveling from around the country, they made the most of their return to social life by showing off their style and skin, wearing their boldest party attire. I was drawn to the fearlessness of their outfits and their confidence; I wanted to show how these women identify themselves and wish to be perceived, a year and a half after covid-19 changed the world.

Lucía Vázquez is a journalist and photographer based in New York and Buenos Aires.

A Giving Spirit

‘this pandemic has taught me to be even closer to my family and friends’, text and photographs by octavio jones.

M arlise Tolbert-Jones, who works part time for an air conditioning company in Tampa, spends most of her time caring for her 91-year-old father, Rudolph Tolbert, and her aunt Frances Pascoe, who is 89. Marlise visits them daily to make sure they’re eating a good breakfast and taking their medications. In addition to being a caregiver, Marlise, 57, volunteers for a local nonprofit food pantry, where she helps distribute groceries for families. Also, she volunteers at her church’s food pantry, where food is distributed every Saturday morning.

“I’m doing this because of my [late] mother, who would want me to be there for the family and the community,” she told me. “I’ve had my struggles. I’ve been down before, but God has just kept me stable and given me the strength to keep going. This pandemic has taught me to be even closer to my family and friends.”

Octavio Jones is an independent photojournalist based in Tampa.

First, people paused. Then they took stock. Then they persevered.

Text and photographs by anastassia whitty.

W e all know the pandemic has challenged people and altered daily routines. I created this photo essay to highlight the perspectives and experiences of everyday people, specifically African Americans: What does their “new normal” look like? I also wanted to demonstrate how they were able to persevere. One such person is Maria J. Hackett, 30, a Brooklyn photographer, dancer and mother of a daughter, NiNi. Both are featured on the cover.

I asked Maria her thoughts on what the pandemic has meant for her. “Quarantine opened up an opportunity to live in a way that was more healthy while taking on much-needed deep healing,” she told me. “It was my mental and emotional health that began breaking me down physically. ... I put things to a stop as my health began to deteriorate. I decided I will no longer chase money — but stay true to my art, plan and trust that things will come together in a healthier way for us. I focused more on letting my daughter guide us and on her remaining happy with her activities and social life.”

“Enrolling her in camps and classes like dance and gymnastics led me to develop a schedule and routine,” Maria explained, “opening room for me to complete my first dance residency in my return to exploration of movement. I made time to share what I know with her and what she knows with me.”

Jasmine Hamilton of Long Island, 32, talked in similiar terms. She too became more focused on mental health and fitness. She told me: “The pandemic has demonstrated that life is short and valuable, so I’m more open to creating new experiences.”

Anastassia Whitty is a photographer based in New York.

About this story

Photo editing by Dudley M. Brooks and Chloe Coleman. Design and development by Audrey Valbuena. Design editing by Suzette Moyer and Christian Font. Editing by Rich Leiby. Copy editing by Jennifer Abella and Angie Wu.

• Photojournalism Links

The 10 Best Photo Essays of the Month

This month’s Photojournalism Links collection highlights 10 excellent photo essays from across the world, including Tomas Munita ‘s photographs from Gaza and Israel, made on assignment for the New York Times . The work, coinciding with the first anniversary of last year’s 50 day war between Israel and Palestinian militant groups, consists of eight innovative stop-motion-sequences which take us to the streets, hospitals, and homes on both sides of the conflict, and provide an immersive glimpse of how the two groups of communities are coping, one year after.

Tomas Munita: Walking in War’s Path (The New York Times )

Brent Stirton: Tracking Ivory: Terror in Africa | Ivory’s Human Toll (National Geographic) Two strong sets of images for National Geographic magazine’s latest cover story.

Lynsey Addario: Inside the Democratic Republic of Congo’s Diamond Mines (TIME LightBox) Terrific set of images looking at Congo’s diamond mining communities.

Andres Kudacki: Spain’s Housing Crisis (TIME LightBox) Powerful three-year project on the country’s home evictions, now on show at Visa pour l’Image photojournalism festival.

Mary Ellen Mark: New Orleans (CNN Money) The legendary photographer’s final assignment, done ahead of Hurricane Katrina’s 10th anniversary.

Daniel Etter: Hands Across Water (Al Jazeera America) Moving series on a small Sea-Watch ship, with a rotating crew of just eight volunteers, trying to save refugees and migrants in the Mediterranean.

Sergey Ponomarev: On Island of Lesbos, a Microcosm of Greece’s Other Crisis: Migrants (The New York Times ) Dramatic photographs of refugees and migrants arriving to the Greek island.

Allison Joyce: Child Marriage Bangladesh (International Business Times) Heartbreaking pictures of a 15-year-old Bangladeshi girl’s wedding | See also Joyce’s other Bangladeshi child marriage series at Mashable .

Andrea Bruce: Romania’s Disappearing Girls (Al Jazeera America) The Noor photographer’s work shows how poverty and desperation drive Romanian girls into the arms of sex traffickers.

Matt Black: Geography of Poverty: Chapter 2 | Chapter 3 (MSNBC) Second and third chapters of the Magnum photographer’s ambitious project mapping poverty around the U.S.

Mikko Takkunen is an Associate Photo Editor at TIME. Follow him on Twitter @photojournalism .

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12 Photo Essays Highlight the Heroes and Heartaches of the Pandemic

Pictures piece together a year into the COVID-19 pandemic.

Photos: One Year of Pandemic

Getty Images

A boy swims along the Yangtze river on June 30, 2020 in Wuhan, China.

A year has passed since the World Health Organization declared COVID-19 a pandemic on March, 11, 2020. A virus not visible to the human eye has left its mark in every corner of the world. No single image can define the loss and heartache of millions of global citizens, but photojournalists were there to document the times as best they could. From the exhaustion on the faces of frontline medical workers to vacant streets once bustling with life, here is a look back at photo essays published by U.S. News photo editors from the past year. When seen collectively, these galleries stitch together a year unlike any other.

In January of 2020, empty streets, protective masks and makeshift hospital beds became the new normal in Wuhan, a metropolis usually bustling with more people than New York City. Chinese authorities suspended flights, trains and public transportation, preventing locals from leaving the area, and placing a city of 11 million people under lockdown. The mass quarantine invokes surreal scenes and a grim forecast.

Photos: The Epicenter of Coronavirus

Photojournalist Krisanne Johnson documented New Yorkers in early March of 2020, during moments of isolation as a climate of uncertainty and tension hung over the city that never sleeps.

Coronavirus in NYC Causes Uncertainty

For millions of Italians, and millions more around the globe, the confines of home became the new reality in fighting the spread of the coronavirus. Italian photojournalist Camila Ferrari offered a visual diary of intimacy within isolation.

Photos: Confined to Home in Milan

Around the world, we saw doctors, nurses and medical staff on the front lines in the battle against the COVID-19 pandemic.

Photos: Hospitals Fighting Coronavirus

As the pandemic raged, global citizens found new ways of socializing and supporting each other. From dance classes to church services, the screen took center stage.

Photos: Staying Connected in Quarantine

In April of 2020, photographer John Moore captured behind the scene moments of medical workers providing emergency services to patients with COVID-19 symptoms in New York City and surrounding areas.

Photos: Paramedics on the Front Lines

The COVID-19 pandemic has disproportionately impacted undocumented communities that often lack unemployment protections, health insurance and at times, fear deportation.

Photos: Migrants and the Coronavirus

Aerial views showed startlingly desolate landscapes and revealed the scale of the pandemic.

Photos: COVID-19 From Above

With devastating death tolls, COVID-19 altered the rituals of mourning loved ones.

Photos: Final Farewells

In recognition of May Day in 2020, these portraits celebrated essential workers around the globe.

Photos: Essential Workers of the World

In May 2020, of the 10 counties with the highest death rates per capita in America, half were in rural southwest Georgia, where there are no packed apartment buildings or subways. And where you could see ambulances rushing along country roads, just fields and farms in either direction, carrying COVID-19 patients to the nearest hospital, which for some is an hour away.

Photos: In Rural Georgia, Devastation

In January of 2021, as new variants of the virus emerged, Pfizer-BioNTech, Moderna and other vaccines led a historic global immunization rollout, offering hope.

Photos: COVID-19 Vaccinations

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Tags: Coronavirus , public health , Photo Galleries , New York City , pandemic

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Creating Photo Essays About Community: A Guide to Our Where We Are Contest

Step-by-step directions for depicting what’s memorable and meaningful about groups and the places where they gather.

By Katherine Schulten

It’s hard not to be inspired by the immersive 2023 photo-essay series Where We Are .

As you scroll through and are introduced to young female wrestlers in India , rappers in Spain , band kids in Ohio and Black debutantes in Detroit , you can’t help but think about the communities you have been a part of — or have noticed in your own neighborhood or school.

That’s why we hope you’ll participate in our new contest , which invites teenagers to use these photo essays as mentor texts to document the local, offline communities that most interest them.

How do you go about that? The steps are outlined below.

Have fun, and if you are submitting to our contest, make sure you do so by March 20.

How to Create Your Photo Essay

Step 1: read the where we are series closely., step 2: decide what local community will be the subject of your photo essay., step 3: take photos that show both the big picture and the small details., step 4: interview members of the community about why it is special., step 5: give your photo essay context via a short written introduction., step 6: write captions for your photos that give new information or add depth or color., step 7: edit all the pieces together and submit..

Immerse yourself in several of these photo essays, using our related activity sheet to help you start to notice and name some of the things that make this series special.

When you’re done, we’ll help you use those same strategies to document the community you have chosen.

Here are free links to the entire series:

1. The Magic of Your First Car 2. At This Mexican Restaurant, Everyone is Family 3. Where the Band Kids Are 4. In This Nigerian Market, Young Women Find a Place of Their Own 5. At Camp Naru, Nobody Is ‘an Outlier’ 6. For Black Debutantes in Detroit, Cotillion Is More Than a Ball 7. At This Wrestling Academy, Indian Girls Are ‘Set Free’ 8. In Seville, Spain, These Young Rappers Come Together to Turn ‘Tears Into Rhymes’ 9. For a Queer Community in Los Angeles, This Public Park Is a Lifeline 10. In Guatemala, a Collective of Young Artists Finds Family Through Film 11. On a Caribbean Island, Young People Find Freedom in ‘Bike Life’ 12. At This Texas Campus Ministry, ‘Inclusive Love’ Is the Mission 13. For Young Arab Americans in Michigan, the Hookah Lounge Feels like Home

A local band and its fans? The kids who hang out at a nearby basketball court? The people who tend a community garden? Your grandpa’s weekly breakfast with old friends at a local diner?

Our related Student Opinion forum will help you brainstorm ideas and then encourage you to detail what’s special about the people and place you choose. Remember that our rules allow you to work with up to three other people on this project, so consider sharing ideas with others to find a project that excites all of you.

Though we will allow you to choose a community you are a part of, we encourage you not to. Approaching a group as an outsider can help you notice and document aspects of that community with relative objectivity, capturing details that insiders may be too close to see.

Once you’ve chosen a group to photograph, begin by introducing yourself to ensure the participants are open to your project. Make sure they understand that, if you are a finalist, the pictures you take may be published on the New York Times website. You should also be sure to get contact information from each member of the group for any follow-up questions.

Next, spend a day or so just observing, noticing how and where the members of this community spend time, what they do together and how they relate to one another. Start to plan your piece, keeping in mind that, via six to eight photos, photo captions and a short introduction, you’ll need to impart the following:

What is this community?

Who is in it?

Where and when does it meet?

How did the community come to be? How does it operate?

Why does it matter to its participants? What is it about the connections people make in this space that makes it special? Why should it matter to viewers?

If there’s one thing to notice about the Where We Are series, it is that the photos and the writing both “zoom out” to provide a big picture and “zoom in” to focus on the meaningful details. If you have followed our related activity sheet , you’ve already noted how individual pieces do that.

You might have also observed that in each photo essay there are images that show the physical space; images that spotlight the people who gather there; and close-up images that focus on meaningful objects or details, like food, clothing, tattoos, jewelry, hair or hands.

Here are some steps you can take to do this too.

1. Ground your piece in a specific physical space.

Keep in mind that our contest allows you to submit only eight photos, so the more specific you can be about the place you choose, the easier it will be to tell a story. For example, rather than trying to document everything about the boys’ soccer team at your school, you might focus on their Wednesday practices at a local field.

Take photos that establish that space, perhaps at different times of day, from a variety of angles, with and without people. Here, for instance, is Sarapes, a Mexican restaurant in a quiet Connecticut suburb that is a “headquarters” for a group of 20-somethings.

As you look at this image and the ones below, ask yourself:

What can you tell about this space from the photograph?

What can you guess about the people who gather here, and what might this place might mean to them? What do you see that makes you say that?

Here is a meeting area at the Texas Wesley Foundation , a Methodist campus ministry group at University of Texas at Austin.

And here is the caption that comes with it:

“We call ourselves a Methodist group, but we are enthusiastic to accept people of other faiths, people who might not have any faith, or who are questioning their faith,” said Brandon. “We really like to meet people where they’re at.”

How do the caption and image echo and build on each other?

Next is one of many shots of Camp Naru , a summer camp for Korean American youth, where fostering a “strong, secure sense of identity and community is one of the main goals.” How can you see that in this image?

Finally, here is a big-picture look at the Southern California landscape that is the setting for “ The Magic of Your First Car .” What adjectives come to mind? Before you read the full piece, what can you already imagine about the teenagers who “get away from the prying eyes of parents” by driving? What additional images might you expect to see in the full essay?

2. Focus on the people who gather there.

Community is all about people, so consider the ways you can document both the ways they come together and the ways they might experience the group individually.

For instance, here is an arresting close-up image from “ For a Queer Community in Los Angeles, This Public Park Is a Lifeline .” What is interesting about it to you? How does the photo speak to the title of the piece?

Here is an image from “ Where the Band Kids Are .” What adjectives would you use to describe this community based on what you see here?

Here is another group shot. What adjectives would you use to describe this community? What would you expect individual portraits of its members to show?

Now, look at the related photo essay to see how close your answers were.

Here are some of the people that call Sarapes , the Mexican restaurant, their refuge. Action shots like this one often tell a viewer more than posed photos. What does this one say to you?

Finally, here is an image from “ On a Caribbean Island, Young People Find Freedom in ‘Bike Life.’ ” Though we don’t see any faces, the composition of the photo tells us a great deal. What do you think is going on here? What do you see that makes you say that? After you make your guesses, click into the photo essay and see how accurate your ideas were.

3. Zoom in on telling details about the people and the place.

You looked at a “zoomed out” image above from “ The Magic of Your First Car .” Here is a close-up. What does it tell you? What compositional elements give you that information? Why do you think the photographer chose this focus?

If you’ve already looked at several of the photo essays, you may have noticed that many, like this one, contain close-ups of hands. Why do you think that is?

Next, can you guess which photo essay the image below is from?

Before we reveal the answer, here is another close-up from the same photo essay, this one taken at night. Are you getting warmer?

Answer: “ At Camp Naru, Nobody Is ‘an Outlier.’ ” If you got it right, what clues in the photos helped? How do the images echo the idea expressed in the title?

Below is a photo that focuses on one member of a queer community in Los Angeles . What do you notice? What do you admire about the composition, the lighting, the angle or anything else? Why?

Now let’s look at a big-picture image and a close-up to see how they work together. Here is a shot from “ For Black Debutantes in Detroit, Cotillion Is More Than a Ball .”

Finally, here is a close-up. What do the two tell you together? What would be missing if you only took one type of shot?

4. Don’t forget to experiment and have fun.

If you’ve mastered the ideas above, now it’s time to play. As you worked through the images, you asked yourself, “How does composition convey meaning?” even if you didn’t realize that was what you were doing.

Our detailed photo guide , developed for an earlier contest, encourages you to think about how to experiment with basic composition techniques like rule of thirds, angle, depth of field, leading lines, framing and distance. It also helps you think about lighting, color and cropping, as well as making the best use of the tools available on most smartphones.

Read through it before and after you have documented your community and then look through the images you have taken. Do you have enough variety? Can you identify techniques like rule of thirds and leading lines in the images from the Where We Are series? If you haven’t used them in your own work, could you experiment?

Below are a few more images from Where We Are essays for inspiration. What do you notice? What compositional choices did the photographer make? How would different choices change the meaning?

Last question: Two of the four images above are from the same photo essay. Which are they, which piece do they come from, and how did you know? What unites the two images?

According to the rules of our contest, you only need one quote from a member of the community you have chosen, but, of course, you are allowed to use many more. We encourage you to weave them into both your captions and your introduction, just as the authors of the Where We Are series did.

Never conducted an interview before? We have advice. Scroll down to Steps 3 and 4 in this guide we created for our Profile Contest to find many practical tips from Times journalists for preparing for and conducting an interview.

But to start, you just need a few good questions. For example, you might ask:

What’s special about this community for you?

What do you like to do here?

What are some of your favorite memories or stories about this group?

What would an outsider to this community not understand or notice?

Is there history about this place or these people that I should understand?

If you were photographing this community, what important places, objects or moments would you try to capture? Why?

Finally, many journalists end interviews with this question: “Is there anything I didn’t ask that you wish I did?” Sometimes the most interesting information is elicited that way!

Then look over what you wrote down and choose the best quotes. Maybe they give information that your photo essay needs, maybe they are colorful and show personality or maybe they do all of those things.

To see how this works, we’ll look at one of the essays, “ At This Texas Campus Ministry, ‘Inclusive Love’ Is the Mission .”

Here is how the first quote was used, in the introduction:

Sydney had grown up Methodist and thought she knew what to expect from a Christian student organization. But she was surprised by just how welcoming the Wesley was. The students and adult leaders seemed genuinely invested in drawing her out of her shell and getting to know her, with no agenda. “It’s really not about getting people into this religion,” she said. “It’s just about being a community who supports others and loves others. And that was huge to me.”

How does it both paraphrase Sydney’s words and directly quote her? What does that quote tell the reader up front about this community? Why is that information important, and why might a participant’s own words be a compelling way to express this?

Later we meet Ethan. What does his experience — again, both paraphrased and directly quoted — add to your understanding of the inclusivity of this community? What colorful description does he offer for what happens in this group? How does this description add information to what is depicted in the photos?

Ethan’s parents are Buddhist and were surprised when their son started spending so much time with a Methodist organization. For his part, Ethan describes himself as agnostic and says he hasn’t felt any pressure from the Wesley to change that, but he appreciates the camaraderie the group offers. “There was this one worship where, when there was a swell in the music, someone burst into tears, and then they hugged one of their friends. I am not sure what was going on there, but it was definitely a very profound experience,” he said.

Listen for the same things as you interview. How can one person’s description of an experience add necessary information, depth, history or background to what you have depicted in images? Did you get any quotes that are too good not to use? How could you highlight them? Do they belong in your introduction or as a photo caption?

The essays in the Where We Are series are longer than the introductions you will write if you are participating in this contest. Many of those essays are about 600 words, double what we have allowed student participants. (You have up to 300 words, but you can use fewer if you can still convey what you need to.)

But you can use the first few paragraphs of each essay — what appears before the first photos — as mentor texts for your own introductions, and we’ll show you how, below.

First though, let’s remember your broader goals. As we wrote at the top of this post, together, your introduction, photo essay and captions should answer these questions:

Why does it matter to its participants? Why should it matter to viewers?

Take a look at “ In This Nigerian Market, Young Women Find a Place of Their Own ” as an example. Here is the introduction, the first 200 or so words before the photo essay begins to scroll:

At the bustling Yaba Market in Lagos, Nigeria, there is something for everyone. Chatter rises from the traders, whose stalls sprawl over miles of cracked gray concrete and packed earth. They might be selling baskets of fresh fruit, wheelbarrows stuffed with phone cases, piles of sequined fabrics or racks of second-hand clothes. If you’re lucky, you might find a vintage jacket you’ve been searching for, or a pair of long-lasting Levi’s jeans. But you’re never going to be as lucky as Dencity : the coolest of the cool kids of Lagos. These skaters, often clad in a uniform of baggy pants and crop tops, head to the market to go thrifting each week. They’re armed with fashion knowledge only the young, fun and determined can possess and seek out the best streetwear they can find. Founded by 26-year-old Blessing Ewona in 2020 in response to the dearth of spaces for young queer people and female skaters in Nigeria, Dencity skate, dream and thrift together. From their trips to the market to regular skate meet-ups at the dilapidated National Stadium or Tarkwa Bay beach, they have traced their own map of the city.

How many of the questions we listed above do these paragraphs answer? How do they work with the top image, which we’ve embedded above this section? What descriptions stand out? What context and background does it provide?

Now let’s break your task down.

1. Make your writing as vivid and varied as your images.

Much of the writing in these essays is just as interesting as the photos, as the example above shows. Here is another, the opening of “ At This Wrestling Academy, Indian Girls Are ‘Set Free’ ”:

As the winter sun ascends over a mustard farm, pale orange bleeding into sharp yellow, a line of 36 girls all dressed alike — T-shirts, track pants, crew cuts — emerges into an open field, rubbing sleep from their eyes. Under a tin shed, they sit on their haunches, bent over stone mortars. For the next 20 minutes, they crush raw almonds into a fine paste, straining out a bottle of nut milk. They will need it to regain their strength.

And here is how “ On a Caribbean Island, Young People Find Freedom in ‘Bike Life’ ” begins:

On a warm evening in October 2021, Enzo Crispin mounted his cobalt motorcycle and set off into the night. Hundreds of others joined his caravan, the rumbles of their engines filling the air of Fort-de-France, the capital of the French Caribbean island territory of Martinique. The riders popped up on one wheel, stood up on their bikes, brushed their hands along the ground — all while zooming along at top speed. Completely exhilarating. Potentially illegal, at least on public streets. This is “cabrage,” which roughly translates from French as a rodeo on wheels.

How do these introductions both “zoom out” and “zoom in”? How do they play on your senses, helping you see, hear, taste, touch and smell this place and what happens in it? How could you do those things in your introduction?

2. Offer background to help viewers understand what they are seeing and what it means.

Here is the introduction to “ For Young Arab Americans in Michigan, the Hookah Lounge Feels Like Home ”:

Coming of age is marked by a series of firsts. Your first kiss. Your first job. Your first drink. Many who grew up in Dearborn, Mich., would add to the list: your first hookah. Located just outside downtown Detroit, Dearborn is home to one of the United States’ largest Arab American communities: Nearly 50 percent of residents identify as having Arab ancestry, according to the U.S. census . Middle Eastern shops, where you may find portable hookah cups , dot the streets. There is also the Arab American National Museum (which sells hookah-themed socks) and the Islamic Center of America , one of the nation’s oldest and largest mosques. And then there is the long list of hookah lounges, where locals spend hours leisurely smoking flavored tobacco through water pipes while catching up, watching soccer games or enjoying a live Arabic music performance. “A spot like a hookah lounge, it’s sacred,” particularly for immigrants and refugees far from home, said Marrim (pronounced Mariam) Akashi Sani, 25, who is Iraqi-Iranian. “And it’s something you have to create for yourself when you’re displaced, and you might not ever be able to go back home because you don’t really know what home is anymore.”

How do the opening two lines grab your attention? How does the demographic information in the third paragraph explain the focus on hookah lounges? How does the quote at the end offer important information that complements the demographic data and gives it meaning?

Next is the introduction to “ For Black Debutantes in Detroit, Cotillion Is More Than a Ball ”:

In a heady swirl of bright white silk and lace, the young ladies of the Cotillion Society of Detroit Educational Foundation are presented as debutantes. The Society’s annual ball is the culmination of eight months of etiquette lessons, leadership workshops, community service projects and cultural events. As the girls take to the dance floor, they become part of a legacy of Black debutantes in the city and beyond. Debutante balls, which traditionally helped girls from high society find suitable husbands, emerged from Europe in the 18th century. Black Americans have adopted a unique version of them since at least 1895 . Responding to the politics of the Jim Crow era, these balls, which emphasized women’s education, echoed the work of the racial upliftment movement and women’s clubs, said Taylor Bythewood-Porter, the curator of a recent exhibition on Black cotillions at the California African American Museum. Organizers saw the balls as a way to “dismiss the idea of Black people not being smart enough, or good enough, or worthy enough.” For today’s debutantes, many of whom grew up in predominantly white neighborhoods of Detroit, gaining an informal network of Black adult mentors was “life-changing,” said Sage Johnson, 17. “Signing up for debutantes, I thought it was just one big ball. But there were a lot more layers to it.”

How do the second and third paragraphs add key context and history to this photo essay? How does the quote at the end bring these cotillions into the 21st century, and help you anticipate what is to come?

Ask yourself, What background will my viewers need to understand what they are seeing, and appreciate its nuances? Do I need to add that information myself, or can some of the quotes from participants do that work for me?

In most traditional newspaper articles, you will find a caption under each photo explaining more detail about the image and its relationship to the story. As you scroll through Where We Are, however, you’ve probably noticed that, thanks to the elegant way these pieces are produced, the captions float up on or around the photos.

In these essays, the captions continue the story. Your captions will do that too. But in the Where We Are pieces, photo captions are interspersed with more of the written essay. Because you are doing a “mini” version of this project, however, after your initial introduction, the only writing we will read will come from your captions. Make sure they continue to tell your story in a way that makes sense to the reader and helps build meaning.

For instance, here is an image from “ In Guatemala, A Collective of Young Artists Finds Family Through Film .”

The caption?

The team has quickly become a family, meeting up for dinners and to celebrate each other’s birthdays. They are, said Sebastián, a community first and a production house second.

Notice how those words work with the image. Can you see “family” and “community” and “team” conveyed in the way this image is composed, the looks on the faces, the colors and light? How?

Here is another example, from “ In Seville, Spain, These Young Rappers Come Together to Turn ‘Tears Into Rhymes’ .” Before you read the caption, what do you imagine is happening in this picture?

Here is the caption, which both offers some background about the group and includes a wonderful quote:

Luis Rodríguez Collado, at right, the youngest of the group, grew up in Spain, the child of Mexican immigrants. “We aren’t just emoting with language, but with song and dance, with sounds and rhythm,” said Luis, a.k.a. Luis 3K. “At 19, I sincerely don’t know anything more liberating than this.”

As you construct your captions, ask yourself:

What information do I need to add to these images to make the meaning and nuances clear?

Can using quotes from participants work? What might they add?

How do these captions continue the story I started in my introduction? Do they build on one another and make sense both separately and together? Do they avoid repetition, with each other or with the introduction? Do they strengthen the key ideas of my piece? How?

At this point you may have dozens of images, and pages of notes. How do you put it all together?

Way back when you were first analyzing the Where We Are series, we called your attention to the fact that the images, essay and captions don’t repeat information exactly the same way . Each element adds something new.

