books vs movies thesis statement

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55 Writing about the Novel: Film Comparison

You began the process of writing your literary comparison paper in the Introduction to the Novel chapter by choosing an essay, reading it carefully, and writing a personal response. In this chapter, we will move through the remaining steps of writing your paper.

Step 3: Choose a Film for Comparison

The key to a good comparison essay is to choose two subjects that connect in a meaningful way. The purpose of conducting the comparison is not to state the obvious, but rather to illuminate subtle differences or unexpected similarities.

When writing a film comparison paper, the point is to make an argument that will make your audience think about your topic in a new and interesting way. You might explore how the novel and the film present the theme…or how the novel and the film explore the identity of a main character…or…the options are limitless. Here’s a quick video giving you a little overview of what a film vs novel comparison might look like:

To this end, your next goal is to choose a film adaptation of your novel. Some novels may only have one, but some have many that have been created over the last 100 years! Your adaptation could be a feature film, a YouTube short, or an indie film. Choose one that allows you to make an interesting point about the portrayal of the theme of the novel and the film.

Step 4: Research

Once you’ve chosen a second piece, it’s time to enter into the academic conversation to see what others are saying about the authors and the pieces you’ve chosen.

Regardless of the focus of your essay, discovering more about the author of the text you’ve chosen can add to your understanding of the text and add depth to your argument. Author pages are located in the Literature Online ProQuest database. Here, you can find information about an author and his/her work, along with a list of recent articles written about the author. This is a wonderful starting point for your research.

The next step is to attempt to locate articles about the text and the film themselves. For novels, it’s important to narrow down your database choices to the Literature category. For essays, you might have better luck searching the whole ProQuest library with the ProQuest Research Library Article Databases or databases like Flipster that include publications like newspapers and magazines.

Finally, you might look for articles pertinent to an issue discussed in the novel. For example, The Grapes of Wrath is about the Great Depression and the Dust Bowl, but it also contains an environmental theme. Depending on what aspect you want to highlight in your comparison, you might look for articles about the Great Depression or about farming and the environment.

Remember, it is helpful to keep a Research Journal to track your research. Your journal should include, at a minimum, the correct MLA citation of the source, a brief summary of the article, and any quotes that stick out to you. A note about how you think the article adds to your understanding of the topic or might contribute to your project is a good addition, as well.

Step 5: Thesis & Outline

Similar to other academic essays, the film comparison essay starts with a thesis that clearly introduces the two subjects that are to be compared and the reason for doing so.

This video highlights some of the key differences between novels and films:

Begin by deciding on your basis for comparison. The basis of comparison could include items like a similar theme, differences in the focus of the piece, or the way both pieces represent an important issue.

This article gives some helpful advice on choosing a topic.

Once you’ve decided on the basis of comparison, you should focus on the points of comparison between the two pieces. For example, if you are focusing on how the literary elements and the cinematic elements used impact the message, you might make a table of each of these elements. Then, you’d find examples of each element from each piece. Remember, a comparison includes both similarities and differences.

By putting together your basis of comparison and your points of comparison, you’ll have a thesis that both makes an argument and gives readers a map of your essay.

A good thesis should be:

Statement of Fact: “The novel and the film of Pride and Prejudice are similar in many ways.”
Arguable: “The film version of Pride and Prejudice changes key moments in the text that alter the portrayal of the theme.”
Personal Opinion: “‘The novel is definitely better than the movie.”
Provable by the Texts: “Both the novel and the film focus on the importance of identity.”
Obvious: “The movie provides a modern take on the novel.”
Surprising: “Though the movie stays true to the original themes of the novel, the modern version may lead viewers to believe that the characters in the book held different values than are portrayed in the novel.”
General: “Both the novel and the film highlight the plight of women.”
Specific: “The novel and the film highlight the plight of women by focusing on specific experiences of the protagonist. “

The organizational structure you choose depends on the nature of the topic, your purpose, and your audience. You may organize compare-and-contrast essays in one of the following two ways:

Block: Organize topics according to the subjects themselves, discussing the novel and then the film.
Woven: Organize according to individual points, discussing both the novel and the film point by point.

Exercises: Create a Thesis and Outline

You’ll want to start by identifying the theme of both pieces and deciding how you want to tie them together. Then, you’ll want to think through the points of similarity and difference in the two pieces.

In two columns, write down the points that are similar and those that are different. Make sure to jot down quotes from the two pieces that illustrate these ideas.

Following the tips in this section, create a thesis and outline for your novel/film comparison paper.

Here’s a sample thesis and outline:

Step 6: Drafting Tips

Once you have a solid thesis and outline, it’s time to start drafting your essay. As in any academic essay, you’ll begin with an introduction. The introduction should include a hook that connects your readers to your topic. Then, you should introduce the topic. In this case, you will want to include the authors and title of the novel and the director and title of the film. Finally, your introduction should include your thesis. Remember, your thesis should be the last sentence of your introduction.

In a film comparison essay, you may want to follow your introduction with background on both pieces. Assume that your readers have at least heard of either the novel or the film, but that they might not have read the novel or watched the film–or both–…or maybe it’s been awhile. For example, if you were writing about Pride and Prejudice , you might include a brief introduction to Austen and her novel and an introduction to the version of the film you’ve chosen. The background section should be no more than two short paragraphs.

In the body of the paper, you’ll want to focus on supporting your argument. Regardless of the organizational scheme you choose, you’ll want to begin each paragraph with a topic sentence. This should be followed by the use of quotes from your two texts in support of your point. Remember to use the quote formula–always introduce and explain each quote and the relationship to your point! It’s very important that you address both literary pieces equally, balancing your argument. Finally, each paragraph should end with a wrap up sentence that tells readers the significance of the paragraph.

Here are some transition words that are helpful in tying points together:

Finally, your paper will end with a conclusion that brings home your argument and helps readers to understand the importance/significance of your essay.

In this video, an instructor explains step by step how to write an essay comparing two films. Though you will be writing about a novel and a film, rather than two films, the same information applies.

Here’s another instructor explaining how to write a comparison essay about two poems. Note the similarities between the two videos.

Here’s a sample paper:

Attributions:

Content created by Dr. Karen Palmer. Licensed under CC BY NC SA .
Content adapted from “Comparison and Contrast” from the book Successful Writing licensed CC BY NC SA .

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Compare and Contrast Books and Movies

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Film Analysis

Crafting a Winning Thesis Statement in Film Analysis: A Step-by-Step Guide

Dec 6, 2023

Avinash Prabhakaran

Film analysis is a captivating and insightful way to explore the world of cinema. Whether you're a film student, a cinephile, or just someone who enjoys dissecting movies, you'll find that forming a solid thesis statement is the cornerstone of a successful film analysis.

A thesis statement serves as the roadmap for your analysis, guiding your reader through your interpretation of the film's elements and themes.

In this blog post, we'll outline the steps to help you craft an effective thesis statement for your film analysis.

Understand the Film's Context

Before diving into your analysis, it's crucial to understand the film's context. This includes the director's background, the film's era, its genre, and any cultural or historical factors that may have influenced its production. Gathering this context will help you form a more informed thesis statement.

Watch the Film Multiple Times

You must thoroughly watch the film multiple times to craft a thoughtful thesis statement. Each viewing will reveal new details and nuances that you may have missed initially. Take notes during your viewings to record your observations and ideas.

Identify Key Themes and Elements

During your viewings, pay close attention to the film's themes, characters, plot, cinematography, sound, and other elements. Think about what the director is trying to convey and how they use these elements. Make a list of the most prominent themes and elements you observe.

Formulate a Research Question

Based on your observations and analysis, formulate a research question you want to answer in your essay. This question should be open-ended and should invite critical thinking. For example, "How does the use of color symbolism in 'The Shawshank Redemption' reflect the theme of hope?

Brainstorm and Organize Ideas

Now, brainstorm your ideas related to the research question. Think about the evidence you've gathered and how it supports your interpretation of the film. Organize these ideas into a logical structure that will guide your analysis.

Craft a Thesis Statement

A thesis statement should be concise, clear, and arguable. It should encapsulate the main argument of your analysis and give the reader a clear sense of what to expect in your essay. Here are some tips for crafting a solid thesis statement:

Make it specific: Avoid vague or overly broad statements. Be precise in what you're arguing.

Make it debatable: Your thesis should invite discussion and disagreement. Avoid stating the obvious.

Make it relevant: Ensure that your thesis directly addresses the research question and the film's themes or elements.

Example Thesis Statement:

"In Christopher Nolan's 'Inception,' the use of dreams as a narrative device serves to blur the line between reality and perception, challenging conventional notions of truth and subjectivity."

Examples to Support the Thesis:

Dreams as a Narrative Device

Throughout 'Inception,' the characters enter various dream levels, each with its own set of rules and physics. Nolan uses this complex narrative structure to keep the audience engaged and constantly questioning what is real.

The manipulation of time within dreams adds another layer of complexity to the narrative. Time moves differently at each dream level, leading to intricate storytelling that challenges traditional linear storytelling.

Blurring Reality and Perception

The film consistently blurs the boundaries between dreams and reality, making it difficult for the characters and the audience to distinguish between them. This intentional ambiguity creates a sense of unease and intrigue.

The use of the spinning top as a totem to determine reality in the film's closing scene encapsulates the theme of perception versus reality. The spinning top symbolizes the characters' struggle to discern the truth.

Challenging Conventional Notions of Truth and Subjectivity

'Inception' invites viewers to question their understanding of reality and truth. The film challenges the idea of an objective reality by presenting multiple layers of dreams and subjective experiences.

The film's enigmatic ending, which leaves the spinning top's fate unresolved, forces viewers to confront their subjectivity and interpretation of the story's conclusion.

By examining these specific examples, it becomes evident how using dreams as a narrative device in 'Inception' blurs the line between reality and perception, ultimately challenging conventional notions of truth and subjectivity as proposed in the thesis statement.

This exemplifies the importance of using concrete evidence from the film to validate your interpretation as outlined in your thesis statement.

Forming a thesis statement in film analysis is vital in creating a compelling and well-structured essay.

By understanding the film's context, closely examining its elements, and crafting a clear and arguable thesis statement, you'll be well on your way to conducting a thorough and insightful analysis that will engage your readers and deepen your understanding of cinema. Happy analyzing!

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Books vs. movies: the age-old debate.

The Mountain Between Us , It , Murder on the Orient Express , Wonder , My Cousin Rachel . These films released in 2017 have one thing in common, and you may have guessed it already: They were all books that were later adapted into movies.

Similar to its affinity for sequels and remakes , it seems to me like Hollywood is increasingly looking to books for inspiration for the next blockbuster hits. From a business standpoint, it makes total sense because producers can draw on the popularity of a certain book and use that to their advantage when it comes to marketing the film’s release.

As an avid reader, I am always excited at the news that a book is being adapted as a feature film. My mind is occupied by thoughts of who the actors/actresses are going to be (and if I approve), if the film will stay true to the book, and most importantly, if the movie will be just as good as the book. The thought of finally being able to visualize what has only previously been limited to my imagination is always an exciting prospect.

However, I am usually underwhelmed after watching a certain film based on a book, and if you asked me a year ago which one I would prefer: the movie or the book, I would have immediately chosen the book.

Hands down. No doubt. However, within the past year, I have come to appreciate movie adaptations of books more because I have realized that comparing books to their counterpart movies isn’t fair; at the end of the day, the two mediums of storytelling have different advantages and different qualifications for what makes them good. Like Stephen King once said, comparing one to the other is like comparing apples to oranges. They are both great sources of entertainment, but they aren’t comparable. For those still reluctant to accept this theory, I’ll be delving more into this age-old question: “What’s better: books or movies?” I’ll make a case for each argument and let you make the final call.

The popular belief is that books are often a hundred times better than their movie counterparts; if you need any further proof, just take a look at the following Washington Post visual.

Books are great because they allow the reader to be a part of the story; we are the observers that have insight into the character’s thoughts and feelings, and all the nuances that create three-dimensional characters. With books, there’s just more. More detail, more focus on character development, and more depth to the meaning of the artwork. It’s also the more time-consuming form of the two, and after finishing a novel, after a couple of hours of being immersed into a different world and mind space, it seems like you have suddenly been thrust back into reality.

On the other hand, the great thing about movies is their ability to show, and the overall experience of watching one. While reading a book, I often have a movie reel playing in my head. I can map out the setting, I can see the characters’ expressions, and I can empathize with their emotions.

However, watching the same story unfold on the big screen is a different experience. While reading spurs your imagination, a movie helps you visualize all the elements of the books that were previously confined to your imagination. It immerses you into the story in a different way than a book.

For example, instead of reading about the magical world of Harry Potter, while watching the movie, I can actually see what J.K. Rowling means by “He was almost twice as tall as a normal man and at least five times as wide. He looked simply too big to be allowed, and so wild – long tangles of bushy black hair and beard hid most of his face, he had hands the size of dustbin lids and his feet in their leather boots were like baby dolphins.” To put it simply, movies make it easier for us to just lean back and enjoy the show.

An added benefit of movies is the music and visual designs that enhance the experience of watching a film. Imagine, for example, that you are watching an emotional scene. It’s the climax of the story, and in the background plays a gentle orchestra, that eventually swells into a big crescendo as the story reaches its resolution. In that moment, you feel exactly what the characters feel, and your heart races along with the melody of the music. So although (in some cases) the audience might not have a play by play of the characters’ thoughts and emotions, movies have another way of conveying the emotion and tone of a certain scene.

If you feel like further exploring this age-old debate personally, come down to Media Services to check out movies even the worst critic would have to admit are just as good as the books. Don’t know where to start? Try Pride and Prejudice, Psycho, Jaws, The Godfather, etc.

Until next time! RE

Robiati Endashaw is a sophomore studying public policy analysis in KSB with a minor in Economics. In her spare time, she enjoys reading non-fiction and watching crime documentaries.

Robiati Endashaw offers a balanced perspective on the age-old debate between books and their movie adaptations. As an avid reader, she acknowledges the initial skepticism toward films based on beloved books. However, she also appreciates the unique advantages of both mediums of storytelling. While books allow for deeper immersion and detailed character development, movies excel in visual storytelling and immersive experiences. Endashaw emphasizes that comparing books and movies is like comparing apples to oranges; they serve different purposes and offer distinct pleasures. Her insights encourage readers to appreciate the merits of both forms of storytelling and explore adaptations with an open mind.

Oh gee thanks so much . I also feel quite the same way too when it comes to books as in they are so much enjoyable because they allow us as the reader to explore the depths of my imagination and every thing happening Is felt dearly. 😊

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A comparative study to find out the differences between novels/books and their film adaptations

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Participations

Jonathan Ilan

The complex relations between words and images are debated in various disciplines and have been in a variety of modes a thorny issue for centuries. Words are constantly used to represent or embody images (conceptualized as ekphrasis) and vice versa. At the same time, however, words are also considered not sufficient to represent the visual sign, which cannot rely entirely on text. Similarly, the visual cannot rely entirely on the verbal; its understanding should come from representational practices alone, as there is something in the image that is ‘purely image’. Films and novels are accordingly opposed, considered as two separate ‘pure’ entities that are not translatable, and yet share stylistic, narrative, and cultural connections. This essay tackles such relations as they are manifested in audience members’ discussions of the cinematographic Hobbit adaptation(s). More specifically, it is focused on their interpretive strategies in the ways these relate to the novel-film rivalry. Based on qualitative thematic analyses of the 251 Israeli respondents’ open-ended answers, we demonstrate how the film-novel rivalry unveil itself in the audience reception of the film(s) adaptations. Findings reveal diverse and even paradoxical tensions: From a standpoint that the movie is considered a perfect or even ‘better’ representation of the novel, to vehement criticism that it vandalizes the original and ‘misses’ its ‘purpose’ completely, designed entirely to make profit.

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This article proposes a discussion on the specificities of the comics medium and their consequence to the process of transposition of comics – and particularly of graphic novels – into films. In order to support this debate, I will draw upon Irina Rajewsky’s and Pascal Lefèvre’s theoretical articles.

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This study deals with film adaptation theory in general and various hostilities that inform it as a reading and viewing process. The purpose of this study has been to deconstruct the preconceptions according to which Adaptation as a process has a host of arguments that inform as a way of reading and viewing filmic and novelistic aspects. Elements of film noir and neo noir have also found place in this research paper given that the primary sources belong to the genre. When it comes to the expansion strategies, this analysis includes its taxonomy and examples of how a short story can be transposed onto screen and some of the fallacies that hang around adaptation. Does adapting a text into a cinema or movie come with some effects? This is the central idea that informs this study, what is termed as hostilities. Thus I will be interested to show that as per Thoms Letch, Twelve Fallacies in Contemporary Adaptation Theory: Criticism, Volume 45, Number 2, Spring 2003, pp. 149-171 (Article), if really adaptation does exist and if it does, is it effective as it should be? Regarding the primary sources, Jonathan Nolan’s Memento Mori and Christopher Nolan’s Memento have proved useful and interesting alike. Other secondary sources include Linda Hutcheon’s theory on film adaptation, Desmond and Hawkes’s input on the matter, Stam and Raengo, Leitch Thomas and others. Keywords: film, literature, adaptation, hostilities Film: This is a series of moving pictures, usually shown in a cinema or on television and often telling a story, Cambridge Dictionaries.

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This paper, written to fulfill a requirement for a Film and Literature class compares film adaptations to their original texts.

Laurence Raw

The principal aim of this book will be to understand how the process of transforming a novel into a film not only involves questions of textual fidelity or directorial vision, but encompasses a wide range of economic, cultural and social issues. For example, we need to look at how James adaptations have been shaped by changes within the Hollywood film industry, from the period of vertical integration in the 1940s (where the major studios had total control over production, distribution and exhibition), to the late 1990s, when most James films were made by independent companies collaborating with the studios. Although vertical integration had been declared illegal by a Congressional Act of 1947, most major studios endeavored to sustain the same organizational framework throughout the decade and beyond. It had its advantages, in the sense that it provided secure employment for writers, directors and actors; but it also restricted opportunities for experimental work, as the studios devoted much of their energies to ensuring first-run success - i.e. recouping as much of its costs as possible within the first month of opening. Any film thus had to have major selling points - a star cast, or a well-known director. In 1941, William Wyler had triumphed, both artistically and commercially, winning nine Oscars for his adaptation of Lillian Hellman's The Little Foxes starring Bette Davis. Clearly Paramount Pictures hoped to repeat this succes, when they agreed to let Wyler produce and direct the film version of The Heiress (1949), Ruth and Augustus Goetz's adaptation of Washington Square, which has already proved a hit on Broadway. The leading role of Catherine Sloper was played by Olivia de Havilland (who proposed the project in the first place), who had recently won a Best Actress Oscar for The Snake Pit. Although the picture was to be shot entirely in the studio, Paramount did not stint on the budget, allocating Wyler ($2.5m, of which ($400,000 would be spent on salaries alone.

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Scientific proof that the book is almost always better than the movie.

My dad used to say that most movies are better than most books, and a bad movie is better (or at least easier to sit through) than a bad book, but with the very best books, no movie could even come close. Especially not if it’s the adaptation of that book. “But where’s the data ?” is something I did not say to my father at the tender age of ten. Good thing we now have data that analyzes viewer and reader ratings for 250 books and their adaptations and pretty much confirms what we already knew—that readers like books more than viewers like the movies based on those books—and a handy infographic to go along with it.

Check out the infographic below; you can also explore the data in full here .

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Books vs. Movies: Comparison of Features

We all have a friend who yells during a movie that this moment was shown differently in the book. At the same time, another friend says that he or she is bored with reading and would rather wait for the movie adaptation. Both of these friends can be right, since much of a book or film’s success depends on the talent of its writer, screenwriter, director, and actors. Hence, comparing books and movies is a challenging task as both have their advantages.

The main thing in common between books and films is that they convey a story and evoke emotion. A plot can be fiction, fantasy, or a real story from someone’s life. However, it is extremely rare that a story is completely truthful. This statement does not mean that all authors and screenwriters lie, but embellishment or exaggeration is an integral part of books and films. The author can slightly change the sequence of events or the order of words in the phrase, add or omit minor details to make the story more engaging. The director casts an actor with a different color of eyes or hair than a real character or uses a more picturesque setting for the stage. These features are intended to bring readers or viewers more pleasure and evoke stronger emotions, and they are common to movies and books.

At the same time, a book differs from a movie because it can have more details and focus on the characters’ feelings. Quite often, fans of famous books, such as Harry Potter, are outraged that the movie does not show this or that episode, which distorts the character’s personality. Such flaws arise because all the book details cannot be placed in the standard or the appropriate time for a movie. In addition, actors may not accurately convey the characters’ feelings with their acting, while the words in a book precisely describe them. For this reason, the advantage of books is that they can reveal details of the story and feelings of its characters, which bring stronger emotions in readers.

However, the advantage of movies is that a director can use impressive graphics that are difficult for a person to imagine, and musical accompaniment to emphasize the atmosphere of the moment. For example, a person who reads about aliens, magic, or outer space cannot clearly visualize some images, since he or she has no real experience with such objects, but computer graphics can create anything. Music also enhances the mood of the moment; for example, a dramatic song sounds during battles or the scene of a character’s death, and harsh sounds are usually a part of horror films. Thus, a viewer can feel the mood of the moment and enjoy the visuals while relaxing in a movie theater.

Therefore, books and movies have a common purpose in conveying a story to readers or viewers. Their similar feature is that they often embellish reality more or less to offer readers or viewers the best version of a story. However, the main advantage of books is their detail and description of the characters’ feelings, while films allow people to perceive their plot visually and audibly but not only through the prism of their experience. Consequently, books and movies are different in the way of delivering ideas, and the choice of people depends on their preferences.

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Crafting a Powerful Thesis Statement for a Movie Review: Examples and Tips

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Writing Articles & Reviews
October 28, 2023

Introduction

writing a movie review can be an exciting task, but IT requires careful consideration and thought. One of the most important elements of a movie review is the thesis statement, as IT sets the tone and direction for the entire review. In this article, we will explore the process of crafting a powerful thesis statement for a movie review, providing you with helpful examples and tips along the way.

What is a Thesis Statement in a Movie Review?

A thesis statement in a movie review presents the main argument or opinion that you will be discussing and supporting throughout your review. IT typically appears near the end of your introduction and should be clear, concise, and thought-provoking. The thesis statement should provide an overall evaluation or interpretation of the movie, highlighting the key aspects you will be focusing on in your review.

Examples of Powerful Thesis Statements

Let’s now explore some examples of powerful thesis statements to give you a better understanding of how to structure your own. Remember, these examples are not meant to be copied directly but rather to serve as inspiration for crafting your unique thesis statement:

Example 1: The movie “Inception” explores the convoluted depths of the human mind, challenging our perception of reality and leaving audiences questioning the nature of dreams.
Example 2: Through its stunning cinematography and emotional storytelling, “The Shawshank Redemption” showcases the resilience of the human spirit and the power of hope in the face of adversity.
Example 3: In “Black Swan,” the director delves into the dark and obsessive world of ballet, blurring the lines between sanity and insanity, leading to a mesmerizing and haunting cinematic experience.

Tips for Crafting a Powerful Thesis Statement

Now that you’ve seen some examples, let’s dive into some tips to help you craft a powerful thesis statement for your movie review:

Identify the central theme: Analyze the movie and identify the central theme or message being conveyed. This will serve as the basis for your thesis statement.
Be specific: Make your thesis statement clear and specific, avoiding vague language or generalizations. This will make your argument more compelling and focused.
Consider the audience: Think about the intended audience of your review and tailor your thesis statement to resonate with them. Different audiences may have varying expectations or interests.
Support with evidence: Your thesis statement should be supported by evidence from the movie. Incorporate specific scenes, dialogues, or character developments to strengthen your argument.
Stay objective: While expressing your personal opinion is essential, ensure that your thesis statement remains objective and balanced. Avoid overly biased language that may detract from the credibility of your review.

Crafting a powerful thesis statement for a movie review is crucial in setting the tone and direction for your review. IT should provide a clear evaluation or interpretation of the movie, supported by evidence and examples. By following the tips outlined in this article and considering the provided examples, you can create a compelling thesis statement that engages your readers and enhances the overall quality of your movie review.

1. Can I include my personal opinion in the thesis statement?

Yes, you can include your personal opinion in the thesis statement, but ensure that IT remains objective and supported by evidence from the movie.

2. Should I mention the title of the movie in my thesis statement?

While IT is not mandatory, IT is recommended to include the title of the movie in your thesis statement to provide clarity and context.

3. How long should my thesis statement be?

A thesis statement should be concise and to the point. Aim for a sentence or two that effectively conveys your main argument.

4. Can I change my thesis statement after writing the review?

Yes, IT is possible to make adjustments to your thesis statement if you feel IT needs refinement or modification based on your analysis and review process.

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“The Hobbit”: Book vs. Movie Essay

Introduction, events deleted or changed in the movie, changes that enhance the film, political imagery in the hobbit book and film.

In the book, The Hobbit, the author, JR Tolkien tells a story of short, contented humanlike creatures called hobbits. In this fantasy story, Bilbo Baggins, a hobbit, a Gandalf, a wizard, and a group of midgets set out on an adventure to repossess stolen treasure hidden in the Lonely Mountain. A fiery dragon, Smaug, claims ownership of the treasure after acquiring it during an earlier invasion. The band of fourteen endures hostile weather conditions, constant attacks and abductions, and starvation on their way to the Lonely Mountain. After fighting many battles, they recover the dwarves’ treasure and begin their journey back to the hobbit lands. The dwarves share some of their treasure with Bilbo for his role in its recovery. Bilbo returns to his hobbit-hole a changed hobbit. It is evident that the ‘adventure’ to the Lonely Mountain transformed Bilbo into a wise and knowledgeable hobbit.

The book was adapted into a film named The Hobbit, an Unexpected Journey . However, several modifications and additions to the screenplay make the film different from the Hobbit book. The names of places, characters, and events are the same in both the book and the movie. The plot has also been conserved in the movie. Striking differences between the Hobbit book and its movie version relate to the use of imagery, dialogue, and alliteration. This essay compares and contrasts the Hobbit book and the movie based on the differences and similarities between the two.

In chapter one, the events preceding the quest (the unexpected party) have been modified in the movie. The book’s description of the Hobbits’ stature and landscape has been changed in the screenplay. The book describes them as being half the size of humans, but some scenes of the movie depict Bilbo’s as having the same height as that of dwarf. As the story begins, Gandalf enters through Bilbo’s door and requests him to join the dwarves on an adventure to the Lonely Mountain. Bilbo flatly rejects this offer. In contrast, the movie begins with “an unexpected party”, which follows the scene where Bilbo refuses Gandalf’s offer. Although Bilbo declines the offer, out of his kind-heartedness, he invites him for tea (supper) the following day, but soon rues his decision. This does not happen in the movie. Gandalf just shows up at the party without Bilbo’s invitation.

Moreover, in the book, the story is narrated from the author’s perspective. In contrast, in the movie, the story revolves around Bilbo and the dwarves. A prologue in the movie introduces the audience to the story. Tolkien reveals to the reader the history of the Middle Earth, the origin of the Hobbits, and the Dwarves’ current situation in his book. This sets out the context for the story. After declining the offer, Bilbo enters his hobbit-hole and shuts his “round green door”, which Gandalf marks to enable the dwarves to locate the hobbit.

The same events are replicated in the movie. The dwarves come to Bolbi’s home in five different groups: Dwalin Balin, Kili and Fili, Ori, Gloin, Oin, Dori, and Nori, Bifur, Bombur, Bofur, and Thorin. Each group dons brightly coloured attires and carry musical instruments. In the novel, Thorin is the last one to join the “unexpected party”. In contrast, in the film adaptation, Thorin enters the party in the company of three dwarves, Bombur, Bofur, and Bifur. In addition, the visitors carry no tools.

The events of the unexpected party have also been changed in the film adaptation. The book describes Bag-End, Bilbo’s abode, as having a cellar (room) that serves as a liquor store. During the party, Bilbo prepares and serves food to his guests. In comparison, in the movie, the dwarves serve themselves and help clean up the place after the party. A soothing music that involves different instruments, including flutes, a drum, clarinets, viols, and a harp, is played after the party. The music they played sounds good as the attendees, including Gandalf, dance to its rhythm. However, in the movie, dwarves’ music sounds like a dirge. The attendees do not dance to it. Moreover, unlike in the text, the dwarves use no musical instruments in the music.

In the book, Gandalf remarks that a goblin, named Azog, killed Thorin’s father and grandfather during the great Dwarf-Goblin War. However, in the movie, Azog, though missing an arm, appears well and alive. Moreover, in the book, the illustration of the dragon, Smaug, is red in colour. Although Bilbo later describes the dragon as golden-red, the map hanging on the wall of the Bag-End depicts him as red. In contrast, the movie depicts the dragon as simply a sketch with no colour. Moreover, a map hanging on the Bag-End walls (the Hobbiton area) is also missing in the film adaptation. After the party, Bilbo ushers his guests to different rooms to sleep before retiring to his bed for the night. Thorin is heard singing as Bilbo goes to sleep. The same events are replicated in the film adaptation.

The characters in the book also differ from those in the movie. In the movie, the elderly Bilbo tells his nephew, Frodo (played by Elijah Wood), about his epic journey to distant lands. However, Frodo is not in the Tolkien’s novel and thus, the conversation with his uncle is missing. Moreover, Tolkien’s description of the Hobbits’ appearance is not reflected in the film adaptation. Tolkien describes them as short, rotund creatures (middle-aged) with long brown fingers and deep chuckles. In Jackson’s adaptation of the book, the characters are neither short nor fat.

Another incident that is missing in the film adaptation relates to Bilbo’s attempt to escape from his hobbit hole to boycott the impending adventure. In the book, the author writes that Bilbo schemed to avoid accompanying the dwarves in their quest to recover their lost treasures. This description is missing in the film adaptation. Bilbo’s ancestry is also missing in the movie. Tolkien explains that Bilbo, in many ways, bore remarkable resemblance to his mother, Belladonna Took. Took is said to be half-fairy, which gave her magic powers. Bilbo’s maternal ancestry, though unconfirmed, gave him a knack for mystic adventures. This explains why the dwarves want him to accompany them in the current quest.

Furthermore, some events have been introduced in the movie. Radagast the Brown, a wizard, plays a major role in the movie. The film depicts him as a gentle and queer person who loves animals. On one occasion, he distracts a group of goblins in pursuit of Bilbo, Gandalf, and the dwarfs allowing them to escape. In contrast, Radagast does not feature much in the book. Another scene that is portrayed differently in both the film and the book involves Bilbo’s interaction with a group of Trolls. In the book, Bilbo follows the Trolls into the woods and steals items from them while in the film the object of his pursuit is to free the dwarves’ horses, which the goblins had taken.

The pursuit takes Bilbo, the dwarves, and Gendalf into the Troll’s cave, where they discover three magic swords: the Orcrist, the Glamdring, and the Sting. In the film, Gandalf gives Bilbo the Sting (a Hobbit Sword). However, in the book, Bilbo selects the Sting by himself and thus, decides his own fate.

Another striking difference between the Hobbit book and film relates to the disappearance of the ponies. The novel states that the Trolls took away and ate the ponies that belonged to Bilbo, the dwarves, and Gandalf. However, in the film it is revealed that the ponies vanished or “bolted” away. Moreover, during their quest, the group arrives at the elves’ Rivendell abode where they are given food and shelter. In contrast, in the film, the dwarves refuse to put up with the elves and request Gandalf to seek alternative shelter. Thus, the film, unlike the novel, depicts them as an ungrateful and disgruntled lot. In addition, throughout the film, Thorin and Bilbo seem to harbour ill feelings against each other.

Thorin criticizes Bilbo’s comfortable lifestyle at his home and believes he cannot withstand the challenges associated with the quest. Their hostility is revealed through their confrontations in various scenes of the film. In contrast, the two do not seem to harbour any ill feelings against each other in the book version.

Some alterations, additions, and deletions enhance the screenplay. Since the plot remains the same in both the book and the film, these changes serve as enhancements that make the film more appealing and clearer to the audience. One such alteration relates to the appearance of the Hobbits, the wizards, and the dwarves. In the novel, the Hobbits are depicted as short, rotund creatures while the dwarves appear short, hairy, and unattractive. Moreover, the wizards appear old and frail while the Gollum is depicted as an ugly beast with large eyes.

In contrast, in the adapted film, Peter Jackson makes many changes to the appearance of the characters. Thorin, although short, has no curly beards or additional arm-like structures on the nostrils like the rest of the dwarves. Additionally, Jackson gives this character a deep voice, which is characteristic of heroes. By comparison, the novel depicts Thorin as an unattractive, greedy, selfish, and vengeful individual whose intention for taking part in the quest is to kill Smaug and obtain the gold. The alterations made in the film are consistent with the characterizations present in Hollywood blockbuster movies. In addition, any adventure should have a hero who is appealing and strong to lead the quest. Thus, Thorin’s depiction in the film makes sense.

Another scene that greatly enhances the film relates to Bilbo’s retrieval of a gold ring. The film describes Gollum attempting to kill and eat a goblin. A struggle ensues as the goblin tries to free itself. During this struggle, a gold ring falls from Gollum’s pocket onto the ground. Bilbo retrieves and keeps it. The ring would later become useful in the quest. In contrast, in the novel, the details of how the ring disappears are left out. The novel only says that Bilbo retrieves it from the cave floor. The readers cannot know how the ring got lost in the first place. Thus, the alterations in the film improve the clarity of the plot and make the story more appealing to the audience.

In the final scenes of the film, angry giant wolves, named “wargs”, corner the dwarves, Gandalf, and Bilbo. They climb tall trees to escape from the “wargs”, which continue to snap at them. To send them away, Gandalf lights some pine branches and throws them at the wags. He manages to send the “wargs” away, but, inadvertently, sets the trees on fire. Gandalf beckons the Eagles to come and save them from the raging inferno.

However, before the Eagles could arrive, the Pale Orc, the goblin leader, joins the “wargs” in trying to capture the wizard, the dwarves, and Bilbo who remains perched in one tree. Their weight makes the tree to bend dangerously low as the Pale Orc and the “wargs” wait for them to fall. In this scene, Bilbo draws his sword (the Sting) and attempts to fight off the “wargs”. Before the “wargs” could snatch him, the Eagles arrive and rescue the company from them. These additional events help bring a final climax to a scene, which in the novel version, is largely uneventful.

Moreover, in the novel, as Bilbo is carried away to safety, he appears terrified and shaken. The eagles tell him that he is out of danger. In contrast, in the film adaptation, the eagles have no ability to speak; they only lead him into safety. In this regard, Jackson depicts Bilbo as a confident hero whose fearless actions saves the dwarves and the wizards. In contrast, Tolkien portrays Bilbo as a lazy individual who cannot be useful during fights or wars. Given his fight with the “wargs” portrays him as hero.

In both the Hobbit novel and film, the portrayal of the events and characters has strong political connotations. They make political statements that represent or satirize the society. The sole purpose of the quest in The Hobbit was to retrieve certain ancestral treasures that would improve the livelihoods of the dwarves, as a community. The treasures would restore the fallen kingdom and enhance the livelihoods of the subjects. Thorin, the dwarves’ de facto leader and heir to the throne, had lost the Crown to a fiery dragon living on the Lonely Mountain.

Moreover, the dwarves’ ancestral town, Dale, was destroyed during the invasion of Smaug. Thus, Thorin knows that by regaining the treasure, he will reclaim the dwarves’ lost lands and wealth. The object of the treasure hunt is much clearer in the book than in the film, as the events in the book revolve around the quest to retrieve the treasure trove with Thorin as the leader.

The Hobbit also depicts greed and corruption among the ruling political class. Smaug and Gollum are portrayed as selfish and evil beings, which lack a sense of community. Smaug leads a lonely life at the Lonely Mountain, where he hides the treasure trove. He does not make any good use of the hidden treasure, but fiercely defends it. On the other hand, Gollum does not share his magical gold ring with the Bilbo. Additionally, the Master of Lake-town, after Thorin gives him a proportion of the treasure, becomes corrupt and greedy. He does not use the treasure to reconstruct the town after the war. As a result, he is removed from power and Bard takes over. These events are well detailed in the text compared to the film.

Political imagery is also evident in the way the characters use their powers. Gandalf uses his powers throughout the book and the film. After Bilbo declines to accompany the dwarves and the wizard on a quest to the Lonely Mountain, Gandalf labels his door. This allows the dwarves to track Bilbo to his hobbit hole. Gandalf also uses magic power to disappear and reappear miraculously. Bilbo’s power, on the other hand, grows throughout the book. Initially, he is depicted as a lazy and unadventurous individual, but as the story progresses, he grows in confidence and becomes a hero in the eyes of many. He saves the dwarves from the Elvenking cave and confronts Smaug and Gollum.

He becomes an influential leader during the quest when rescues the group during confrontation with the “wargs”. He seems to be the “lucky”, diplomatic, and wise individual. Despite possessing immense powers, Bilbo leads a simple quiet life. On the other hand, the goblins and Smaug are depicted as wicked creatures that prefer war to diplomacy. They represent political leaders who go into war for personal gain. The Hobbit book details the political actions of the characters more clearly than the film because the adaptation removed key events present in the book.

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1. IvyPanda . ""The Hobbit": Book vs. Movie." May 18, 2020. https://ivypanda.com/essays/the-hobbit-book-vs-movie/.

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IvyPanda . ""The Hobbit": Book vs. Movie." May 18, 2020. https://ivypanda.com/essays/the-hobbit-book-vs-movie/.

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To Watch or to Read: The Great Debate of Books vs. Movies

The debate between books vs. movies has been raging for decades. Some people prefer the immersive experience of reading a good book, while others enjoy the visual and auditory spectacle of a blockbuster movie. While both mediums have their own unique advantages and disadvantages, there is no denying that they both offer a powerful and engaging way to tell a story.

In this article, we will explore the pros and cons of both books and movies and delve into the reasons why some people prefer one medium over the other. We will also examine the impact that film adaptations have had on the literary world, and how books and movies have influenced and inspired each other over the years.

Through this exploration, we hope to provide a better understanding of the book vs. movie debate and help readers decide which medium they prefer. Whether you’re a die-hard bookworm or a film buff, there’s no denying that both books and movies have a place in our cultural landscape. So sit back, relax, and join us as we explore the great debate of book vs. movie.

Book Vs Movie: Compare And Contrast

Books vs. movies: The age-old debate. Here’s a chart summarizing the key differences between books and movies:

These are just a few of the many differences between books and movies, and there is no right or wrong choice when it comes to deciding which medium you prefer. It ultimately comes down to personal preference and what you enjoy most in a story.

The Advantages of Reading a Book Over Watching a Movie

Books and movies are two very different forms of media. While movies can be visually stunning and entertaining, books offer a deeper, more immersive experience that simply can’t be replicated on the big screen. In this section, we’ll explore some of the key advantages of reading a book over watching a movie and find out the reasons why good books are better than movies.

Reading a book offers a more immersive experience than a movie, as it allows readers to delve deeper into the story and form a stronger connection to the characters. With more extensive descriptions of people, places, and events, readers can visualize the story in their own way and bring their own experiences and perspectives to the reading experience. This personal connection is not possible with a movie, which visualizes the story for the viewer.

Books Vs. Novel - A Reader Enjoying His Favourite Book

Reading also has cognitive benefits, improving memory, focus, and concentration, as readers actively process and make connections between story elements. Additionally, reading expands vocabulary and language skills, exposing readers to a wider range of words and sentence structures.

While movies have their own unique advantages, such as a cinematic experience and visual and auditory stimulation, reading a book offers a deeper, more engaging experience that cannot be matched by any other medium. Overall, the benefits of reading make it an essential and highly rewarding activity.

The Advantages of Watching a Movie Over Reading a Book

While there are numerous advantages to reading a book, there are also many reasons why watching a movie can be a more enjoyable and fulfilling experience. In this section, we’ll explore some of the key advantages of watching a movie over reading a book and find out the reasons why movies are better than books.

Movies have a distinct advantage over books due to their visual medium, which can create stunning visuals, deliver visceral impacts, and transport viewers to different worlds. Movies are also more convenient than books, as they require less time and effort to enjoy. Additionally, movies are accessible to a broader audience, including young children and those with limited literacy skills.

Books Vs. Movie - Enjoying a Movie in a Theater

Finally, movies offer a shared experience that can bond friends and family and create lasting memories. While books offer a deeper, more immersive experience and can improve cognitive functioning and language skills, movies should not be overlooked. Movies are an essential and valuable part of our culture, and their unique advantages should be appreciated.

The Importance of Originality: The Book vs. Movie Debate

The importance of originality is a crucial factor in the debate of book vs. movie. Books and movies require originality to stand out in their respective mediums.

In books, originality is crucial to the success of the story, as readers are looking for something new and fresh. Authors who can deliver original and compelling stories are more likely to attract a loyal following of readers.

On the other hand, movies need to offer something unique and different from what has come before to succeed in a crowded marketplace. Audiences want to be entertained and challenged, to see something they haven’t seen before. The challenge lies in adapting a book for the screen, as movies need to capture the essence of the original story while also offering something new and original to viewers. A successful movie adaptation captures the spirit of the original story while also offering something fresh and unique to the audience.

Overall, originality is crucial for both books and movies to be successful and memorable.

The Impact of Film Adaptations on Book Sales

Film adaptations of books have become common in the entertainment industry, and their impact on book sales is significant. A successful movie adaptation can result in a surge of book sales and increased attention for the author. However, a poorly received adaptation can damage the reputation of the source material and turn potential readers away.

The impact of film adaptations on book sales can also vary depending on the genre of the book , with young adult novels having a particularly strong impact. A successful adaptation can also lead to increased interest in the author and their other works.

Books Versus Movie - Best Selling Harry Potter Book Series

Nonetheless, the relationship between books and movies is complex, and a delicate balance must be struck between staying true to the source material and offering something new and original.

Despite the challenges, it is clear that the relationship between books and movies is important, with each medium having the potential to influence and enhance the other.

Comparing the Popularity of Books and Movies: A Statistical Analysis

This section explores the popularity of books and movies by analyzing sales figures and audience engagement.

According to the Association of American Publishers, book sales in the US reached $25.8 billion in 2020, while global box office revenue for movies was $42.2 billion in 2019. However, these figures are not necessarily indicative of overall popularity, as the success of a book or movie can depend on various factors such as genre and marketing.

In terms of audience engagement, a survey by the Pew Research Center found that 65% of American adults reported reading a book in print or digital format in 2019, while data from the Motion Picture Association shows that the average US moviegoer attended about 5 movies in theaters in 2019 .

Nonetheless, it is important to note that reading books and watching movies are not mutually exclusive activities, and personal preference and taste play a significant role in determining the popularity of these two forms of entertainment.

Ultimately, both books and movies have the potential to provide enjoyable and meaningful experiences for viewers and readers alike.

Why Some Movies Fail to Capture the Essence of the Book

Movie adaptations of books often face challenges in capturing the essence of the original work. The biggest challenge is condensing the story into a shorter running time, which can result in a movie that feels rushed or incomplete, with important plot points or character development left out.

Another challenge is finding the right tone and style, as books can be written in a variety of styles, from lyrical and poetic to straightforward and simple. Filmmakers may make changes to the story or characters that alter the tone or style of the original work, resulting in a movie that feels different from the book. Inner thoughts and emotions, which are extensively described in books, can be difficult to convey visually, leading to clunky or awkward voiceovers or other techniques.

Lastly, some movies fail to capture the essence of the book simply because they are not faithful to the original work, as filmmakers may make changes that are not in line with the author’s vision.

Overall, adapting a book to a movie is a challenging task that requires balancing various elements such as condensing the story, finding the right tone, conveying inner experiences, and staying faithful to the original work. However, when done well, a movie adaptation can provide a fresh perspective on a beloved story and introduce new audiences to the world of the book.

How Movies Can Enhance or Detract from the Reading Experience

Movies can impact the experience of reading books in both positive and negative ways. While a well-made movie adaptation can bring a story to life in a new way and provide new insights into the characters and settings, it can also limit your imagination and leave out important details or changes that affect the overall meaning of the story

A movie adaptation can enhance the reading experience by providing a visual representation of the story and bringing new nuances to the characters and events. On the other hand, movies can detract from the reading experience by limiting the reader’s imagination and leaving out important details or changing aspects of the story that affect its overall meaning. When a movie adaptation leaves out a key subplot or character, the story may feel incomplete, and if it changes the ending of the story, it can alter the entire meaning of the book.

Ultimately, the decision to read a book or watch a movie adaptation is a personal one and depends on the individual’s preferences and the specific book and movie in question.

Does Reading the Book First Ruin the Movie Experience?

The debate over whether reading the book before watching the movie adaptation ruins the movie experience has been ongoing. Some people believe that knowing the story beforehand takes away the suspense and surprises that make movies enjoyable, while others argue that reading the book first enhances the movie experience.

Those against reading the book first argue that it takes away from the suspense and surprise of the movie and leads to constant comparison with the book. However, reading the book first can also provide a deeper understanding of the story and characters, making the story more meaningful and impactful. It can also help fill in gaps that are often left out in the movie adaptation. Movies have to condense the story, leaving out important details or subplots, which can leave viewers feeling confused or unsatisfied.

Ultimately, whether reading the book first ruins the movie experience is a matter of personal preference. It’s up to the individual to decide whether they want to read the book first or wait to see the movie without any prior knowledge of the story.

The Role of Directors and Screenwriters in Adapting Books for Film

Adapting a book into a film is a challenging task that requires a skilled director and screenwriter to bring the story to life on the big screen. They must carefully decide which elements of the book should be included in the movie, considering the pacing, structure, characters, and motivations, to ensure that the movie stays true to the spirit of the book while also being entertaining for moviegoers. Without understanding the psychology of movie watchers, a movie hardly gets success at the box office. The tone and mood of the book must also be captured in the movie adaptation, which can be particularly challenging when adapting books known for their unique style or voice.

Books Vs. Movies - Bilbo Baggins in The Hobbit

Practical constraints of the movie medium must also be considered, such as deciding which scenes and characters can realistically be portrayed on screen and which elements of the story may need to be altered or omitted to fit within the constraints of the movie format.

The success of a movie adaptation depends on the skill and creativity of the director and screenwriter, who must work together to craft a cinematic experience that stays true to the book while also being engaging for moviegoers. When done well, a movie adaptation can bring a beloved book to life in a new and exciting way, creating a powerful and memorable cinematic experience.

The Future of Books and Movies: Will One Outlast the Other?

The future of books and movies is uncertain, and it is difficult to predict which medium will outlast the other.

Books have been around for centuries and provide an immersive experience, allowing readers to engage with the story and characters. They have a wide range of genres and subject matter, making them accessible to a broad audience. On the other hand, movies offer a unique cinematic experience that cannot be replicated by any other medium. They visually immerse viewers in the story and characters and can reach a wider audience through mass distribution in theaters and online streaming platforms.

However, concerns remain about the future of both mediums. The rise of e-books and audiobooks and the decline of traditional print books are concerns for the book industry, while the decline of movie theaters and the rise of streaming services are affecting the movie industry.

Despite these concerns, both books and movies have shown resilience over time. While the formats may change, the desire for stories and entertainment will always be present. It is likely that both mediums will coexist in the future, with each offering its unique benefits to audiences.

The debate between books and movies will continue as both have their unique advantages and disadvantages, and the choice depends on personal preference. While books provide an immersive experience and movies offer a unique cinematic experience, the impact of movie adaptations on book sales and the role of directors and screenwriters in the adaptation process is crucial. Both books and movies have influenced and inspired each other, but some movies fail to capture the essence of the book.

Ultimately, both mediums have a place in our cultural landscape, and it’s important to celebrate and appreciate their unique benefits while enjoying the stories and characters they bring to life.

So, Keep Watching and Be Bookish !

Dennis K. Hawkins is a writer, blogger, book critic and bookish person. He has written several books and regularly write blogs. As a bookish, he reads a lot and regularly share his opinion regarding books. Besides, he has a huge collection of unique accessories related to book. So, he is an expert and also a real user of the book accessories that he chooses to write on.

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