sentence starters for a narrative essay

• Writing Prompts

150+ Story Starters: Creative Sentences To Start A Story

The most important thing about writing is finding a good idea . You have to have a great idea to write a story. You have to be able to see the whole picture before you can start to write it. Sometimes, you might need help with that. Story starters are a great way to get the story rolling. You can use them to kick off a story, start a character in a story or even start a scene in a story.

When you start writing a story, you need to have a hook. A hook can be a character or a plot device. It can also be a setting, something like “A young man came into a bar with a horse.” or a setting like “It was the summer of 1969, and there were no cell phones.” The first sentence of a story is often the hook. It can also be a premise or a situation, such as, “A strange old man in a black cloak was sitting on the train platform.”

Story starters are a way to quickly get the story going. They give the reader a place to start reading your story. Some story starters are obvious, and some are not. The best story starters are the ones that give the reader a glimpse into the story. They can be a part of a story or a part of a scene. They can be a way to show the reader the mood of a story. If you want to start a story, you can use a simple sentence. You can also use a question or an inspirational quote. In this post, we have listed over 150 story starters to get your story started with a bang! A great way to use these story starters is at the start of the Finish The Story game .

If you want more story starters, check out this video on some creative story starter sentences to use in your stories:

150+ Creative Story Starters

Here is a list of good sentences to start a story with:

• I’ve read about a million stories about princesses but never thought I could ever be one.
• There was once a man who was very old, but he was wise. He lived for a very long time, and he was very happy.
• What is the difference between a man and a cat? A cat has nine lives.
• In the middle of the night, a boy is running through the woods.
• It is the end of the world.
• He knew he was not allowed to look into the eyes of the princess, but he couldn’t help himself.
• The year is 1893. A young boy was running away from home.
• What if the Forest was actually a magical portal to another dimension, the Forest was a portal to the Otherworld?
• In the Forest, you will find a vast number of magical beings of all sorts. 
• It was the middle of the night, and the forest was quiet. No bugs or animals disturbed the silence. There were no birds, no chirping. 
• If you wish to stay in the Forest, you will need to follow these rules: No one shall leave the Forest. No one shall enter. No one shall take anything from the Forest.
• “It was a terrible day,” said the old man in a raspy voice.
• A cat is flying through the air, higher and higher, when it happens, and the cat doesn’t know how it got there, how it got to be in the sky.
• I was lying in the woods, and I was daydreaming.
• The Earth is a world of wonders. 
• The fairy is the most amazing creature I have ever met.
• A young girl was sitting on a tree stump at the edge of a river when she noticed a magical tree growing in the water.
• My dancing rat is dressed in a jacket, a tie and glasses, which make him look like a person. 
• In the darkness of the night, I am alone, but I know that I am not. 
• Owls are the oldest, and most intelligent, of all birds.
• My name is Reyna, and I am a fox. 
• The woman was drowning.
• One day, he was walking in the forest.
• It was a dark and stormy night…
• There was a young girl who could not sleep…
• A boy in a black cape rode on a white horse…
• A crazy old man in a black cloak was sitting in the middle of the street…
• The sun was setting on a beautiful summer day…
• The dog was restless…”
• There was a young boy in a brown coat…
• I met a young man in the woods…
• In the middle of a dark forest…
• The young girl was at home with her family…
• There was a young man who was sitting on a …
• A young man came into a bar with a horse…
• I have had a lot of bad dreams…
• He was a man who wanted to be king…
• It was the summer of 1969, and there were no cell phones.
• I know what you’re thinking. But no, I don’t want to be a vegetarian. The worst part is I don’t like the taste.
• She looked at the boy and decided to ask him why he wasn’t eating. She didn’t want to look mean, but she was going to ask him anyway.
• The song played on the radio, as Samual wiped away his tears.
• This was the part when everything was about to go downhill. But it didn’t…
• “Why make life harder for yourself?” asked Claire, as she bit into her apple.
• She made a promise to herself that she would never do it.
• I was able to escape.
• I was reading a book when the accident happened.
• “I can’t stand up for people who lie and cheat.” I cried.
• You look at me and I feel beautiful.
• I know what I want to be when I grow up.
• We didn’t have much money. But we knew how to throw a good party.
• The wind blew on the silent streets of London.
• What do you get when you cross an angry bee and my sister?
• The flight was slow and bumpy. I was half asleep when the captain announced we were going down.
• At the far end of the city was a river that was overgrown with weeds. 
• It was a quiet night in the middle of a busy week.
• One afternoon, I was eating a sandwich in the park when I spotted a stranger.
• In the late afternoon, a few students sat on the lawn reading.
• The fireflies were dancing in the twilight as the sunset.
• In the early evening, the children played in the park.
• The sun was setting and the moon was rising.
• A crowd gathered in the square as the band played.
• The top of the water tower shone in the moonlight.
• The light in the living room was on, but the light in the kitchen was off.
•  When I was a little boy, I used to make up stories about the adventures of these amazing animals, creatures, and so on. 
• All of the sudden, I realized I was standing in the middle of an open field surrounded by nothing but wildflowers, and the only thing I remembered about it was that I’d never seen a tree before.
• It’s the kind of thing that’s only happened to me once before in my life, but it’s so cool to see it.
• They gave him a little wave as they drove away.
• The car had left the parking lot, and a few hours later we arrived home.
• They were going to play a game of bingo.
• He’d made up his mind to do it. He’d have to tell her soon, though. He was waiting for a moment when they were alone and he could say it without feeling like an idiot. But when that moment came, he couldn’t think of anything to say.
• Jamie always wanted to own a plane, but his parents were a little tight on the budget. So he’d been saving up to buy one of his own. 
• The night was getting colder, and the wind was blowing in from the west.
• The doctor stared down at the small, withered corpse.
• She’d never been in the woods before, but she wasn’t afraid.
• The kids were having a great time in the playground.
• The police caught the thieves red-handed.
• The world needs a hero more than ever.
• Mother always said, “Be good and nice things will happen…”
• There is a difference between what you see and what you think you see.
• The sun was low in the sky and the air was warm.
• “It’s time to go home,” she said, “I’m getting a headache.”
• It was a cold winter’s day, and the snow had come early.
• I found a wounded bird in my garden.
• “You should have seen the look on my face.”
• He opened the door and stepped back.
• My father used to say, “All good things come to an end.”
• The problem with fast cars is that they break so easily.
• “What do you think of this one?” asked Mindy.
• “If I asked you to do something, would you do it?” asked Jacob.
• I was surprised to see her on the bus.
• I was never the most popular one in my class.
• We had a bad fight that day.
• The coffee machine had stopped working, so I went to the kitchen to make myself a cup of tea.
• It was a muggy night, and the air-conditioning unit was so loud it hurt my ears.
• I had a sleepless night because I couldn’t get my head to turn off.
• I woke up at dawn and heard a horrible noise.
• I was so tired I didn’t know if I’d be able to sleep that night.
• I put on the light and looked at myself in the mirror.
• I decided to go in, but the door was locked.
• A man in a red sweater stood staring at a little kitten as if it was on fire.
• “It’s so beautiful,” he said, “I’m going to take a picture.”
• “I think we’re lost,” he said, “It’s all your fault.”
• It’s hard to imagine what a better life might be like
• He was a tall, lanky man, with a long face, a nose like a pin, and a thin, sandy moustache.
• He had a face like a lion’s and an eye like a hawk’s.
• The man was so broad and strong that it was as if a mountain had been folded up and carried in his belly.
• I opened the door. I didn’t see her, but I knew she was there.
• I walked down the street. I couldn’t help feeling a little guilty.
• I arrived at my parents’ home at 8:00 AM.
• The nurse had been very helpful.
• On the table was an array of desserts.
• I had just finished putting the last of my books in the trunk.
• A car horn honked, startling me.
• The kitchen was full of pots and pans.
• There are too many things to remember.
• The world was my oyster. I was born with a silver spoon in my mouth.
•  “My grandfather was a World War II veteran. He was a decorated hero who’d earned himself a Silver Star, a Bronze Star, and a Purple Heart.
• Beneath the menacing, skeletal shadow of the mountain, a hermit sat on his ledge. His gnarled hands folded on his gnarled knees. His eyes stared blankly into the fog. 
• I heard a story about a dragon, who was said to be the size of a house, that lived on the top of the tallest mountain in the world.
•  I was told a story about a man who found a golden treasure, which was buried in this very park.
• He stood alone in the middle of a dark and silent room, his head cocked to one side, the brown locks of his hair, which were parted in the middle, falling down over his eyes.
•  Growing up, I was the black sheep of the family. I had my father’s eyes, but my mother’s smile.
• Once upon a time, there was a woman named Miss Muffett, and she lived in a big house with many rooms.
• When I was a child, my mother told me that the water looked so bright because the sun was shining on it. I did not understand what she meant at the time.    
•  The man in the boat took the water bottle and drank from it as he paddled away.
• The man looked at the child with a mixture of pity and contempt.
• An old man and his grandson sat in their garden. The old man told his grandson to dig a hole. 
• An old woman was taking a walk on the beach. The tide was high and she had to wade through the water to get to the other side.
• She looked up at the clock and saw that it was five minutes past seven.
• The man looked up from the map he was studying. “How’s it going, mate?”
• I was in my room on the third floor, staring out of the window.
• A dark silhouette of a woman stood in the doorway.
• The church bells began to ring.
• The moon rose above the horizon.
• A bright light shone over the road.
• The night sky began to glow.
• I could hear my mother cooking in the kitchen.
• The fog began to roll in.
• He came in late to the class and sat at the back.
• A young boy picked up a penny and put it in his pocket.
• He went to the bathroom and looked at his face in the mirror.
• It was the age of wisdom and the age of foolishness. We once had everything and now we have nothing.
• A young man died yesterday, and no one knows why.
• The boy was a little boy. He was not yet a man. He lived in a house in a big city.
• They had just returned from the theatre when the phone rang.
• I walked up to the front of the store and noticed the neon sign was out.
• I always wondered what happened to Mary.
• I stopped to say hello and then walked on.
• The boy’s mother didn’t want him to play outside…
• The lights suddenly went out…
• After 10 years in prison, he was finally out.
• The raindrops pelted the window, which was set high up on the wall, and I could see it was a clear day outside.
• My friend and I had just finished a large pizza, and we were about to open our second.
• I love the smell of the ocean, but it never smells as good as it does when the waves are crashing.
• They just stood there, staring at each other.
• A party was in full swing until the music stopped.

For more ideas on how to start your story, check out these first-line writing prompts . Did you find this list of creative story starters useful? Let us know in the comments below!

Marty the wizard is the master of Imagine Forest. When he's not reading a ton of books or writing some of his own tales, he loves to be surrounded by the magical creatures that live in Imagine Forest. While living in his tree house he has devoted his time to helping children around the world with their writing skills and creativity.

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• Knowledge Base
• How to write a narrative essay | Example & tips

How to Write a Narrative Essay | Example & Tips

Published on July 24, 2020 by Jack Caulfield . Revised on July 23, 2023.

A narrative essay tells a story. In most cases, this is a story about a personal experience you had. This type of essay , along with the descriptive essay , allows you to get personal and creative, unlike most academic writing .

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Table of contents

What is a narrative essay for, choosing a topic, interactive example of a narrative essay, other interesting articles, frequently asked questions about narrative essays.

When assigned a narrative essay, you might find yourself wondering: Why does my teacher want to hear this story? Topics for narrative essays can range from the important to the trivial. Usually the point is not so much the story itself, but the way you tell it.

A narrative essay is a way of testing your ability to tell a story in a clear and interesting way. You’re expected to think about where your story begins and ends, and how to convey it with eye-catching language and a satisfying pace.

These skills are quite different from those needed for formal academic writing. For instance, in a narrative essay the use of the first person (“I”) is encouraged, as is the use of figurative language, dialogue, and suspense.

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Narrative essay assignments vary widely in the amount of direction you’re given about your topic. You may be assigned quite a specific topic or choice of topics to work with.

• Write a story about your first day of school.
• Write a story about your favorite holiday destination.

You may also be given prompts that leave you a much wider choice of topic.

• Write about an experience where you learned something about yourself.
• Write about an achievement you are proud of. What did you accomplish, and how?

In these cases, you might have to think harder to decide what story you want to tell. The best kind of story for a narrative essay is one you can use to talk about a particular theme or lesson, or that takes a surprising turn somewhere along the way.

For example, a trip where everything went according to plan makes for a less interesting story than one where something unexpected happened that you then had to respond to. Choose an experience that might surprise the reader or teach them something.

Narrative essays in college applications

When applying for college , you might be asked to write a narrative essay that expresses something about your personal qualities.

For example, this application prompt from Common App requires you to respond with a narrative essay.

In this context, choose a story that is not only interesting but also expresses the qualities the prompt is looking for—here, resilience and the ability to learn from failure—and frame the story in a way that emphasizes these qualities.

An example of a short narrative essay, responding to the prompt “Write about an experience where you learned something about yourself,” is shown below.

Hover over different parts of the text to see how the structure works.

Since elementary school, I have always favored subjects like science and math over the humanities. My instinct was always to think of these subjects as more solid and serious than classes like English. If there was no right answer, I thought, why bother? But recently I had an experience that taught me my academic interests are more flexible than I had thought: I took my first philosophy class.

Before I entered the classroom, I was skeptical. I waited outside with the other students and wondered what exactly philosophy would involve—I really had no idea. I imagined something pretty abstract: long, stilted conversations pondering the meaning of life. But what I got was something quite different.

A young man in jeans, Mr. Jones—“but you can call me Rob”—was far from the white-haired, buttoned-up old man I had half-expected. And rather than pulling us into pedantic arguments about obscure philosophical points, Rob engaged us on our level. To talk free will, we looked at our own choices. To talk ethics, we looked at dilemmas we had faced ourselves. By the end of class, I’d discovered that questions with no right answer can turn out to be the most interesting ones.

The experience has taught me to look at things a little more “philosophically”—and not just because it was a philosophy class! I learned that if I let go of my preconceptions, I can actually get a lot out of subjects I was previously dismissive of. The class taught me—in more ways than one—to look at things with an open mind.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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If you’re not given much guidance on what your narrative essay should be about, consider the context and scope of the assignment. What kind of story is relevant, interesting, and possible to tell within the word count?

The best kind of story for a narrative essay is one you can use to reflect on a particular theme or lesson, or that takes a surprising turn somewhere along the way.

Don’t worry too much if your topic seems unoriginal. The point of a narrative essay is how you tell the story and the point you make with it, not the subject of the story itself.

Narrative essays are usually assigned as writing exercises at high school or in university composition classes. They may also form part of a university application.

When you are prompted to tell a story about your own life or experiences, a narrative essay is usually the right response.

The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.

Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.

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Crafting Compelling Sentence Starters for Essays

Welcome to our comprehensive guide on mastering sentence starters for essays. Ever wondered how some writers effortlessly hook their readers from the first line, smoothly transition between ideas, and leave a lasting impression?

The secret lies in the artful use of sentence starters. These short phrases are more than just transition words; they're the key to making your paper engaging, coherent, and sophisticated.

In this blog post, we'll shed light on the importance of good sentence starters, provide examples, and guide you on how to use them effectively in different parts of your essay. Whether you're writing an introduction, body paragraph, or conclusion , we've got you covered. But that's not all.

We'll also delve into common mistakes to avoid when using sentence starters and how to adapt them for different types of essays. So, buckle up and get ready to elevate your essay writing skills to new heights. Let's get started!

Understanding the Importance of Good Sentence Starters

Whether you're crafting an academic text or writing a blog , the right sentence starter can make all the difference. It's not just about stringing words together; it's about choosing the right words that will hook the reader and keep them engaged. So, let's delve deeper into understanding the importance of good sentence starters and how they can elevate your writing.

Why Good Sentence Starters are Crucial for Your Writing

Good sentence starters are the backbone of compelling writing. They act as the gateway to your thoughts, guiding the reader through your narrative or argument. They're not just a fancy academic phrase or a tool to meet a word count. They're the key to making your writing flow, to connecting your ideas, and to keeping your reader engaged.

Imagine reading a text that jumps from one point to another without any clear transitions. It would be like trying to follow a map without any signposts. You'd likely get lost, frustrated, and give up. That's exactly what happens when you don't use sentence starters. Your readers can't follow your train of thought, and they lose interest.

When you use sentence starters effectively, you're laying out a clear path for your reader. You're telling them, "Pay attention, this is an important point," or "Here's a contrasting view," or "Let's move on to a new idea." You're hooking the reader, keeping them engaged, and making your writing more impactful.

Examples of Effective Sentence Starters

Here are some examples of effective sentence starters that can elevate your writing:

• "Despite the common belief, ..."
• "Drawing from the data, ..."
• "Contrary to what one might think, ..."
• "Given the circumstances, ..."
• "Taking into account the evidence, ..."
• "As a matter of fact, ..."
• "In light of recent events, ..."
• "Considering the implications, ..."
• "Reflecting on the situation, ..."
• "From a different perspective, ..."

These sentence starters are not just words or phrases; they are the hooks that grab your reader's attention. They are the bridges that connect your thoughts and ideas, making your academic text more coherent and engaging. So, the next time you sit down to write, pay close attention to your sentence starters. They might just be the key to taking your writing to the next level.

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Sentence Starters for Essay Introductions

In this section, we will explore how to use sentence starters effectively in essay introductions, providing you with practical tips and examples.

How to Use Sentence Starters in Essay Introductions

The art of crafting an engaging essay introduction lies in the strategic use of sentence starters. These are not just any random words, but carefully chosen transition words, short phrases, or clauses that guide the reader into the narrative. They serve as a bridge, connecting the title to the body of the essay, and setting the tone for what's to come.

To use a sentence starter effectively, you need to understand its purpose. It's not just about starting a sentence; it's about creating a smooth transition that guides the reader from one idea to the next. It's about shedding light on the purpose of your research, and preparing the reader for the arguments you're about to present.

The goal is to make your paper as readable and engaging as possible. So, don't overuse sentence starters. Use them sparingly, and only when necessary to enhance the clarity and coherence of your essay.

Examples of Sentence Starters for Essay Introductions

Here are some examples of sentence starters that can be used in essay introductions:

• "The purpose of this research is to..."
• "This essay will shed light on..."
• "In answer to the top question..."
• "To paraphrase the research findings..."
• "The essay introduction starters are designed to..."
• "Using a sentence starter, we can..."
• "With the use of transition words, we can..."
• "A short phrase can make your paper more engaging..."
• "Here's a starter example to illustrate..."
• "This sentence starter example will clarify..."

These starters not only grab the reader's attention but also provide a clear roadmap for the essay. They can be used to introduce a new argument, create a smooth transition between paragraphs, or emphasize key ideas. Remember, the goal is to make your writing more compelling and engaging for the reader.

Sentence Starters for Body Paragraphs

Understanding how to use these paragraph starters effectively is crucial in crafting a well-structured essay. They not only introduce new ideas but also create a seamless connection between the previous and the upcoming content.

How to Use Sentence Starters in Body Paragraphs

In essay writing, sentence starters for essays are the secret sauce that adds flavor to your content. They are the transition phrases that guide your reader from one idea to the next, ensuring a smooth journey through your thoughts. When it comes to body paragraphs, these starters play a pivotal role in maintaining the flow and coherence of your essay.

A good paragraph starter doesn't just introduce the next idea, it also ties in with the previous one. It's a bridge that connects the two, making your paper feel like a cohesive whole rather than a collection of disjointed thoughts. So, when you start a body paragraph, consider the content of the previous one and choose a transition that will smoothly carry your reader forward.

Sentence Starters for Essay Conclusions

Wrapping up an essay or research paper with a strong conclusion is just as important as having a compelling introduction. The conclusion is your final chance to leave a lasting impression on your reader, and using the right sentence starters can make all the difference.

These conclusion sentence starters not only help you summarize your findings but also add a touch of sophistication to your writing. They serve as a bridge, connecting your final thoughts and the main body of your work, ensuring a smooth transition that enhances the overall readability of your paper.

Whether you're looking to paraphrase research findings or shed light on the broader implications of your work, the right sentence starter can help you achieve your goal. So, let's delve into the art of using sentence starters for essay conclusions.

How to Use Sentence Starters in Essay Conclusions

When it comes to wrapping up your research paper or essay, the use of conclusion sentence starters can be a game-changer. These short phrases or transition words can help you summarize your findings, restate your thesis, and leave a lasting impression on your reader.

The key to using these sentence starters effectively is to use them sparingly. Overuse can make your paper sound repetitive and unprofessional. Instead, use them to introduce a new idea or to transition smoothly between thoughts.

Another effective way to use a sentence starter is to highlight something important. A well-placed sentence starter can draw the reader's attention to a key point or finding in your research.

Examples of Sentence Starters for Essay Conclusions

Here are some examples of conclusion sentence starters that can be used to wrap up your research paper or essay:

• "In conclusion, it is evident that..." This starter is a classic way to summarize your findings. For instance, "In conclusion, it is evident that the purpose of this research was to shed light on the effects of climate change."
• "Based on the findings, it can be concluded that..." This phrase is perfect for emphasizing the results of your research. For example, "Based on the findings, it can be concluded that regular exercise contributes to improved mental health."
• "Overall, this research sheds light on..." This sentence starter is great for highlighting the broader implications of your work. For instance, "Overall, this research sheds light on the importance of early intervention in education."

The use of a sentence starter or transition word can make your paper more coherent and impactful.

Sentence Starters for Different Types of Essays

Let's explore the specifics of using sentence starters in different types of essays. Whether you're crafting an argumentative, descriptive, or narrative essay, we'll provide you with a starter example to shed light on how to make your paper more compelling. Let's dive in!

Sentence Starters for Argumentative Essays

• "Despite the prevailing belief, I argue that..."
• "The evidence strongly suggests that..."
• "To shed light on this issue, consider the following..."
• "The purpose of this research is to challenge the notion that..."
• "One cannot ignore the fact that..."
• "Drawing upon the data, it becomes clear that..."
• "This argument is further strengthened by the fact that..."
• "In response to this argument, one might assert that..."
• "The crux of the matter is that..."
• "This line of reasoning leads us to conclude that..."
• "In the face of such compelling evidence, it is hard to dispute that..."

Sentence Starters for Descriptive Essays

Here are some sentence starters that can be effectively used in descriptive essays:

• "As I stepped into the room, ..."
• "The first thing that caught my eye was ..."
• "I was immediately struck by ..."
• "The sight that greeted me was ..."
• "I couldn't help but notice ..."
• "The aroma of ... filled the air."
• "The sound of ... echoed in the distance."
• "The taste of ... lingered on my tongue."
• "The touch of ... sent shivers down my spine."
• "The feeling of ... was overwhelming."

These sentence starters can help you set the scene and engage your reader's senses right from the start. Remember, the purpose of a descriptive essay is to paint a vivid picture in the reader's mind. Using these sentence starters can help you achieve that.

Sentence Starters for Narrative Essays

• Setting the Scene : "The sun was setting, casting long shadows across the park as children's laughter echoed in the distance..."
• Introducing a Character : "Meet John, a man of few words but with a story that could fill volumes..."
• Creating Suspense : "As she turned the corner, her heart pounded in her chest, not knowing what she would find..."
• Describing an Event : "The concert was a whirlwind of lights, music, and energy that swept everyone off their feet..."
• Presenting Dialogue : "'I've never seen anything like it,' he whispered, his eyes wide with awe and wonder..."
• Sharing an Inner Thought : "She couldn't help but wonder if this was the right decision, if she was on the right path..."
• Ending with a Cliffhanger : "As the door slowly creaked open, he braced himself for what was to come..."

Common Mistakes to Avoid When Using Sentence Starters

It's not just about knowing a variety of good sentence starters, but also about knowing when and how to use them to hook the reader and emphasize important points. Let's explore these common mistakes and learn how to avoid them.

Overusing the Same Sentence Starters

One of the most common pitfalls when using sentence starters is overusing the same phrase or word. It's like a song on repeat; after a while, it loses its charm. This is especially true in academic texts, where the goal is to hook the reader and keep them engaged.

A good sentence starter can be a great way to introduce a new idea or point. However, if you use the same starter example repeatedly, it can make your writing sound monotonous and uninteresting. It's important to pay attention to this as it can detract from the important points you're trying to make.

Remember, variety is the spice of life, and this holds true for sentence starters as well. Mixing up your sentence starters not only makes your writing more engaging but also helps to maintain the reader's interest.

So, the next time you write, be mindful of the sentence starters you use. Try to incorporate different ones to keep your writing fresh and engaging. This is a great way to ensure that your writing is always at its best.

Using Inappropriate Sentence Starters

One of the most common mistakes that writers make is using inappropriate sentence starters. This usually happens when the writer is not fully aware of the context or the tone of the text. For instance, using a casual sentence starter in an academic text can disrupt the flow and confuse the reader.

It's important to pay attention to the type of text you're writing. If it's an academic paper, using academic phrases as sentence starters is a great way to maintain the formal tone. On the other hand, if you're writing a blog post or a novel, you might want to use more casual or creative sentence starters to hook the reader.

Another important point to remember is that not all sentence starters are suitable for all types of sentences. For example, using a contrasting sentence starter in a sentence that's supposed to add information can lead to misunderstandings.

Final Thoughts on Mastering Sentence Starters for Essays

Mastering the use of sentence starters is a crucial skill for any writer. These transition words and phrases serve as bridges, guiding your reader through your thoughts and arguments. They not only enhance the flow and coherence of your writing but also hook the reader's attention, making your work more engaging and compelling.

However, remember that the effective use of sentence starters requires balance.

Overuse can lead to redundancy, while inappropriate use can confuse your reader. Therefore, it's essential to understand the context and purpose of each sentence starter to use it appropriately.

In the end, the art of using sentence starters is about making your paper more readable and persuasive. So, keep practicing, and soon, you'll find that these handy tools have become an integral part of your writing toolkit.

If you need professional writing help , try Strategically AI for free today.

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49 Best Story Starter Sentences for Writers of All Ages

Whether you’re a seasoned writer seeking fresh inspiration or a budding wordsmith eager to explore new worlds, our collection of 49 captivating story starter sentences is sure to spark your imagination and set your pen ablaze.

What are the best story starter sentences?

• In the heart of the ancient forest, a mysterious light flickered, beckoning me forward.
• The old house at the end of the street held secrets that whispered in the wind.
• As the sun dipped below the horizon, I set out on a journey that would change everything.
• The first snowflake fell softly from the sky, signaling the beginning of a magical winter.
• In a world where magic was forbidden, I discovered a hidden book of spells.
• The abandoned amusement park stood silent and eerie, waiting for someone brave enough to explore its depths.
• From the depths of the ocean, a creature emerged, its eyes glowing with ancient wisdom.
• As I stepped through the portal, I found myself in a land where time stood still.
• In the attic of my grandmother’s house, I uncovered a box filled with letters from another era.
• The stars whispered secrets to me as I lay beneath the night sky, dreaming of distant galaxies.
• In the bustling marketplace, I stumbled upon a peculiar shop filled with enchanted trinkets.
• As the clock struck midnight, the walls of the castle began to tremble with magic.
• The mysterious stranger who appeared on my doorstep held the key to a long-forgotten prophecy.
• In the heart of the desert, an oasis shimmered like a mirage, promising refuge from the scorching sun.
• As the last leaf fell from the tree, a new chapter began to unfold.
• The melody of the forgotten song echoed through the halls of the abandoned mansion.
• In the land of dreams, I found myself face to face with my greatest fears.
• The forbidden forest whispered tales of lost souls and wandering spirits.
• As the storm raged outside, I curled up with a book that transported me to another world.
• The map I found hidden in my grandfather’s study revealed a path to hidden treasure.
• In the depths of the cave, I discovered a dragon guarding a hoard of precious gems.
• The enchanted mirror showed me a glimpse of my future self, urging me to embrace my destiny.
• As I wandered through the enchanted garden, the flowers spoke to me in a language only I could understand.
• The clock tower chimed ominously as I ventured into the abandoned asylum.
• In the attic of the old bookstore, I stumbled upon a portal to another dimension.
• The mysterious symbol etched into the ancient stone held the key to unlocking its secrets.
• As the moon rose high in the sky, I set sail on a voyage to the edge of the world.
• The carnival that appeared overnight held mysteries beyond imagination.
• In the shadow of the mountain, a forgotten village lay hidden from the world.
• The whispers of the wind carried tales of lost civilizations and ancient relics.
• As I gazed into the crystal ball, I saw visions of the past, present, and future intertwining.
• The secret society I stumbled upon held the key to unraveling a centuries-old mystery.
• In the heart of the labyrinth, I found myself face to face with the Minotaur.
• The time-traveling device I invented whisked me away to a dystopian future.
• As I followed the trail of breadcrumbs through the forest, I realized I was not alone.
• The forgotten temple hidden deep in the jungle held the power to grant eternal life.
• In the land of make-believe, I embarked on a quest to rescue the lost princess.
• The ancient tome I discovered in the library contained spells beyond imagination.
• As the sun rose over the horizon, I set out on a quest to save my kingdom from darkness.
• The whispers of the ghostly apparition led me to uncover a long-buried secret.
• In the ruins of the castle, I found a portrait that bore a striking resemblance to myself.
• The mysterious island that appeared on the horizon beckoned me to explore its shores.
• As the eclipse cast its shadow over the land, strange creatures emerged from the darkness.
• The potion I brewed in my cauldron had unforeseen consequences.
• In the attic of the old mansion, I stumbled upon a chest filled with forgotten treasures.
• The melody of the music box transported me to a realm of dreams and nightmares.
• As I followed the trail of breadcrumbs through the forest, I stumbled upon a hidden cottage.
• The ancient relic I discovered in the tomb held the power to change the course of history.
• In the land of giants, I embarked on a quest to reclaim the stolen crown.

Grab your notebook, prepare to journey into the realms of fantasy, mystery, and adventure, and let these story starters ignite your imagination like never before.

No thanks, I’m not interested!

JournalBuddies.com

Journal Buddies Jill | March 25, 2024 March 22, 2023 | Creative Writing

51 Super Story Starter Sentences

Story Starter Sentences to Ignite Your Mind— We’ve made it easy for you to start your next story. You see, we put together a wonderfully fun and creative list of 51 story starter sentences. Hopefully, these ideas will give you the inspiration you need to get started on your next creative writing project.  

Why Use Story Prompts?

It’s true…

One of the most challenging parts of creative writing can be actually getting a new piece started.

I mean, it’s not always easy to come up with fresh ideas to hone your story-writing skills and before you know it, you can waste 30 minutes looking at a blank piece of paper.

Even if you have an idea, coming up with that opening line to get you started can be a challenge. The great news is once you get started the writing usually begins to flow. But, if you need some assistance getting your creative juices flowing…

Then you may find that our story starter sentences will ignite your mind with great ideas. Plus, they may also give you an opening line to get you going so you don’t spend all your time trying to come up with an idea on your own.

So get to it and use the writing prompts in your classroom today!

51 Story Starter Sentences

• Suddenly, icy fingers grabbed my arm as I inched through the darkness. 
• I suddenly found out that I was heir to a throne…
• She opened the letter and it said she’d won $100,000. 
• When I flipped on the radio that night, I couldn’t believe the voice I heard coming through the speakers. 
• I still remember the day I was born. 
• There was a secret meeting in the morning and she absolutely had to be there. 
• There was something about a music box that always made me think of home…
• I opened my eyes and had no idea where I was…
• He was heading back to the one place he hoped he’d never have to see again. 
• Today she would find out if her entire life was a lie. 
• Shaking, I grabbed his hand and said my goodbyes. 
• A road trip was just the thing for me and my friends.
• I turned on the 10:00 pm news only to see one of the biggest secrets of my life playing out before my eyes. 
• The roller coaster had stopped and we were left upside down…
• For months I’d been crying myself to sleep every night. 
• We were supposed to meet each other on the Bay Bridge at midnight, but he never showed up. 
• When I walked into the living room, huge bouquets of flowers were everywhere, but I had no idea how they got there. 
• I’d been planning the perfect vacation for months, but then…
• There are only three of us left – the only three left alive in the world. 
• The little girl turned to me and said, “The future of the world is up to you now”.
• At first, I thought it was only the dog making noise, but it was…
• It sounded like piano music and it was coming from my living room…
• She’d thought about this moment, imagined it, for years, but she’d never expected what happened…

• The cab driver suddenly turned left instead of right and I had no idea where he was taking me. 
• My boss had given his orders, but I knew what he was asking was illegal. 
• She broke open the fortune cookie, but there was a map on the tiny slip of paper. 
• The waitress walked over and whispered in my ear, “You have to leave because your life is in danger”.
• He decided to spy on his wife, but what he discovered wasn’t what he was expecting at all. 
• She thought her boss was going to fire her, so she decided she’d fight back. 
• He was tired of living in the retirement home, so he was planning an escape. 
• There was a time years ago when I was happy, but those days were over. 
• While I could see hundreds of stars in the sky, there was no moon that night. 
• From the moment he walked into the casino, Lady Luck was on his side. 
• The twins had a secret and they knew that no one could ever find out about it. 
• Every time I heard the ice cream truck go by, I got scared. 
• I was reading on the subway when all of a sudden, we stopped in the middle of a tunnel. 
• I hadn’t planned on becoming a hostage at the bank when I got up that morning. 
• My brother was in Afghanistan and I hadn’t heard anything from him for over a month.
• Walking down the long hallway to my boss’s office, I had no idea what he could want from me. 
• The note said to go to hotel room #33 and I was hesitant to knock on the door. 
• Every Tuesday at 3 pm, flowers were delivered to my house. 
• As I flipped through the photo album, I couldn’t stop the memories from flooding back and the tears from filling my eyes. 
• I had to go on stage in 15 minutes and my clothes were ripped and muddy. 
• Time was running out and he had 11 more blocks to run. 
• I had the same dream every night and it was scaring me. 
• Every time the clock struck midnight, the entire house would go dark for 10 minutes. 
• When she looked at her phone, she was shocked to see she had 33 voicemails. 
• It was my first game to pitch in the majors and I could barely contain my excitement. 
• The music was slowing, and the song was almost over, but we couldn’t stop dancing. 
• She’d been in labor for 48 hours and still no baby. 

I hope you enjoyed this list of story starter sentences.

Discover More Ways You Can Write Your Very Own Stories

If you want to create and write your own stories, then it’s essential you learn how to develop the plot of a story. This is why we’d like to encourage you to take a look at our article :

Six Steps to Develop the Plot of a Story and 15 Fresh Writing Prompts Ideas .

There’s a treasure trove of excellent writing information for you in that article.

So get to it and check it out today. I think you’ll be glad you did!

More Links & Resources for You

• Prompt Generator
• Story Writing Tips and World-Building Prompts for Middle Schoolers
• Short Story Ideas for Kids
• Narrative Writing Topics for All Writers

If you enjoyed these  Story Starter Sentences, please share them on Facebook, Twitter, and/or Pinterest. I appreciate it!

Sincerely, Jill journalbuddies.com creator and curator

PS – Need help concluding your story? Take a look at 100 Ways to End a Story !

Tap to See Prompts 17 Unexpected Plot Twist Ideas + Tips and More! 15 Fresh Plot Ideas for Stories 30 Short Story Ideas with a Twist ------------Start of Om Added --------- @media (min-width: 320px) and (max-width: 767px) { .inside-right-sidebar { display: none !important; } } Search Now Offering You 18,000+ Prompts!

Tap to See Prompts 17 Unexpected Plot Twist Ideas + Tips and More! 15 Fresh Plot Ideas for Stories 30 Short Story Ideas with a Twist Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6 Grade 7-8 Grade 9-12 All Ages ------------End of Om Added --------- Tags All Ages , creative , creative story ideas , Creative Writing , FP-6 , get started writing , great ideas , ideas , list of story starter , Starter Sentences , story , Story Ideas , story starter , story starter sentences , story starters , story starters for kids , story writing , Story Writing Ideas , story writing prompts , write a story , writing , writing project , writing skills div#postbottom { margin-top: 12px; } Search Now Offering You 18,000+ Prompts!

The Ultimate Narrative Essay Guide for Beginners

A narrative essay tells a story in chronological order, with an introduction that introduces the characters and sets the scene. Then a series of events leads to a climax or turning point, and finally a resolution or reflection on the experience.

Speaking of which, are you in sixes and sevens about narrative essays? Don’t worry this ultimate expert guide will wipe out all your doubts. So let’s get started.

Table of Contents

Everything You Need to Know About Narrative Essay

What is a narrative essay.

When you go through a narrative essay definition, you would know that a narrative essay purpose is to tell a story. It’s all about sharing an experience or event and is different from other types of essays because it’s more focused on how the event made you feel or what you learned from it, rather than just presenting facts or an argument. Let’s explore more details on this interesting write-up and get to know how to write a narrative essay.

Elements of a Narrative Essay

Here’s a breakdown of the key elements of a narrative essay:

A narrative essay has a beginning, middle, and end. It builds up tension and excitement and then wraps things up in a neat package.

Real people, including the writer, often feature in personal narratives. Details of the characters and their thoughts, feelings, and actions can help readers to relate to the tale.

It’s really important to know when and where something happened so we can get a good idea of the context. Going into detail about what it looks like helps the reader to really feel like they’re part of the story.

Conflict or Challenge 

A story in a narrative essay usually involves some kind of conflict or challenge that moves the plot along. It could be something inside the character, like a personal battle, or something from outside, like an issue they have to face in the world.

Theme or Message

A narrative essay isn’t just about recounting an event – it’s about showing the impact it had on you and what you took away from it. It’s an opportunity to share your thoughts and feelings about the experience, and how it changed your outlook.

Emotional Impact

The author is trying to make the story they’re telling relatable, engaging, and memorable by using language and storytelling to evoke feelings in whoever’s reading it.

Narrative essays let writers have a blast telling stories about their own lives. It’s an opportunity to share insights and impart wisdom, or just have some fun with the reader. Descriptive language, sensory details, dialogue, and a great narrative voice are all essentials for making the story come alive.

The Purpose of a Narrative Essay

A narrative essay is more than just a story – it’s a way to share a meaningful, engaging, and relatable experience with the reader. Includes:

Sharing Personal Experience

Narrative essays are a great way for writers to share their personal experiences, feelings, thoughts, and reflections. It’s an opportunity to connect with readers and make them feel something.

Entertainment and Engagement

The essay attempts to keep the reader interested by using descriptive language, storytelling elements, and a powerful voice. It attempts to pull them in and make them feel involved by creating suspense, mystery, or an emotional connection.

Conveying a Message or Insight

Narrative essays are more than just a story – they aim to teach you something. They usually have a moral lesson, a new understanding, or a realization about life that the author gained from the experience.

Building Empathy and Understanding

By telling their stories, people can give others insight into different perspectives, feelings, and situations. Sharing these tales can create compassion in the reader and help broaden their knowledge of different life experiences.

Inspiration and Motivation

Stories about personal struggles, successes, and transformations can be really encouraging to people who are going through similar situations. It can provide them with hope and guidance, and let them know that they’re not alone.

Reflecting on Life’s Significance

These essays usually make you think about the importance of certain moments in life or the impact of certain experiences. They make you look deep within yourself and ponder on the things you learned or how you changed because of those events.

Demonstrating Writing Skills

Coming up with a gripping narrative essay takes serious writing chops, like vivid descriptions, powerful language, timing, and organization. It’s an opportunity for writers to show off their story-telling abilities.

Preserving Personal History

Sometimes narrative essays are used to record experiences and special moments that have an emotional resonance. They can be used to preserve individual memories or for future generations to look back on.

Cultural and Societal Exploration

Personal stories can look at cultural or social aspects, giving us an insight into customs, opinions, or social interactions seen through someone’s own experience.

Format of a Narrative Essay

Narrative essays are quite flexible in terms of format, which allows the writer to tell a story in a creative and compelling way. Here’s a quick breakdown of the narrative essay format, along with some examples:

Introduction

Set the scene and introduce the story.

Engage the reader and establish the tone of the narrative.

Hook: Start with a captivating opening line to grab the reader’s attention. For instance:

Example:  “The scorching sun beat down on us as we trekked through the desert, our water supply dwindling.”

Background Information: Provide necessary context or background without giving away the entire story.

Example:  “It was the summer of 2015 when I embarked on a life-changing journey to…”

Thesis Statement or Narrative Purpose

Present the main idea or the central message of the essay.

Offer a glimpse of what the reader can expect from the narrative.

Thesis Statement: This isn’t as rigid as in other essays but can be a sentence summarizing the essence of the story.

Example:  “Little did I know, that seemingly ordinary hike would teach me invaluable lessons about resilience and friendship.”

Body Paragraphs

Present the sequence of events in chronological order.

Develop characters, setting, conflict, and resolution.

Story Progression : Describe events in the order they occurred, focusing on details that evoke emotions and create vivid imagery.

Example : Detail the trek through the desert, the challenges faced, interactions with fellow hikers, and the pivotal moments.

Character Development : Introduce characters and their roles in the story. Show their emotions, thoughts, and actions.

Example : Describe how each character reacted to the dwindling water supply and supported each other through adversity.

Dialogue and Interactions : Use dialogue to bring the story to life and reveal character personalities.

Example : “Sarah handed me her last bottle of water, saying, ‘We’re in this together.'”

Reach the peak of the story, the moment of highest tension or significance.

Turning Point: Highlight the most crucial moment or realization in the narrative.

Example:  “As the sun dipped below the horizon and hope seemed lost, a distant sound caught our attention—the rescue team’s helicopters.”

Provide closure to the story.

Reflect on the significance of the experience and its impact.

Reflection : Summarize the key lessons learned or insights gained from the experience.

Example : “That hike taught me the true meaning of resilience and the invaluable support of friendship in challenging times.”

Closing Thought : End with a memorable line that reinforces the narrative’s message or leaves a lasting impression.

Example : “As we boarded the helicopters, I knew this adventure would forever be etched in my heart.”

Example Summary:

Imagine a narrative about surviving a challenging hike through the desert, emphasizing the bonds formed and lessons learned. The narrative essay structure might look like starting with an engaging scene, narrating the hardships faced, showcasing the characters’ resilience, and culminating in a powerful realization about friendship and endurance.

Different Types of Narrative Essays

There are a bunch of different types of narrative essays – each one focuses on different elements of storytelling and has its own purpose. Here’s a breakdown of the narrative essay types and what they mean.

Personal Narrative

Description : Tells a personal story or experience from the writer’s life.

Purpose: Reflects on personal growth, lessons learned, or significant moments.

Example of Narrative Essay Types:

Topic : “The Day I Conquered My Fear of Public Speaking”

Focus: Details the experience, emotions, and eventual triumph over a fear of public speaking during a pivotal event.

Descriptive Narrative

Description : Emphasizes vivid details and sensory imagery.

Purpose : Creates a sensory experience, painting a vivid picture for the reader.

Topic : “A Walk Through the Enchanted Forest”

Focus : Paints a detailed picture of the sights, sounds, smells, and feelings experienced during a walk through a mystical forest.

Autobiographical Narrative

Description: Chronicles significant events or moments from the writer’s life.

Purpose: Provides insights into the writer’s life, experiences, and growth.

Topic: “Lessons from My Childhood: How My Grandmother Shaped Who I Am”

Focus: Explores pivotal moments and lessons learned from interactions with a significant family member.

Experiential Narrative

Description: Relays experiences beyond the writer’s personal life.

Purpose: Shares experiences, travels, or events from a broader perspective.

Topic: “Volunteering in a Remote Village: A Journey of Empathy”

Focus: Chronicles the writer’s volunteering experience, highlighting interactions with a community and personal growth.

Literary Narrative

Description: Incorporates literary elements like symbolism, allegory, or thematic explorations.

Purpose: Uses storytelling for deeper explorations of themes or concepts.

Topic: “The Symbolism of the Red Door: A Journey Through Change”

Focus: Uses a red door as a symbol, exploring its significance in the narrator’s life and the theme of transition.

Historical Narrative

Description: Recounts historical events or periods through a personal lens.

Purpose: Presents history through personal experiences or perspectives.

Topic: “A Grandfather’s Tales: Living Through the Great Depression”

Focus: Shares personal stories from a family member who lived through a historical era, offering insights into that period.

Digital or Multimedia Narrative

Description: Incorporates multimedia elements like images, videos, or audio to tell a story.

Purpose: Explores storytelling through various digital platforms or formats.

Topic: “A Travel Diary: Exploring Europe Through Vlogs”

Focus: Combines video clips, photos, and personal narration to document a travel experience.

How to Choose a Topic for Your Narrative Essay?

Selecting a compelling topic for your narrative essay is crucial as it sets the stage for your storytelling. Choosing a boring topic is one of the narrative essay mistakes to avoid . Here’s a detailed guide on how to choose the right topic:

Reflect on Personal Experiences

• Significant Moments:

Moments that had a profound impact on your life or shaped your perspective.

Example: A moment of triumph, overcoming a fear, a life-changing decision, or an unforgettable experience.

• Emotional Resonance:

Events that evoke strong emotions or feelings.

Example: Joy, fear, sadness, excitement, or moments of realization.

• Lessons Learned:

Experiences that taught you valuable lessons or brought about personal growth.

Example: Challenges that led to personal development, shifts in mindset, or newfound insights.

Explore Unique Perspectives

• Uncommon Experiences:

Unique or unconventional experiences that might captivate the reader’s interest.

Example: Unusual travels, interactions with different cultures, or uncommon hobbies.

• Different Points of View:

Stories from others’ perspectives that impacted you deeply.

Example: A family member’s story, a friend’s experience, or a historical event from a personal lens.

Focus on Specific Themes or Concepts

• Themes or Concepts of Interest:

Themes or ideas you want to explore through storytelling.

Example: Friendship, resilience, identity, cultural diversity, or personal transformation.

• Symbolism or Metaphor:

Using symbols or metaphors as the core of your narrative.

Example: Exploring the symbolism of an object or a place in relation to a broader theme.

Consider Your Audience and Purpose

• Relevance to Your Audience:

Topics that resonate with your audience’s interests or experiences.

Example: Choose a relatable theme or experience that your readers might connect with emotionally.

• Impact or Message:

What message or insight do you want to convey through your story?

Example: Choose a topic that aligns with the message or lesson you aim to impart to your readers.

Brainstorm and Evaluate Ideas

• Free Writing or Mind Mapping:

Process: Write down all potential ideas without filtering. Mind maps or free-writing exercises can help generate diverse ideas.

• Evaluate Feasibility:

The depth of the story, the availability of vivid details, and your personal connection to the topic.

Imagine you’re considering topics for a narrative essay. You reflect on your experiences and decide to explore the topic of “Overcoming Stage Fright: How a School Play Changed My Perspective.” This topic resonates because it involves a significant challenge you faced and the personal growth it brought about.

Narrative Essay Topics

50 easy narrative essay topics.

• Learning to Ride a Bike
• My First Day of School
• A Surprise Birthday Party
• The Day I Got Lost
• Visiting a Haunted House
• An Encounter with a Wild Animal
• My Favorite Childhood Toy
• The Best Vacation I Ever Had
• An Unforgettable Family Gathering
• Conquering a Fear of Heights
• A Special Gift I Received
• Moving to a New City
• The Most Memorable Meal
• Getting Caught in a Rainstorm
• An Act of Kindness I Witnessed
• The First Time I Cooked a Meal
• My Experience with a New Hobby
• The Day I Met My Best Friend
• A Hike in the Mountains
• Learning a New Language
• An Embarrassing Moment
• Dealing with a Bully
• My First Job Interview
• A Sporting Event I Attended
• The Scariest Dream I Had
• Helping a Stranger
• The Joy of Achieving a Goal
• A Road Trip Adventure
• Overcoming a Personal Challenge
• The Significance of a Family Tradition
• An Unusual Pet I Owned
• A Misunderstanding with a Friend
• Exploring an Abandoned Building
• My Favorite Book and Why
• The Impact of a Role Model
• A Cultural Celebration I Participated In
• A Valuable Lesson from a Teacher
• A Trip to the Zoo
• An Unplanned Adventure
• Volunteering Experience
• A Moment of Forgiveness
• A Decision I Regretted
• A Special Talent I Have
• The Importance of Family Traditions
• The Thrill of Performing on Stage
• A Moment of Sudden Inspiration
• The Meaning of Home
• Learning to Play a Musical Instrument
• A Childhood Memory at the Park
• Witnessing a Beautiful Sunset

Narrative Essay Topics for College Students

• Discovering a New Passion
• Overcoming Academic Challenges
• Navigating Cultural Differences
• Embracing Independence: Moving Away from Home
• Exploring Career Aspirations
• Coping with Stress in College
• The Impact of a Mentor in My Life
• Balancing Work and Studies
• Facing a Fear of Public Speaking
• Exploring a Semester Abroad
• The Evolution of My Study Habits
• Volunteering Experience That Changed My Perspective
• The Role of Technology in Education
• Finding Balance: Social Life vs. Academics
• Learning a New Skill Outside the Classroom
• Reflecting on Freshman Year Challenges
• The Joys and Struggles of Group Projects
• My Experience with Internship or Work Placement
• Challenges of Time Management in College
• Redefining Success Beyond Grades
• The Influence of Literature on My Thinking
• The Impact of Social Media on College Life
• Overcoming Procrastination
• Lessons from a Leadership Role
• Exploring Diversity on Campus
• Exploring Passion for Environmental Conservation
• An Eye-Opening Course That Changed My Perspective
• Living with Roommates: Challenges and Lessons
• The Significance of Extracurricular Activities
• The Influence of a Professor on My Academic Journey
• Discussing Mental Health in College
• The Evolution of My Career Goals
• Confronting Personal Biases Through Education
• The Experience of Attending a Conference or Symposium
• Challenges Faced by Non-Native English Speakers in College
• The Impact of Traveling During Breaks
• Exploring Identity: Cultural or Personal
• The Impact of Music or Art on My Life
• Addressing Diversity in the Classroom
• Exploring Entrepreneurial Ambitions
• My Experience with Research Projects
• Overcoming Impostor Syndrome in College
• The Importance of Networking in College
• Finding Resilience During Tough Times
• The Impact of Global Issues on Local Perspectives
• The Influence of Family Expectations on Education
• Lessons from a Part-Time Job
• Exploring the College Sports Culture
• The Role of Technology in Modern Education
• The Journey of Self-Discovery Through Education

Narrative Essay Comparison

Narrative essay vs. descriptive essay.

Here’s our first narrative essay comparison! While both narrative and descriptive essays focus on vividly portraying a subject or an event, they differ in their primary objectives and approaches. Now, let’s delve into the nuances of comparison on narrative essays.

Narrative Essay:

Storytelling: Focuses on narrating a personal experience or event.

Chronological Order: Follows a structured timeline of events to tell a story.

Message or Lesson: Often includes a central message, moral, or lesson learned from the experience.

Engagement: Aims to captivate the reader through a compelling storyline and character development.

First-Person Perspective: Typically narrated from the writer’s point of view, using “I” and expressing personal emotions and thoughts.

Plot Development: Emphasizes a plot with a beginning, middle, climax, and resolution.

Character Development: Focuses on describing characters, their interactions, emotions, and growth.

Conflict or Challenge: Usually involves a central conflict or challenge that drives the narrative forward.

Dialogue: Incorporates conversations to bring characters and their interactions to life.

Reflection: Concludes with reflection or insight gained from the experience.

Descriptive Essay:

Vivid Description: Aims to vividly depict a person, place, object, or event.

Imagery and Details: Focuses on sensory details to create a vivid image in the reader’s mind.

Emotion through Description: Uses descriptive language to evoke emotions and engage the reader’s senses.

Painting a Picture: Creates a sensory-rich description allowing the reader to visualize the subject.

Imagery and Sensory Details: Focuses on providing rich sensory descriptions, using vivid language and adjectives.

Point of Focus: Concentrates on describing a specific subject or scene in detail.

Spatial Organization: Often employs spatial organization to describe from one area or aspect to another.

Objective Observations: Typically avoids the use of personal opinions or emotions; instead, the focus remains on providing a detailed and objective description.

Comparison:

Focus: Narrative essays emphasize storytelling, while descriptive essays focus on vividly describing a subject or scene.

Perspective: Narrative essays are often written from a first-person perspective, while descriptive essays may use a more objective viewpoint.

Purpose: Narrative essays aim to convey a message or lesson through a story, while descriptive essays aim to paint a detailed picture for the reader without necessarily conveying a specific message.

Narrative Essay vs. Argumentative Essay

The narrative essay and the argumentative essay serve distinct purposes and employ different approaches:

Engagement and Emotion: Aims to captivate the reader through a compelling story.

Reflective: Often includes reflection on the significance of the experience or lessons learned.

First-Person Perspective: Typically narrated from the writer’s point of view, sharing personal emotions and thoughts.

Plot Development: Emphasizes a storyline with a beginning, middle, climax, and resolution.

Message or Lesson: Conveys a central message, moral, or insight derived from the experience.

Argumentative Essay:

Persuasion and Argumentation: Aims to persuade the reader to adopt the writer’s viewpoint on a specific topic.

Logical Reasoning: Presents evidence, facts, and reasoning to support a particular argument or stance.

Debate and Counterarguments: Acknowledge opposing views and counter them with evidence and reasoning.

Thesis Statement: Includes a clear thesis statement that outlines the writer’s position on the topic.

Thesis and Evidence: Starts with a strong thesis statement and supports it with factual evidence, statistics, expert opinions, or logical reasoning.

Counterarguments: Addresses opposing viewpoints and provides rebuttals with evidence.

Logical Structure: Follows a logical structure with an introduction, body paragraphs presenting arguments and evidence, and a conclusion reaffirming the thesis.

Formal Language: Uses formal language and avoids personal anecdotes or emotional appeals.

Objective: Argumentative essays focus on presenting a logical argument supported by evidence, while narrative essays prioritize storytelling and personal reflection.

Purpose: Argumentative essays aim to persuade and convince the reader of a particular viewpoint, while narrative essays aim to engage, entertain, and share personal experiences.

Structure: Narrative essays follow a storytelling structure with character development and plot, while argumentative essays follow a more formal, structured approach with logical arguments and evidence.

In essence, while both essays involve writing and presenting information, the narrative essay focuses on sharing a personal experience, whereas the argumentative essay aims to persuade the audience by presenting a well-supported argument.

Narrative Essay vs. Personal Essay

While there can be an overlap between narrative and personal essays, they have distinctive characteristics:

Storytelling: Emphasizes recounting a specific experience or event in a structured narrative form.

Engagement through Story: Aims to engage the reader through a compelling story with characters, plot, and a central theme or message.

Reflective: Often includes reflection on the significance of the experience and the lessons learned.

First-Person Perspective: Typically narrated from the writer’s viewpoint, expressing personal emotions and thoughts.

Plot Development: Focuses on developing a storyline with a clear beginning, middle, climax, and resolution.

Character Development: Includes descriptions of characters, their interactions, emotions, and growth.

Central Message: Conveys a central message, moral, or insight derived from the experience.

Personal Essay:

Exploration of Ideas or Themes: Explores personal ideas, opinions, or reflections on a particular topic or subject.

Expression of Thoughts and Opinions: Expresses the writer’s thoughts, feelings, and perspectives on a specific subject matter.

Reflection and Introspection: Often involves self-reflection and introspection on personal experiences, beliefs, or values.

Varied Structure and Content: Can encompass various forms, including memoirs, personal anecdotes, or reflections on life experiences.

Flexibility in Structure: Allows for diverse structures and forms based on the writer’s intent, which could be narrative-like or more reflective.

Theme-Centric Writing: Focuses on exploring a central theme or idea, with personal anecdotes or experiences supporting and illustrating the theme.

Expressive Language: Utilizes descriptive and expressive language to convey personal perspectives, emotions, and opinions.

Focus: Narrative essays primarily focus on storytelling through a structured narrative, while personal essays encompass a broader range of personal expression, which can include storytelling but isn’t limited to it.

Structure: Narrative essays have a more structured plot development with characters and a clear sequence of events, while personal essays might adopt various structures, focusing more on personal reflection, ideas, or themes.

Intent: While both involve personal experiences, narrative essays emphasize telling a story with a message or lesson learned, while personal essays aim to explore personal thoughts, feelings, or opinions on a broader range of topics or themes.

A narrative essay is more than just telling a story. It’s also meant to engage the reader, get them thinking, and leave a lasting impact. Whether it’s to amuse, motivate, teach, or reflect, these essays are a great way to communicate with your audience. This interesting narrative essay guide was all about letting you understand the narrative essay, its importance, and how can you write one.

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Sentence Starters: Ultimate List to Improve Your Essays and Writing

Ashley Shaw

This blog post is going to be about … No. Too boring.

Today, I am going to talk to you about ... No. Too specific.

This is a blog post for all writers ... Nope. Too generic.

Has this ever been you while writing? I get it. Writing a good sentence can be hard, and when you have to string a whole lot of them together, the task can become daunting. So what do you do?

From the first sentence you write to the very last, you want each one to show your style and motivate your reader to keep reading. In this post, we are going to think about how you start your sentences.

What Is a Good Sentence Starter for an Essay Introduction?

What is a good sentence starter for a body paragraph, 25 useful transitions, can i repeat a sentence starter, how can i rephrase "in conclusion".

The first paragraph of a paper can make or break your grade. It is what gets your audience into the topic and sets the whole stage. Because of this, it is important to get your readers hooked early.

The first sentence of a paper is often called the hook. It shouldn’t be anything ordinary. It should have strong language and be a little surprising, with an interesting fact, story, statistic, or quote on the topic.

Because it is designed to pull the reader in and surprise them a little, it is often good to avoid pre-written sentence starter examples when writing your hook. Just get into it here, and worry about the flow later.

Here are some examples:

Spider webs were once used as bandages.

I taught myself to read when I was three. At least, that’s the story my parents tell.

Recent studies suggest that the average person lies at least once in every conversation.

“The world is bleeding and humans wield the knife,” or so says environmental scientist So Andso.

(P.S. Except for example 1, which is true, I just made all of these up to demonstrate my point. So, please don’t quote me on these!)

Once you jump right in with your hook, it is time to start working on ways to move sentences along. Here is where you may need some sentence starter examples.

In your first paragraph, you basically want to connect your hook to your thesis. You’ll do this with a few sentences setting up the stage for your topic and the claim you will make about it. To do that, follow the tips found in the next section on body paragraphs and general sentence starter tips.

Many of the tips I am about to discuss can be used anywhere in a paper, but they are especially helpful when writing body paragraphs.

Let’s start with one of the most important types of sentence starter in essay writing: transition words.

How Do I Use Transitions in an Essay?

If you want to start writing terrific sentences (and improve your essay structure ), the first thing you should do is start using transition words.

Transition words are those words or phrases that help connect thoughts and ideas. They move one sentence or paragraph into another, and they make things feel less abrupt.

The good thing about transition words is that you probably know a lot of them already and currently use them in your speech. Now, you just need to transition them into your writing. (See what I did there?)

Before we get into examples of what a good transition word is, let’s look at a paragraph without any transitions:

I went to the store. I bought bacon and eggs. I saw someone I knew. I said hello. I went to the cashier. They checked me out. I paid. I got my groceries. I went to my car. I returned home.

Yikes! That is some boring writing. It was painful to write, and I am sure it is even worse to read. There are two reasons for this:

• I start every sentence with the same word (more on this later)
• There are no signposts showing me how the ideas in the paragraph connect.

In an essay, you need to show how each of your ideas relate to each other to build your argument. If you just make a series of statements one after the other, you’re not showing your instructor that you actually understand those statements, or your topic.

How do we fix this? Transition words. Roughly 25% of your sentences should start with a transition word. If you can hit that number in your essay, you’ll know that you’ve made meaningful steps towards demonstrating your understanding.

Of course, hitting that number isn’t enough—those transitions need to be meaningful. Let’s look at the different types of transitions and how you can use them.

What Are Words Like First , Next , and Last Called?

You probably already use some transitions in your essays. For example, if you start a paragraph with firstly , you’ve used a transition word. But transitions can do so much more!

Here are 25 common transitional words and phrases that you could use in your essay:

• Additionally / In Addition
• Alternatively / Conversely
• As a result of
• At this time
• Consequently
• Contrary to
• First(ly), Second(ly), etc.
• In contrast
• Nonetheless
• On the other hand
• Particularly / In particular
• In other words

This list isn’t exhaustive, but it is a good start.

These words show different types of relationships between ideas. These relationships fall into four main categories: Emphasis , Contrast , Addition , and Order .

What Are Emphasis Transition Words?

These phrases are used when you want to highlight a point. Examples from my above list include clearly , particularly , and indeed . Want to see some more? Follow my bolded transitions: Undoubtedly , you understand now. It should be noted that you don’t need to worry.

How Do You Use Addition Transitions?

These words add on to what you just said. These are words like along with , moreover , and also . Here are some more: Not only are you going to be great at transitions after this, but you will also be good at writing sentences. Furthermore , everyone is excited to see what you have to say.

How Can I Use Transitions to Contrast Ideas?

This is the opposite of addition, and you use it when you want to show an alternative view or to compare things. Examples from my list include words like nonetheless , contrary to , and besides .

Here are some more: Unlike people who haven’t read this article, you are going to be really prepared to write great sentences. Even so , there is still a lot more about writing to learn.

How Do I Order Ideas in My Essay?

A good first step is using order transition words.

This set of transitions helps mark the passage of time or gives an order to events. From the list, think of things like first and finally . Now for some extras: At this time yesterday , you were worried about starting sentences. Following this , though, you will be an expert.

Now that you get the concept of transitions, let’s go back to that poorly written paragraph above and add some in to see what happens:

This morning , I went to the store. While I was there, I bought bacon and eggs. Then I saw someone I knew. So I said hello. After that , I went to the cashier. At that time , they checked me out. First , I paid. Next , I got my groceries. Following that , I went to my car. Finally , I returned home.

(Notice the use of commas after most of these transitions!)

This isn’t the best paragraph I’ve ever written. It still needs a lot of work. However, notice what a difference just adding transitions makes. This is something simple but effective you can start doing to make your sentences better today.

If you want to check your transition usage, try ProWritingAid’s Transitions report . You’ll see how many of each type of transition word you've used so you can pin-point where you might be losing your reader.

Sign up for a free ProWritingAid account to try it out.

What Are Some Linking Phrases I Can Use in My Essay?

As well as individual words, you can also use short phrases at the beginning of your sentences to transition between ideas. I just did it there— "As well as individual words" shows you how this section of the article is related to the last.

Here are some more phrases like this:

As shown in the example,

As a result of this,

After the meeting,

While this may be true,

Though researchers suggest X,

Before the war began,

Until we answer this question,

Since we cannot assume this to be true,

While some may claim Y,

Because we know that Z is true,

These short phrases are called dependent clauses . See how they all end with a comma? That's because they need you to add more information to make them into complete sentences.

• While some may claim that chocolate is bad for you, data from a recent study suggests that it may have untapped health benefits .
• Since we cannot assume that test conditions were consistent, it is impossible to reach a solid conclusion via this experiment .
• As a result of this, critics disagree as to the symbolism of the yellow car in The Great Gatsby .

The bolded text in each example could stand on its own as a complete sentence. However, if we take away the first part of each sentence, we lose our connection to the other ideas in the essay.

These phrases are called dependent clauses : they depend on you adding another statement to the sentence to complete them. When you use a sentence starter phrase like the ones above in your writing, you signal that the new idea you have introduced completes (or disrupts) the idea before it.

Note: While some very short dependent clauses don’t need a comma, most do. Since it is not wrong to use one on even short ones (depending on the style guide being used), it is a good idea to include one every time.

Along with missing transitions and repeating sentence structure, another thing that stops sentences from being great is too much repetition. Keep your sentences sharp and poignant by mixing up word choices to start your sentences.

You might start your sentence with a great word, but then you use that same word 17 sentences in a row. After the first couple, your sentences don’t sound as great. So, whether it is varying the transitional phrases you use or just mixing up the sentence openers in general, putting in some variety will only improve your sentences.

ProWritingAid lets you know if you’ve used the same word repeatedly at the start of your sentences so you can change it.

The Repeats Report also shows you all of the repeats in your document. If you've used a sentence starter and then repeated it a couple of paragraphs down, the report will highlight it for you.

Try the Repeats Report with a free ProWritingAid account.

Now that you have your introduction sentences and body sentences taken care of, let’s talk a little about conclusion sentences. While you will still use transitions and clauses as in the body, there are some special considerations here.

Your conclusion is what people will remember most after they finish reading your paper. So, you want to make it stand out. Don’t just repeat yourself; tell them what they should do with what you just told them!

Use the tips from above, but also remember the following:

Be unique. Not only should you vary the words you use to start different sentences, but you should also think outside of the box. If you use the same conclusion sentence starter everyone else is using, your ideas will blend in too.

Be natural. Some of the best writing out there is writing that sounds natural. This goes for academic writing, too. While you won’t use phrases like "at the end of the day" in essay writing, stilted phrases like "in conclusion" can disrupt the flow you’ve created earlier on.

Here are some alternatives to "in conclusion" you could use in an essay:

• To review, ... (best for scientific papers where you need to restate your key points before making your final statement)
• As has been shown, ...
• In the final analysis, ...
• Taking everything into account, ...
• On the whole, ...
• Generally speaking, ...

If you’re looking for more ways to rephrase "in conclusion," take a look at our complete list of synonyms you can use.

There may not be a set word or words that you can use to make your sentences perfect. However, when you start using these tips, you’ll start to see noticeable improvement in your writing.

If you’ve ever heard people talk about pacing and flow in academic writing, and you have no idea what they mean or how to improve yours, then this is your answer. These tips will help your writing sound more natural, which is how you help your ideas flow.

Take your writing to the next level:

20 Editing Tips from Professional Writers

Whether you are writing a novel, essay, article, or email, good writing is an essential part of communicating your ideas., this guide contains the 20 most important writing tips and techniques from a wide range of professional writers..

Be confident about grammar

Check every email, essay, or story for grammar mistakes. Fix them before you press send.

Ashley Shaw is a former editor and marketer/current PhD student and teacher. When she isn't studying con artists for her dissertation, she's thinking of new ways to help college students better understand and love the writing process.

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How to Write a Narrative Essay — A Step-by-Step Guide

N arrative essays are important papers most students have to write. But how does one write a narrative essay? Fear not, we’re going to show you how to write a narrative essay by breaking down a variety of narrative writing strategies. By the end, you’ll know why narrative essays are so important – and how to write your own.

How to Write a Narrative Essay Step by Step

Background on narrative essays.

Narrative essays are important assignments in many writing classes – but what is a narrative essay? A narrative essay is a prose-written story that’s focused on the commentary of a central theme .

Narrative essays are generally written in the first-person POV , and are usually about a topic that’s personal to the writer.

Everything in a narrative essay should take place in an established timeline, with a clear beginning, middle, and end. 

In simplest terms, a narrative essay is a personal story. A narrative essay can be written in response to a prompt or as an independent exercise.

We’re going to get to tips and tricks on how to write a narrative essay in a bit, but first let’s check out a video on “story.” 

How to Start a Narrative Essay  •  What is a Story? by Mr. Kresphus

In some regards, any story can be regarded as a personal story, but for the sake of this article, we’re going to focus on prose-written stories told in the first-person POV.

How to Start a Narrative Essay

Responding to prompts.

Many people wonder about how to start a narrative essay. Well, if you’re writing a narrative essay in response to a prompt, then chances are the person issuing the prompt is looking for a specific answer.

For example: if the prompt states “recount a time you encountered a challenge,” then chances are the person issuing the prompt wants to hear about how you overcame a challenge or learned from it.

That isn’t to say you have to respond to the prompt in one way; “overcoming” or “learning” from a challenge can be constituted in a variety of ways.

For example, you could structure your essay around overcoming a physical challenge, like an injury or disability. Or you could structure your essay around learning from failure, such as losing at a sport or performing poorly on an important exam.

Whatever it is, you must show that the challenge forced you to grow. 

Maturation is an important process – and an essential aspect of narrative essays... of course, there are exceptions to the rule; lack of maturation is a prescient theme in narrative essays too; although that’s mostly reserved for experienced essay writers.

So, let’s take a look at how you might respond to a series of narrative essay prompts:

How successful are you?

This prompt begs the writer to impart humility without throwing a pity party. I would respond to this prompt by demonstrating pride in what I do while offering modesty. For example: “I have achieved success in what I set out to do – but I still have a long way to go to achieve my long-term goals.”

Who is your role model?

“My role model is [Blank] because ” is how you should start this narrative essay. The “because” is the crux of your essay. For example, I’d say “Bill Russell is my role model because he demonstrated graceful resolve in the face of bigotry and discrimination. 

Do you consider yourself spiritual?

For this prompt, you should explain how you came to the conclusion of whether or not you consider yourself a spiritual person. Of course, prompt-givers will differ on how much they want you to freely express. For example: if the prompt-giver is an employee at an evangelizing organization, then they probably want to see that you’re willing to propagate the church’s agenda. Alternatively, if the prompt-giver is non-denominational, they probably want to see that you’re accepting of people from various spiritual backgrounds.

How to Write Narrative Essay

What makes a good narrative essay.

You don’t have to respond to a prompt to write a narrative essay. So, how do you write a narrative essay without a prompt? Well, that’s the thing… you can write a narrative essay about anything!

That’s a bit of a blessing and a curse though – on one hand it’s liberating to choose any topic you want; on the other, it’s difficult to narrow down a good story from an infinite breadth of possibilities.

In this next video, the team at Essay Pro explores why passion is the number one motivator for effective narrative essays.

How to Write a Narrative Essay Step by Step  •  Real Essay Examples by Essay Pro

So, before you write anything, ask yourself: “what am I passionate about?” Movies? Sports? Books? Games? Baking? Volunteering? Whatever it is, make sure that it’s something that demonstrates your individual growth . It doesn’t have to be anything major; take a video game for example: you could write a narrative essay about searching for a rare weapon with friends.

Success or failure, you’ll be able to demonstrate growth.

Here’s something to consider: writing a narrative essay around intertextuality. What is intertextuality ? Intertextuality is the relationship between texts, i.e., books, movies, plays, songs, games, etc. In other words, it’s anytime one text is referenced in another text.

For example, you could write a narrative essay about your favorite movie! Just make sure that it ultimately reflects back on yourself. 

Narrative Writing Format

Structure of a narrative essay.

Narrative essays differ in length and structure – but there are some universal basics. The first paragraph of a narrative essay should always introduce the central theme. For example, if the narrative essay is about “a fond childhood memory,” then the first paragraph should briefly comment on the nature of the fond childhood memory.

In general, a narrative essay should have an introductory paragraph with a topic sentence (reiterating the prompt or basic idea), a brief commentary on the central theme, and a set-up for the body paragraphs.

The body paragraphs should make up the vast majority of the narrative essay. In the body paragraphs, the writer should essentially “build the story’s case.” What do I mean by “build the story’s case?”

Well, I mean that the writer should display the story’s merit; what it means, why it matters, and how it proves (or refutes) personal growth.

The narrative essay should always conclude with a dedicated paragraph. In the “conclusion paragraph,” the writer should reflect on the story.

Pro tip: conclusion paragraphs usually work best when the writer stays within the diegesis. 

What is a Video Essay?

A video essay is a natural extension of a narrative essay; differentiated only by purpose and medium. In our next article, we’ll explain what a video essay is, and why it’s so important to media criticism. By the end, you’ll know where to look for video essay inspiration.

Up Next: The Art of Video Analysis →

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Sat / act prep online guides and tips, 3 great narrative essay examples + tips for writing.

General Education

A narrative essay is one of the most intimidating assignments you can be handed at any level of your education. Where you've previously written argumentative essays that make a point or analytic essays that dissect meaning, a narrative essay asks you to write what is effectively a story .

But unlike a simple work of creative fiction, your narrative essay must have a clear and concrete motif —a recurring theme or idea that you’ll explore throughout. Narrative essays are less rigid, more creative in expression, and therefore pretty different from most other essays you’ll be writing.

But not to fear—in this article, we’ll be covering what a narrative essay is, how to write a good one, and also analyzing some personal narrative essay examples to show you what a great one looks like.

What Is a Narrative Essay?

At first glance, a narrative essay might sound like you’re just writing a story. Like the stories you're used to reading, a narrative essay is generally (but not always) chronological, following a clear throughline from beginning to end. Even if the story jumps around in time, all the details will come back to one specific theme, demonstrated through your choice in motifs.

Unlike many creative stories, however, your narrative essay should be based in fact. That doesn’t mean that every detail needs to be pure and untainted by imagination, but rather that you shouldn’t wholly invent the events of your narrative essay. There’s nothing wrong with inventing a person’s words if you can’t remember them exactly, but you shouldn’t say they said something they weren’t even close to saying.

Another big difference between narrative essays and creative fiction—as well as other kinds of essays—is that narrative essays are based on motifs. A motif is a dominant idea or theme, one that you establish before writing the essay. As you’re crafting the narrative, it’ll feed back into your motif to create a comprehensive picture of whatever that motif is.

For example, say you want to write a narrative essay about how your first day in high school helped you establish your identity. You might discuss events like trying to figure out where to sit in the cafeteria, having to describe yourself in five words as an icebreaker in your math class, or being unsure what to do during your lunch break because it’s no longer acceptable to go outside and play during lunch. All of those ideas feed back into the central motif of establishing your identity.

The important thing to remember is that while a narrative essay is typically told chronologically and intended to read like a story, it is not purely for entertainment value. A narrative essay delivers its theme by deliberately weaving the motifs through the events, scenes, and details. While a narrative essay may be entertaining, its primary purpose is to tell a complete story based on a central meaning.

Unlike other essay forms, it is totally okay—even expected—to use first-person narration in narrative essays. If you’re writing a story about yourself, it’s natural to refer to yourself within the essay. It’s also okay to use other perspectives, such as third- or even second-person, but that should only be done if it better serves your motif. Generally speaking, your narrative essay should be in first-person perspective.

Though your motif choices may feel at times like you’re making a point the way you would in an argumentative essay, a narrative essay’s goal is to tell a story, not convince the reader of anything. Your reader should be able to tell what your motif is from reading, but you don’t have to change their mind about anything. If they don’t understand the point you are making, you should consider strengthening the delivery of the events and descriptions that support your motif.

Narrative essays also share some features with analytical essays, in which you derive meaning from a book, film, or other media. But narrative essays work differently—you’re not trying to draw meaning from an existing text, but rather using an event you’ve experienced to convey meaning. In an analytical essay, you examine narrative, whereas in a narrative essay you create narrative.

The structure of a narrative essay is also a bit different than other essays. You’ll generally be getting your point across chronologically as opposed to grouping together specific arguments in paragraphs or sections. To return to the example of an essay discussing your first day of high school and how it impacted the shaping of your identity, it would be weird to put the events out of order, even if not knowing what to do after lunch feels like a stronger idea than choosing where to sit. Instead of organizing to deliver your information based on maximum impact, you’ll be telling your story as it happened, using concrete details to reinforce your theme.

3 Great Narrative Essay Examples

One of the best ways to learn how to write a narrative essay is to look at a great narrative essay sample. Let’s take a look at some truly stellar narrative essay examples and dive into what exactly makes them work so well.

A Ticket to the Fair by David Foster Wallace

Today is Press Day at the Illinois State Fair in Springfield, and I’m supposed to be at the fairgrounds by 9:00 A.M. to get my credentials. I imagine credentials to be a small white card in the band of a fedora. I’ve never been considered press before. My real interest in credentials is getting into rides and shows for free. I’m fresh in from the East Coast, for an East Coast magazine. Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish. I think they asked me to do this because I grew up here, just a couple hours’ drive from downstate Springfield. I never did go to the state fair, though—I pretty much topped out at the county fair level. Actually, I haven’t been back to Illinois for a long time, and I can’t say I’ve missed it.

Throughout this essay, David Foster Wallace recounts his experience as press at the Illinois State Fair. But it’s clear from this opening that he’s not just reporting on the events exactly as they happened—though that’s also true— but rather making a point about how the East Coast, where he lives and works, thinks about the Midwest.

In his opening paragraph, Wallace states that outright: “Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish.”

Not every motif needs to be stated this clearly , but in an essay as long as Wallace’s, particularly since the audience for such a piece may feel similarly and forget that such a large portion of the country exists, it’s important to make that point clear.

But Wallace doesn’t just rest on introducing his motif and telling the events exactly as they occurred from there. It’s clear that he selects events that remind us of that idea of East Coast cynicism , such as when he realizes that the Help Me Grow tent is standing on top of fake grass that is killing the real grass beneath, when he realizes the hypocrisy of craving a corn dog when faced with a real, suffering pig, when he’s upset for his friend even though he’s not the one being sexually harassed, and when he witnesses another East Coast person doing something he wouldn’t dare to do.

Wallace is literally telling the audience exactly what happened, complete with dates and timestamps for when each event occurred. But he’s also choosing those events with a purpose—he doesn’t focus on details that don’t serve his motif. That’s why he discusses the experiences of people, how the smells are unappealing to him, and how all the people he meets, in cowboy hats, overalls, or “black spandex that looks like cheesecake leotards,” feel almost alien to him.

All of these details feed back into the throughline of East Coast thinking that Wallace introduces in the first paragraph. He also refers back to it in the essay’s final paragraph, stating:

At last, an overarching theory blooms inside my head: megalopolitan East Coasters’ summer treats and breaks and literally ‘getaways,’ flights-from—from crowds, noise, heat, dirt, the stress of too many sensory choices….The East Coast existential treat is escape from confines and stimuli—quiet, rustic vistas that hold still, turn inward, turn away. Not so in the rural Midwest. Here you’re pretty much away all the time….Something in a Midwesterner sort of actuates , deep down, at a public event….The real spectacle that draws us here is us.

Throughout this journey, Wallace has tried to demonstrate how the East Coast thinks about the Midwest, ultimately concluding that they are captivated by the Midwest’s less stimuli-filled life, but that the real reason they are interested in events like the Illinois State Fair is that they are, in some ways, a means of looking at the East Coast in a new, estranging way.

The reason this works so well is that Wallace has carefully chosen his examples, outlined his motif and themes in the first paragraph, and eventually circled back to the original motif with a clearer understanding of his original point.

When outlining your own narrative essay, try to do the same. Start with a theme, build upon it with examples, and return to it in the end with an even deeper understanding of the original issue. You don’t need this much space to explore a theme, either—as we’ll see in the next example, a strong narrative essay can also be very short.

Death of a Moth by Virginia Woolf

After a time, tired by his dancing apparently, he settled on the window ledge in the sun, and, the queer spectacle being at an end, I forgot about him. Then, looking up, my eye was caught by him. He was trying to resume his dancing, but seemed either so stiff or so awkward that he could only flutter to the bottom of the window-pane; and when he tried to fly across it he failed. Being intent on other matters I watched these futile attempts for a time without thinking, unconsciously waiting for him to resume his flight, as one waits for a machine, that has stopped momentarily, to start again without considering the reason of its failure. After perhaps a seventh attempt he slipped from the wooden ledge and fell, fluttering his wings, on to his back on the window sill. The helplessness of his attitude roused me. It flashed upon me that he was in difficulties; he could no longer raise himself; his legs struggled vainly. But, as I stretched out a pencil, meaning to help him to right himself, it came over me that the failure and awkwardness were the approach of death. I laid the pencil down again.

In this essay, Virginia Woolf explains her encounter with a dying moth. On surface level, this essay is just a recounting of an afternoon in which she watched a moth die—it’s even established in the title. But there’s more to it than that. Though Woolf does not begin her essay with as clear a motif as Wallace, it’s not hard to pick out the evidence she uses to support her point, which is that the experience of this moth is also the human experience.

In the title, Woolf tells us this essay is about death. But in the first paragraph, she seems to mostly be discussing life—the moth is “content with life,” people are working in the fields, and birds are flying. However, she mentions that it is mid-September and that the fields were being plowed. It’s autumn and it’s time for the harvest; the time of year in which many things die.

In this short essay, she chronicles the experience of watching a moth seemingly embody life, then die. Though this essay is literally about a moth, it’s also about a whole lot more than that. After all, moths aren’t the only things that die—Woolf is also reflecting on her own mortality, as well as the mortality of everything around her.

At its core, the essay discusses the push and pull of life and death, not in a way that’s necessarily sad, but in a way that is accepting of both. Woolf begins by setting up the transitional fall season, often associated with things coming to an end, and raises the ideas of pleasure, vitality, and pity.

At one point, Woolf tries to help the dying moth, but reconsiders, as it would interfere with the natural order of the world. The moth’s death is part of the natural order of the world, just like fall, just like her own eventual death.

All these themes are set up in the beginning and explored throughout the essay’s narrative. Though Woolf doesn’t directly state her theme, she reinforces it by choosing a small, isolated event—watching a moth die—and illustrating her point through details.

With this essay, we can see that you don’t need a big, weird, exciting event to discuss an important meaning. Woolf is able to explore complicated ideas in a short essay by being deliberate about what details she includes, just as you can be in your own essays.

Notes of a Native Son by James Baldwin

On the twenty-ninth of July, in 1943, my father died. On the same day, a few hours later, his last child was born. Over a month before this, while all our energies were concentrated in waiting for these events, there had been, in Detroit, one of the bloodiest race riots of the century. A few hours after my father’s funeral, while he lay in state in the undertaker’s chapel, a race riot broke out in Harlem. On the morning of the third of August, we drove my father to the graveyard through a wilderness of smashed plate glass.

Like Woolf, Baldwin does not lay out his themes in concrete terms—unlike Wallace, there’s no clear sentence that explains what he’ll be talking about. However, you can see the motifs quite clearly: death, fatherhood, struggle, and race.

Throughout the narrative essay, Baldwin discusses the circumstances of his father’s death, including his complicated relationship with his father. By introducing those motifs in the first paragraph, the reader understands that everything discussed in the essay will come back to those core ideas. When Baldwin talks about his experience with a white teacher taking an interest in him and his father’s resistance to that, he is also talking about race and his father’s death. When he talks about his father’s death, he is also talking about his views on race. When he talks about his encounters with segregation and racism, he is talking, in part, about his father.

Because his father was a hard, uncompromising man, Baldwin struggles to reconcile the knowledge that his father was right about many things with his desire to not let that hardness consume him, as well.

Baldwin doesn’t explicitly state any of this, but his writing so often touches on the same motifs that it becomes clear he wants us to think about all these ideas in conversation with one another.

At the end of the essay, Baldwin makes it more clear:

This fight begins, however, in the heart and it had now been laid to my charge to keep my own heart free of hatred and despair. This intimation made my heart heavy and, now that my father was irrecoverable, I wished that he had been beside me so that I could have searched his face for the answers which only the future would give me now.

Here, Baldwin ties together the themes and motifs into one clear statement: that he must continue to fight and recognize injustice, especially racial injustice, just as his father did. But unlike his father, he must do it beginning with himself—he must not let himself be closed off to the world as his father was. And yet, he still wishes he had his father for guidance, even as he establishes that he hopes to be a different man than his father.

In this essay, Baldwin loads the front of the essay with his motifs, and, through his narrative, weaves them together into a theme. In the end, he comes to a conclusion that connects all of those things together and leaves the reader with a lasting impression of completion—though the elements may have been initially disparate, in the end everything makes sense.

You can replicate this tactic of introducing seemingly unattached ideas and weaving them together in your own essays. By introducing those motifs, developing them throughout, and bringing them together in the end, you can demonstrate to your reader how all of them are related. However, it’s especially important to be sure that your motifs and clear and consistent throughout your essay so that the conclusion feels earned and consistent—if not, readers may feel mislead.

5 Key Tips for Writing Narrative Essays

Narrative essays can be a lot of fun to write since they’re so heavily based on creativity. But that can also feel intimidating—sometimes it’s easier to have strict guidelines than to have to make it all up yourself. Here are a few tips to keep your narrative essay feeling strong and fresh.

Develop Strong Motifs

Motifs are the foundation of a narrative essay . What are you trying to say? How can you say that using specific symbols or events? Those are your motifs.

In the same way that an argumentative essay’s body should support its thesis, the body of your narrative essay should include motifs that support your theme.

Try to avoid cliches, as these will feel tired to your readers. Instead of roses to symbolize love, try succulents. Instead of the ocean representing some vast, unknowable truth, try the depths of your brother’s bedroom. Keep your language and motifs fresh and your essay will be even stronger!

Use First-Person Perspective

In many essays, you’re expected to remove yourself so that your points stand on their own. Not so in a narrative essay—in this case, you want to make use of your own perspective.

Sometimes a different perspective can make your point even stronger. If you want someone to identify with your point of view, it may be tempting to choose a second-person perspective. However, be sure you really understand the function of second-person; it’s very easy to put a reader off if the narration isn’t expertly deployed.

If you want a little bit of distance, third-person perspective may be okay. But be careful—too much distance and your reader may feel like the narrative lacks truth.

That’s why first-person perspective is the standard. It keeps you, the writer, close to the narrative, reminding the reader that it really happened. And because you really know what happened and how, you’re free to inject your own opinion into the story without it detracting from your point, as it would in a different type of essay.

Stick to the Truth

Your essay should be true. However, this is a creative essay, and it’s okay to embellish a little. Rarely in life do we experience anything with a clear, concrete meaning the way somebody in a book might. If you flub the details a little, it’s okay—just don’t make them up entirely.

Also, nobody expects you to perfectly recall details that may have happened years ago. You may have to reconstruct dialog from your memory and your imagination. That’s okay, again, as long as you aren’t making it up entirely and assigning made-up statements to somebody.

Dialog is a powerful tool. A good conversation can add flavor and interest to a story, as we saw demonstrated in David Foster Wallace’s essay. As previously mentioned, it’s okay to flub it a little, especially because you’re likely writing about an experience you had without knowing that you’d be writing about it later.

However, don’t rely too much on it. Your narrative essay shouldn’t be told through people explaining things to one another; the motif comes through in the details. Dialog can be one of those details, but it shouldn’t be the only one.

Use Sensory Descriptions

Because a narrative essay is a story, you can use sensory details to make your writing more interesting. If you’re describing a particular experience, you can go into detail about things like taste, smell, and hearing in a way that you probably wouldn’t do in any other essay style.

These details can tie into your overall motifs and further your point. Woolf describes in great detail what she sees while watching the moth, giving us the sense that we, too, are watching the moth. In Wallace’s essay, he discusses the sights, sounds, and smells of the Illinois State Fair to help emphasize his point about its strangeness. And in Baldwin’s essay, he describes shattered glass as a “wilderness,” and uses the feelings of his body to describe his mental state.

All these descriptions anchor us not only in the story, but in the motifs and themes as well. One of the tools of a writer is making the reader feel as you felt, and sensory details help you achieve that.

What’s Next?

Looking to brush up on your essay-writing capabilities before the ACT? This guide to ACT English will walk you through some of the best strategies and practice questions to get you prepared!

Part of practicing for the ACT is ensuring your word choice and diction are on point. Check out this guide to some of the most common errors on the ACT English section to be sure that you're not making these common mistakes!

A solid understanding of English principles will help you make an effective point in a narrative essay, and you can get that understanding through taking a rigorous assortment of high school English classes !

Melissa Brinks graduated from the University of Washington in 2014 with a Bachelor's in English with a creative writing emphasis. She has spent several years tutoring K-12 students in many subjects, including in SAT prep, to help them prepare for their college education.

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Crafting Compelling Sentences: 21 Narrative Sentence Examples from Stories, Poems, and Novels

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As writers and teachers of writing, we’re well acquainted with the four types of sentences: declarative, imperative, interrogative, and exclamatory. But what about narrative sentences? Where do they fit into this catalog of options? In this post, we’ll look at the definition of narrative sentences and discuss the many places you’ll find them. We’ll also dig into some epic narrative poems, short stories and novels to highlight 21 narrative sentence examples. 

Please note: This article contains spoilers for the following books and stories:

• Lessons in Chemistry , Bonnie Garmus
• The Voyage of the Dawn Treader , C.S. Lewis 
• Jane Eyre , Charlotte Brontë
• A Rose for Emily , William Faulkner
• Don Quixote , Miguel de Cervantes
• The Story of an Hour , Kate Chopin
• ​ The Destructors , Graham Greene
• The Maltese Falcon , Dashiell Hammett
• The Last Thing He Told Me , Laura Dave

Definition of Narrative Sentences

Importance of narrative sentences in storytelling, types of narratives, narrative structure, descriptive narrative sentence examples, examples of action-oriented narrative sentences, examples of dialogue-based narrative sentences.

The word narrative comes from the French narratif/narrative, which in turn is derived from the late Latin word narrativus:  telling a story . Fittingly, a narrative is an account of a connected series of events, that is, what we typically think of as a story. Whether the account is documented in prose or poetry or passed down through oral storytelling, it is still a narrative. 

Narrative writing is any writing that tells a story, whether it’s fictional or true. Unlike expository and argumentative writing, which aim to explain and persuade, narrative writing seeks to entertain, engage, and inspire readers (among other objectives). While descriptive writing stands on its own as a rhetorical mode, it is also usually included in narrative writing as a way of helping readers visualize the people, places, and events of the narrative. 

A narrative sentence, then, is broadly defined as any sentence that makes up part of a story. 

In particular, we will focus in this post on narrative sentences that contribute to the development of the basic narrative elements such as plot, characters, conflict, theme, and setting through description, action, and dialogue. 

How authors form their narrative sentences has a substantial impact on the overall effect of the story. Engagement, tension, organization, and interest all depend on the narrative choices writers make. Here are a few ways in which narrative sentences improve storytelling. 

Plot:  The flow and quality of a story’s sentences are instrumental in capturing the readers’ interest in the story’s plot and maintaining a high engagement level. Across all the different genres, tenses, and perspectives, writers depend on the efficacy of their sentences to develop emotional connections and attract the audience’s investment in the story. The structure of the plot also helps readers buy into the story and keep track of what’s happening. Well-crafted sentences propel tension, suspense, and excitement.

Characters:  Authors reveal characters through their words, thoughts, and actions as well as through the eyes of other characters. In a first-person narrative, readers primarily rely on the narrator to make themselves known, but we can also learn about the first-person narrator through the reactions and dialogue of the people they encounter. Thoughtful writers use creative strategies to paint detailed pictures of well-rounded characters rather than simply laying out a list of character traits. 

Conflict:  Obstacles and challenges standing between a main character and their goal make for great storytelling. If it were easy for people to get what they wanted, books would be quite boring indeed. Authors include internal and external obstacles that elevate conflict and tension, driving readers to root for their favorite characters and see the story through to the end. 

Theme:  Powerful storytelling succeeds not only in entertaining readers but also in imparting universal themes or moral lessons that make us think more deeply, help us make sense of the world, or increase our capacity for empathy.

Setting:  Descriptive narrative sentences transport readers to different worlds, periods, and settings. Whether we’re exploring Middle Earth or delving into the aftermath of the 1906 San Francisco earthquake, a story’s setting comes alive through sparkling descriptive sentences. 

Understanding Narrative Types and Structures

Narrative sentences exist in all types of narratives. They are not limited to novels and short stories , even though that’s often what we think of when we hear the word narrative. Not only are they prevalent in fiction, but they’re also used widely in non-fiction writing such as essays and biographies. Stories are memorable and meaningful and are therefore incorporated into most types of creative writing. 

A narrative story can take many forms. Some types of narratives include:

• Memoirs:  True stories narrated by the people who experienced them. Memoirists describe a personal experience in their lives, holding as much to the truth as possible, but they also have creative license to fill in minor details as needed for the sake of the story. Some level of reflection and/or universal truth is usually included. (Example: Henry David Thoreau’s  Walden ).
• Novels:  Fictional, book-length, prose narratives. As  Britannica  defines them, novels possess “a certain complexity that deals imaginatively with human experience.” (Example: Louisa May Alcott’s  Little Women ) . 
• Short fiction:  A fictional narrative work that is of shorter length and lesser complexity than the novel. Fairy tales would fall into this category. (Example: Kate Chopin’s  The Story of an Hour ) . 
• Poems:  Narrative poems relate stories. They usually have a narrator and may contain other characters. Narrative poetry can be of any length and does not necessarily need to rhyme. (Example:  Beowulf ).  
• Songs:  Songs are simply poems set to music. Like all narratives, a narrative song tells a story. (Example: Harry Chapin’s  Cat in the Cradle ). 
• Plays:  A dramatic work created for the stage, in which the narrative is usually conveyed through dialogue, actions, props, and sets. There may also be a narrator who helps fill in the important details of the narrative. In a musical, songs are instrumental in moving the plot forward. (Examples: Shakespeare’s  Romeo and Juliet ; Lin-Manuel Miranda’s  Hamilton ). 
• Folklore:  The traditional beliefs, customs, and stories of a community, perpetuated through oral narration. (Example: King Arthur). 
• History:  The stories of the past, written in either entirely factual formats (such as biographies) or with fictionalized elements that render it historical fiction. Historical narratives can also include diaries, letters, and journals . (Example: Markus Zusak’s  The Book Thief ).
• Biography/autobiography:  Biographies and autobiographies tell the stories of people’s lives as factually as possible. Details are ideally verified. Unlike memoirs, which recount specific events or circumstances, biographies focus on the whole life. (Example: Rebecca Skloot’s  The Immortal Life of Henrietta Lacks ). 
• Allegories:  Symbolic fictional narratives that can be interpreted to reveal a hidden meaning, typically moral, political, ethical, or philosophical in nature. (Example: Shel Silverstein’s  The Giving Tree ).

The examples of narrative sentences offered in this post primarily come from novels and short stories, though we’ve included some from other sources as well. 

Narrative structure refers to how the story is organized and how the narrative elements mentioned earlier are conveyed. It determines, among other things, the order in which the events of the story unfold. While chronological order (following a chronological sequence of events) is typical for many narratives, some writers prefer to change the sequence by jumping back and forth in time, especially through flashbacks or multiple timelines. When done well, this nonlinear narrative style makes for a compelling read. 

Although there are many ways to organize a narrative structure, certain narrative milestones are essentially universal. In a linear narrative, we generally expect to see sections dedicated to exposition, rising action, climax, falling action, and resolution. The percentage of space dedicated to each of these will differ greatly from story to story, but ultimately we should be able to identify these narrative shifts regardless of the narrative technique used.

(This structure, known as Freytag’s pyramid, was inspired by classic Greek tragedies and is often what we teach in school to beginning writers . Other popular narrative structures include more, fewer, or different structural elements. For example, the Save the Cat beat sheet method uses 15 plot points or sections a narrative must hit while the Hero’s Journey structure contains 12 stages.)

At a minimum, a complete story structure should have a beginning, a middle, and an end. 

Authors carefully select each narrative sentence—and, by extension, each narrative paragraph—to best develop the elements of their particular narrative within the structure they’ve chosen. In a series of often grueling decisions, writers shape and reshape sentences within a piece of writing until each one sits perfectly in its place, contributing to an ultimately enjoyable—or thought-provoking, inspiring, or otherwise meaningful—experience for the reader. 

Narrative Sentence Examples

Choosing narrative sentence examples is a bit of an overwhelming task. Any novel or memoir one opens is likely to contain thousands of narrative sentences to choose from. The problem is not that there aren’t enough examples or that few worthy examples exist. Rather, the challenge lies in figuring out what makes a good example. How does one present a useful and varied selection of sentences that won’t take years to read?

For this post, I selected a cross-section of examples that attempt to represent a variety of sentence types, genres, time periods, and story elements. Specifically, I looked for examples that include:

• Both classical and contemporary literature
• A selection of sentence types including descriptive, action-oriented, and dialogue
• Development of story elements including plot, character, conflict, theme, and setting
• Diverse points in the overall story structure (e.g. expository sentences, inciting incidents, rising action, etc.)
• Diverse types of narratives (novels, short stories, essays, poems, fairy tales)

A final note: though the title of this post promises 21 sentence examples, you will notice that almost all of the excerpts contain more than one sentence. This is because many great sentences don’t stand on their own but benefit from the structure of the surrounding sentences.

This is particularly true in modern writing, in which the trend toward shorter sentences is prevailing. The marvelously long, winding sentences of Austen and Tolkien have been replaced with short, quick phrases and sentence fragments. While these can also be effective and are better suited to today’s shorter attention spans, they do require more sentences in order to convey the same amount of information. 

1. The Fellowship of the Ring

J.R.R. Tolkien does not dedicate much space to describing settings in his second Middle-Earth Book,  The Fellowship of the Ring.  He is much more inclined toward action and dialogue, pausing only briefly to describe the physical surroundings. He leaves much of the visual filling-in to readers’ imaginations but ensures we know the essential information about each new setting. Here he shows us Frodo’s introduction to Rivendell.

Frodo was now safe in the Last Homely House east of the Sea. That house was, as Bilbo had long ago reported, ‘a perfect house, whether you like food or sleep or story-telling or singing, or just sitting and thinking best, or a pleasant mixture of them all’. Merely to be there was a cure for weariness, fear, and sadness… Sam led him along several passages and down many steps and out into a high garden above the steep bank of the river. He found his friends sitting in a porch on the side of the house looking east. Shadows had fallen in the valey below, but there was still a light on the faces of the mountains far above. The air was warm. The sound of running and falling water was loud, and the evening was filled with a faint scent of trees and flowers, as if summer still lingered in Elrond’s gardens.”

2. The Bluest Eye

Toni Morrison, too, wastes no time in her exposition in  The Bluest Eye . The first two descriptive sentences manage to allude to the plot, setting, characters, and conflict of the novel while also immediately hooking the reader with their jarring statement. 

Quiet as it’s kept, there were no marigolds in the fall of 1941. We thought, at the time, that it was because Pecola was having her father’s baby that the marigolds did not grow.

3. Moby Dick

Herman Melville paints a clear and vivid picture of his narrator’s state of mind and motivation to join an impending sea expedition in the opening sentences of  Moby Dick . 

Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can.

4. Fish Cheeks

In her first published essay , Amy Tan wrote of being a fourteen-year-old desperate for two things: the love of Robert, her non-Chinese minister’s son, and a slim, American nose. This vignette from her teenage life as the American-born daughter of Chinese immigrants depicts her horror at the visually unappealing meal her mother serves after inviting the minister’s family for Christmas Eve dinner. It’s not until years later that Tan realizes the symbolism of the meal: her mother’s desire for her to remain true to herself and her heritage. 

On Christmas Eve I saw that my mother had outdone herself in creating a strange menu. She was pulling black veins out of the backs of fleshy prawns. The kitchen was littered with appalling mounds of raw food: A slimy rock cod with bulging eyes that pleaded not to be thrown into a pan of hot oil. Tofu, which looked like stacked wedges of rubbery white sponges. A bowl soaking dried fungus back to life. A plate of squid, their backs crisscrossed with knife markings so they resembled bicycle tires.

5. The Voyage of the Dawn Treader

Not all literary characters need go to such extreme lengths as Eustace Scrubb in C.S. Lewis’ The Voyage of the Dawn Treader to experience their requisite growth. However, the impurity of Eustace’s heart prompted the author to give him special treatment, which, while uncomfortable for Eustace, is extremely entertaining for readers. 

He had turned into a dragon while he was asleep. Sleeping on a dragon’s hoard with greedy, dragonish thoughts in his heart, he had become a dragon himself…In spite of the pain, his first feeling was one of relief. There was nothing to be afraid of any more. He was a terror himself now and nothing in the world but a knight (and not all of those) would dare to attack him. He could get even with Caspian and Edmund now. But the moment he thought this he realized that he didn’t want to. He wanted to be friends. He wanted to get back among humans and talk and laugh and share things. He realized that he was a monster cut off from the whole human race. An appalling loneliness came over him. He began to see that the others had not really been friends at all. He began to wonder if he himself had been such a nice person as he had always supposed. He longed for their voices. 

When Eustace reunites with his friends, they are quick to note the change in his personality:

It was, however, clear to everyone that Eustace’s character had been rather improved by becoming a dragon.

6. The Lottery

Shirley Jackson’s  The Lottery  is rife with irony. From the misleading title to the villagers’ festive attitudes, very little of the story’s exposition prepares the reader for the gruesome outcome of the titular event. One such example is the description of the man who runs the affair, whose very name—Mr. Summers—is in contrast to the dark and barbaric tradition he intends to uphold. 

The lottery was conducted—as were the square dances, the teen club, the Halloween program—by Mr. Summers. who had time and energy to devote to civic activities. He was a round-faced, jovial man and he ran the coal business, and people were sorry for him. because he had no children and his wife was a scold.

7. The Last Thing He Told Me

In Laura Dave’s novel, The Last Thing He Told Me , Hannah Hall and her stepdaughter Bailey Michaels are on a manhunt for Hannah’s husband Owen after he disappears amidst the news of a financial scandal within his company. Their search takes them to Texas where they try to track down information based on fragments of memories Bailey has from a childhood visit to Austin. Dave shows us the setting through Hannah’s eyes as she glances around a church administrator’s office, searching for clues that will help her convince the woman to help them with their unusual request. 

I look around the office, for clues about her—clues that may help me win her over. Christmas cards and bumper stickers cover her desk; photographs of Elenor’s family are lined up on the fireplace mantel; a large bulletin board is brimming over with photographs and notes from parishioners. The office reveals forty years of building relationships right in this room, in this church. She knows everything about this place. We just need to know one small piece of it. 

8. A Rose for Emily

When Emily Grierson, the protagonist in William Faulkner’s 1930 short story, A Rose for Emily , passes away, the townspeople can’t wait to get inside the house she has refused to let anyone enter in over a decade. Upon entering an upper room that has been blocked off for more than forty years, they discover a startling scene: the perfectly preserved preparations for a wedding day, covered in dust and pungent with an acrid smell; it’s a sight reminiscent of Mrs. Havisham’s house in Great Expectations. The poignant description of the setting likens it to a tomb, which turns out to be a little too on the nose. 

A thin, acrid pall as of the tomb seemed to lie everywhere upon this room decked and furnished as for a bridal: upon the valance curtains of faded rose color, upon the rose-shaded lights, upon the dressing table, upon the delicate array of crystal and the man’s toilet things backed with tarnished silver, silver so tarnished that the monogram was obscured. Among them lay a collar and tie, as if they had just been removed, which, lifted, left upon the surface a pale crescent in the dust. Upon a chair hung the suit, carefully folded; beneath it the two mute shoes and the discarded socks.

9. The Waste Land

T.S. Eliot’s poem, The Waste Land , written in the aftermath of World War I, contains themes of brokenness, loss, death, decay, and post-war disillusionment, among others. Eliot was also struggling, at the time of the poem’s writing, with a failing marriage and mental health issues. He jumps directly into these themes from the opening stanza with a depiction of spring, not as the restorative, live-giving season it is normally thought to be but as a cruel month making vain attempts to resuscitate a desolate landscape.  

April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain.

10. Don Quixote

Miguel de Cervantes’ Don Quixote is infamous for taking action. Not satisfied to sit around reading books from his extensive library, he’s anxious to experience the adventurous lives of the knights of which he’s read. His foolhardy choices constantly get him in trouble and invoke people to attempt stoning him. Such is the outcome when he impulsively decides to free a hang of galley slaves he encounters

“’Tis you that are the cat, rat, and rascal,” replied Don Quixote, and acting on the word he fell upon him so suddenly that without giving him time to defend himself he brought him to the ground sorely wounded with a lance-thrust; and lucky it was for him that it was the one that had the musket. The other guards stood thunderstruck and amazed at this unexpected event, but recovering presence of mind, those on horseback seized their swords, and those on foot their javelins, and attacked Don Quixote, who was waiting for them with great calmness; and no doubt it would have gone badly with him if the galley slaves, seeing the chance before them of liberating themselves, had not effected it by contriving to break the chain on which they were strung. Such was the confusion, that the guards, now rushing at the galley slaves who were breaking loose, now to attack Don Quixote who was waiting for them, did nothing at all that was of any use. Sancho, on his part, gave a helping hand to release Gines de Pasamonte, who was the first to leap forth upon the plain free and unfettered, and who, attacking the prostrate commissary, took from him his sword and the musket, with which, aiming at one and levelling at another, he, without ever discharging it, drove every one of the guards off the field, for they took to flight, as well to escape Pasamonte’s musket, as the showers of stones the now released galley slaves were raining upon them. 

11. The Story of an Hour

Kate Chopin’s brief short story, The Story of an Hour , published in 1894, tells the story of a woman who—upon hearing the news of her husband’s sudden death—locks herself in her room while her mind runs wild with the thoughts of freedom this news has provoked. Although the ‘actions’ in this story are hardly active (they mostly consist of mental sprinting and leaping), there is a frenzied, energetic quality to the scene. The action here—a simple prayer followed by an ironic realization—speaks deeply to the state of her character as well as to the central theme of marital captivity.

Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.

12. The Emperor’s New Clothes

In the beloved fairy tale,  The Emperor’s New Clothes,  Hans Christen Andersen explores themes of vanity and pride. The emperor, who is obsessed with having a fashionable wardrobe, falls prey to two swindlers well aware of his vulnerability. They come up with a ruse certain to ensnare him by making it inconceivable for anyone to tell him the truth. Their deceptive action sets up both the plot and the conflict of the story. 

One day, two rogues, calling themselves weavers, made their appearance. They gave out that they knew how to weave stuffs of the most beautiful colors and elaborate patterns, the clothes manufactured from which should have the wonderful property of remaining invisible to everyone who was unfit for the office he held, or who was extraordinarily simple in character.

13. The Kite Runner

Khaled Hosseini is a masterful developer of all aspects of story: plot, characters, setting, theme, conflict. His emotion-wrenching novels capture the deep complexities of relationships set against historical events, political upheaval, and the realities of class hierarchies. In The Kite Runner , he foreshadows the principal conflict through an action-oriented paragraph that also touches on some of the themes of the book such as Hassan and Amir’s friendship, Hassan’s bravery, and the shifting power dynamics in Afghanistan in the wake of the 1973 Afghan coup led by Daoud Khan. 

Hassan was trying to tuck the slingshot in his waist with a pair of trembling hands. His mouth curled up into something that was supposed to be a reassuring smile. It took him five tries to tie the string of his trousers. Neither one of us said much of anything as we walked home in trepidation, certain that Assef and his friends would ambush us every time we turned a corner. They didn’t and that should have comforted us a little. But it didn’t. Not at all. 

14. The Forest of Vanishing Stars

Literary works with third-person narratives revealing more than one character’s perspective allow us, as readers, to know things that the protagonist does not (yet) know. The Forest of Vanishing Stars by Kristin Harmel tells the story of a Rapunzel-esque young lady named Yona, raised in the wilderness of Eastern Europe by an elderly recluse named Jerusza who believes Yona has a higher purpose. Just before she passes, Jerusza shares Yona’s origin story with her, though the significance of it is not known until much later. 

However, because the story is written in the third person and the initial narrative voice is that of Jerusza, we have already gotten a glimpse into this seemingly tragic event. Harmel writes,

The old woman knew, too, that the baby conceived on that autumn-scented Bavarian night, a girl the Jüttners had named Inge, had a birthmark in the shape of a dove on the inside of her left wrist. She also knew that the girl’s second birthday was the following day, the sixth of July, 1922. And she knew, as surely as she knew that the bell-shaped buds of lily of the valley and the twilight petals of aconite could kill a man, that the girl must not be allowed to remain with the Jüttners…That was why she had come…The old woman, who was called Jerusza, had always known things other people didn’t… “ Ikh bin gekimen dir tzu nemen,”  Jerusza whispered in Yiddish, a language the girl would not yet know.  I have come for you.  She said something soft, something that a lesser person would have dismissed as the meaningless babble of a little girl, but to Jerusza, it was unmistakeable. “ Dus zent ir, “   said the girl in Yiddish.  It is you.

Whether or not Jerusza is a deranged and unreliable narrator or an altruistic clairvoyant, we do not yet know. But this early insight shows us that Yona’s life in the forest is more than just happenstance. It was planned, deliberate, and perhaps even prophetic.

15. Pride and Prejudice

In opening scenes, we often find one or more narrative sentences that touch on the overall theme or takeaway of the story. This is what the Save The Cat method refers to as the Theme Stated. It’s typically written as dialogue spoken by someone the protagonist is unlikely to give much heed to. In Jane Austen’s Pride and Prejudice , Lizzy’s younger sister Mary responds to the discussion of Mr. Darcy’s pride by pointing out the difference between pride and vanity to suggest that pride is human nature and not necessarily a bad thing. 

“Pride,” observed Mary, who piqued herself upon the solidity of her reflections, “is a very common failing, I believe. By all that I have ever read, I am convinced that it is very common indeed; that human nature is particularly prone to it, and that there are very few of us who do not cherish a feeling of self-complacency on the score of some quality or other, real or imaginary. Vanity and pride are different things, though the words are often used synonymously. A person may be proud without being vain. Pride relates more to our opinion of ourselves; vanity to what we would have others think of us.”

16. Lessons in Chemistry

In Bonnie Garmus’ Lessons in Chemistry , it’s 1955 and protagonist Elizabeth Zott is mourning the sudden, tragic loss of her common-law partner Calvin Evans, who, like her, was a brilliant chemist employed by Hastings Research Institute. The key difference between the two is that he, as a man, was revered for his contributions to science while she, as a woman, was denigrated. While alive, Evans was able—against Zott’s wishes—to use his influence to protect her research’s funding. 

After his death, her employers and colleagues are chomping at the bit to not only defund her work but to get rid of her as quickly as possible, especially once they find out that she’s carrying Evans’ child. In her debilitating grief, she struggles to make sense of the inequity between the rules for women and those for men. Her boss, Donatti—who has unsuccessfully tried for months to demoralize Zott so he could seduce her—becomes characteristically irate when he presents her with the termination letter that catalyzes her toward the career change that forms the premise of the story. Garmus uses an omniscient narrator to flesh out the private thoughts of each character and succinctly develop her characters, conflict, and plot.

“This pregnancy is a failure of contraception, not morality. It’s also none of your business.” “You’ve made it our business!” Donatti suddenly shouted. “And in case you weren’t aware, there is a surefire way  not  to get pregnant and it starts with an ‘A’! We have rules, Miss Zott! Rules!” “Not on this you don’t,” Elizabeth said calmly. “I’ve read the employee manual front to back.” “It’s an unwritten rule!” “And thus not legally binding.” Donatti glowered at her. “Evans would be very, very ashamed of you.” “No,” Elizabeth said simply, her voice empty but calm. “He would not.” The room fell silent. It was the way she kept disagreeing—without embarrassment, without melodrama—as if she would have the last say, as if she knew she’d win in the end. This is  exactly  the kind of attitude her coworkers had complained of. And the way she implied that hers and Calvin’s relationship was at some higher level—as if it had been crafted from nondissolvable material that survived everything, even his death. Annoying. 

17. The Bluest Eye

Through snippets of dialogue, Toni Morrison masterfully paints a heartbreaking and ominous picture of the children in The Bluest Eye who, through no fault of their own, do not yet know what it means to be loved. 

“After a long while she spoke very softly. “Is it true that I can have a baby now?” “Sure,” said Frieda drowsily. “Sure you can.” “But…how?” Her voice was hollow with wonder. “Oh,” said Frieda, “somebody has to love you.” “Oh.” There was a long pause in which Pecola and I thought this over. It would involve, I supposed, “my man,” who, before leaving me, would love me. But there weren’t any babies in the songs my mother sang. Maybe that’s why the women were sad: the men left before they could make a baby.  Then Pecola asked a question that had never entered my mind. “How do you do that? I mean, how do you get somebody to love you?” But Frieda was asleep. And I didn’t know.

18. Jane Eyre

Jane Eyre’s passionate, confident personality is on full display when she reacts to Mr. Rochester’s news that he intends to marry Blanche Ingram. To convey Jane’s fiery state, Charlotte Brontë uses shorter sentences and sentence fragments to give the sense that Jane’s rapid-fire speech is spewing forth in a vain attempt to keep pace with her racing thoughts. 

“I tell you I must go!” I retorted, roused to something like passion. “Do you think I can stay to become nothing to you? Do you think I am an automaton?—a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!—I have as much soul as you,—and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;—it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God’s feet, equal,—as we are!”

19. The Spider and the Fly

In the 1829 narrative poem, The Spider and the Fly , poet Mary Howitt uses a dialogue between the titular characters to relate a high-tension scene in which the spider tries to lure the fly into its web while the fly does its best to resist. Each of the first four stanzas is comprised almost exclusively of dialogue and follows this back-and-forth pattern between the spider’s entreaties and the fly’s retorts. As the poem progresses, the tension rises as the spider’s tactics become increasingly cunning.  

“I’m sure you must be weary, dear, with soaring up so high; Will you rest upon my little bed?” said the Spider to the Fly. “There are pretty curtains drawn around; the sheets are fine and thin, And if you like to rest awhile, I’ll snugly tuck you in!” “Oh no, no,” said the little Fly, “for I’ve often heard it said, They never, never wake again, who sleep upon your bed!”

20. The Destructors

Though not common, setting can sometimes be articulated through dialogue. One benefit of an author relying on characters to describe a setting is that the reader sees it through their ideas and perspective; only the details that matter most to the speaker are conveyed. In Graham Greene’s The Destructors, T., the new unofficial leader of the Wormsley Common gang, relays pertinent details of the history and architecture of a home belonging to Mr. Thomas (Old Misery) to the rest of the gang. 

The specific details he shares not only help us picture the setting for the story’s main action, but they are also pivotal to the central plot: the children’s decision to destroy Old Misery’s house. 

The gang had gathered round: It was as though an impromptu court were about to form and to try some case of deviation. T. said, “It’s a beautiful house,” and still watching the ground, meeting no one’s eyes, he licked his lips first one way, then the other. “What do you mean, a beautiful house?” Blackie asked with scorn. “It’s got a staircase two hundred years old like a corkscrew. Nothing holds it up.” “What do you mean, nothing holds it up. Does it float?” “It’s to do with opposite forces, Old Misery said.” “What else?” “There’s paneling.” “Like in the Blue Boar?” “Two hundred years old.” “Is Old Misery two hundred years old?” Mike laughed suddenly and then was quiet again.

21. The Maltese Falcon

Dashiell Hammett’s detective novels are full of snappy dialogue rich with slang words informed by his time working for the Pinkerton National Detective Agency. His fast-paced mysteries, such as The Maltese Falcon , move at a break-neck speed, partially because so much of the plot is progressed through dialogue. In the following exchange, having just learned that everything Ms. Wonderbly has told him is a lie, Detective Sam Spade presses her for more information while hinting at his suspicion of her involvement in two murders and decides to continue working with her anyway. 

“Out there a flock of policemen and assistant district attorneys and reporters are running around with their noses to the ground. What do you want to do?” “I want you to save me from—from it all,” she replied in a thin tremulous voice. She put a timid hand on his sleeve. “Mr. Spade, do they know about me?” “Not yet. I wanted to see you first.” “What—what would they think if they knew about the way I came to you—with those lies?” “It would make them suspicious. That’s why I’ve been stalling them till I could see you. I thought maybe we wouldn’t have to let them know all of it. We ought to be able to fake a story that will rock them to sleep, if necessary.” “You don’t think I had anything to do with the—the murders—do you?” Spade grinned at her and said: “I forgot to ask you that. Did you?” “No.” “That’s good. Now what are we going to tell the police?” She squirmed on her end of the settee and her eyes wavered between heavy lashes, as if trying and failing to free their gaze from his. She seemed smaller, and very young and oppressed. “Must they know about me at all?” she asked. “I think I’d rather die than that, Mr. Spade. I can’t explain now, but can’t you somehow manage so that you can shield me from them, so I won’t have to answer their questions? I don’t think I could stand being questioned now. I think I would rather die. Can’t you, Mr. Spade?” “Maybe,” he said, “but I’ll have to know what it’s all about.”

Whether through dialogue, action, or description, narrative sentences have the power to propel a story to more satisfying plots, develop more interesting characters and settings, and spur readers to deeper levels of thinking, enjoyment, and inspiration. Which of these narrative sentence examples did you enjoy the most? Do you have other favorites that you would add? Let us know in the comments.

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Narrative Writing: A Complete Guide for Teachers and Students

MASTERING THE CRAFT OF NARRATIVE WRITING

Narratives build on and encourage the development of the fundamentals of writing. They also require developing an additional skill set: the ability to tell a good yarn, and storytelling is as old as humanity.

We see and hear stories everywhere and daily, from having good gossip on the doorstep with a neighbor in the morning to the dramas that fill our screens in the evening.

Good narrative writing skills are hard-won by students even though it is an area of writing that most enjoy due to the creativity and freedom it offers.

Here we will explore some of the main elements of a good story: plot, setting, characters, conflict, climax, and resolution . And we will look too at how best we can help our students understand these elements, both in isolation and how they mesh together as a whole.

WHAT IS A NARRATIVE?

A narrative is a story that shares a sequence of events , characters, and themes. It expresses experiences, ideas, and perspectives that should aspire to engage and inspire an audience.

A narrative can spark emotion, encourage reflection, and convey meaning when done well.

Narratives are a popular genre for students and teachers as they allow the writer to share their imagination, creativity, skill, and understanding of nearly all elements of writing.  We occasionally refer to a narrative as ‘creative writing’ or story writing.

The purpose of a narrative is simple, to tell the audience a story.  It can be written to motivate, educate, or entertain and can be fact or fiction.

A COMPLETE UNIT ON TEACHING NARRATIVE WRITING

Teach your students to become skilled story writers with this HUGE   NARRATIVE & CREATIVE STORY WRITING UNIT . Offering a  COMPLETE SOLUTION  to teaching students how to craft  CREATIVE CHARACTERS, SUPERB SETTINGS, and PERFECT PLOTS .

Over 192 PAGES of materials, including:

TYPES OF NARRATIVE WRITING

There are many narrative writing genres and sub-genres such as these.

We have a complete guide to writing a personal narrative that differs from the traditional story-based narrative covered in this guide. It includes personal narrative writing prompts, resources, and examples and can be found here.

As we can see, narratives are an open-ended form of writing that allows you to showcase creativity in many directions. However, all narratives share a common set of features and structure known as “Story Elements”, which are briefly covered in this guide.

Don’t overlook the importance of understanding story elements and the value this adds to you as a writer who can dissect and create grand narratives. We also have an in-depth guide to understanding story elements here .

CHARACTERISTICS OF NARRATIVE WRITING

Narrative structure.

ORIENTATION (BEGINNING) Set the scene by introducing your characters, setting and time of the story. Establish your who, when and where in this part of your narrative

COMPLICATION AND EVENTS (MIDDLE) In this section activities and events involving your main characters are expanded upon. These events are written in a cohesive and fluent sequence.

RESOLUTION (ENDING) Your complication is resolved in this section. It does not have to be a happy outcome, however.

EXTRAS: Whilst orientation, complication and resolution are the agreed norms for a narrative, there are numerous examples of popular texts that did not explicitly follow this path exactly.

NARRATIVE FEATURES

LANGUAGE: Use descriptive and figurative language to paint images inside your audience’s minds as they read.

PERSPECTIVE Narratives can be written from any perspective but are most commonly written in first or third person.

DIALOGUE Narratives frequently switch from narrator to first-person dialogue. Always use speech marks when writing dialogue.

TENSE If you change tense, make it perfectly clear to your audience what is happening. Flashbacks might work well in your mind but make sure they translate to your audience.

THE PLOT MAP

This graphic is known as a plot map, and nearly all narratives fit this structure in one way or another, whether romance novels, science fiction or otherwise.

It is a simple tool that helps you understand and organise a story’s events. Think of it as a roadmap that outlines the journey of your characters and the events that unfold. It outlines the different stops along the way, such as the introduction, rising action, climax, falling action, and resolution, that help you to see how the story builds and develops.

Using a plot map, you can see how each event fits into the larger picture and how the different parts of the story work together to create meaning. It’s a great way to visualize and analyze a story.

Be sure to refer to a plot map when planning a story, as it has all the essential elements of a great story.

THE 5 KEY STORY ELEMENTS OF A GREAT NARRATIVE (6-MINUTE TUTORIAL VIDEO)

This video we created provides an excellent overview of these elements and demonstrates them in action in stories we all know and love.

HOW TO WRITE A NARRATIVE

Now that we understand the story elements and how they come together to form stories, it’s time to start planning and writing your narrative.

In many cases, the template and guide below will provide enough details on how to craft a great story. However, if you still need assistance with the fundamentals of writing, such as sentence structure, paragraphs and using correct grammar, we have some excellent guides on those here.

USE YOUR WRITING TIME EFFECTIVELY: Maximize your narrative writing sessions by spending approximately 20 per cent of your time planning and preparing.  This ensures greater productivity during your writing time and keeps you focused and on task.

Use tools such as graphic organizers to logically sequence your narrative if you are not a confident story writer.  If you are working with reluctant writers, try using narrative writing prompts to get their creative juices flowing.

Spend most of your writing hour on the task at hand, don’t get too side-tracked editing during this time and leave some time for editing. When editing a  narrative, examine it for these three elements.

• Spelling and grammar ( Is it readable?)
• Story structure and continuity ( Does it make sense, and does it flow? )
• Character and plot analysis. (Are your characters engaging? Does your problem/resolution work? )

1. SETTING THE SCENE: THE WHERE AND THE WHEN

The story’s setting often answers two of the central questions in the story, namely, the where and the when. The answers to these two crucial questions will often be informed by the type of story the student is writing.

The story’s setting can be chosen to quickly orient the reader to the type of story they are reading. For example, a fictional narrative writing piece such as a horror story will often begin with a description of a haunted house on a hill or an abandoned asylum in the middle of the woods. If we start our story on a rocket ship hurtling through the cosmos on its space voyage to the Alpha Centauri star system, we can be reasonably sure that the story we are embarking on is a work of science fiction.

Such conventions are well-worn clichés true, but they can be helpful starting points for our novice novelists to make a start.

Having students choose an appropriate setting for the type of story they wish to write is an excellent exercise for our younger students. It leads naturally onto the next stage of story writing, which is creating suitable characters to populate this fictional world they have created. However, older or more advanced students may wish to play with the expectations of appropriate settings for their story. They may wish to do this for comic effect or in the interest of creating a more original story. For example, opening a story with a children’s birthday party does not usually set up the expectation of a horror story. Indeed, it may even lure the reader into a happy reverie as they remember their own happy birthday parties. This leaves them more vulnerable to the surprise element of the shocking action that lies ahead.

Once the students have chosen a setting for their story, they need to start writing. Little can be more terrifying to English students than the blank page and its bare whiteness stretching before them on the table like a merciless desert they must cross. Give them the kick-start they need by offering support through word banks or writing prompts. If the class is all writing a story based on the same theme, you may wish to compile a common word bank on the whiteboard as a prewriting activity. Write the central theme or genre in the middle of the board. Have students suggest words or phrases related to the theme and list them on the board.

You may wish to provide students with a copy of various writing prompts to get them started. While this may mean that many students’ stories will have the same beginning, they will most likely arrive at dramatically different endings via dramatically different routes.

A bargain is at the centre of the relationship between the writer and the reader. That bargain is that the reader promises to suspend their disbelief as long as the writer creates a consistent and convincing fictional reality. Creating a believable world for the fictional characters to inhabit requires the student to draw on convincing details. The best way of doing this is through writing that appeals to the senses. Have your student reflect deeply on the world that they are creating. What does it look like? Sound like? What does the food taste like there? How does it feel like to walk those imaginary streets, and what aromas beguile the nose as the main character winds their way through that conjured market?

Also, Consider the when; or the time period. Is it a future world where things are cleaner and more antiseptic? Or is it an overcrowded 16th-century London with human waste stinking up the streets? If students can create a multi-sensory installation in the reader’s mind, then they have done this part of their job well.

Popular Settings from Children’s Literature and Storytelling

• Fairytale Kingdom
• Magical Forest
• Village/town
• Underwater world
• Space/Alien planet

2. CASTING THE CHARACTERS: THE WHO

Now that your student has created a believable world, it is time to populate it with believable characters.

In short stories, these worlds mustn’t be overpopulated beyond what the student’s skill level can manage. Short stories usually only require one main character and a few secondary ones. Think of the short story more as a small-scale dramatic production in an intimate local theater than a Hollywood blockbuster on a grand scale. Too many characters will only confuse and become unwieldy with a canvas this size. Keep it simple!

Creating believable characters is often one of the most challenging aspects of narrative writing for students. Fortunately, we can do a few things to help students here. Sometimes it is helpful for students to model their characters on actual people they know. This can make things a little less daunting and taxing on the imagination. However, whether or not this is the case, writing brief background bios or descriptions of characters’ physical personality characteristics can be a beneficial prewriting activity. Students should give some in-depth consideration to the details of who their character is: How do they walk? What do they look like? Do they have any distinguishing features? A crooked nose? A limp? Bad breath? Small details such as these bring life and, therefore, believability to characters. Students can even cut pictures from magazines to put a face to their character and allow their imaginations to fill in the rest of the details.

Younger students will often dictate to the reader the nature of their characters. To improve their writing craft, students must know when to switch from story-telling mode to story-showing mode. This is particularly true when it comes to character. Encourage students to reveal their character’s personality through what they do rather than merely by lecturing the reader on the faults and virtues of the character’s personality. It might be a small relayed detail in the way they walk that reveals a core characteristic. For example, a character who walks with their head hanging low and shoulders hunched while avoiding eye contact has been revealed to be timid without the word once being mentioned. This is a much more artistic and well-crafted way of doing things and is less irritating for the reader. A character who sits down at the family dinner table immediately snatches up his fork and starts stuffing roast potatoes into his mouth before anyone else has even managed to sit down has revealed a tendency towards greed or gluttony.

Understanding Character Traits

Again, there is room here for some fun and profitable prewriting activities. Give students a list of character traits and have them describe a character doing something that reveals that trait without ever employing the word itself.

It is also essential to avoid adjective stuffing here. When looking at students’ early drafts, adjective stuffing is often apparent. To train the student out of this habit, choose an adjective and have the student rewrite the sentence to express this adjective through action rather than telling.

When writing a story, it is vital to consider the character’s traits and how they will impact the story’s events. For example, a character with a strong trait of determination may be more likely to overcome obstacles and persevere. In contrast, a character with a tendency towards laziness may struggle to achieve their goals. In short, character traits add realism, depth, and meaning to a story, making it more engaging and memorable for the reader.

Popular Character Traits in Children’s Stories

• Determination
• Imagination
• Perseverance
• Responsibility

We have an in-depth guide to creating great characters here , but most students should be fine to move on to planning their conflict and resolution.

3. NO PROBLEM? NO STORY! HOW CONFLICT DRIVES A NARRATIVE

This is often the area apprentice writers have the most difficulty with. Students must understand that without a problem or conflict, there is no story. The problem is the driving force of the action. Usually, in a short story, the problem will center around what the primary character wants to happen or, indeed, wants not to happen. It is the hurdle that must be overcome. It is in the struggle to overcome this hurdle that events happen.

Often when a student understands the need for a problem in a story, their completed work will still not be successful. This is because, often in life, problems remain unsolved. Hurdles are not always successfully overcome. Students pick up on this.

We often discuss problems with friends that will never be satisfactorily resolved one way or the other, and we accept this as a part of life. This is not usually the case with writing a story. Whether a character successfully overcomes his or her problem or is decidedly crushed in the process of trying is not as important as the fact that it will finally be resolved one way or the other.

A good practical exercise for students to get to grips with this is to provide copies of stories and have them identify the central problem or conflict in each through discussion. Familiar fables or fairy tales such as Three Little Pigs, The Boy Who Cried Wolf, Cinderella, etc., are great for this.

While it is true that stories often have more than one problem or that the hero or heroine is unsuccessful in their first attempt to solve a central problem, for beginning students and intermediate students, it is best to focus on a single problem, especially given the scope of story writing at this level. Over time students will develop their abilities to handle more complex plots and write accordingly.

Popular Conflicts found in Children’s Storytelling.

• Good vs evil
• Individual vs society
• Nature vs nurture
• Self vs others
• Man vs self
• Man vs nature
• Man vs technology
• Individual vs fate
• Self vs destiny

Conflict is the heart and soul of any good story. It’s what makes a story compelling and drives the plot forward. Without conflict, there is no story. Every great story has a struggle or a problem that needs to be solved, and that’s where conflict comes in. Conflict is what makes a story exciting and keeps the reader engaged. It creates tension and suspense and makes the reader care about the outcome.

Like in real life, conflict in a story is an opportunity for a character’s growth and transformation. It’s a chance for them to learn and evolve, making a story great. So next time stories are written in the classroom, remember that conflict is an essential ingredient, and without it, your story will lack the energy, excitement, and meaning that makes it truly memorable.

4. THE NARRATIVE CLIMAX: HOW THINGS COME TO A HEAD!

The climax of the story is the dramatic high point of the action. It is also when the struggles kicked off by the problem come to a head. The climax will ultimately decide whether the story will have a happy or tragic ending. In the climax, two opposing forces duke things out until the bitter (or sweet!) end. One force ultimately emerges triumphant. As the action builds throughout the story, suspense increases as the reader wonders which of these forces will win out. The climax is the release of this suspense.

Much of the success of the climax depends on how well the other elements of the story have been achieved. If the student has created a well-drawn and believable character that the reader can identify with and feel for, then the climax will be more powerful.

The nature of the problem is also essential as it determines what’s at stake in the climax. The problem must matter dearly to the main character if it matters at all to the reader.

Have students engage in discussions about their favorite movies and books. Have them think about the storyline and decide the most exciting parts. What was at stake at these moments? What happened in your body as you read or watched? Did you breathe faster? Or grip the cushion hard? Did your heart rate increase, or did you start to sweat? This is what a good climax does and what our students should strive to do in their stories.

The climax puts it all on the line and rolls the dice. Let the chips fall where the writer may…

Popular Climax themes in Children’s Stories

• A battle between good and evil
• The character’s bravery saves the day
• Character faces their fears and overcomes them
• The character solves a mystery or puzzle.
• The character stands up for what is right.
• Character reaches their goal or dream.
• The character learns a valuable lesson.
• The character makes a selfless sacrifice.
• The character makes a difficult decision.
• The character reunites with loved ones or finds true friendship.

5. RESOLUTION: TYING UP LOOSE ENDS

After the climactic action, a few questions will often remain unresolved for the reader, even if all the conflict has been resolved. The resolution is where those lingering questions will be answered. The resolution in a short story may only be a brief paragraph or two. But, in most cases, it will still be necessary to include an ending immediately after the climax can feel too abrupt and leave the reader feeling unfulfilled.

An easy way to explain resolution to students struggling to grasp the concept is to point to the traditional resolution of fairy tales, the “And they all lived happily ever after” ending. This weather forecast for the future allows the reader to take their leave. Have the student consider the emotions they want to leave the reader with when crafting their resolution.

While the action is usually complete by the end of the climax, it is in the resolution that if there is a twist to be found, it will appear – think of movies such as The Usual Suspects. Pulling this off convincingly usually requires considerable skill from a student writer. Still, it may well form a challenging extension exercise for those more gifted storytellers among your students.

Popular Resolutions in Children’s Stories

• Our hero achieves their goal
• The character learns a valuable lesson
• A character finds happiness or inner peace.
• The character reunites with loved ones.
• Character restores balance to the world.
• The character discovers their true identity.
• Character changes for the better.
• The character gains wisdom or understanding.
• Character makes amends with others.
• The character learns to appreciate what they have.

Once students have completed their story, they can edit for grammar, vocabulary choice, spelling, etc., but not before!

As mentioned, there is a craft to storytelling, as well as an art. When accurate grammar, perfect spelling, and immaculate sentence structures are pushed at the outset, they can cause storytelling paralysis. For this reason, it is essential that when we encourage the students to write a story, we give them license to make mechanical mistakes in their use of language that they can work on and fix later.

Good narrative writing is a very complex skill to develop and will take the student years to become competent. It challenges not only the student’s technical abilities with language but also her creative faculties. Writing frames, word banks, mind maps, and visual prompts can all give valuable support as students develop the wide-ranging and challenging skills required to produce a successful narrative writing piece. But, at the end of it all, as with any craft, practice and more practice is at the heart of the matter.

TIPS FOR WRITING A GREAT NARRATIVE

• Start your story with a clear purpose: If you can determine the theme or message you want to convey in your narrative before starting it will make the writing process so much simpler.
• Choose a compelling storyline and sell it through great characters, setting and plot: Consider a unique or interesting story that captures the reader’s attention, then build the world and characters around it.
• Develop vivid characters that are not all the same: Make your characters relatable and memorable by giving them distinct personalities and traits you can draw upon in the plot.
• Use descriptive language to hook your audience into your story: Use sensory language to paint vivid images and sequences in the reader’s mind.
• Show, don’t tell your audience: Use actions, thoughts, and dialogue to reveal character motivations and emotions through storytelling.
• Create a vivid setting that is clear to your audience before getting too far into the plot: Describe the time and place of your story to immerse the reader fully.
• Build tension: Refer to the story map earlier in this article and use conflict, obstacles, and suspense to keep the audience engaged and invested in your narrative.
• Use figurative language such as metaphors, similes, and other literary devices to add depth and meaning to your narrative.
• Edit, revise, and refine: Take the time to refine and polish your writing for clarity and impact.
• Stay true to your voice: Maintain your unique perspective and style in your writing to make it your own.

NARRATIVE WRITING EXAMPLES (Student Writing Samples)

Below are a collection of student writing samples of narratives.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to read these creative stories in detail and the teacher and student guides which highlight some of the critical elements of narratives to consider before writing.

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of story writing.

We recommend reading the example either a year above or below, as well as the grade you are currently working with, to gain a broader appreciation of this text type.

NARRATIVE WRITING PROMPTS (Journal Prompts)

When students have a great journal prompt, it can help them focus on the task at hand, so be sure to view our vast collection of visual writing prompts for various text types here or use some of these.

• On a recent European trip, you find your travel group booked into the stunning and mysterious Castle Frankenfurter for a single night…  As night falls, the massive castle of over one hundred rooms seems to creak and groan as a series of unexplained events begin to make you wonder who or what else is spending the evening with you. Write a narrative that tells the story of your evening.
• You are a famous adventurer who has discovered new lands; keep a travel log over a period of time in which you encounter new and exciting adventures and challenges to overcome.  Ensure your travel journal tells a story and has a definite introduction, conflict and resolution.
• You create an incredible piece of technology that has the capacity to change the world.  As you sit back and marvel at your innovation and the endless possibilities ahead of you, it becomes apparent there are a few problems you didn’t really consider. You might not even be able to control them.  Write a narrative in which you ride the highs and lows of your world-changing creation with a clear introduction, conflict and resolution.
• As the final door shuts on the Megamall, you realise you have done it…  You and your best friend have managed to sneak into the largest shopping centre in town and have the entire place to yourselves until 7 am tomorrow.  There is literally everything and anything a child would dream of entertaining themselves for the next 12 hours.  What amazing adventures await you?  What might go wrong?  And how will you get out of there scot-free?
• A stranger walks into town…  Whilst appearing similar to almost all those around you, you get a sense that this person is from another time, space or dimension… Are they friends or foes?  What makes you sense something very strange is going on?   Suddenly they stand up and walk toward you with purpose extending their hand… It’s almost as if they were reading your mind.

NARRATIVE WRITING VIDEO TUTORIAL

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

When teaching narrative writing, it is essential that you have a range of tools, strategies and resources at your disposal to ensure you get the most out of your writing time.  You can find some examples below, which are free and paid premium resources you can use instantly without any preparation.

FREE Narrative Graphic Organizer

THE STORY TELLERS BUNDLE OF TEACHING RESOURCES

A MASSIVE COLLECTION of resources for narratives and story writing in the classroom covering all elements of crafting amazing stories. MONTHS WORTH OF WRITING LESSONS AND RESOURCES, including:

NARRATIVE WRITING CHECKLIST BUNDLE

⭐⭐⭐⭐⭐ (92 Reviews)

OTHER GREAT ARTICLES ABOUT NARRATIVE WRITING

Narrative Writing for Kids: Essential Skills and Strategies

7 Great Narrative Lesson Plans Students and Teachers Love

Top 7 Narrative Writing Exercises for Students

How to Write a Scary Story

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How to Start a Narrative Essay

Last Updated: February 13, 2024 Fact Checked

This article was co-authored by Christopher Taylor, PhD and by wikiHow staff writer, Danielle Blinka, MA, MPA . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 205,811 times.

A narrative essay tells a story, which allows you to flex your creative muscles. Your story may be fictional or nonfictional, depending on the requirements of your assignment. At first, starting your narrative essay might seem hard, but you can make your work simpler by narrowing down your topic and planning out your story. Then, you’ll be able to easily write your story’s introduction.

Choosing a Topic for Your Narrative

• If your instructor provides a rubric, read over it thoroughly to identify the expectations for full credit. Later, you can measure your essay against the rubric before turning in the assignment.
• If you have questions about the assignment, ask your instructor for clarification.

• List the first thoughts that come to mind when you think about the prompt or question.
• Make a mind map to sort out your ideas.
• Use freewriting to uncover story ideas. Simply write whatever comes to mind without worrying about grammar or making sense.
• Make an outline to help put your ideas in order.

• Don’t try to cover too much in one essay, as this will be too hard for your reader to follow.
• For example, let’s say the prompt reads: “Write about a setback that taught you perseverance.” You might want to write about an injury you overcame. To narrow down your story, you might focus on the first time you exercised your injured limb after the accident, as well as the difficulties you faced.

• For instance, the story about recovering from an injury might have a theme of overcoming hardships or persevering to reach a goal. You might want your reader to finish your story feeling inspired and uplifted. To achieve this feeling, you'd want to focus on your successes throughout the process and end the story with a positive thought.

Planning Your Story

• If you are a character in your story, you will still need to complete this step. It's up to you how much detail you want to write down about yourself. However, it's helpful to take note of your description, interests, and desires at the time the story takes place, especially if a lot of time has passed.
• A main character description might look like this: “Kate, 12 - An athletic basketball player who suffers an injury. She wants to recover from her injury so she can return to the court. She’s the patient of Andy, a physical therapist who is helping her recover.”
• A side character description might read like this: “Dr. Lopez is a friendly, fatherly middle-aged doctor who treats Kate in the emergency room.”

• For example, a story about overcoming a sports injury might include a few settings, such as the basketball court, the ambulance, the hospital, and a physical therapy office. Although you want to show your reader each setting, you'll spend the most time on the main setting of your story.
• You might list the following descriptors about the basketball court: “squeaky floor,” “roar of the crowd,” “bright overhead lights,” “team colors in the stands,” “smell of sweat and sports drinks,” and “wet jersey sticking to my back.”
• Your story may feature several different settings, but you don't need to provide the same level of detail about each one. For instance, you may be in an ambulance for a brief moment in the scene. You don't need to fully describe the ambulance, but you might tell the reader about "feeling cold and alone in the sterile ambulance."

• For example, you might introduce a young basketball player who is about to make a big play. The incident that kicks off the story might be her injury. Then, the rising action is the basketball player’s efforts to complete physical therapy and get back into the game. The climax might be the day of tryouts for the team. You might resolve the story by having her find her name on the team list, at which point she realizes she can overcome any obstacle.
• It’s helpful to use Freytag’s triangle or a graphic organizer to plan your essay. Freytag's triangle looks like a triangle with a long line to its left and a short line to its right. It's a tool that helps you plan out your story's beginning (exposition), an incident that starts your story's events, the rising action, a climax, the falling action, and the resolution of your story.
• You can find a Freytag's triangle template or a graphic organizer for your narrative essay online. [8] X Research source

• The most common types of conflict include person vs. person, person vs. nature, and person vs. self. Some stories will have more than one type of conflict.
• In the story about the young athlete who gets injured, her conflict might be person vs. self, as she’s having to push through her pain and limitations.

• In most cases, a personal narrative will use the 1st person “I” point-of-view. For example, “Over my last summer with my grandfather, I learned more than how to fish.”
• If you’re telling a fictional story, you might use the 3rd person point of you. Use your character’s name, as well as the appropriate pronouns like “he” or “she.” For instance, “Mia picked up the locket and opened it.”

Writing Your Introduction

• Start your essay with a rhetorical question. For instance, “Have you ever faced losing something that’s important to you?”
• Give a quote that fits your essay. You might write, “According to Rosa Gomez, ‘You don’t know how strong you are until a setback breaks you.”
• Provide an interesting fact that’s related to your story. As an example, “About 70% of kids will stop playing sports by the age of 13, and I was almost one of them.”
• Use a short anecdote that relates to the larger story. For your essay about overcoming an injury, you might include a short story about your best moment playing sports before your injury.
• Start with a shocking statement. You might write, “As soon as they loaded me into the ambulance, I knew I might never play sports again.”

• Let’s say your main character is you. You could write, “As a tall, lean 12-year-old, I easily outplayed the other girls on the court.” This gives the reader a picture about what you might look like, as well as your interest in sports and athletic ability.
• If you’re telling a fictional story, you might introduce your character like this: “As she walked toward the high school debate podium, Luz exuded confidence from her Kate Spade headband down to her thrift shop Betsey Johnson pumps.” Not only does this help the audience picture Luz, but it also shows that she puts effort into her appearance. The fact that she shops at thrift stores might indicate that her family isn’t as wealthy as she portrays.

• You might write, “It was my 7th-grade year, and I knew I had to make varsity if I were going to get attention from the high school coaches.”
• Sensory details trigger your senses of sight, hearing, touch, smell, and taste. As an example, “My shoes squeaked across the court as I dribbled toward the goal line, the red basket in sight. Sweat made the ball feel slippery against my fingertips, and its salty taste coated my lips.”

• For instance, you might write, “I never expected that pass across the court to be my last for the season. However, recovering from my injury taught me I’m a strong person who can accomplish anything I set out to do.”

Sample Introduction and Outline

Expert Q&A

• A narrative essay will always tell a story, so make sure your essay has a clear plot. Thanks Helpful 2 Not Helpful 0

• Don’t borrow someone else’s ideas for your story or copy someone else’s writing. This is plagiarism and can result in severe academic penalties, including loss of credit. Thanks Helpful 37 Not Helpful 0

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• ↑ https://www.nova.edu/tutoring-testing/study-resources/forms/planning-narrative-essay.pdf
• ↑ https://spcollege.libguides.com/c.php?g=254430&p=1697470
• ↑ https://owl.purdue.edu/owl/general_writing/academic_writing/essay_writing/narrative_essays.html
• ↑ https://human.libretexts.org/Bookshelves/Literature_and_Literacy/Writing_and_Critical_Thinking_Through_Literature_(Ringo_and_Kashyap)/02%3A_About_Creative_Nonfiction/2.02%3A_Elements_of_Creative_Nonfiction
• ↑ https://penandthepad.com/start-narrative-essay-english-7667341.html

About This Article

If you’re struggling to start your narrative essay, find a way to encourage your reader to keep reading and introduce your main characters. Since opening lines can pull a reader in, choose something catchy that’s related to your story. For example, if your essay is about loss, you could open with a question like, “Have you ever faced losing something that’s important to you?” Then, add some details about your story’s setting that will interest the reader, such as describing how your trainers squeaked as you dribbled across the court if your story is about sports. You should also include enough information about the main character to peak the reader’s interest, like “She was a tall, lean 12-year-old,” but not too much so they know everything. For tips from our Writing co-author on how to plan out your entire narrative essay before you start writing, read on! Did this summary help you? Yes No

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Narrative Sentence Starter Cards

Updated:  15 Sep 2020

Thirty sentence starter cards for narratives.

Non-Editable:  PDF

Pages:  10 Pages

• Curriculum Curriculum:  AUS V8, NSW, VIC, AUS V9

Years:  1 - 7

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Get inspired!

Tag #TeachStarter on Instagram for a chance to be featured!

Use the Narrative Sentence Starter Cards to encourage your students to write something imaginative and interesting.

Print the cards out of A3 and stick them up on the board to stimulate your students.

Sentence starters include:

• I found a strange package by the door…
• Brrrringggg! I answered the phone and…
• There was an octopus in my pool…
• The rhino was following me to the…
• He had been squished flatter than a pancake…
• I heard an explosion in the science lab…
• The rain was pouring down…
• At the Dinosaur Park, I rode a…
• The space invaders jumped off the screen…
• I was looking out the port hole…
• A bat flew in my window and told me…
• I was on safari and a giant tiger…
• I stepped outside and a monkey…
• I was hiding in my tree house…
• My new friend is a robot and…
• I fell over a mysterious object…
• I was saved from the quicksand by…
• I set the Guinness World Record for…
• Yesterday I discovered my super power was…
• I picked up the moon rock and…
• We had a full tank of fuel and…
• I was riding my whale to…
• “They call me Dr. Snail and…”
• I went to the masquerade ball as a…
• “Wake up,” the dragon shouted to…
• I met a scatter-brained lizard in the desert…
• When I was a tightrope walker…
• There was money everywhere and…
• The box of treasure was…
• The pirate was coming…

For more brilliant tips and ideas on how to use this teaching resource, read our blog  10 Brilliant Ways to Improve Narrative Writing in the Classroom .

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Write a review to help other teachers and parents like yourself. If you'd like to request a change to this resource, or report an error, select the corresponding tab above.

These need to be in 3rd Person

Hi Brett, thank you for your feedback. These sentence starter cards are designed to align with Australian Curriculum ACELT1609, which looks at different narrative points of view and how it impacts the audience.

Exciting resource. Have had some great stories from the kids they love the pictures.

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Sentence Starters: Words and Phrases [Complete Guide]

Sentence starters or sentence openers describe ways to start a sentence using words or phrases. With the right starter words, you’ll find it easier to communicate while talking or writing. Sentence starters are helpful for people who want to improve their writing too.

There are different writing styles, and therefore, there are different types of effective sentence openers for these writing types. Writing without good sentence starters leave your sentence void of structure and, sometimes, meaning.

This article will cover the meaning of a sentence starter and the various types of sentence starters. You’ll also get sentence starters examples that are easy to start using right away! So keep reading to learn all you need to know about sentence starters!

How To Start a Sentence

Starting a sentence could be difficult for a new English speaker. And sometimes, even for people who speak English as their first language, constructing a proper English sentence can be pretty tricky sometimes. “How do I start this sentence?” “What words do I string together?” These are typical concerns. And sometimes, you know what your thoughts whisper to you but can’t just seem to be able to get those thoughts on paper.

Knowing the right words to start a sentence with is essential because they show that you have a rich vocabulary and a good language proficiency level. However, with the right essay sentence starters, writing that essay should no longer be difficult! So, here are some sentence starting words that you can use to start your essay!

Words to Start a Sentence

Sentence starters can either come in words or phrases. If you need good ways to start a sentence, then this aspect of the article is for you! There are varieties of them, so you can be assured that you won’t be repeating the same thing over and over again. This article will cover different sentence starter words in various categories! But for now, here’s a list of sentence starters for you!

• To be very honest
• Once upon a time
• As a matter of fact
• Even though
• However, and lots more!

Good Sentence Starters

Since there are different types of sentences or scenarios where we use sentence openers, there is also the need for the numerous kinds of sentence starters. Do you plan on writing a summary, a commentary, an explanation? Whatever the case might be, there is a sentence opener for it. From paragraph openers to ending sentence starters, there’s something here for every category! So let’s look at different categories or types of sentence starters!

Types of Sentence Starters

Here’s a list of some of the types of sentence starters that you can find in the English language.

• Introduction Sentence Starters
• Time Connecting Sentence Starters
• Paragraph Sentence Starters
• Story/ Narrative Sentence Starters

Explanation Sentence Starters

• Closing/ Concluding Sentence Starters
• Comparison Sentence Starters

These types of sentence starters are easily defined based on their titles, but we would be examining a few of them.

Body Paragraph Sentence Starters

A paragraph starter or a paragraph opener is a word or a phrase that you can use to start a paragraph. Since paragraphs are primarily used in essays, we can refer to these as “essay openers.” This type of sentence starters for essays help you to transition smoothly between two paragraphs. They ensure that there is still a connection between the last sentence and the new sentence of a paragraph. Some examples might include:

• First and Foremost
• Some may say
• The fact is
• In my opinion
• We all know
• Without a doubt
• Additionally
• Furthermore

Story Sentence Starters

As the name implies, this sentence starter is commonly used to begin a story or a narrative essay. They can be used in the beginning, middle, or concluding part of a narrative essay. These different ways to start a sentence when telling a story to add variety to the story to make it more engaging and exciting. They are primarily used to specify the time when an event took place. Some of these great sentence starters include:

• In the twinkle of an eye
• To my greatest surprise
• A long time ago
• Let me tell you about
• It all began when
• There once lived

Closing Sentence Starters

These types of sentence starters are used when you want to round up your speech or essay. Ending sentence starters notify the listener or the reader that they are at the concluding paragraph of your work. This is why they cannot be used in other parts of your work except in the latter part of your writing. They can also be called summary sentence starters. Some examples of this type of sentence starter are:

• In conclusion
• As a result
• To sum it up
• At the end of the day
• After all has been said and done

Compare and Contrast Sentence Starters

This is another interesting type of sentence starter. It is used when making a comparison between 2 or more things. They can also be referred to as Comparison Sentence Starters. They are used to start sentences that point out the similarity or differences between two or more things. Some examples of this type of sentence starters include:

• In the same way
• As opposed to
• Alternatively
• On the other hand
• Complementary to this

These are sentence starters that are used when you are explaining. They are used when you need to explain formal or textual facts. They can also be used when you are explaining step-by-step procedures. They show coherence and ensure that the words transition properly. Some examples might include:

• Subsequently
• The following step
• That suggests
• Following that
• This proves
• This is because

Commentary Sentence Starters

Commentary sentence starters include:

• This reveals that
• It is evident from this information
• It is important to note that
• This conveys
• This fact states
• This demonstrates
• This forces the reader to
• This raises the question of

Uses of Sentence Starters

The importance of sentence starters cannot be overstated. They have many uses that range from giving structure to a sentence to simply adding context to sentences. The uses of these sentence starters in general include;

• We can use them to make emphasize. For example, sentence starters can emphasize the importance of an object in a sentence. Some of these sentence openers that show importance include; It is essential to state, In essence, Emphatically… and many more like this.
• They can also be used to show time connectives. Examples of time connecting sentence starters include; At first, Prior to, Formerly, Previously, Customarily… and many more like this.
• They make your speech or writing sound more authentic to native English readers or listeners.
• They make your writing more engaging and appealing to your reader.
• They can be used to introduce ideas to your audience. They tell your audience that they are about to hear an example, your opinion, or a statement. They are also called introduction sentence starters. Some examples of introduction sentence starters include; For instance, for example, Imagine that… and so on.
• They allow for your work to transition smoothly from paragraph to paragraph. This transition fosters coherence and understanding in your audience.

Sentence starters are very important to English learners. We encourage them to implement them more frequently in their spoken and written grammar. You can also get on the internet and search for more examples to widen your vocabulary.

Frequently Asked Questions

With over a decade of experience in the industry, Evelyn Henderson is a highly accomplished freelance translator, research writer, and essay writer. She has established herself as the best in the business; she has a reputation for delivering high-quality projects and ensures that she meets and exceeds the client’s expectations.

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