We also talked about how, from the very first image, the one the authors chose for the top, a theme is hinted at, and then echoed in the introduction and continued in the captions. Whatever key ideas about this community you want to get across — maybe that it is a refuge or home, that it offers freedom or that it challenges participants creatively or athletically — look through your images and writing and find all the ways you think you have done that. Do you need more emphasis on this theme? A variety of ways of showing it?

Speaking of variety , that’s another lens to look through when considering your piece as a whole. In terms of both the photos and the writing, have you “zoomed out” enough to establish a place and a context? Have you “zoomed in” to show detail? Are your images taken from different angles and points of view? Do they show both the group and individuals? Are they dynamic and interesting and surprising?

Then, show your work to others, and, perhaps, ask them to analyze it using the last four questions on our related activity sheet . That will prompt them to tell you what is working, but make sure to also ask them if there is anything confusing about your piece, or if they think there is information missing.

Then, go back and fill in anything your piece needs, and play with the sequence of your images until they tell the story you want to tell.

Good luck. We can’t wait to see the results!

Katherine Schulten has been a Learning Network editor since 2006. Before that, she spent 19 years in New York City public schools as an English teacher, school-newspaper adviser and literacy coach. More about Katherine Schulten

The origin of all things: Kyotographie 2024 – a photo essay

The 12 th annual Kyotographie photography festival features 13 exhibitions staged in striking locations across the Japanese city of Kyoto. Photographers from around the world submitted pictures on the theme of ‘source’

• The Kyotographie international photography festival runs until 12 May

S pring in Kyoto ushers in cherry blossom season, but it also marks the return of one of the biggest photo festivals in Asia. Kyotographie, now in its 12th year, fuses the past and present with its striking images and unique locations. The 13 exhibitions are staged in temples, galleries and traditional private homes across the Japanese city, showcasing the work of national and international photographers.

The festival is loosely centred on a theme – and this year the directors, Lucille Reyboz and Yusuke Nakanishi, asked participants to focus on the word “source” by delving into the essence of beginnings and the nexus of creation and discovery.

The Yamomami struggle. Photograph by Claudia Andujar

The source is the initiator, the origin of all things. It is the creation of life, a place where conflict arises or freedom is obtained; it is the space in which something is found, born or created. It is a struggle Claudia Andujar and the Yanomami shaman and leader Davi Kopenawa know too well. The Yanomami Struggle is the first retrospective exhibition in Japan by the Brazilian artist and activist Andujar with the Yanomami people of Brazil.

It is more than 50 years since she began photographing the Yanomami, the people of the Amazon rainforest near Brazil’s border with Venezuela, an initial encounter that changed their lives. Andujar’s work is not just a showcase of her photographic talent but, with Kopenawa accompanying the exhibition to Japan for the first time, it is a platform to bring the Yanomami’s message to a wider Asian audience.

The Yanomami Struggle. Photograph by Claudia Andujar

The first part of the exhibition features photographs taken by Andjuar in the 1970s, alongside artwork by the Yanomami people and words by Kopenawa. The second part narrates the continuing violence inflicted by non-Indigenous society on the Yanomami. The project is a platform for the Yamomani people to be seen and protected from ongoing threats. The exhibition, curated by Thyago Nogueira from São Paulo’s Instituto Moreira Salles, is a smaller version of one that has been touring the world since 2018.

The Yanomami Struggle, by Claudia Andujar, and artwork by the Yanomami people.

The Moroccan artist Yassine Alaoui Ismaili (Yoriyas) is showing new work made during his Kyotographie artist-in-residence programme for young Africans. The images from the Japanese city feature alongside his project Casablanca Not the Movie.

Children Transform the Sheep for Eid al-Adha into a Playground in Casablanca. Photograph by Yassine Alaoui Ismaili (Yoriyas)

Yoriyas gave up his career as a breakdancer and took up photography as a means of self-expression. His project Casablanca Not the Movie documents the streets of the city where he lives with candid shots and complex compositions. His work, which combines performance and photography, encourages us to focus on how we inhabit urban spaces. The exhibition’s clever use of display and Yoriyas’s experience with choreography force the viewer to see the work at unconventional angles. He says: “The camera frame is like a theatre stage. The people in the frame are my dancers. By moving the camera, I am choreographing my subjects without even knowing it. When an interesting movement catches my eye, I press the shutter. My training has taught me to immediately understand space, movement, connection and story. I photograph in the same way that I choreograph.”

The contrasts in Casablanca take many forms, including social, political, religious and chromatic. Photograph by Yoriyas

From Our Windows is a collaboration bringing together two important Japanese female photographers, both of whom shares aspects of their lives through photography, in a dialogue about different generations. The exhibition is supported by Women in Motion, which throws a spotlight on the talent of women in the arts in an attempt to reach gender equality in the field. Rinko Kawauchi, an internationally acclaimed photographer, chose to exhibit with Tokuko Ushioda who, at 83, continues to create vibrant new works. Kawauchi says of Ushioda: “I respect the fact that she has been active as a photographer since a time when it was difficult for women to advance in society, and that she is sincerely committed to engaging with the life that unfolds in front of her.” This exhibition features photographs taken by each of them of their families.

Photograph by Rinko Kawauchi.

Kawauchi’s two bodies of work, Cui Cui and As It Is, focus on family life. The first series is a family album relating to the death of her grandfather and the second showcases the three years after the birth of her child. Family, birth, death and daily life are threads through both bodies of work that help to create an emotional experience that transcends the generations.

Rinko Kawauchi and Tokuko Ushioda at the Kyoto City Kyocera Museum of Art

Kawauchi says: “My works will be exhibited alongside Ushioda. Each of the works from the two series are in a space that is the same size, located side by side. The works show the accumulation of time that we have spent. They are a record of the days we spent with our families, and they are also the result of facing ourselves. We hope to share with visitors what we have seen through the act of photography, which we have continued to do even though our generations are different, and to enjoy the fact that we are now living in the same era.”

Ushioda’s first solo exhibition features two series: the intimate My Husband and also Ice Box, a fixed-point observation of her own and friends’ refrigerators. Ushioda says: “I worked on that series [Ice Box] for around 20 years or so. Like collecting insects, I took photographs of refrigerators in houses here and there and in my own home, which eventually culminated in this body of work.”

Entries from Tokuko Ushida’s series Ice Box.

James Mollison’s ongoing project Where Children Sleep is on display at the Kyoto Art Centre with a clever display that turns each photograph into its own bedroom.

A child portrayed in Where Children Sleep, Nemis, Canada.

Featuring 35 children from 28 countries, the project encourages viewers to think about poverty, wealth, the climate emergency, gun violence, education, gender issues and refugee crises. Mollison says: “From the start, I didn’t want to think about needy children in the developing world, but rather something more inclusive, about children from all types of situations.” Featuring everything from a trailer in Kentucky during an opioid crisis and a football fan’s bedroom in Yokohama, Japan, to a tipi in Mongolia, the project offers an engrossing look at disparate lives.

From Where Children Sleep, Nirto, Somalia

Joshim, India. Photographs by James Mollison

Phosphor, Art & Fashion (1990-2023) is the first big retrospective exhibition devoted to the Dutch artist Viviane Sassen . It covers 30 years of works, including previously unseen photographs, and combines them with video installations, paintings and collages that showcase her taste for ambiguity and drama in a distinctive language of her own.

Eudocimus Ruber, from the series Of Mud and Lotus, 2017. Photograph by Viviane Sassen and Stevenson

The exhibition opens with self-portraits taken during Sassen’s time as a model. “I wanted to regain power over my own body. With a man behind the camera, a sort of tension always develops, which is often about eroticism, but usually about power,” she says. Sassen lived in Kenya as a child, and the series produced there and in South Africa are dreamlike, bold and enigmatic. She describes this period as her “years of magical thinking”. The staging of the exhibition in an old newspaper printing press contrasts with the light, shadows and bold, clashing colours of her work. The lack of natural light intensifies the flamboyant tones of the elaborately composed fashion work.

Dior Magazine (2021), and Milk, from the series Lexicon, 2006. Photographs by Viviane Sassen and Stevenson

Viviane Sassen’s immersive video installation at the Kyoto Shimbun B1F print plant. Photograph by Joanna Ruck

The source of and inspiration for Kyotographie can be traced to Lucien Clergue, the founder of Les Rencontres d’Arles, the first international photography festival, which took place in 1969. Arles, where Clergue grew up and lived all his life, was a canvas for his photography work in the 1950s. Shortly after the second world war, many Roma were freed from internment camps and came to Arles, where Clergue forged a close relationship with the community. Gypsy Tempo reveals the daily life of these families – their nomadic lifestyle, the role of religion and how music and dance are used to tell stories.

Draga in Polka-Dot Dress, Saintes-Maries-de-la-Mer, 1957. Photographs by Lucien Clergue

Little Gypsy Girl in the Chapel, Cannet 1958

During this time, Clergue discovered, and then helped propel to fame, the Gypsy guitarist Manitas de Plata and his friend José Reyes. Manitas went on to become a famous musician in the 1960s who, together with Clergue, toured the world, including Japan.

Kyotographie 2024 was launched alongside its sister festival, Kyotophonie , an international music event, with performances by Los Graciosos, a band from Catalonia who play contemporary Gypsy music. Meanwhile, the sounds of De Plata can be heard by viewers of Clergue’s exhibition.

The Magic Circle, Saintes-Maries-de-la-Mer, 1958, by Lucien Clergue.

Kyotographie 2024 runs until 12 May at venues across Kyoto, Japan.

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How to Create an Engaging Photo Essay (with Examples)

Photo essays tell a story in pictures. They're a great way to improve at photography and story-telling skills at once. Learn how to do create a great one.

Learn | Photography Guides | By Ana Mireles

Photography is a medium used to tell stories – sometimes they are told in one picture, sometimes you need a whole series. Those series can be photo essays.

If you’ve never done a photo essay before, or you’re simply struggling to find your next project, this article will be of help. I’ll be showing you what a photo essay is and how to go about doing one.

You’ll also find plenty of photo essay ideas and some famous photo essay examples from recent times that will serve you as inspiration.

If you’re ready to get started, let’s jump right in!

Table of Contents

What is a Photo Essay?

A photo essay is a series of images that share an overarching theme as well as a visual and technical coherence to tell a story. Some people refer to a photo essay as a photo series or a photo story – this often happens in photography competitions.

Photographic history is full of famous photo essays. Think about The Great Depression by Dorothea Lange, Like Brother Like Sister by Wolfgang Tillmans, Gandhi’s funeral by Henri Cartier Bresson, amongst others.

What are the types of photo essay?

Despite popular belief, the type of photo essay doesn’t depend on the type of photography that you do – in other words, journalism, documentary, fine art, or any other photographic genre is not a type of photo essay.

Instead, there are two main types of photo essays: narrative and thematic .

As you have probably already guessed, the thematic one presents images pulled together by a topic – for example, global warming. The images can be about animals and nature as well as natural disasters devastating cities. They can happen all over the world or in the same location, and they can be captured in different moments in time – there’s a lot of flexibility.

A narrative photo essa y, on the other hand, tells the story of a character (human or not), portraying a place or an event. For example, a narrative photo essay on coffee would document the process from the planting and harvesting – to the roasting and grinding until it reaches your morning cup.

What are some of the key elements of a photo essay?

• Tell a unique story – A unique story doesn’t mean that you have to photograph something that nobody has done before – that would be almost impossible! It means that you should consider what you’re bringing to the table on a particular topic.
• Put yourself into the work – One of the best ways to make a compelling photo essay is by adding your point of view, which can only be done with your life experiences and the way you see the world.
• Add depth to the concept – The best photo essays are the ones that go past the obvious and dig deeper in the story, going behind the scenes, or examining a day in the life of the subject matter – that’s what pulls in the spectator.
• Nail the technique – Even if the concept and the story are the most important part of a photo essay, it won’t have the same success if it’s poorly executed.
• Build a structure – A photo essay is about telling a thought-provoking story – so, think about it in a narrative way. Which images are going to introduce the topic? Which ones represent a climax? How is it going to end – how do you want the viewer to feel after seeing your photo series?
• Make strong choices – If you really want to convey an emotion and a unique point of view, you’re going to need to make some hard decisions. Which light are you using? Which lens? How many images will there be in the series? etc., and most importantly for a great photo essay is the why behind those choices.

9 Tips for Creating a Photo Essay

Credit: Laura James

1. Choose something you know

To make a good photo essay, you don’t need to travel to an exotic location or document a civil war – I mean, it’s great if you can, but you can start close to home.

Depending on the type of photography you do and the topic you’re looking for in your photographic essay, you can photograph a local event or visit an abandoned building outside your town.

It will be much easier for you to find a unique perspective and tell a better story if you’re already familiar with the subject. Also, consider that you might have to return a few times to the same location to get all the photos you need.

2. Follow your passion

Most photo essays take dedication and passion. If you choose a subject that might be easy, but you’re not really into it – the results won’t be as exciting. Taking photos will always be easier and more fun if you’re covering something you’re passionate about.

3. Take your time

A great photo essay is not done in a few hours. You need to put in the time to research it, conceptualizing it, editing, etc. That’s why I previously recommended following your passion because it takes a lot of dedication, and if you’re not passionate about it – it’s difficult to push through.

4. Write a summary or statement

Photo essays are always accompanied by some text. You can do this in the form of an introduction, write captions for each photo or write it as a conclusion. That’s up to you and how you want to present the work.

5. Learn from the masters

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Making a photographic essay takes a lot of practice and knowledge. A great way to become a better photographer and improve your storytelling skills is by studying the work of others. You can go to art shows, review books and magazines and look at the winners in photo contests – most of the time, there’s a category for photo series.

6. Get a wide variety of photos

Think about a story – a literary one. It usually tells you where the story is happening, who is the main character, and it gives you a few details to make you engage with it, right?

The same thing happens with a visual story in a photo essay – you can do some wide-angle shots to establish the scenes and some close-ups to show the details. Make a shot list to ensure you cover all the different angles.

Some of your pictures should guide the viewer in, while others are more climatic and regard the experience they are taking out of your photos.

7. Follow a consistent look

Both in style and aesthetics, all the images in your series need to be coherent. You can achieve this in different ways, from the choice of lighting, the mood, the post-processing, etc.

8. Be self-critical

Once you have all the photos, make sure you edit them with a good dose of self-criticism. Not all the pictures that you took belong in the photo essay. Choose only the best ones and make sure they tell the full story.

9. Ask for constructive feedback

Often, when we’re working on a photo essay project for a long time, everything makes perfect sense in our heads. However, someone outside the project might not be getting the idea. It’s important that you get honest and constructive criticism to improve your photography.

How to Create a Photo Essay in 5 Steps

Credit: Quang Nguyen Vinh

1. Choose your topic

This is the first step that you need to take to decide if your photo essay is going to be narrative or thematic. Then, choose what is it going to be about?

Ideally, it should be something that you’re interested in, that you have something to say about it, and it can connect with other people.

2. Research your topic

To tell a good story about something, you need to be familiar with that something. This is especially true when you want to go deeper and make a compelling photo essay. Day in the life photo essays are a popular choice, since often, these can be performed with friends and family, whom you already should know well.

3. Plan your photoshoot

Depending on what you’re photographing, this step can be very different from one project to the next. For a fine art project, you might need to find a location, props, models, a shot list, etc., while a documentary photo essay is about planning the best time to do the photos, what gear to bring with you, finding a local guide, etc.

Every photo essay will need different planning, so before taking pictures, put in the required time to get things right.

4. Experiment

It’s one thing to plan your photo shoot and having a shot list that you have to get, or else the photo essay won’t be complete. It’s another thing to miss out on some amazing photo opportunities that you couldn’t foresee.

So, be prepared but also stay open-minded and experiment with different settings, different perspectives, etc.

5. Make a final selection

Editing your work can be one of the hardest parts of doing a photo essay. Sometimes we can be overly critical, and others, we get attached to bad photos because we put a lot of effort into them or we had a great time doing them.

Try to be as objective as possible, don’t be afraid to ask for opinions and make various revisions before settling down on a final cut.

7 Photo Essay Topics, Ideas & Examples

Credit: Michelle Leman

• Architectural photo essay

Using architecture as your main subject, there are tons of photo essay ideas that you can do. For some inspiration, you can check out the work of Francisco Marin – who was trained as an architect and then turned to photography to “explore a different way to perceive things”.

You can also lookup Luisa Lambri. Amongst her series, you’ll find many photo essay examples in which architecture is the subject she uses to explore the relationship between photography and space.

• Process and transformation photo essay

This is one of the best photo essay topics for beginners because the story tells itself. Pick something that has a beginning and an end, for example, pregnancy, the metamorphosis of a butterfly, the life-cycle of a plant, etc.

Keep in mind that these topics are linear and give you an easy way into the narrative flow – however, it might be difficult to find an interesting perspective and a unique point of view.

• A day in the life of ‘X’ photo essay

There are tons of interesting photo essay ideas in this category – you can follow around a celebrity, a worker, your child, etc. You don’t even have to do it about a human subject – think about doing a photo essay about a day in the life of a racing horse, for example – find something that’s interesting for you.

• Time passing by photo essay

It can be a natural site or a landmark photo essay – whatever is close to you will work best as you’ll need to come back multiple times to capture time passing by. For example, how this place changes throughout the seasons or maybe even over the years.

A fun option if you live with family is to document a birthday party each year, seeing how the subject changes over time. This can be combined with a transformation essay or sorts, documenting the changes in interpersonal relationships over time.

• Travel photo essay

Do you want to make the jump from tourist snapshots into a travel photo essay? Research the place you’re going to be travelling to. Then, choose a topic.

If you’re having trouble with how to do this, check out any travel magazine – National Geographic, for example. They won’t do a generic article about Texas – they do an article about the beach life on the Texas Gulf Coast and another one about the diverse flavors of Texas.

The more specific you get, the deeper you can go with the story.

• Socio-political issues photo essay

This is one of the most popular photo essay examples – it falls under the category of photojournalism or documental photography. They are usually thematic, although it’s also possible to do a narrative one.

Depending on your topic of interest, you can choose topics that involve nature – for example, document the effects of global warming. Another idea is to photograph protests or make an education photo essay.

It doesn’t have to be a big global issue; you can choose something specific to your community – are there too many stray dogs? Make a photo essay about a local animal shelter. The topics are endless.

• Behind the scenes photo essay

A behind-the-scenes always make for a good photo story – people are curious to know what happens and how everything comes together before a show.

Depending on your own interests, this can be a photo essay about a fashion show, a theatre play, a concert, and so on. You’ll probably need to get some permissions, though, not only to shoot but also to showcase or publish those images.

4 Best Photo Essays in Recent times

Now that you know all the techniques about it, it might be helpful to look at some photo essay examples to see how you can put the concept into practice. Here are some famous photo essays from recent times to give you some inspiration.

Habibi by Antonio Faccilongo

This photo essay wan the World Press Photo Story of the Year in 2021. Faccilongo explores a very big conflict from a very specific and intimate point of view – how the Israeli-Palestinian war affects the families.

He chose to use a square format because it allows him to give order to things and eliminate unnecessary elements in his pictures.

With this long-term photo essay, he wanted to highlight the sense of absence and melancholy women and families feel towards their husbands away at war.

The project then became a book edited by Sarah Leen and the graphics of Ramon Pez.

Picture This: New Orleans by Mary Ellen Mark

The last assignment before her passing, Mary Ellen Mark travelled to New Orleans to register the city after a decade after Hurricane Katrina.

The images of the project “bring to life the rebirth and resilience of the people at the heart of this tale”, – says CNNMoney, commissioner of the work.

Each survivor of the hurricane has a story, and Mary Ellen Mark was there to record it. Some of them have heartbreaking stories about everything they had to leave behind.

Others have a story of hope – like Sam and Ben, two eight-year-olds born from frozen embryos kept in a hospital that lost power supply during the hurricane, yet they managed to survive.

Selfie by Cindy Sherman

Cindy Sherman is an American photographer whose work is mainly done through self-portraits. With them, she explores the concept of identity, gender stereotypes, as well as visual and cultural codes.

One of her latest photo essays was a collaboration with W Magazine entitled Selfie. In it, the author explores the concept of planned candid photos (‘plandid’).

The work was made for Instagram, as the platform is well known for the conflict between the ‘real self’ and the one people present online. Sherman started using Facetune, Perfect365 and YouCam to alter her appearance on selfies – in Photoshop, you can modify everything, but these apps were designed specifically to “make things prettier”- she says, and that’s what she wants to explore in this photo essay.

Tokyo Compression by Michael Wolf

Michael Wolf has an interest in the broad-gauge topic Life in Cities. From there, many photo essays have been derived – amongst them – Tokyo Compression .

He was horrified by the way people in Tokyo are forced to move to the suburbs because of the high prices of the city. Therefore, they are required to make long commutes facing 1,5 hours of train to start their 8+ hour workday followed by another 1,5 hours to get back home.

To portray this way of life, he photographed the people inside the train pressed against the windows looking exhausted, angry or simply absent due to this way of life.

You can visit his website to see other photo essays that revolve around the topic of life in megacities.

Final Words

It’s not easy to make photo essays, so don’t expect to be great at it right from your first project.

Start off small by choosing a specific subject that’s interesting to you –  that will come from an honest place, and it will be a great practice for some bigger projects along the line.

Whether you like to shoot still life or you’re a travel photographer, I hope these photo essay tips and photo essay examples can help you get started and grow in your photography.

Let us know which topics you are working on right now – we’ll love to hear from you!

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Ana Mireles is a Mexican researcher that specializes in photography and communications for the arts and culture sector.

Penelope G. To Ana Mireles Such a well written and helpful article for an writer who wants to inclue photo essay in her memoir. Thank you. I will get to work on this new skill. Penelope G.

Herman Krieger Photo essays in black and white

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23 Photo Essay Ideas and Examples (to Get Your Creative Juices Flowing!)

A Post By: Kevin Landwer-Johan

Looking for inspiration? Our 23 photo essay ideas will take your photography skills to new heights!

A single, strong photograph can convey a lot of information about its subject – but sometimes we have topics that require more than one image to do the job. That’s when it’s time to make a photo essay: a collection of pictures that together tell the bigger story around a chosen theme.

In the following sections, we’ll explore various photo essay ideas and examples that cover a wide range of subjects and purposes. From capturing the growth of your children to documenting local festivals, each idea offers an exciting opportunity to tell a story through your lens, whether you’re a hobbyist or a veteran professional.

So grab your camera, unleash your creativity, and let’s delve into the wonderful world of photo essay examples!

What is a photo essay?

Simply put, a photo essay is a series of carefully selected images woven together to tell a story or convey a message. Think of it as a visual narrative that designed to capture attention and spark emotions.

Now, these images can revolve around a broad theme or focus on a specific storyline. For instance, you might create a photo essay celebrating the joy of companionship by capturing 10 heartwarming pictures of people sharing genuine laughter. On the other hand, you could have a photo essay delving into the everyday lives of fishermen in Wales by following a single fisherman’s journey for a day or even a week.

It’s important to note that photo essays don’t necessarily have to stick to absolute truth. While some documentary photographers prefer to keep it authentic, others may employ techniques like manipulation or staging to create a more artistic impact. So there is room for creativity and interpretation.

Why you should create a photo essay

Photo essays have a way of expressing ideas and stories that words sometimes struggle to capture. They offer a visual narrative that can be incredibly powerful and impactful.

Firstly, photo essays are perfect when you have an idea or a point you want to convey, but you find yourself at a loss for words. Sometimes, emotions and concepts are better conveyed through images rather than paragraphs. So if you’re struggling to articulate a message, you can let your photos do the talking for you.

Second, if you’re interested in subjects that are highly visual, like the mesmerizing forms of architecture within a single city, photo essays are the way to go. Trying to describe the intricate details of a building or the play of light and shadows with words alone can be challenging. But through a series of captivating images, you can immerse your audience in the architecture.

And finally, if you’re aiming to evoke emotions or make a powerful statement, photo essays are outstanding. Images have an incredible ability to shock, inspire, and move people in ways that words often struggle to achieve. So if you want to raise awareness about an environmental issue or ignite a sense of empathy, a compelling series of photographs can have a profound impact.

Photo essay examples and ideas

Looking to create a photo essay but don’t know where to start? Here are some handy essay ideas and examples for inspiration!

1. A day in the life

Your first photo essay idea is simple: Track a life over the course of one day. You might make an essay about someone else’s life. Or the life of a location, such as the sidewalk outside your house. 

The subject matter you choose is up to you. But start in the morning and create a series of images showing your subject over the course of a typical day.

(Alternatively, you can document your subject on a special day, like a birthday, a wedding, or some other celebration.)

2. Capture hands

Portraits focus on a subject’s face – but why not mix it up and make a photo essay that focuses on your subject’s hands?

(You can also focus on a collection of different people’s hands.)

Hands can tell you a lot about a person. And showing them in context is a great way to narrate a story.

3. Follow a sports team for a full season

Sports are all about emotions – both from the passionate players and the dedicated fans. While capturing the intensity of a single game can be exhilarating, imagine the power of telling the complete story of a team throughout an entire season.

For the best results, you’ll need to invest substantial time in sports photography. Choose a team that resonates with you and ensure their games are within a drivable distance. By photographing their highs and lows, celebrations and challenges, you’ll create a compelling photo essay that traces their journey from the first game to the last.

4. A child and their parent

Photographs that catch the interaction between parents and children are special. A parent-child connection is strong and unique, so making powerful images isn’t challenging. You just need to be ready to capture the special moments as they happen. 

You might concentrate on a parent teaching their child. Or the pair playing sports. Or working on a special project.

Use your imagination, and you’ll have a great time with this theme.

5. Tell a local artist’s story 

I’ve always enjoyed photographing artists as they work; studios have a creative vibe, so the energy is already there. Bring your camera into this environment and try to tell the artist’s story!

An artist’s studio offers plenty of opportunities for wonderful photo essays. Think about the most fascinating aspects of the artist’s process. What do they do that makes their art special? Aim to show this in your photos.

Many people appreciate fine art, but they’re often not aware of what happens behind the scenes. So documenting an artist can produce fascinating visual stories.

6. Show a tradesperson’s process

Do you have a plumber coming over to fix your kitchen sink? Is a builder making you a new deck?

Take photos while they work! Tell them what you want to do before you start, and don’t forget to share your photos with them.

They’ll probably appreciate seeing what they do from another perspective. They may even want to use your photos on their company website.

7. Photograph your kids as they grow

There’s something incredibly special about documenting the growth of our little ones. Kids grow up so quickly – before you know it, they’re moving out. Why not capture the beautiful moments along the way by creating a heartwarming photo essay that showcases their growth?

There are various approaches you can take, but one idea is to capture regular photos of your kids standing in front of a distinct point of reference, such as the refrigerator. Over a year or several years, you can gather these images and place them side by side to witness your childrens’ incredible transformations.

8. Cover a local community event

A school fundraiser, a tree-planting day at a park, or a parade; these are are all community events that make for good photo essay ideas.

Think like a photojournalist . What type of images would your editor want? Make sure to capture some wide-angle compositions , some medium shots, and some close-ups.

(Getting in close to show the details can often tell as much of a story as the wider pictures.)

9. Show fresh market life

Markets are great for photography because there’s always plenty of activity and lots of characters. Think of how you can best illustrate the flow of life at the market. What are the vendors doing that’s most interesting? What are the habits of the shoppers?

Look to capture the essence of the place. Try to portray the people who work and shop there.

10. Shoot the same location over time

What location do you visit regularly? Is there a way you can make an interesting photo essay about it?

Consider what you find most attractive and ugly about the place. Look for aspects that change over time. 

Any outdoor location will look different throughout the day. Also think about the changes that occur from season to season. Create an essay that tells the story of the place.

11. Document a local festival

Festivals infuse cities and towns with vibrant energy and unique cultural experiences. Even if your own town doesn’t have notable festivals, chances are a neighboring town does. Explore the magic of these celebrations by documenting a local festival through your lens.

Immerse yourself in the festivities, arriving early and staying late. Capture the colorful displays and the people who make the festival come alive. If the festival spans multiple days, consider focusing on different areas each time you visit to create a diverse and comprehensive photo essay that truly reflects the essence of the event.

12. Photograph a garden through the seasons

It might be your own garden . It could be the neighbor’s. It could even be the garden at your local park.

Think about how the plants change during the course of a year. Capture photos of the most significant visual differences, then present them as a photo essay.

13. Show your local town or city

After spending several years in a particular area, you likely possess an intimate knowledge of your local town or city. Why not utilize that familiarity to create a captivating photo essay that showcases the essence of your community?

Delve into what makes your town special, whether it’s the charming streets, unique landmarks, or the people who shape its character. Dedicate time to capturing the diverse aspects that define your locale. If you’re up for a more extensive project, consider photographing the town over the course of an entire year, capturing the changing seasons and the dynamic spirit of your community.

14. Pick a local cause to highlight

Photo essays can go beyond passive documentation; they can become a part of your activism, too!

So find a cause that matters to you. Tell the story of some aspect of community life that needs improvement. Is there an ongoing issue with litter in your area? How about traffic; is there a problematic intersection?

Document these issues, then make sure to show the photos to people responsible for taking action.

15. Making a meal

Photo essay ideas can be about simple, everyday things – like making a meal or a coffee.

How can you creatively illustrate something that seems so mundane? My guess is that, when you put your mind to it, you can come up with many unique perspectives, all of which will make great stories.

16. Capture the life of a flower

In our fast-paced lives, it’s easy to overlook the beauty that surrounds us. Flowers, with their mesmerizing colors and rapid life cycles, offer a captivating subject for a photo essay. Try to slow down and appreciate the intricate details of a flower’s existence.

With a macro lens in hand, document a single flower or a patch of flowers from their initial shoots to their inevitable wilting and decomposition. Experiment with different angles and perspectives to bring viewers into the enchanting world of the flower. By freezing these fleeting moments, you’ll create a visual narrative that celebrates the cycle of life and the exquisite beauty found in nature’s delicate creations.

17. Religious traditions

Religion is often rich with visual expression in one form or another. So capture it!

Of course, you may need to narrow down your ideas and choose a specific aspect of worship to photograph. Aim to show what people do when they visit a holy place, or how they pray on their own. Illustrate what makes their faith real and what’s special about it.

18. Historic sites

Historic sites are often iconic, and plenty of photographers take a snapshot or two.

But with a photo essay, you can illustrate the site’s history in greater depth.

Look for details of the location that many visitors miss. And use these to build an interesting story.

19. Show the construction of a building

Ever been away from a familiar place for a while only to return and find that things have changed? It happens all the time, especially in areas undergoing constant development. So why not grab your camera and document this transformation?

Here’s the idea: Find a building that’s currently under construction in your area. It could be a towering skyscraper, a modern office complex, or even a small-scale residential project. Whatever catches your eye! Then let the magic of photography unfold.

Make it a habit to take a photo every day or two. Watch as the building gradually takes shape and evolves. Capture the construction workers in action, the cranes reaching for the sky, and the scaffolding supporting the structure.

Once the building is complete, you’ll have a treasure trove of images that chronicle its construction from start to finish!

20. Document the changing skyline of the city

This photo essay example is like the previous one, except it works on a much larger scale. Instead of photographing a single building as it’s built, find a nice vantage point outside your nearest city, then photograph the changing skyline.

To create a remarkable photo essay showcasing the changing skyline, you’ll need to scout out the perfect vantage point. Seek high ground that offers a commanding view of the city, allowing you to frame the skyline against the horizon. Look for spots that give you an unobstructed perspective, whether a rooftop terrace, a hillside park, or even a nearby bridge.

As you set out on your photography expedition, be patient and observant. Cities don’t transform overnight; they change gradually over time. Embrace the passage of days, weeks, and months as you witness the slow evolution unfold.

Pro tip: To capture the essence of this transformation, experiment with various photographic techniques. Play with different angles, framing, and compositions to convey the grandeur and dynamism of the changing skyline. Plus, try shooting during the golden hours of sunrise and sunset , when the soft light bathes the city in a warm glow and accentuates the architectural details.

21. Photograph your pet

If you’re a pet owner, you already have the perfect subject for a photo essay!

All pets , with the possible exception of pet rocks, will provide you with a collection of interesting moments to photograph.

So collect these moments with your camera – then display them as a photo essay showing the nature and character of your pet.

22. Tell the story of a local nature preserve

Ah, the wonders of a local nature preserve! While it may not boast the grandeur of Yosemite National Park, these hidden gems hold their own beauty, just waiting to be discovered and captured through the lens of your camera.

To embark on this type of photo essay adventure, start by exploring all the nooks and crannies of your chosen nature preserve. Wander along its winding trails, keeping an eye out for unique and captivating subjects that convey the essence of the preserve.

As you go along, try to photograph the intricate details of delicate wildflowers, the interplay of light filtering through a dense forest canopy, and the lively activities of birds and other wildlife.

23. Show the same subject from multiple perspectives

It’s possible to create an entire photo essay in a single afternoon – or even in a handful of minutes. If you don’t love the idea of dedicating yourself to days of photographing for a single essay, this is a great option.

Simply find a subject you like, then endeavor to capture 10 unique images that include it. I’d recommend photographing from different angles: up above, down low, from the right and left. You can also try getting experimental with creative techniques, such as intentional camera movement and freelensing. If all goes well, you’ll have a very cool set of images featuring one of your favorite subjects!

By showcasing the same subject from multiple perspectives, you invite viewers on a visual journey. They get to see different facets, textures, and details that they might have overlooked in a single photograph. It adds depth and richness to your photo essay, making it both immersive and dynamic.

Photo essay ideas: final words

Remember: Photo essays are all about communicating a concept or a story through images rather than words. So embrace the process and use images to express yourself!

Whether you choose to follow a sports team through a thrilling season, document the growth of your little ones, or explore the hidden treasures of your local town, each photo essay has its own magic waiting to be unlocked. It’s a chance to explore your creativity and create images in your own style.

So look at the world around you. Grab your gear and venture out into the wild. Embrace the beauty of nature, the energy of a bustling city, or the quiet moments that make life special. Consider what you see every day. What aspects interest you the most? Photograph those things.

You’re bound to end up with some amazing photo essays!

Now over to you:

Do you have any photo essay examples you’re proud of? Do you have any more photo essay ideas? Share your thoughts and images in the comments below!

Read more from our Tips & Tutorials category

Kevin Landwer-Johan is a photographer, photography teacher, and author with over 30 years of experience that he loves to share with others.

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5 Best Sites for Photo Essays and News in Pictures

You can see what's happening around the world as photos or slideshows. Journalistic essays in pictures have been around for a long time. See the news on these five interesting websites.

You know that you can read the news in a paper, listen to it on the radio, or watch it on TV. But not many know that you can also see what's happening around the world as photos or slideshows.

Journalistic photo essays have been around for some time now. Life magazine revolutionized this new style of consuming news and information. But now that Life has stopped, where should you go to see the news in an interesting new way ?

1. Time's LightBox for News, Life for Archives

Before we go further, you should know that all the archives of Life magazine's photo essays are available online. You can see them at Life.com , which is a subsidiary of Time magazine now.

Time itself has its own section for such photo essays, called LightBox . It's not always chronological, but it's always topical. The site covers everything from events like a mass shooting to journeys through different countries.

All the archives are completely free, and the site works well on both desktop and mobile. Have fun going through this one, especially the Life magazine portfolios. It's old, but it's still among the most intelligent content you can read today .

2. The Atlantic's In Focus

Photo editor Alan Taylor doesn't go out into the field himself. But he's an expert at picking gems from the works of others to tell a story. At The Atlantic , Taylor has access to several news agencies to construct these hand-curated essays.

The variety is mind-boggling. Taylor tells stories of war, of seasons, of travel, or disaster, of sports, of culture, and anything else he can think of. They are all large-sized photos that look good even on a high-resolution screen. Each picture also has its original caption. And there's a fullscreen slideshow option too. It's an immersive experience.

Taylor also collates the best photos in the news every week. It's a different way to catch up on what's happening across the world, as a single picture and a caption tells the story. In Focus is an excellent example of the quality you get when real humans curate content .

3. Boston Big Picture

Before In Focus , Alan Taylor started the Boston Big Picture photo blog at The Boston Globe . It has the same format, themes, and ideas. Some of the topical essays also repeat, but there is enough new stuff to visit both.

The original blog to support photojournalism, Big Picture continues to deliver quality updates every week. Again, you will get high-resolution photos that are highlighted above all else. Captions will tell you what you need to know about it.

A favorite is the "Globe Staff's best of the month" which marries photojournalism and street photography. It's the kind of blog that teaches you to be a great photographer , while still entertaining you.

4. Reuters Full Focus

In a time of fake news, for those who want trustworthy news through photos, turn to Reuters. The global news agency's dedicated page has striking photojournalism covering myriad topics.

The blog features both styles of web photo essays. Established photojournalists get single-topic essays of their own. Meanwhile, Reuters photo editors also create slideshows from the works of the entire team. This adds a lot of depth to coverage of areas like the conflict in the Middle East, or a disaster like the recent Hurricane Maria.

Like all the other sites, you can view a slideshow in fullscreen mode, or expand all images on a single web page. Fair warning, the site takes a long time to load, but it's worth it.

5. Al Jazeera's In Pictures

Even as a long-time fan of Alan Taylor, my personal favorite news photo blog today is Al Jazeera's In Pictures . It effortlessly combines news events and interesting non-news features.

As you probably know, Al Jazeera is a leading news site that prides itself on being independent and free of censorship . So such uncensored photos can sometimes be a little hard to stomach. Look out for warnings in case the pictures will be traumatic.

It is also the most regularly updated site among all these photo blogs. The gamut of topics is also wide and varied. Bookmark this one, you'll want to come back to it often.

Do You Read, Watch, or Listen to News?

The news is getting difficult to trust these days. It's almost like the onus is on you to fact-check and verify the news , not on the journalists themselves. Naturally, you will end up finding someone you trust and stick with them.

How do you prefer to get your news these days? Do you like to watch video clips on social networks, YouTube, or a proper news channel on TV? Are you a reader who relies on newspapers and websites? Or are you that rare radio and podcast listener?

Ten examples of immersive photo essays

By Marissa Sapega — Contributing Writer

Photo essays are one of the most powerful forms of storytelling in the last century. From the great depression photographer W. Eugene Smith to the photojournalism of National Geographic or Life Magazine , the best photo essays entertain, educate, and move readers more than words alone ever could. 

But photo essays have changed. Over the last decade, web publishing technologies — including web browsers and file formats — have improved by leaps and bounds. A good photo essays today is more than a collection of images. It’s a truly interactive, immersive, and multimedia experiences.

In this guide, we introduce 10 stunning examples of visually arresting interactive photo essays to fuel your creative juices.

Now, let's set the scene with a short introduction to immersive, interactive photo essays on the web.

What do the BBC, Tripadvisor, and Penguin have in common? They craft stunning, interactive web content with Shorthand. And so can you! Publish your first story for free — no code or web design skills required. Sign up now.

The rise of immersive, interactive photo essays

What is an immersive, interactive photo essay? Let's take these terms one at a time. 

An immersive photo essay uses rich media and story design to capture and keep the reader's attention. Immersive content is typically free of the most distracting elements of the web, such as pop-ups, skyscrapers, and other intrusions on the reading experience.

As a basic rule of thumb, immersive content respects the reader's attention. 

An interactive photo essay is one that allows the reader to control how the content appears. It may include interactive elements, like maps and embedded applications.

More commonly, modern interactive photo stories use a technique known as scrollytelling . Scrollytelling stories allow the reader to trigger animations and other visual effects as they scroll. Many of the examples in this guide use scrollytelling techniques. Read more scrollytelling examples .

Until relatively recently, immersive, interactive photo essays could only be created with the help of a designer or web developer. But with the rise of digital storytelling platforms , anyone can create compelling, dynamic stories without writing a single line of code.

If you're looking to learn more about how to create a photo essay — or are looking for more photo essay ideas  — check out our introduction to photo essays . 

Photo essay topics

If you’re looking for photo essay examples, chances are you’re looking to create a photo essay for yourself. If you’re just getting started, you might want some guidance on exactly what kinds of topics make for great photo essays.

