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Published 2022-01-16T01:39:31.831Z Updated 2022-06-19T14:03:24.799Z

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Dunkey's 100 Movie Recommendations in One List

All the movies in order. From videogamedunkey 's video.

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videogamedunkey

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Jason Yevgeniy Gastrow (born: January 30, 1991 ( 1991-01-30 ) [age 33] ), better known online as videogamedunkey (or just Dunkey ), is an American YouTuber , video game commentator, reviewer, and comedian. He is known for his League of Legends videos, and has played with several famous League of Legends gamers. He is good friends with PBat (PaperBatVG) , and has had the world record on the famous Super Mario Maker 2 level "Bowser's Big Bean Burrito", although he has gotten the record stolen multiple times by LilKirbs.

Dunkey has played both famous and unknown video games; many of his titles are misleading as to the game he's playing. Dunkey rarely keeps series prominence and prefers distributing his unique brand of comedy over a variety of games. Dunkey has also made one music video called " Donkey Kong December " being released on youtube on December 1, 2021. League of legends is the video game that Dunkey has played the most and made the most videos on.

Dunkey used to primarily create content on the game League of Legends, however more recently Dunkey has become more of a variety channel, now featuring video game and movie reviews, both serious and comedic, on his channel. He has also shown a liking in journalism, making videos that point out flaws in different industries, while commenting on it and also reacts to different topics.

Dunkey has been married [1] to Leahbee since September 21, 2019. She can be easily identified for her high-pitched voice.

Dunkey was born in Milwaukee, Wisconsin. His parents are both Ukrainian.

• 1 League of Legends
• 2 Style & Personality
• 3 Current Series
• 4 Movies and Tv Shows reviewed
• 5 Games Played
• 6.1 Games Played
• 9 Subscriber Milestones
• 10 Channels Before "videogamedunkey"
• 11 Channels after "videogamedunkey" (1)
• 12 References

League of Legends [ ]

Dunkey put down his roots on YouTube primarily as a LoL (League of Legends) content creator, making over 180+ videos of the highly popular game. His last Lol video was made on September 12th 2015 and was titled " I'm Done With League of Legends " and was meant to signify his end with the game after Riot Games (the owners of Lol) banned his account whilst he was trying to make another video, because of 'Toxicity' (as ironic as the situation was).

He made the video to put down the reasons why he was stopping content on the game, as well as apologizing to the previous fans who only knew him for his LoL content, as he was moving on. This change arguably helped his channel in the long run, as he was able to bring new fans from the different areas that he was now able to cover, not being limited to LoL.

Style & Personality [ ]

There are some who classify Dunkey as the ultimate shitposter, as every time he uploads gameplay of a game, he displays every level of "broken" that the game is capable of. He delivers his jokes in such a deadpan and sarcastic tone that anything he says can become a quote very easily. When it comes to reviews, he'll go full force on it, as he is able to be brutally honest or apathetic to the game, while still being in his signature voice tone. The signature tone of Gastrow's voice is a big reason as to how his reviews have gained a bit of notoriety, Another signature of his is the misspelling of his own name at the end of every video.

There have been several running jokes throughout his channel such as:

• claims that he is using a USB steering wheel when playing
• claims that he is playing blindfolded
• claims that his little brother is playing.

Current Series [ ]

• League of Legends (ended)
• Super Mario 64 (hiatus)
• Halo Recap (periodic)
• Megaman 2 (hiatus)
• Wheelman (hiatus)
• Earthbound (hiatus)
• Metal Gear Solid V: Phantom Pain (hiatus)
• Overwatch 1 and 2 (active)
• Mario Maker 2 (hiatus)
• Dunkviews (periodice)
• Dunk Souls (Hiatus)
• Dunkey's Best of Series (Hiatus)
• Jackbox (Hiatus)
• Rocket League (Hiatus)
• Dunkey's Best of ____ (Yearly)
• Dunkey's E3 ____ (Yearly)
• Fortnite (Periodic)

Movies and Tv Shows reviewed [ ]

• The Shining
• Spiderman 3
• Better Call Saul (For 4 seconds)
• The Super Mario Bros. Movie

Games Played [ ]

• The Legend of Zelda: Breath of the Wild
• Hitman: Absolution
• Happy Wheels (Wheelman)
• Hearthstone
• Dora's Fantastic Gymnastic Adventure
• Gex (for about 2 seconds)
• Metal Gear Rising: Revengeance
• Metal Gear Solid V: Phantom Pain
• Metal Gear: Survive
• The Elder Scrolls V: Skyrim (Skyman)
• Red Dead Redemption
• The Legend of Zelda: Skyward Sword (also Skyman)
• Akinator.com
• Super Rub-Dub (Bubberducky)
• Super Mario 64
• Octodad: Dadliest Catch
• Kanye Quest
• GTA Vice City
• GTA San Andreas
• Tank Search (developed by him and PBat)
• G-Mod: Prop Hunt
• G-Mod: Trouble in Terrorist Town
• Left 4 Dead
• Thirty Flights of Loving
• Um Jammer Lammy
• Saints Row the Third
• Saints Row IV
• Game Dev Tycoon
• Dragon Ball Z: Hyper Dimension
• Playstation: All-Star Battle Order Royale
• Superman 64
• Lord of the Rings: Guardians of Middle Earth
• Payday: The Heist
• Tokyo Jungle
• Sleeping Dogs
• Team Fortress 2
• Golden Eye 007: Reloaded
• The Last of Us
• The Last of Us 2
• Guns of Icarus
• Street Fighter IV
• The Incredible Hulk
• Draw My Thing
• Bioshock Infinite
• Twisted Metal
• Super Adventure Box
• Splinter Cell
• Bloons Tower Defense (with PBat)
• Resident Evil 6
• Mass Effect 3
• Spy Fox: Dry Cereal
• Portal 2 (with PBat)
• Darius Twin
• Uncharted 3
• Super Smash Bros. Melee
• Super Smash Bros. Brawl
• Super Smash Bros. Ultimate
• Super Mario Odyssey
• Deus Ex: Human Revolution
• Duke Nukem Forever
• Asura's Wrath
• Silent Hill 2
• Counter Strike: Source
• Counter Strike: Global Offensive (Gold Nova 1)
• The Legend of Zelda (Original)
• Battletoads
• Zelda II: The Adventure of Link
• Donkey Kong Country Returns
• Call of Duty: Modern Warfare 3
• Takeshi's Challenge
• The Legend of Zelda: Ocarina of Time
• Kane and Lynch
• Fortnite: Battle Royale
• Balan Wonderworld
• Overwatch 2
• League of Legends
• Tom Clancy's Cruelty Squad
• Pokemon Sword and Shield
• Pokemon Let's go Pikachu
• Pokemon Let's go Eevee
• Spiderman (Ps4)
• Virtua Fighter 2
• Fall guys: Ultimate Knockout
• Getting Over It
• The Elder Scrolls V: Skyrim
• Franken Rpg
• Untitled Goose Game
• Cat Jumper 2000
• Horizon: Forbidden West
• Dark Souls 3 (Apart of the Dunk Souls Series
• Dark Souls 2: Scholar of the First Sin ( Apart of the Dunk Souls Series )
• Dark Souls 1
• Demon Souls (apart of the Dunk Souls Series)
• Mom Hid My Game
• Star wars: Jedi Fallen Order
• Sekiro: Shadows Die Twice
• Dark Souls 1: Remastered
• MultiVersus
• Yakuza: Kiwami
• Extreme Construction Truck Battle
• Stray (Apart of the Dunkview series)
• Elden Ring (Apart of the Dunkview series)
• Family Guy: The Videogame
• Cyberpunk 2077
• Xenoblade Chronicles 3
• Franken RPG
• The Legend of Zelda: Link's Awakening (Apart of the Dunkview series)
• Mario Golf: Super Rush
• Battlefield 2077
• Neon White (Apart of the Dunkview series)
• Sonic Forces
• Final Fantasy: Chaos Chronicles
• Witcher 3: Wild Hunt
• Phasmophobia
• Kirby and the Forgotten Land
• Dragon Ball Z Fighter Z
• Dreamlight Valley (Stream)
• Ultimate Chicken Horse (He played this game with Pbat ( PaperbatVg )
• Lara Croft: Guardian of Light (Played this game with Pbat )
• Many More... (<-Then put the names of the games then!)

Dunkey and PBat [ ]

In the past, Dunkey and Pbat have made several playthroughs under Good Meets Evil. Many of the playthroughs have been discontinued.

• Minecraft (3)
• Dead Rising 2 (12)
• Bloons TD (1)
• Dead Island (1)
• Resident Evil 6 (1)
• Lara Croft: Guardian of Light (6)
• Hogans castle (1)
• Portal 2 (1)
• Mario 64 Co-op (1)
• Cat Jumper 2000 (1)
• Ultimate Chicken Horse (1)
• A running gag on Gastrow's channel is the common misconception that Gastrow is black, which Leah (his wife) attributes to his voice, and the fact that he rarely shows his face in videos.
• Gastrow has previously lived in Milwaukee and Madison, Wisconsin.
• Gastrow's mother is a second-grade teacher.
• He made an appearance at E3 2021.
• Gastrow also appears as the role of God in Scott The Woz 's "You're Not an RPG Guy: A Scott The Woz Christmas" .
• Gastrow now has his own Indie Game Publishing Company called "BIGMODE".
• I'll have the spaghetti and meatballs, please.
• Your wish is my command, b*tch! (Car Stealers Five)
• Pack your bags, charlene, you and me just won an all-expenses-paid vacation to going-to-hell dot com.
• Holy Sh****t. Holy Sh*tamole. (Fallout 4)
• See ya later, F**ckers. (Call of Duty: Advanced Warfare)
• I don't smoke weed Game Grumps, sorry. (Mario Maker 2)
• Watch this. Shut the f*ck up, Daryl, you don't know, I'm a navy seal! Watch this. SHUT THE F*CK UP! (Call of Duty: Advanced Warfare)
• Wait a minute, why am I a monkey in an oval? (Watch_Dogs)
• Is this pizza hut? More like Pizza Butt!
• You beat missions on hard difficulty, you get f**cking dickbubcus for it. (Destiny)
• It's very advanced because the game is spelled with an underscore between Watch and Dogs.
• The PvP is a cut above garbage like Call of Duty Tree Warfare...(Destiny)
• At least I can always go back to Knack.(Watch_Dogs)
• Did you know the driving in this game was developed by a g*y rattle snake? Fabio Enchilada? (Watch_Dogs)
• Eh I'm a f*cking cop I can shoot anybody get the h*ll out of my way, you other cop. I'm a f——cking cop look at this sh*t WeeeeeeBjeeeeeahuh yeah I'm right back on you I'm a f**cking cop.
• Dunkey Roll.
• This guys the killedest guy!
• SHUT THE F*CK UP.
• Hey, it's me, Dunkey!
• PELICAN! (Halo Recaps)
• I'm Hitman! (Hitman)
• I'm Megaman!
• I'm Sneakman!
• I'm outta here!
• I'm going back in!
• What the b*tch?
• Singed Flip!
• Let's go to the ocean. (GTA 4)
• Kindle? Nook? More like Josh Cook!
• Good Job Dunkey.
• Good Bye Dunkey.
• Oh no... these people must have beat this whole boring a** game.
• What the hell is going on, what is this, WHAT THE F*CK IS GOIN ON?!
• It'll be YEEEEEEEEEEEEEARS before you can face me, Soraka!
• No, not the Captcha!
• Aww, sh*t...
• Come back here you little whore.
• Ya dumb b*tch.
• According to mah calcalatians_____.
• We could rule this city SpidaMan, or we could just fight to the death.
• Do you even know who I am?! I'm videogamedunkey... I have over 10 videos!
• Is that Kermit The Frog with two samurai swords smoking a blunt??
• With these gunnas... I'm unkillable
• It was Singed the whole time.
• This wouldn't be the first time I choked a woman.
• And the legend continues...
• One going shoelace. There's one carpet.
• KNOCK KNOCK. BILL CLINTON!
• Anuda day, anuda play - MLK (Operation Teemo)
• I call this technique: Not even close baby.
• I did it! I killed Smite baby!
• Pizza Chen? More like PIECE OF SH*T!
• Foolishly, I tried communicating with the chicken. Only to catch a glimpse, of the unparalleled f——ckness of a chicken's mind. (League of Legends: Guide to Chickens)
• Like taking candy from a sandwich.
• Ooooh! This game BEEG!
• BOTTLE BLAST! (Hitman Bottleer)
• The gaaaaames! (Kingdom Hearts)
• Well ya' know. ______ is the best right now. (League of Legends: Best Champion)
• Ay baby! You got parking? Cause I'm gonna park my car!
• I'm sick of this. You know what Fiora? Get the f——ck out of here. On my wings. Get the f——ck out of here Fiora. Mid-air Mambo Kill b*tch.
• Dunder Kill!
• Double-Decker Dunder!
• Deadlykill? More like F*CKIN' DEAD.
• I thought this was a hardcore game.
• Woah this is a hardcore game!
• Frogger woulda done it!
• Get'em outta here!
• And I betta get it too
• Hey I get on teamspeak 3
• Wait a Minute, Urgot? YOU SAID THERE WOULD BE CHEERIOS, YOU B*STARD! (LoL: Super Irelia)
• Gg pro riven alert
• Hold and release to create a diamond field...F——ck you, Satan! (bioshock infinity)
• NOT EVEN CLOSE BABBBBBBBBBBYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY
• That's because he's never seen my DOWNTOWN DUNKERONI THREE CHEESE BRONCO D*CK SURPRISE WONDERMIN'S H*LLSHOT FROM OUTER SPACE YOU B*TCH.
• NONAFFLUENT! YOU FUCKIN PIECE OF-
• But Dunkey, how come my son can't be in Ikon? I simply say "because your SON S*CKS SO MUCH D*CK AT THIS VIDEO GAME".
• So long gay bowser!
• Say goodbye to madda goose
• Now I've got the shotgun! PHAHAHAHAHA!
• What's the point of knowing all these words if none of them are real?
• Im gonna take this kidney okay Richard?
• A medieval for the G64 I call it Bool's Realm 64
• How did it get Drew Pickles!?
• This Pizza Hut? More like pizzadumc? (kid replies) Shut up dumb dumb
• I am Bowser from Sonic
• Phillip prepare Operation: Dunderbird.
• For thousands of years, have I pursued this ancient relic!
• Oh, Let's Get My Truck Buddy Maynerd WOO! Get Er Done Boy! (Worst Game Yet)
• That match reminds me of that time that I beat Sky in Smash!
• I-Is that you baghoul...?
• Yeah, I stopped listening to that guy after he said Bubsy 3D s*cked.
• WITH DA MONAY, YOU CAN SHOP IN TOWN
• KNACK 2 BAYBEEEEEEEEEEEEEEEE!
• Knack 2 on the other hand *pause* IS A MASTAPEECE!
• How come I know this word then?
• Oh, you know what he did? He jumped off the taxi- yep, he said "surfs up," then he came up here, flipped onto the thing, then he said "bah bing," then he said "hey!" then he said "whooOOO AHHHH!" then he said "bowser time" and then he flipped onto the- eh yeah yep, yep, and he- he... bowser, you can't beat me. i'm in your mind. (Luigi's Balloon World)
• Beaver... Ball... Yeah. (Hamston Checks Out)
• Keep saying it
• Beef Stew s- no, we're not doing that one.
• Scott the Woz, Hey y'all! Z tier (Youtuber Tier List)
• Thank you, Dark Souls.
• You are nitpicking and biased, I win bye bye
• SUPER MARIO BROTHERS TWOOOOOOOOO
• I am actually a 90 year old black grandma.
• You died, but Im still alive... (Super Smash Bros. Ultimate)
• You ran out of shield, you dumb, bye bye... (Super Smash Bros. Ultimate)
• You can't hit, what ya can't see Rudolf ya Red Nosed piece of sh*t (The Elder Scrolls V: Skyrim)
• Today, Im playing a new game called "Getting Over It with D*ck Urkel (Getting Over It)
• You forget, I have the world record on Bowser's Big Bean Burrito (Super Mario Maker)
• ...Tony, get the boulder
• It's the monkey from Baboons Tower Defense (Pizza Tower)
• More than 99% of people are completely fucking braindead! (Youtube Comments)
• I DON'T MAKE THE GAMES! (Youtube Comments)
• I saw this in a fantasy show called the "Moon Landing". (Legend of Zelda: Donkey Tears)

Subscriber Milestones [ ]

Note: the following information including Subscriber Milestones was confirmed on Noxinfluencer

• 1 million subscribers : June 14, 2014
• 2 million subscribers : November 10, 2015
• 3 million subscribers : January 1, 2017
• 4 million subscribers : November 4, 2017
• 5 million subscribers : October 14, 2018
• 6 million subscribers : January 5, 2020
• 7 million subscribers : February 27, 2022

Channels Before "videogamedunkey" [ ]

• jmonkey21 [2006-2010]
• Meatwadsprite [May 26, 2008]

Channels after "videogamedunkey" (1) [ ]

• Dunk Tank [2019 - present]

References [ ]

• ↑ https://youtu.be/waXb8QGdEYQ
• 1 IamEverything

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• User reviews

VideoGameDunkey

A man by the name of Jason plays many games on a quest to find a game better than his personal favourite, Knack. An emotional tale is told involving Jason's emotions and heavy character deve... Read all A man by the name of Jason plays many games on a quest to find a game better than his personal favourite, Knack. An emotional tale is told involving Jason's emotions and heavy character development on the road Knack 2. A man by the name of Jason plays many games on a quest to find a game better than his personal favourite, Knack. An emotional tale is told involving Jason's emotions and heavy character development on the road Knack 2.

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• 25 User reviews

Episodes 93

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• Connections Referenced in Spider-Man (2018)

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videogamedunkey launches an indie game publishing company

Dunkey claims that 11 years of reviewing games on youtube has given him the skills he needs to know which games are going places and which games are going to the trash.

By Ash Parrish , a reporter who has covered the business, culture, and communities of video games for seven years. Previously, she worked at Kotaku.

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videogamedunkey , a popular YouTube video game reviewer with over 7 million subscribers, has decided to start his own indie game publishing company. No, none of these words are in the Bible, but it’s true — Dunkey’s now in the business of publishing games.

In the video, Dunkey said that over 11 years of honest and forthright reviewing has taught him what he needs to know to separate the video game wheat from the weak sauce chaff to bring to the public the very best in indie games. He asserted that through his channel, he put “millions of eyes” on indie darlings like Enter The Gungeon , Celeste , Hollow Knight , and Undertale — games that, without his endorsement, probably would have been just fine, but hey, every little bit helps right?

According to Dunkey, his new company Bigmode , represented by an adorable froggy mascot, will lend his not-to-be-taken-lightly seal of approval on the industry’s next indie hit. In his pitch to potential developers, he said, “I am not looking for creative control, but I do want to be involved. I’m sick of sitting on the sidelines waiting for great games to appear. I want to get in there and help make it happen.”

Dunkey encouraged interested developers at whatever stage in the development process to apply. However, according to the not-at-all-small print, games that implement NFTs or blockchain technology are not allowed. He’s also putting out a call to programmers, artists, and other video game professionals to share their portfolios as a part of a networking initiative to hook developers up with the people they need to succeed.

The video did seem to indicate that Dunkey will continue work on his channel, so don’t expect to see any less of his acerbic reviews any time soon. It’ll be a while before the first Bigmode game is released, but whatever it is, hopefully, it’ll be good.

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Reviews LetsPlay / Videogamedunkey

Letsplay what even is dunkey.

Dunkey is the ultimate contrarian in the world of gaming content. Is he an unexpectedly analytical reviewer with unusually thought-provoking commentary on the state of gaming, or is he just another gremlin who builds an audience off of the confusion of his content and satirical click-bait? Who can really say? Does that hurt him as a content reviewer though? Probably.

Dunkey has once said it himself that a critic's power lies in the consistency in their voice, however when that voice is consistently all over the place you just start not taking any video seriously, even the "Dunkview" videos which are supposedly meant to be his more serious reviews.

Now I've actually watched quite a bit of Dunkey, and from my point of view I've come to summarize that what he says about a video game should be taken the opposite way. If he says that Splatoon 3 is a technical improvement over the previous game in every aspect, then what you're meant to think as the viewer is "alright, so this is basically the worst title in the franchise yet."

How can one get the most mileage out of this enigmatic youtuber? Really, just come in for the laughs and take any serious analysis with a grain of salt. Although he's not a very consistent critic what he is good at is being entertaining. His manner of speaking is infectious and if you take everything in as one big, elaborate satire you'll have solid content for the long run.

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As Video Game Fans, We Should Know To Ignore The ‘Super Mario Bros Movie’ Reviews

In a tale as old as time, the Super Mario Bros. Movie released today to raucous applause from the audience and middling reviews from film critics. Critics panned the movie for its overt branding and paper-thin story, while moviegoers loved it because it’s fucking Mario. 

It’s a bit of a shame that film critics can’t see why people enjoy the Mario movie, but I never expected people who enjoy watching Tár and The Whale on a Friday night to suddenly pog out of their gourd for a funny video game movie. 

Besides, as certified gamers™ we are used to ignoring bad reviews of our favorite products. Remember when IGN rated God Hand , one of the most revolutionary action games in the medium, 3/10 below Party Babyz? Remember when Videogamedunkey dunked on Octopath Traveler because he couldn’t mash A through combat like a Gears of War QTE? 

Reviews are inherently colored by the reviewers that make them. Videogamedunkey doesn’t like JRPGs, and IGN doesn’t like video games. So when a bunch of film critics say the Mario movie is mid, we need to remember that the movie isn’t objectively 54%: it’s a 54% for people who never heard of Bowser before the movie.

Honestly, are the critics even that wrong? I don’t enjoy the Mario movie for its breathtaking visual effects and riveting storyline; I enjoy it because I recognize Mario from famous games like Mario & Sonic at the Olympic Games Tokyo 2020 . Do we really need people to acknowledge the Mario movie as a triumph in the medium to enjoy it?

Expecting movie critics to give a 100% to the Super Mario Bros. movie is like expecting Tom Colicchio to give a 100% to a Taco Bell Mexican Pizza. I love that abomination of a food product, but I don’t expect fine dining experts to tell me this sewer slop sandwich is a genius combination of flavors. I eat Mexican Pizza because I like it (and I am poor), and that’s enough for me.

On the bright side, we’ve got some absolute gems of quotes from these film reviews. Variety describes Bowser as “fusion of Lionel Barrymore, the Wayland Flowers puppet Madame, and, a T. Rex plushie made for toddlers,” just in case your geriatric grandpa needed some context before taking the kids out. Telegraph inexplicably describes Princess Peach as “disturbingly botoxed,” I guess since imaginary CGI characters can’t have skin that smooth. Datebook accuses the movie of “feeling like they’re standing to the side and watching someone else play a video game.” I have bad news for you, pal: people donated more money last night to a French-Canadian subhuman speedrunning Minecraft than either of us make in a year.

Unveiling the Genius of Videogame Dunkey: A Comprehensive Overview and Analysis

Videogamedunkey, often hailed as dunkey by his legion of fans, is a youtube luminary whose impact on gaming culture is nothing short of revolutionary..

Within the vast landscape of gaming content creators, Dunkey has carved out a unique niche for himself, becoming a beacon of creativity and entertainment in the gaming community.

His rise to prominence began with humble origins on YouTube, where he showcased gameplay footage accompanied by his distinct, witty commentary. What sets Dunkey apart is not merely his knack for gaming, but his unparalleled ability to blend humor, insightful critique, and storytelling seamlessly into his content. Each video is a testament to his genius, weaving together moments of hilarity with astute observations about game mechanics, design, and the gaming industry itself.

Dunkey's impact on gaming culture is multifaceted. His infectious humor and engaging style have attracted a massive audience, transcending the boundaries of traditional gaming demographics. Whether dissecting the flaws in a newly released AAA title or uncovering the hidden gems within indie games, Dunkey's reviews and commentaries hold a sway that resonates with gamers across the spectrum.

Understanding the significance of Dunkey's unique content style and approach is crucial in appreciating the evolving landscape of gaming entertainment. His videos go beyond mere gameplay showcases; they are immersive experiences, a blend of entertainment and critique that captivates viewers and provides a fresh perspective on gaming.

One of the key elements of Dunkey's appeal is his ability to present complex ideas in a digestible and entertaining manner. He effortlessly combines insightful analysis with humor, making even the most technical aspects of games accessible to both hardcore gamers and casual viewers. This fusion has granted Dunkey an influential voice within the gaming community, where his opinions and reviews often spark discussions and influence perceptions about various games.

Moreover, Dunkey's impact extends beyond the confines of YouTube. His distinctive style has inspired a wave of content creators, encouraging them to experiment with humor and creativity in their own gaming-related productions. This ripple effect underscores his significance as a trendsetter, shaping the standards and expectations for gaming content on digital platforms.

In essence, Videogamedunkey is not just a content creator; he's a trailblazer who has redefined the parameters of gaming entertainment. Understanding his innovative content style and approach is not merely about appreciating one individual's work; it's about recognizing a paradigm shift in how gaming content is consumed, appreciated, and cherished in the digital age.

Videogamedunkey, the online pseudonym for Jason Gastrow, emerged from the depths of YouTube to become one of the most influential and entertaining figures in the gaming community. His journey to prominence is a testament to creativity, humor, and a deep love for video games.

Gastrow's initial foray into YouTube was unassuming. He began uploading gameplay footage in 2010, focusing mainly on showcasing his gameplay skills and providing commentary in a style that resonated with viewers. Over time, his channel evolved, transitioning from straightforward gameplay videos to a blend of humor-infused commentaries and critical analyses of games.

What truly distinguishes Videogamedunkey is his unique and masterful style of content creation. His videos are not just reviews or walkthroughs; they are meticulously crafted comedic narratives. Gastrow's witty remarks, hilarious voiceovers, and carefully timed editing transform even the most mundane gaming experiences into uproarious adventures. This distinctive approach quickly garnered attention, catapulting his channel to newfound fame.

As his popularity surged, Gastrow's channel experienced a significant evolution. He began incorporating more diverse content, branching out from the confines of traditional gameplay footage. His repertoire expanded to include satirical game reviews, comedic skits, and even musical parodies related to gaming. This evolution not only showcased his versatility but also solidified his status as a multifaceted content creator capable of engaging audiences beyond gaming itself.

Throughout his content creation journey, Videogamedunkey's charm lay not only in his comedic prowess but also in his genuine passion for games. He possesses a knack for dissecting games, highlighting their strengths, weaknesses, and sometimes absurdities, all while maintaining a level of entertainment that appeals to both hardcore gamers and casual viewers.

What sets Gastrow apart is his ability to blend insightful critique with humor, creating an atmosphere where viewers not only enjoy the entertainment but also gain valuable insights into gaming experiences. His unconventional take on reviewing games, often using humor as a vehicle to express his thoughts, resonates deeply with his audience, fostering a dedicated and engaged community.

Moreover, Videogamedunkey's rise to prominence coincided with the growth of YouTube as a platform for gaming content. As YouTube became a hub for gamers and content creators, Gastrow's channel expanded its reach, attracting millions of subscribers who eagerly awaited each new upload. His success also mirrors the changing dynamics of online content consumption, where personality-driven content began to thrive, and creators like him became household names within the gaming community.

Gastrow's impact extends beyond his own channel. His influence has seeped into broader gaming culture, inspiring countless content creators to experiment with humor, creativity, and unconventional approaches in their own videos. He has set a standard for gaming content that values entertainment alongside insightful analysis, reshaping the way games are discussed and reviewed online.

In essence, Videogamedunkey is not just a YouTuber; he's an innovator who redefined the boundaries of gaming content. His journey from a modest start to becoming a cornerstone of gaming culture showcases not only his talent but also the transformative power of engaging, entertaining, and thoughtful content creation in the digital age.

Videogamedunkey's content creation is a masterclass in blending humor, insightful critique, and impeccable editing, setting a standard that has redefined the landscape of gaming content on YouTube. His videos are a symphony of creativity, with each element meticulously crafted to entertain and engage his audience.

A. Exploration of Dunkey's Distinctive Video Style and Editing Techniques

Dunkey's videos are a visual feast, characterized by sharp editing, clever transitions, and a keen eye for comedic timing. His editing prowess isn't just about showcasing gameplay; it's a storytelling tool that enhances the comedic elements of his content. Seamless transitions, fast-paced edits, and visual gags contribute to a rollercoaster experience for viewers, making even mundane moments in games uproariously entertaining.

The use of memes, pop culture references, and cleverly inserted images and clips elevates Dunkey's videos beyond mere gaming commentary. He weaves a tapestry of humor through these elements, turning each video into an immersive and engaging experience that resonates with a wide audience.

B. Examination of Dunkey's Comedic Narrative and Delivery

At the heart of Dunkey's charm lies his unique comedic narrative and delivery. His witty and often irreverent commentary is a hallmark of his content. Whether he's roasting a poorly designed game mechanic or celebrating an exceptional gaming experience, Dunkey's comedic timing and delivery infuse his videos with an infectious energy that captivates viewers.

His ability to effortlessly switch between absurd humor and insightful critique is a testament to his comedic genius. Dunkey's distinctive voiceovers, coupled with animated expressions and exaggerated reactions, contribute to a comedic style that is both endearing and highly engaging.

C. Impact of Dunkey's Reviews and Commentaries on Gaming Communities

Dunkey's reviews and commentaries hold a substantial influence within gaming communities. Beyond entertainment, his opinions often carry weight and influence player perceptions about various games. His candid assessments of both popular and obscure titles provide valuable insights, shaping discussions and influencing how games are perceived by audiences.

Moreover, Dunkey's critiques often highlight both the strengths and weaknesses of games, offering developers constructive feedback while also celebrating noteworthy achievements. His impact is not confined to the gaming industry alone; it extends to the broader gaming culture, where his videos serve as touchstones for discussions, debates, and shared experiences among gamers.

Dunkey's content acts as a bridge between gamers and the industry, fostering a deeper understanding of games and their impact on the community. His ability to entertain while providing thoughtful analysis has solidified his position as a respected voice in the gaming sphere.

In conclusion, Videogamedunkey's content creation is a testament to the power of humor, creativity, and insightful critique in the realm of gaming content. His distinctive video style, comedic narrative, and impactful commentaries have left an indelible mark on gaming communities, shaping discussions, influencing perceptions, and setting a standard for engaging and entertaining content creation within the gaming sphere.

Videogamedunkey, through his entertaining and insightful content, has significantly impacted gaming culture, leaving an enduring mark on both the gaming industry and its community. His influence spans beyond the confines of YouTube, resonating with game developers, fostering community engagement, and contributing to the creation of memorable gaming moments and memes.

A. Discussion on Dunkey's Influence on Game Developers and the Industry

Dunkey's impact on game developers and the industry is multifaceted. His candid reviews and critiques have become a barometer for game quality and player experience. Developers often take note of his assessments, using them as feedback to improve future iterations or address shortcomings in their games.

Additionally, Dunkey's ability to uncover hidden gems among indie titles has shed light on lesser-known games, providing exposure that contributes to their success. His support for unique and innovative games has influenced the gaming industry's focus, encouraging a broader exploration of diverse gaming experiences beyond mainstream titles.

Moreover, Dunkey's humorous take on industry trends and game design has served as a source of inspiration for developers, prompting them to think creatively and innovatively in their game development processes.

B. Community Engagement and the Relationship Between Dunkey and His Audience

The relationship between Videogamedunkey and his audience is a testament to his engaging and relatable content. Dunkey fosters a sense of community through his interactions, responding to comments, engaging in discussions, and acknowledging fan contributions.

His ability to connect with his audience on a personal level, combined with his down-to-earth demeanor, has cultivated a loyal and dedicated fan base. This strong bond goes beyond mere viewership; it creates a sense of belonging within the gaming community, where fans feel actively involved and valued.

Moreover, Dunkey often collaborates with his audience, incorporating fan suggestions, memes, and inside jokes into his content. This interaction reinforces a sense of camaraderie, making viewers feel like an integral part of his channel's success.

C. Memorable Moments and Contributions to Gaming Memes

Dunkey's videos are a treasure trove of memorable moments that have become ingrained in gaming culture. His catchphrases, hilarious antics, and cleverly edited sequences have birthed numerous memes that permeate the broader gaming community.

From iconic phrases like "I'm the trash man!" to comedic moments like the infamous "League of Legends Dunkview," these instances have transcended his videos, becoming cultural touchstones embraced by gamers worldwide. His contributions to gaming memes have not only entertained but also created a shared language and sense of community among gamers who appreciate his unique humor.

In essence, Videogamedunkey's impact on gaming culture extends beyond entertainment. His influence on game developers, the depth of community engagement, and his contributions to gaming memes collectively highlight his significant role in shaping and enriching the fabric of modern gaming culture.

Videogamedunkey, renowned for his humorous yet insightful take on games, has crafted numerous reviews and videos that captivated audiences and left a lasting impression within the gaming community. From his standout reviews to collaborations and interactions within the gaming industry, Dunkey's contributions have wielded substantial influence on game sales, player perceptions, and the broader gaming culture.

A. Highlighting Key Reviews and Videos that Garnered Significant Attention

Dunkey's portfolio boasts several standout reviews that resonated deeply with his audience. His review of "Super Mario Maker" showcased his comedic prowess while highlighting the game's creative potential. Additionally, his evaluation of "Skyrim" hilariously emphasized the game's quirks, garnering widespread attention for its witty critique and clever observations. The "Dunkview" series, encompassing titles like "The Legend of Zelda: Breath of the Wild" and "Dark Souls," provided viewers with both entertainment and valuable insights into these iconic games.

Moreover, Dunkey's "Best of 2017" and "Best of 2020" videos were comprehensive retrospectives that encapsulated the year's most memorable gaming experiences, combining humor with a genuine appreciation for standout titles.

B. Examination of the Impact of His Reviews on Game Sales and Player Perceptions

The influence of Dunkey's reviews on game sales and player perceptions cannot be overstated. While his reviews are humorous, they carry substantial weight within the gaming community. His critiques often delve beyond surface-level aspects, offering a nuanced perspective that resonates with gamers.

The "Dunkview" series, in particular, has demonstrated a significant impact on player perceptions. His reviews can shape how games are viewed by highlighting strengths, weaknesses, and unconventional aspects that players might not have noticed. This, in turn, influences purchasing decisions and fosters deeper discussions within gaming communities.

While direct correlations between Dunkey's reviews and sales figures might be challenging to quantify, his videos undeniably contribute to shaping the narrative around a game, impacting the way audiences perceive and engage with it.

C. Noteworthy Collaborations and Interactions within the Gaming Industry

Dunkey's collaborations and interactions within the gaming industry have further solidified his position as an influential figure. His collaborations with other content creators, including Critical Role and H3H3 Productions, showcased his versatility and expanded his reach beyond the gaming sphere. