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History Presentation Templates

Captivating history powerpoint templates and google slides themes with vintage charm are ready to use. step back in time with our 100% customizable presentation slides. engage your viewers with stunning visuals, antique elements, and various historical themes to bring your narratives to life. perfect for educators, students, and historians. explore now.

• Aesthetic Vintage Look: Every history PPT template comes with a touch of nostalgia, perfectly mirroring the era it represents.
• Captivating Visuals: With our history slides, your audience will be engrossed by the mesmerizing visuals that range from nautical adventures to the medieval era and the art history thesis.
• Versatility: Whether you're discussing ancient history or specific figures and events, our templates come specialized, so your content always finds a fitting background.
• Editable Features: Our editable features ensure that every history template becomes uniquely yours to fit the narrative.
• Diverse Imagery: Our slides are filled with rich visuals that transport your audience back in time.

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What are history presentation templates.

History Presentation templates are ready-made presentation slides that contain pre-formatted graphics, text, and animation that you can use to create a professional-looking presentation about any historical event, person, or period.

Where can we use these History Slides?

You can use these History Slides for educational activities in a classroom, lectures, seminars, or presentations at conferences or special events. They can also be used as a reference tool for research or as a teaching aid to help explain a specific historical event or period.

How can I make History PPT Slides in a presentation?

Create a PowerPoint with high-quality, high-resolution images. Add color and texture to your slides. Also, use attractive fonts and font sizes to create a unique look for your slides. Suppose you want to learn how to use the PowerPoint tool. Visit Tips and tricks for detailed instructions.

Who can use History Presentation Templates?

Anyone can use History Presentation Templates to create an informative presentation about a historical event or period. They can be used by teachers, students, historians, and museums.

Why do we need History Presentation Slides?

History Presentation slides provide an efficient and effective way to present historical information to a class or audience. They offer a visual representation of the material with images and text.

Where can I find free History Presentation Templates?

Many websites offer free History Presentation templates. Slide egg is one of the best PowerPoint providers. Our websites' uniquely designed templates make your presentation more engaging and visually appealing.

Slidesgo.net is an independent website that offers free powerpoint templates and is not part of Freepik/any particular brand. Read the privacy policies

history Powerpoint templates and Google Slides themes

Discover the best history PowerPoint templates and Google Slides themes that you can use in your presentations.

Vertical History PowerPoint Diagram

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Slidesgo templates have all the elements you need to effectively communicate your message and impress your audience.

Suitable for PowerPoint and Google Slides

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Home / Free Aesthetic PowerPoint Templates and Google Slides Themes / Free Google Slides History Template PowerPoint

Free Google Slides History Template PowerPoint

About the Template

As kids and even today, reading history lessons is the most mundane task. But, being tedious, learning history is important too. Through History lessons, we can better understand past societies, systems, ideologies, governments, cultures, etc.

By studying history, we gain transferable skills, which is undoubtedly one reason why we should learn history. We have Free Google Slides History PowerPoint templates to make your history lessons more interesting. This history background for ppt templates has a historic touch with a vintage-styled background. The template also uses old ship, compass, and library images, giving the template a classic and vintage feel.

Key Features of this free History PowerPoint Template

• Rich Historical Visuals: This History theme template includes rich historical visuals with a captivating backdrop that includes iconic historical imagery, maps, and artefacts.
• Educational Icons: Moreover, you will find educational icons that will enhance your lessons with a set of history-related icons, making it easy to illustrate key points and events.
• Versatile Usage: Perfect for classroom history lessons, historical research presentations, heritage preservation projects, and more.
• Customization Made Easy: Easy to customize this template to your specific content, whether you’re teaching ancient civilizations or modern history.
• Accessible Learning: Whether you’re an educator, student, or history enthusiast, this template empowers you to share the rich tapestry of history.

Get this free Slides background and make your learnings more engaging. Also, check our Free Chemistry background if you want to design chemistry projects or notes.

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215 Best History-Themed Templates for PowerPoint & Google Slides

With over 6 million presentation templates available for you to choose from, crystalgraphics is the award-winning provider of the world’s largest collection of templates for powerpoint and google slides. so, take your time and look around. you’ll like what you see whether you want 1 great template or an ongoing subscription, we've got affordable purchasing options and 24/7 download access to fit your needs. thanks to our unbeatable combination of quality, selection and unique customization options, crystalgraphics is the company you can count on for your presentation enhancement needs. just ask any of our thousands of satisfied customers from virtually every leading company around the world. they love our products. we think you will, too" id="category_description">crystalgraphics creates templates designed to make even average presentations look incredible. below you’ll see thumbnail sized previews of the title slides of a few of our 215 best history templates for powerpoint and google slides. the text you’ll see in in those slides is just example text. the history-related image or video you’ll see in the background of each title slide is designed to help you set the stage for your history-related topics and it is included with that template. in addition to the title slides, each of our templates comes with 17 additional slide layouts that you can use to create an unlimited number of presentation slides with your own added text and images. and every template is available in both widescreen and standard formats. with over 6 million presentation templates available for you to choose from, crystalgraphics is the award-winning provider of the world’s largest collection of templates for powerpoint and google slides. so, take your time and look around. you’ll like what you see whether you want 1 great template or an ongoing subscription, we've got affordable purchasing options and 24/7 download access to fit your needs. thanks to our unbeatable combination of quality, selection and unique customization options, crystalgraphics is the company you can count on for your presentation enhancement needs. just ask any of our thousands of satisfied customers from virtually every leading company around the world. they love our products. we think you will, too.

Widescreen (16:9) Presentation Templates. Change size...

The pyramids of the Egypt with sky in the background

The united states of american constitution history of founding fathers values as a metaphor on a neutral background

Presentation design having old american flag on a antique wooden platform - veterans day

Old tan maps of the world for travelers planning routes longitude and latitude

Old fashioned gold quill and scroll for history time and past metaphors on brown background

Abu Simbel colossus egypt ancient statues africa

Roman Statues depicting historical and mythological figures

PPT theme enhanced with light coming from book in woman's hands in gesture of giving offering concept of wisdom religion reading imagination backdrop

Presentation design consisting of genuine old stained world map dated from the mid 1800's showing western and eastern hemispheres with hand colouring

Presentation design enhanced with seafront on the sunset with viking ship

Ancient Egyptian pharoah statues with columns, ruins, archaeology, Egypt

PPT theme featuring fountain pen on an antique handwritten letter

Old fashioned hourglass and feather with scroll history

Slides having medieval old nautical map background

Presentation theme with old style movie projector still-life close-up

A castle with clouds in the background and place for text

An old fashioned compass with topographic map pointing north east south west on orange and brown background as a metaphor

School report card with A+ grades on math, science, history and English, with envelope, pencil, ruler and opened notebook on black background

Presentation with old book selective focus

PPT layouts enhanced with wood texture

Theme enhanced with old paper manusript or parchment horizontally oriented

PPT layouts enhanced with film negative frames background copy space

Presentation theme featuring mount rushmore

Hourglass old clock time passes history present past future white background

Presentation design having closeup of a pile of vintage family photos

Toy soldiers with cart on American flag background, military history

Theme consisting of february - black history month handwriting in a desktop calendar an annual observance originating in the united states where it is also known as african-american history month

Theme enhanced with vintage concept conceptual old retro aged paper texture isolated on white background abstract damaged parchment or label as a banner for grunge ornament book letter time pattern history designs

PPT theme featuring independence hall in philadelphia pennsylvania usa

Theme featuring blank family tree taken closeup

Slide set consisting of fountain pen on an antique handwritten letter

Theme enhanced with vintage grunge still life vintage items on ancient map

Theme having close up of europe on globe

Theme consisting of paper and technology

Egyptian hieroglyphics craved in stone for history

Presentation design with old blank parchment or paper isolated clipping path is included

PPT theme enhanced with constitution of the united states of america on a wooden desk

Theme with old style movie projector still-life close-up

The repreentation of stonehenge with a lot of greenery

Presentation design with quill pen and ink well resting on an old book in a library concept for literature writing author and history background

More history templates for powerpoint and google slides:.

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Old Maps History Lesson free theme.

Old paper and maps free PowerPoint Template and Google Slides Theme for history lessons and presentations.

Ready to navigate history? Grab your compass and let’s start this journey!

This history template features old paper, maps, a globe and a compass and it’s perfect to talk about the world trough history or even geography.

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History Themes Presentation Template

The history presentation google slides theme has four slides to display academic and business presentation themes. The beige color template google slides is themed with a vintage layout, and borders give this old-style presentation diagram an antique look. In addition, you can insert images, charts, tables, and textual content in editable shapes.

This vintage google slides theme is a collection of simple data-driven charts and table layouts that enables presenters to create engaging financial and other business presentations. Use retro slides and alternatively download vintage background themes for the latest look of the presentation.

To further enhance your presentation, consider integrating both an about me presentation template and a self-introduction slide template . These additions provide opportunities to introduce yourself to the audience and set a personalized and engaging tone for your presentation.

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In the Nigeria Pavilion, Criticism Meets Optimism

The group show “Nigeria Imaginary” will be one of the most ambitious African presentations ever at the Venice Biennale.

By Siddhartha Mitter

Reporting from Lagos, Nigeria

People in Lagos, Nigeria’s largest city, are hardly shy. The stereotype runs toward boisterousness, worn as a point of pride. But when the artist and poet Precious Okoyomon recorded interviews with some 60 city residents in January for an art project, the unusual questions — like “Who was responsible for the suffering of your mother?” — proved disarming.

Okoyomon is based in Brooklyn, but lived in Lagos as a child and still visits there frequently. The artist was collecting material for a sonic and sculptural installation that will be presented in the Nigeria Pavilion at this year’s Venice Biennale . The event, one of the art world’s most important, opens for previews next week and to the public on April 20.

Okoyomon’s steel-framed structure, erected in a courtyard, imagines a kind of radio tower, decked with bells and colonized by creeping vines. Motion sensors on the tower activate a soundtrack: It will play in the courtyard and also online, for anyone to tune in. It mixes poems by Okoyomon with music and passages from those interviews, whose respondents range from fellow artists to “strangers, someone’s cook, someone’s auntie,” Okoyomon said.

After some wary first reactions to the intimate 12-question protocol (adapted from another poet, Bhanu Kapil ), the conversations grew vulnerable and real, Okoyomon said. The resulting sound piece, was “a kind of speaking in tongues,” as if tapping the unconscious of the city, Okoyomon added.

Okoyomon is a Venice veteran: In 2022, the artist presented a major installation in the Biennale’s main exhibition . But this year Okoyomon is one of the eight lauded artists to represent Nigeria in the country’s second-ever Venice pavilion — one of still relatively few African presentations at the Biennale, and one of the most ambitious in concept and scale.

Titled “Nigeria Imaginary,” the pavilion fills a semi-restored palazzo in the Dorsoduro district with projects that cast an oblique but pointed look at history. One is Yinka Shonibare’s exacting clay replicas of 150 of the Benin Bronzes that a British expeditionary force plundered in 1897; they accompany a bust of the raid’s British commander painted in batik patterns and placed in a vitrine, a kind of symbolic restitution awaiting the real thing.

In the most contemporary reference, a sculpture by Ndidi Dike made of 700 police-grade batons, together with photographs from mass protests against Nigerian police violence in 2020 — and their bloody repression — link popular struggles in the country to the Black Lives Matter movement in the United States, Britain and Brazil.

Other projects — by Tunji Adeniyi-Jones , Onyeka Igwe , Abraham Oghobase , Toyin Ojih Odutola and Fatimah Tuggar — span drawing and painting, video and photography, even A.I. and augmented reality. They suggest fresh ways for Nigerians, and also the world, to think of the country — a behemoth of some 220 million people that is often dismissed as a place of crisis or corruption.

Thus Ojih Odutola’s charcoal and pastel works on linen stage free-spirited, gender-flexible characters in a setting inspired by Mbari houses, once built for ritual in southeastern Nigeria; a linked reference is the Mbari Club , which gathered Nigerian artists and writers in the 1960s. “I wanted the space to exist very open and free,” said Ojih Odutola, who is based in New York and Alabama, of the suite of drawings. In her imagined Nigeria, she added, creativity “is safe; it has room to roam; it has the right to change, to be mercurial.”

Adeniyi-Jones, who was raised in Britain and now lives in Brooklyn, has produced an overhead painting influenced by Nigerian Modernist artists and Italian ornamental tradition that will hang below the palazzo ceiling.

Oghobase, who works in photography and installations and is newly living in Canada, examines resource extraction in northern Nigeria through original and archival images plus diagrams from a vintage mining treatise.

Tuggar, who teaches at the University of Florida, considers the humble calabash gourd — a fruit with myriad traditional uses in West Africa, from drinking vessel to musical instrument to fishing float — in an installation that uses augmented reality to visualize alternatives to plastics and other consumer products.

And Onyeka Igwe , who lives in Britain, researched the Nigerian Film Unit , which produced films during the colonial period. Its archive in Lagos became neglected, and when Igwe visited, she said, “there were lots of stopped clocks; it was full of rotting reels.” Igwe’s film “ No Archive Can Restore You ,” studies this derelict space; a sound installation of speeches, poems and choral music then fills the room differently — hinting that colonial archives may be more burden than resource, crowding out other ways to connect with history.

To organize a national pavilion at the Biennale is itself a kind of history intervention. The pavilion system dates to the early 20th century and maps a hierarchy. There are permanent pavilions owned by around 30 mostly wealthy countries in the gardens where much of the Biennale takes place, many with distinguished architecture. Other countries present their pavilion in one-off spaces, some wedged into the Biennale’s other major exhibition complex in the Arsenale, others scattered around town.

The African presence has been slender and uneven . (Stories abound of slapdash pavilions underfunded by governments or handed to dubious foreign impresarios.) But recently, it has grown in numbers and rigor. In 2013, Angola won the Golden Lion for best pavilion. Nigeria’s first and only prior pavilion — a solid but smaller affair than this year’s — came in 2017. In 2019, Ghana presented a star-studded show including El Anatsui and Lynette Yiadom-Boakye.

This year 13 African countries are presenting pavilions, up from nine in 2022. The paucity is understandable given more urgent economic development priorities, said Phillip Ihenacho, the director of the Museum of West African Art , known as MOWAA, now under construction in Benin City, Nigeria. “The decision to do anything in Venice is a difficult one,” Ihenacho said. “You have to ask yourself, ‘Why spend money on something which could be regarded as a vanity project?’”

But a strong pavilion sends a message, whether from a government signaling cultural investment, or, in Nigeria’s case this year, from private backers. Although commissioned by the Nigerian government, as Venice rules require, the pavilion has been organized by MOWAA. The pavilion’s top funder is Qatar Museums; other supporters include galleries representing the artists, and Nigerian and foreign companies and collectors.

For MOWAA, whose inception was linked to the fraught prospect of many Benin Bronzes returning to Africa, the pavilion conveys a commitment to contemporary art, Ihenacho said. With the first building due for completion late this year, the plan is to bring the Venice show to Benin City — possibly after one or two international stops — as the inaugural exhibition, he said.

On a hot, dusty Thursday in February, Aindrea Emelife , the pavilion’s curator, who will also lead MOWAA’s modern and contemporary department, was crisscrossing Lagos, finalizing things. She met with Dike, the only pavilion artist living full-time in Nigeria. Though they all have Nigerian roots, the others either grew up overseas, or moved away from Nigeria at some point.

Emelife herself grew up in Britain. Though she anticipates criticism that the show favors overseas-based artists, migration — and sometimes return — are part of the Nigerian experience, she said. “People are always leaving, and that’s important to articulate with presenting Nigeria as a place.”

Besides, she added: “I don’t think you can remove yourself intrinsically from Nigeria.” Indeed, if anything, pavilion artists are deepening their ties. Shonibare, for instance, opened a Nigerian foundation in 2019 that operates two residency centers and a sustainable farm.

Emelife’s next stop was the home of a local collector to borrow some letters by Ben Enwonwu , an important Nigerian Modernist painter, for a vitrine presentation of documents from the 1960s and 1970s in the pavilion. Many artists in that period were invested in connecting the Western canon with local aesthetics, culture and history.

“It’s important that this is not presented in isolation as a new moment,” Emelife said of the contemporary work in the pavilion. “I’ve met people who had no idea there was a Modernist period in Nigeria.” (Her concern dovetails, as it happens, with the Biennale’s main exhibition this year, which the curator Adriano Pedrosa has loaded with 20th-century Modernists of the Global South.)

With “Nigeria Imaginary” as the pavilion theme, Emelife makes a scholarly reference — to sociological theories of nationhood or to the “imaginary” in the work of the psychoanalyst Jacques Lacan, or the stories and illusions we tell ourselves to find structure in our surroundings. In Nigeria, where considerable dysfunction has become normalized — for instance, the widespread use of home generators and inverters to cope with the incessant power outages — that concept seems apt.

But the different projects in the show also make visitors privy, if indirectly, to a national pastime: diagnosing the country’s problems. “The trouble with Nigeria,” Chinua Achebe wrote in a 1983 essay by that title , “has become the subject of our small talk in much the same way as the weather is for the English.” (His analysis in a nutshell: bad leadership.)

That habit remains. “Everyone’s the minister of something!” Emelife said. “There’s so much discussion about what Nigeria needs, or Nigeria should be like.” Her wish for the exhibition, she said, was to prompt more expansive dreaming. “It will hopefully be energizing, by being honest, but also energizing, by being utopic,” she said. After all, she added, “Even when we’re critical, we’re critical because we’re optimistic about what a great place it could be.”

Dike, the Lagos lifer and detractor of police violence, agreed. “There’s always these not-so-positive discussions about Nigeria,” she said. “But this is a very dynamic cultural catalyst and hub for the continent — and the world. It’s about time we give Nigeria its due.”

Siddhartha Mitter writes about art and creative communities in the United States, Africa and elsewhere. Previously he wrote regularly for The Village Voice and The Boston Globe and he was a reporter for WNYC Public Radio. More about Siddhartha Mitter

Inside the Venice Biennale

The 2024 venice biennale features work by more than 330 participating artists from some 90 countries scattered throughout the city..

Photos:  Our photographer is on the ground covering the spectacle that makes the Biennale  one of the premier events in the art world’s global calendar.

Critiquing and Representing the U.S.:  Jeffrey Gibson’s history-making turn at the Biennale  brings the gay and Native American artist center stage with works of struggle and freedom.

Protests Go On:  Israel’s exhibition was already closed after its artist refused to display her work  until there was a cease-fire and hostage deal in Gaza. But that didn’t calm the discontent .

Can Adriano Pedrosa Save the Biennale?:  Balancing diplomacy and geopolitics is hardly new for the first Biennale curator from Latin America. He isn’t scared to make a strong statement  on contemporary art.

A Match Made in Venice:  An American institution is sponsoring an exhibition by a Chinese artist in collaboration with a Japanese architect at a centuries-old Venetian building. Here’s how Tadao Ando and Zeng Fanzhi came together .

Criticism Meets Optimism:  The group show “Nigeria Imaginary” will be one of the most ambitious African presentations  ever at the Biennale.