More experienced photographers — feel free to skip this section. But for those who are just starting out, here’s a quick list of classic photo essay subject matter, for all types of photo essays.

• Local events. A great way to start out is photograph local events in your community, such as a high school fundraiser. A bonus is that you’ll have a ready
• Historic sites. Another classic photo essay topic is an exploration of a historic site. This could be a building, a monument, or even just a specific location that has significance.
• Profile of a person. A great way to get to know someone is to profile them in a photo essay. This could be a family member, friend, or even just someone you’ve met.
• Animals in captivity. Another popular subject matter for photo essays is animals in captivity, whether that’s at a zoo or elsewhere.
• A day in the life. Have you ever wondered what it’s like to live someone else’s life for a day? Why not find out and document it in a photo essay?
• Street photography. Another great way to practice your photography skills is to head out into the streets and photograph the everyday lives of people around you. The world has plenty of photo essays of cities like New York and London. But what about street photography in your own backyard?
• Still life photography. Still life photography is all about capturing inanimate objects on film. This could be anything from flowers to furniture to food. It’s a great way to practice your photography skills and learn about composition
• Landscapes . Landscape photography is one of the most popular genres, and for good reason. There are endless possibilities when it comes to finding interesting subjects to shoot. So get out there and start exploring!
• Abandoned buildings. There’s something fascinating about abandoned buildings. They offer a glimpse into the past, and can be eerily beautiful. If you have any in your area, they make for great photo essay subjects.
• Lifestyles. Document someone who lives a lifestyle that’s different from your own. This could be a portrayal of an everyday person, or it could be someone with an unusual job or hobby.
• Social issues. Take photos depicting significant social issues in your community, remembering to respect your subjects.

Ten inspiring photo essay examples

Pink lagoon and peculiar galaxies — July’s best science images

In Pink lagoon and peculiar galaxies , Nature present a mesmerising series of images from the natural world. Highlights include:

• a blink-and-you’ll-miss-it photo of rare albino orcas performing feats of synchronized swimming;
• an arresting aerial view of the aftermath of the flash floods in Germany; and,
• a scarlet gawping Venus flytrap sea anemone. 

The best part? Nature publishes similarly powerful photo essays every month, showcasing some of the best and most creative photography of the natural world anywhere on the web.

Vanishing Lands

Vanishing lands — an ominously interesting photo essay from media company Stuff — opens with a bucolic visual featuring meandering sheep flanked by breathtaking mountains that blur into obscurity.

Soon, more awe-inspiring photos of breathtaking New Zealand farmland appear, accompanied by expressive prose whose tone matches the visuals’ stark beauty.

In this unflinchingly honest photographic essay, Stuff takes the viewer behind the scenes with a day in the life of a high country sheep farmer facing an uncertain future. One stunning photo fades into the next as you scroll through, broken only by the occasional noteworthy quote and accompanying narrative.

Olympic photos: Emotion runs high

This emotionally wrought sports story from NBC begins with a close-up of an anxious Simone Biles, her expression exemplifying the tension and frustration echoed on so many of her fellow athletes’ faces.

The subtitle puts it perfectly: “The agony—and thrill—of competition at the Olympics is written all over their faces.”

Devastation, disappointment, and defeat take centre stage in this piece — but not all the subjects of the photos in this compelling photography essay depict misery. Some of the images, like that taken of the gold medal-winning Russian artistic gymnasts, manage to project the athletes’ joy almost beyond the edges of the screen.

The NBC editors who created this visual story chose to display the series of photos using the entire screen width and limit the copy to simple captions, letting the visuals speak for themselves. The result is a riveting montage of photographs that manage to capture the overarching sentiment of the 2020 Olympic Games.

James Epp: A Twist of the Hand

In A Twist of the Hand , the Museum of Classical Archaeology at the University of Cambridge have produced a gorgeous photo essay. This online art show showcases artist James Epp’s installation, combining photographs of the exhibit with images of museum prints and authentic artefacts.

As you scroll down, close-up shots of the installation make you feel like you’re physically wandering among the ancient sculptures, able to examine hairline spider cracks and tiny divots marking the surface of every antiquated figure. In between the photos—and often flanked by museum prints—are James Epp's musings about what inspired him to create the pieces. It’s an absorbing virtual gallery that will no doubt inspire real life visits to the exhibition.

The Café Racer Revolution

Though it’s a cleverly built piece of interactive content marketing , Honda’s “ Café Racer Revolution ” is also a great photo essay. Alongside information about the latest and greatest motorcycles Honda has to offer, it details the history of the bikers who sought to employ motorcycles (specifically “café racers”) as a way to forge an identity for themselves and project a “statement of individuality.”

Scroll down, and nostalgic black-and-white photos give way to contemporary action shots featuring fully decked-out motorcyclists on various Honda models.

Dynamic photos of bikes rotate them 360 degrees when you mouse over them, and text superimposed over flashy shots rolls smoothly down the screen as you scroll. This photo essay will stir a longing to hit the open road for anyone who has ever dreamed of owning one of Honda’s zippy bikes.

Built to keep Black from white

In Built to keep Black from white , NBC News and BridgeDetroit have built a stunning narrative photo essay that encapsulates the history of Detroit’s Birwood Wall — a literal dividing line intended to separate neighborhoods inhabited by people of different races. 

The piece begins with a brief history of the concrete barrier. Between paragraphs of text, it weaves in quotes from residents who grew up as the wall was erected and a short video. Animated maps highlighting the affected neighborhoods unspool across the screen as you scroll down, accompanied by brief explanations of what the maps represent.

In the series of photographs that follow, contemporary images transition into decades-old shots of the wall when it was newly constructed. This is followed by images of original real estate documents, resident portraits, and additional animated maps — each considering the issue from different angles.

The piece ends with an interactive display of how Detroit’s racial makeup has changed over the past several decades, from majority white to black, and how the wall has impacted the lives of its residents who lived (and died) within its borders.

The story of Black Lives Matter in sport

The BBC pairs illustrations and bold imagery in this photo essay on how athletes participated in the Black Lives Matter movement . At the start, a narrow column of text leads into an iconic image of American football players kneeling during the pre-game national anthem in a solemn protest against police brutality. 

The first excerpt, a summary of Trayvon Martin’s death in 2012, draws you in with piercing prose capped off with photographs that bleed into one another. Every account in the photo essay follows this layout.

WaterAid Climate Stories

Climate change affects everyone on the planet, but some people are feeling the effects more than others. WaterAid’s scrollytelling photo essay illuminates the plight of individuals living in areas where extreme weather conditions — caused by climate change — have drastically impacted the water supply and environment, endangering their livelihoods and ability to survive.

This climate change story starts with an engrossing video that provides an up-close and personal look at the devastation that climate change-induced droughts have wreaked on people and the environment. As you scroll down, images of massively depleted bodies of water with superimposed text and quotes unfold before your eyes. It’s an efficient way to drive home the critical message WaterAid wants to convey: climate change is real, and it’s harming real people.

Each extreme weather story focuses on an individual to help viewers empathise and understand that climate change has real, drastic consequences for millions of people worldwide. The piece ends with a call to action to learn more about and financially support WaterAid’s fight to assist people living in the desperate situations depicted in the essay.

28 Days in Afghanistan

In this piece, Australian photo-journalist Andrew Quilty tells the story of the four weeks he spent in Afghanistan . He captures daily events ranging from the mundane—like a casual visit to his barber—to jarring. More than one photo documents blood-spattered victims of violence.

Viewers must scroll through the piece to follow Andrew’s daily musings and the striking photos that accompany them. His photo essay is a powerful example of how scrollytelling is transforming the art of long-form journalism .

La carrera lunática de Musk y Bezos (Musk and Bezos' lunatic careers)

Billionaires Elon Musk and Jeff Bezos are angling to conquer the final frontier: space.

El Periódico captures their story via a whimsically illustrated photo essay, filled with neon line drawings and bold photos of the massive spaceships, the hangars that house them, and footprints on the moon. La carrera lunática de Musk y Bezos describes the battle between the two titans’ space companies (Blue Origin and SpaceX) for the honor of partially funding NASA’s next mission to the moon.

As you scroll down, white and fluorescent yellow words on a black background roll smoothly over images. The team at El Periódico slips in stylistic animations to break up the text—such as rocket ships with shimmering “vapour trails”—then ups the ante with a series of moon images that transition into portraits of the 12 U.S. astronauts who visited the celestial body.

The photo essay ends with the question: “Who will be the next to leave their footprints on the dusty lunar soil?” At the time of publishing, NASA had not yet decided between the two companies. (Spoiler alert: SpaceX won .)

Marissa Sapega is a seasoned writer, editor, and digital marketer with a background in web and graphic design.

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Photojournalism

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Week Five – The Photo Essay

“It is difficult to get the news from poems, yet men die miserably every day for lack of what is found there.”

― William Carlos Williams

PHOTO ESSAY EXAMPLES:

• Trouble Shared (Brenda Ann Kennelly/ New York Times/Lens)
• A Country Doctor (W. Eugene Smith/Magnum for Life)
• A Young Father’s Balancing Act (Benjamin Norman/The New York Times)
• New York City Coffeehouse (Dima Gavrysh/Lens)
• Where Beauty Softens Your Grief (Gianni Cipriano/ICP)
• Gun Nation (Zed Nelson)
• What the World Eats (Time)
• Last Supper (2004; Celia A. Shapiro/Mother Jones)
• The Bitter Sweet Pill – GMB Akash
• Happy Horsemeat (Alex Soth)

UNUSUAL PHOTO ESSAYS

• Febuary Assignment: Photographing Pictures in Reflection
• Magic in the Nearly Forgotten Mailbox
• Andrew Moore Detroit
• Superheroes – Dulce Pinzon
• A Photo Fright Most Viral
• Jump Book – Phillippe Halsman

Let’s work through an example to illustrate each category below. Let’s say National Geographic s sending you to into southern Tunisia to do a story on an ancient and unique kind of weaving practiced by a Berber tribe. You are taken by a ‘fixer’ — a paid translator, driver and social planner — to a village made up of several small huts and a central bungalow with three ancient looms and the equipment for making the dies. Likely it would be women doing the weaving.  You’d probably have a working shotlist in your head (or written). It would include photos in each of the categories below:

• Signature photo : A photo that summarizes the entire issue and illustrates essential elements of the story. This might be a photo of woman — maybe your main character — weaving at a loom in the bungalow. Ideally, you’d be able to frame the shot to provide some context, maybe other women, the village in the background, etc.
• Establishing or overall shot : a wide-angle (sometimes even aerial) shot to establish the scene. If you’re shooting for National Geographic it’s entirely possible they would rent a helicopter and you’d take an aerial shot of the village. Or, if on a tighter budget, maybe the village from a nearby dune. The idea of the establishing shot is this: When you do a photo story your are taking our viewers on a journey. You need to give them a sense of where they are going, an image that allows them to understand the rest of the story in a geographic context.
• Close-up : A detail shot to highlight a specific element of the story. Close-up, sometimes called detail shots, don’t carry a lot of narrative. Meaning, they often don’t do a lot to inform the viewer on a literal level but they do a great deal to dramatize a story. Perhaps the weavers hands or a sample of a rug or the bowls in which the dies are mixed. For reasons we’ll come back to when we talk about multimedia in week 12, it’s ALWAYS a good idea to shoot lots of close-ups.
• Portrait : this can be either a tight head shot or a more environment portrait in a context relevant to the story. As mentioned above, photo essays are build around characters. You need to have good portrait that introduces the viewers to the character. I always shoot a variety of portraits, some candids and some posed.
• Interaction : focuses on the subject in a group during an activity. Images of your character interacting with others — kids, others in the village, sellers — all helps give a human dimension to your character. It’s likely that our weaver(s) also raise families, which means cooking cleaning, etc. Think about reactions too.
• How-to sequence : This is photo or group of photos that offer a how-to about some specific element of the story or process. With our example maybe we would telescope in for a few images on how the dyes are made or the making of a specific element of the textile
• The Clincher : A photo that can be used to close the story, one that says “the end.” Essentially, our example is a process piece. What’s the end of the process? Maybe an image of a camel caravan loaded with textiles and heading off into the sunset on the way to market.

I want to introduce a few basic ideas here about editing essays in general and slideshows in particular. As outlined above, variety is key. The first few images are especially important and often include a combination of the following:

• An establishing shot : Often a wide-angle image to give a sense of place, a sense of environment to give the view a sense of place.
• A portrait : An online slideshow needs to be humanized quickly. We need to be introduced to our character as a sort of travelling companion on our journey.
• A close-up : A telling detail shot early on is both graphically appealing and an opportunity to focus the viewer in on what the story is about.

There are several conventional ways to structure the narrative of a story, sometimes photographers will use a combination of the options presented below:

• Process : essentially the photographer is showing how something is done from beginning to end. How a sculpture is made. A sports competition. Even an arrest and court case.
• Chronology : real or implied, you can let time structure your story. A very typical way to structure a story through time is as a ‘day in the life’ piece.
• Highlights : in reality all photo stories are highlights stories in that the photographer should always seek to relay the most important visual elements of a story. But some stories are structure less to illustrate  a clear story line and more to show the peak moments or most dramatic aspects of the topic. For example, a year-in-review story or coverage of a natural disaster or a story after the death of a public figure that highlights the most significant moments in his or her career.  When news organizations do this kind of story often the work of several photographers — and maybe even crowd-sourced photos — are used.

In the commercial world online publications frequently present something called a ‘flipbook.’ This might be series of images of this season’s most popular style of purses  or the ten best-selling flatscreen TVs.

The series is a set of similar images designed to illustrate a comparative point: for example a series of portraits or of new cars or phones or homes. Images in a series should be stylistically similar to further illustrate the comparison.

In week three we looked at images from two portrait series: Richard Avedon’s ‘In the American West’ and Jill Greenberg’s ‘End Times.’  We also looked at some of Steve McCurry’s amazing portrait work.

A portrait series is not the only kind of series. The two series below are examples of the technique that go beyond the simple portrait.

You needn’t get to crazy about making every image in series EXACTLY like the others. Sometimes it’s just not possible. But here are a few things to keep in mind:

• Angle of View – When possible, try and keep the angle of view consistent in a series. Meaning, if one picture is taken from eye-level, try and take them all from eye-level. Focal Length – Try and be consistent in the focal length of your lens. This will ensure a consistent perspective.
• Framing – All of the images should be framed about the same way. If focal length stays the same, you may need to step farther away for larger objects (or people with bigger heads) and closer for smaller object.
• Color and Image Quality – If possible, avoid using a flash with some images and not others. Try and be consistent with ISO, white balance and depth-of-field.

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Photo essay: Cities test—and improve upon—50 bold urban innovations

In June, the Bloomberg Philanthropies Global Mayors Challenge  announced its 50 finalists, or Champion Cities, representing the boldest urban innovations to emerge from the pandemic. Now, these cities are prototyping  their ideas with residents, business owners, and other stakeholders before submitting their final applications. Here, our team of Bloomberg Cities photographers shows how these tests are making innovative ideas even better.

Photo: Robert Crawford

Birmingham, USA

Alisha Moultry (left) and Destiny Nelson-Miles, who are apprentices at the Jones Valley Teaching Farm in Birmingham , Ala., strategize with city officials looking to create a Birmingham Food Corps. Because more than 50 percent of its residents have limited food access, the city wants to partner with and scale up the success of Jones Valley—creating a corps of high-school graduates to expand hyper-local farms throughout the city. Recent high-school graduates themselves, Moultry and Nelson-Miles shared both their experience and offered city officials ideas for getting more young people involved in the Food Corps.

Photo: Bafan Songo

Cape Town, South Africa

In Cape Town and across South Africa, the number of people experiencing hunger has doubled as a result of COVID-19. Rather than build food banks from scratch, the city is testing a program to expand its existing network of 300 community-run soup kitchens by helping each one feed more people. One of the test kitchens is run by Maria Dlokolo (left), who is affectionately known as “Gogo” (or “Grandma” in English) to the Gugulethu community. Her kitchen received critical equipment and dry ingredients from the city so she can feed more people every day. As Executive Mayor Dan Plato explains, increasing the capacity of soup kitchens is a more sustainable and community-oriented alternative to food parcels, and it allows residents to have at least one guaranteed meal for the day.

Photo: Eulalia Castro

Cartagena, Colombia

Members of the community group Comités Barriales de Emergencia (COMBAS) identify meeting points and ecological structures in Cartagena that will help them support their neighborhoods in an emergency situation. The city is prototyping and gathering feedback on ways to empower community actors as first responders. This work comes after the city's emergency-response system proved ineffective at helping women in under-invested areas during recent flooding. The program will also distribute emergency kits with a geolocation bracelet and panic button to provide real-time locations for emergency services.

Photo: Joe Habben

Glasgow, United Kingdom

Students from Saint Paul’s High School in  Glasgow  engage in a “design jam” aimed at finding ideas to reduce the impacts of climate change. In the wake of the pandemic, their city is tackling the dual challenges of poverty and the warming planet—and looking to co-create solutions with residents. In the long-term, the city aims to embed design-led innovation skills in the community as a way to both tackle these emerging problems and equip residents with marketable skills.

Photo: Jacques Nkinzingabo

Kigali, Rwanda

A construction worker in Kigali begins work on a new water reservoir that will improve water access for residents. Water, sanitation and hygiene services are limited in most of the city, and through the Mayors Challenge the city is building a reservoir as well as smart-waste disposal stations equipped with sensors to ensure timely collection of waste . Not only will the project keep the water supply cleaner, it will also decrease the need for costly repairs after flooding.

Photo: Ohene Kwabena Agyemang

Kumasi, Ghana

Osei Assibey Bonsu, deputy director of waste management in Kumasi , shows residents of the Moshie Zongo neighborhood the types of toilet technologies that will be tested in their homes as part of the city’s Mayors Challenge project. Currently, homes in the area don’t have toilets, and many public toilets are unusable because trucks can’t reach them to empty the septic tanks. As a result, the entire area relies on a single 16-seat public toilet facility, where residents have to pay 50 pesewas—the cost of about two 500 ml bottles of water—to use the bathroom.  

Photo: Annie Barker

Lansing, USA

Lansing , Mich., Mayor Andy Schor works on visual-word puzzles with students at the Lansing Salvation Army’s Child Development Center. The Center is a prototype in the city's efforts to reverse learning loss during pandemic school shutdowns. The prototype, which focuses on pre-Kindergarten through 3rd-grade students, uses a variety of online and in-person learning opportunities created in partnership with organizations throughout Lansing. For example, the Salvation Army’s in-person classes offer students acti vities such as bowling and scavenger hunts to help them learn numbers, and bingo and singing to learn the alphabet.

Photo: Gathukia Mwangi

Meru, Kenya

City officials from Meru   visit a nearby farm to learn more about using insects to reduce organic waste. Up to 80 percent of all municipal waste in Meru is organic, so city leaders are enlisting new allies in reducing some of that waste: black soldier flies. The flies consume most types of organic waste and can gain up to 5,000 times their body weight in a small period of time, according to Dr. Julius Nyoro, a black soldier fly expert. Once grown, they can be used as a sustainable food source for fish or other domestic animals. Implementing the program in Meru will also create employment, both formal and informal, for residents, especially women and young people.

Photo: LaShance Perry

New Orleans, USA

An official from the New Orleans mayor’s office asks a construction worker about the questions residents ask him when he’s working in residential areas. It’s part of a new program called ‘Project Why,’ which is finding new ways to engage residents about public infrastructure projects and, ultimately, build trust. With trust in public institutions at historic lows, one of the project’s goals is to empower all city employees to focus on the "moments that matter" for residents—how and why a road is being rebuilt and how long it might disrupt someone’s commute, for example—rather than focus only on city-driven priorities and outcomes.

Photo: Hwa Pung Yoo

Paris, France

Residents of  Paris  attend the grand opening of the Climate Academy, a community center designed to teach young people about environmentalism. There are classes —on everything from vegetarian cooking to repairing and reusing clothes—art exhibitions, and more. In this prototype of the Academy, every room has a different lesson to teach. In the exhibition and lounging room, above, the insect sculptures along the wall were built by Academy students, working with students from a visual art school in Paris. The sculptures, which stand more than two meters tall, were created out of recycled material and highlight the loss of biodiversity among insects.

Photo: Joseph Sir Moore

Paterson, USA

A pharmacist dispenses medically assisted treatment (MAT) for someone suffering from opioid-use disorder as part of a test the city of Paterson , N.J., is conducting to get critical treatment to appropriate patients within 90 minutes.  Currently, those who seek help often have to wait days for treatment, and the recommended MAT is offered less than 30 percent of the time. The city’s proposed process starts with a call to a hotline, which arranges for hospital care and the delivery of proper care all within an hour and a half. As part of its Mayors Challenge process, the city is working to see how this plan might help both housed and homeless populations. 

Photo: Nate Sicotti

Phoenix, USA

A Phoenix  resident gets information from a city representative about job opportunities at a test run of the Career Mobility Unit, a mobile center that will bring job information and job interviews out into neighborhoods with high unemployment. In order to break down barriers to entry in the job market, the city is testing how to bring computer access, career counseling, education, childcare solutions, and other services out into the community to support job seekers, and even connect them to employers ready to make on-the-spot hires.

Photo: Larissa Garrido

Recife, Brazil

Maria José Gomes, who owns her own fashion business, tells a team from the city of Recife that entrepreneurship can make women more empowered and independent. The city is launching the "Tá com elas" program, a new way to help women entrepreneurs start and grow their businesses. The program will provide credit, offer mentorship through a network of experienced business women who will be paired with recent business graduates. The city is testing its idea with multiple women, including Gomes, to learn more about what these women think is essential to the program and how it can be most accessible and impactful. 

Photo: Soumya Sucharita Dash

Rourkela, India

In Rourkela , where food vendors lack the proper cold storage for their fruits and vegetables—and as much of 30 percent of produce is wasted at the end of the day—the city proposes providing women entrepreneurs access to solar-powered storage units and electrical-vehicle distribution options. Their plan is to both reduce waste and provide new job opportunities for women like those in Rourkela’s Women Self-Help Group, who are seen weighing and registering leftover produce while testing the cold room at VSS Market. 

Photo: Jin Huang

Taipei, Taiwan

COVID-19 lockdowns mean seniors have fewer exercise options and many are socially isolated. As part of the Global Mayors Challenge, the city of Taipei created “樂齡智動趣” (Le Ling Zhi Dong Qu), a chatbot on Taiwan’s most popular messaging app, “LINE,” that offers seniors daily exercise routines, health-related advice, and a chance to connect with each other. The city invited a group of seniors to the Taipei Gym to test and give feedback on the chatbot. Even under face masks, the elders provided positive feedback—and made friends with each other at the event.

Related Stories

4 ways cities can shape markets that work better for residents

Capturing innovation through the lens of the Global Mayors Challenge

Photo essay: Civil servants grow as leaders in the Global Mayors Challenge

Newspaper photo essays and layouts

Some sample of work I have done during my employ by a local newspaper.

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Photo Essay: Blue Power, Al Hilal's vibrant and vocal support

Four-time asian champions, saudi arabia's leading club are known for their passionate fan base.

Many Al Hilal fans have Neymar Jr on the back of their shirts. Unfortunately, the Brazilian’s debut season was cut short in October after he tore his anterior cruciate ligament and meniscus in his left knee. All photos: Chris Whiteoak / The National

Al Hilal are celebrated as most probably Asian football’s grandest club.

The Saudis are four-time champions of the continent – a record. Winners in 1991, 2000, 2019 and 2021, they have contested the Asian Champions League final more than any other team in history. Their most recent, last year’s narrow defeat to Japan’s Urawa Red Diamonds, represented a ninth appearance in the showpiece.

Domestically, Hilal are Saudi Arabia’s most decorated club. They have won the top-flight title 18 times – another record. In fact, they have twice as many as the next teams on the rank, Al Ittihad and Al Nassr.

Hilal sealed their first Saudi championship in 1979. Nine points clear in this season’s Saudi Pro League, with a game in hand, next month they are certain to add another.

Understandably, given the prowess and the pedigree, they are also one of Asia’s best-supported clubs.

Hilal fans are known across the continent for their passion and pride in their team; the King Fahd International Stadium in Riyadh, closed recently for refurbishment, could be intimidating but intoxicating, as well.

Hilal’s “Blue Power”, the club’s considerable collection of hardcore supporters, typically lead the songs and the chants, bouncing in unison throughout matches.

Their tifos, large banners or signs that display image or text, are raised or unwrapped before matches, usually depicting a message to the players or to the opposition. To the world.

“We are here” declared the most recent, emerging from behind the goal on Tuesday night in Riyadh, before Hilal’s Champions League semi-final second leg with UAE club Al Ain.

Hilal may have decamped to the newly constructed Kingdom Arena, a smaller indoor arena where the noise reverberates and the atmosphere rattles the bone, but their fans are no less vociferous.

“Asia’s Leader”, proclaims another. For that is what they are. Out in front in trophies and, after last summer’s unprecedented spending, in talent. Their fanatic support can certainly lay claim to that title, too.

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Organizers set up prayer rugs in anticipation of the Isha evening prayer.

Calvin grover / the daily princetonian, the first 24 hours of the ‘popular university for gaza’.

P-SAFE moves in to get rid of the encampment.

The arrested graduate students are escorted off campus by P-SAFE.

An organizer leads a chant in support of speaker Chris Hedges remaining on campus.

Golden hour light shines over chalk graffiti on McCosh hall.

Stockpiled food and water for the sit-in after nightfall.

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Reuters photographer wins World Press Photo of the Year with poignant shot from Gaza

This image provided by World Press Photo and taken by Mohammed Salem of the Reuters news agency won the World Press Photo Award of the Year and shows Palestinian woman Inas Abu Maamar, 36, embracing the body of her 5-year-old niece Saly, who was killed in an Israeli strike, at Nasser hospital in Khan Younis in the southern Gaza Strip, October 17, 2023. (Mohammed Salem/Reuters/World Press Photo via AP)

This image provided by World Press Photo and taken by Julia Kochetova is part of a series titled War is Personal which won the World Press Photo Open Format Award. Amidst tens of thousands of civilian and military casualties and an effective stalemate that has lasted for months, there are no signs of peace on the horizon for Russia’s war in Ukraine. While news media updates its audience with statistics and maps, and international attention drifts elsewhere, the photographer has created a personal website that brings together photojournalism with the personal documentary style of a diary to show the world what it is like to live with war as an everyday reality. (Julia Kochetova/World Press Photo via AP)

This image provided by World Press Photo is part of a multimedia project by Associated Press’ Renata Brito and Felipe Dana titled Adrift, won the World Press Photo Africa Regional Winner Open Format category and shows a mortuary technician opening the door of a refrigerator used to store the remains of migrants recovered from inside the Mauritania boat that appeared drifting near the island of Tobago, in Scarborough, Trinidad and Tobago, Tuesday, Jan. 25, 2022. In May 2021 a boat from Mauritania full of dead men was found off the coast of the Caribbean Island of Tobago. Who were these men and why were they on the other side of the Atlantic Ocean? Two visual journalists sought answers, uncovering a story about migrants from West Africa who seek opportunity in Europe via an increasingly popular but treacherous Atlantic route. (AP Photo/Felipe Dana)

This image provided by World Press Photo is part of a series titled Afghanistan on the Edge by Ebrahim Noroozi, Associated Press, which won the World Press Photo Asia Series category and shows : Since the chaotic Taliban takeover of Kabul on Aug. 15, 2021, an already war-devastated economy once kept alive by international donations alone is now on the verge of collapse. There isn’t enough money for hospitals. The World Health Organization is warning of millions of children suffering malnutrition, and the U.N. says 97% of Afghans will soon be living below the poverty line. Three Afghan internally displaced children look with surprise at an apple that their mother brought home after begging, in a camp on the outskirts of Kabul, Afghanistan, Thursday, Feb 2, 2023. (AP Photo/Ebrahim Noroozi)

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PARIS (AP) — Reuters photographer Mohammed Salem captured this year’s prestigious World Press Photo of the Year award Thursday with a depiction of loss and sorrow in Gaza, a heartrending photo of a Palestinian woman cradling the body of her young niece. The photograph, taken in Khan Younis just days after Salem’s own child was born, shows 36-year-old Inas Abu Maamar holding five-year-old Saly, who was killed along with her mother and sister when an Israeli missile struck their home.

Salem, who is Palestinian, described this photo filed Nov. 2 last year, as a “powerful and sad moment that sums up the broader sense of what was happening in the Gaza Strip.”

The image ”truly encapsulates this sense of impact,” said global jury chair Fiona Shields, The Guardian newspaper’s head of photography. “It is incredibly moving to view and at the same time an argument for peace, which is extremely powerful when peace can sometimes feel like an unlikely fantasy,” she added.

The World Press Photo jury praised the shot’s sense of care and respect and its offering of a “metaphorical and literal glimpse into unimaginable loss.”

This is not the first time Salem has been recognized for his work on the Israeli-Palestinian conflict; he received a World Press Photo award more than a decade ago for another depiction of the human toll of conflict in the Gaza strip.

In the three other global categories announced Thursday, South Africa’s Lee-Ann Olwage won Photo Story of the Year for her touching series “Valim-babena,” featured in GEO magazine. The project focused on the stigmatization of dementia in Madagascar, a topic she explored through intimate portraits of “Dada Paul” and his family. Lack of public awareness surrounding dementia means that people displaying symptoms of memory loss are often stigmatized.

This image provided by World Press Photo and taken by Lee-Ann Olwage for GEO is part of a series titled Valim-babena which won the World Press Photo Story of the Year Award and shows Joeline (Fara) Rafaraniriana (41) watches her father, Dada Paul Rakotazandriny (91) clean fish at home on Sunday afternoon. (Lee-Ann Olwage/Geo/World Press Photo via AP)

This image provided by World Press Photo and taken by Lee-Ann Olwage for GEO is part of a series titled Valim-babena which won the World Press Photo Story of the Year Award and shows Dada Paul Rakotazandriny (91), who is living with dementia, and his granddaughter, Odliatemix Rafaraniriana (5), get ready for church on Sunday morning at his home in Antananarivo, Madagascar. 12 March 2023. (Lee-Ann Olwage/Geo/World Press Photo via AP)

In the series, “Dada Paul,” who has lived with dementia for 11 years, is tenderly cared for by his daughter Fara. One of the standout images in the series shows him preparing for church with his granddaughter Odliatemix, capturing moments of normalcy and warmth amidst the challenges of dementia.

Photographer Alejandro Cegarra, a Venezuelan native who migrated to Mexico in 2017, won the Long-Term Project award for “The Two Walls,” published by The New York Times and Bloomberg. Cegarra’s project, initiated in 2018, examines a shift in Mexico’s immigration policies, which have moved from being historically open to enforcing strict regulations at its southern border. The jury said the photographer’s perspective as a migrant gave it a “sensitive,” human-centered perspective, according to a press release.

This image provided by World Press Photo and taken by Alejandro Cegarra for The New Times/Bloomberg is part of a series titled The Two Walls which won the World Press Photo Long-Term Project Award and shows a migrant walking atop a freight train known as “The Beast.” (Alejandro Cegarra/The New York Times/Bloomberg/World Press Photo via AP)

This image provided by World Press Photo and taken by Alejandro Cegarra for The New Times/Bloomberg is part of a series titled The Two Walls which won the World Press Photo Long-Term Project Award and shows Carlos Mendoza, a Venezuelan migrant, crossing the Rio Grande river to seek asylum in the United States. Piedras Negras, Mexico, 7 October 2023. (Alejandro Cegarra/The New York Times/Bloomberg/World Press Photo via AP)

Julia Kochetova of Ukraine won the Open Format award for “War Is Personal.” The project stood out from coverage of the ongoing conflict by offering a personal look at the harsh realities of war. On a dedicated website, she merged traditional photojournalism with a diary-like documentary style, incorporating photography, poetry, audio clips and music.

This image provided by World Press Photo and taken by Julia Kochetova is part of a series titled War is Personal which won the World Press Photo Open Format Award and shows the training of mobilized conscripts of 68th brigade in Donetsk region, not far from frontline. (Julia Kochetova/Der Spiegel/World Press Photo via AP)

This image provided by World Press Photo and taken by Julia Kochetova is part of a series titled War is Personal which won the World Press Photo Open Format Award and shows a stabilization point near Bakhmut, Ukraine, of the 5th assault brigade and 77th brigade. Hospitalliers battalion - volunteer battalion of combat medics are helping here. (Julia Kochetova/Der Spiegel/World Press Photo via AP)

The Associated Press won the Open Format award in the regional Africa category with the multimedia story “Adrift,” created by journalists Renata Brito and Felipe Dana. The story investigates the fate of West African migrants who attempted to reach Europe via a treacherous Atlantic route but ended up on a ghost ship discovered off Tobago. The team’s compelling use of photography, cinematography and detailed narrative, enhanced by expert design and multimedia elements, highlights the perils faced by migrants and the human stories behind global migration issues.

This image provided by World Press Photo is part of a multimedia project by Associated Press’ Renata Brito and Felipe Dana titled Adrift, won the World Press Photo Africa Regional Winner Open Format category and shows Moussa Sako, an asylum-seeker from Mali, who survived 22 days aboard a Mauritanian boat drifting in the Atlantic Ocean covers his face during an interview with the Associated Press in Guadalajara, Spain, Sunday, Nov. 14, 2021. (AP Photo/Felipe Dana)

This image provided by World Press Photo is part of a multimedia project by Associated Press’ Renata Brito and Felipe Dana titled Adrift, won the World Press Photo Africa Regional Winner Open Format category and shows young fishermen walk into the ocean to board an artisanal fishing boat in Nouakchott, Mauritania, Friday, Dec. 10, 2021. (AP Photo/Felipe Dana)

The Associated Press’ Ebrahim Noroozi won the Asia Stories award for his series “Afghanistan on the Edge,” which documents the country since the Taliban took over in August 2021.

This image provided by World Press Photo is part of a series titled Afghanistan on the Edge by Ebrahim Noroozi, Associated Press, which won the World Press Photo Asia Series category and shows an Afghan refugee rests in the desert next to a camp near the Torkham Pakistan-Afghanistan border, in Torkham, Afghanistan, Friday, Nov. 17, 2023. (AP Photo/Ebrahim Noroozi)

World Press Photo is an independent, nonprofit organization based in the Netherlands, founded in 1955.

OXFORD PERM ASSOCIATION

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October 2023.

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May 2019

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January 2019

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October 2017

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January 2017

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October 2016

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January 2016

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October 2015

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November 2010

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June 2010

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January 2010

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October 2009

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October 2008

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January 2008

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October 2007

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Black Earth City: A year in the heart of Russia, Charlotte Hobson

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January 2007

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October 2006

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January 2006

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October 2005

Northern Moslems, Olga Kirianova With Permians to the Altai mountains, Karen Hewitt Perm Autistic Society, Beryl Knotts

Perm International Festival of snow and ice, Catherine Boyd Working together with Perm, Deborah Manley Maslennitsa, Olga Kirianova

January 2005

The Royal Navy - in Perm!, David Roulston Dancing in Perm, Sam Coren Humphrey Carpenter, Karen Hewitt A day in the life of a Perm head teacher, Irina Petrova Oxford memories, Tanya Gulyaeva Making waves - in Perm and beyond, Rosalyn Roulston Entertaining a Russian visitor, Gilia Slocock The rough cut diamond that is Perm - a midwife’s view, Ann Davis Perm shields and flag, anon

October 2004

Planning, design and conservation in Perm, Robert Parkinson A Perm visit with a difference, Ken Cugnoni A first-timer’s visit to Perm, Robin Carr

Winter fishing adventures, Olga Kirianova The Hospice Seminar in Perm, 8th-10th June 2004, Rosalyn Roulston, Kathy Warburton Folk dance group, David and Rosalyn Roulston Oxford’s twin city in Russia, Perm, will be a site of a dangerous and illegal experiment, Roman Yushkov

January 2004

First Class “fair” returns, anon (Yarmarka) Russian students and the elections, Olga Kirianova Perm Victorian centre, Karen Hewitt

October 2003

Perm Youth Theatre, May Wylie National ‘camp’ for student journalists, Olga Kirianova Across Europe by bike, Ilya Levchenko

Oxford and Perm - twin towns, Tatiana Grigorieva

Women’s projects, anon

Oxford-Perm-Aviagorodok, anon

Allotments and dachas exchange, Anna Eden

January 2003

One hour nearer to Europe?, Karen Hewitt A fairy tale, Ken Cugnoni

October 2002

Folk Dance festival, anon (Yarmarka) Medical services in Perm, Hugh Nisbet Two dogs, a lift and a thunderstorm, Peter Barker Jenny Lewis, anon A poet in Perm, Jenny Lewis

Folk dance festival, anon Perm Olympiads, Karen Hewitt Oxfordshire/Perm voluntary action link, anon

January 2002

Perm Youth Ballet, anon A tale of two cities, May Wylie Perm State University visit, Karen Hewitt Sounds Russian to me, Edward McKeon Sounding the Enigma: Russian music and the West, Edward McKeon Allotments and dachas exchange, Valentina Vereshchagina

October 2001

AN ABCD of horticulture (Apples, Bees, Cheese, Dachas), Richard Sills Oxford Youth Council trip to Perm, Maryam Okole

An introduction, Richard Sills

News from Permian friends, Karen Hewitt

Voluntary Action, anon

Sacha and Igor in winter, Karen Hewitt

Housing in Perm, Carold Roberts, Aletta Bruin

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Updated on: April 23, 2024 / 11:55 AM EDT / CBS News

A new photo of Prince Louis was released Tuesday to mark the young British royal's 6th birthday. It is the first image released by the family since the photo-editing scandal erupted last month.

In the photo, Louis, who is the fourth in line to the British throne behind his father and two older siblings, can be seen lying on a blanket while grinning at the camera. The photo is said to have been taken by his mother Catherine, the Princess of Wales. Kensington Palace has assured that this picture has not been edited.

"Happy 6th Birthday, Prince Louis! Thank you for all the kind wishes today," said the post accompanying the image shared on Kensington Palace's social media  accounts.

Happy 6th Birthday, Prince Louis! 🎂 Thank you for all the kind wishes today. 📸 The Princess of Wales pic.twitter.com/TxshrI3WKO — The Prince and Princess of Wales (@KensingtonRoyal) April 23, 2024

The family has typically released photos of the young royals to mark birthdays to news outlets in advance, but this year, with both Kate and her father-in-law King Charles III undergoing cancer treatment , they took a slightly different approach, posting the image of Louis directly on their official social media accounts on his birthday. 

William and Kate, who have requested privacy as they deal with the family's medical issues, thanked people for their well-wishes in a short message posted with the photo of Louis.

Last month, a controversy erupted after Kensington Palace released a family photo of Kate and her three children on Britain's Mother's Day that was edited in numerous places, raising concerns over transparency and honesty. 

International photo agencies withdrew the image from their platforms, some even removing Kensington Palace from their list of trusted sources.  Kate admitted to editing the photo  in a subsequent social media post.

It came at a time when Kate had been out of the public eye for months, recuperating from what the palace said was planned abdominal surgery in January. 

In late March, as rumors swirled about her health, Kate announced in  a video message  that cancer was discovered following her operation and she is undergoing preventative chemotherapy on the advice of her medical team. She did not say what kind of cancer it was or share additional details about her diagnosis. 

"This of course came as a huge shock, and William and I have been doing everything we can to process and manage this privately for the sake of our young family," Kate said in the video message. "As you can imagine, this has taken time. It has taken me time to recover from major surgery in order to start my treatment. But, most importantly, it has taken us time to explain everything to George, Charlotte and Louis in a way that is appropriate for them, and to reassure them that I am going to be OK."

The family kept a low profile over the Easter school holidays, but  William resumed official duties  last week.

• British Royal Family

Lucia Suarez Sang is an associate managing editor at cbsnews.com. Previously, Lucia was the director of digital content at FOX61 News in Connecticut and has previously written for outlets including FoxNews.com, Fox News Latino and the Rutland Herald.

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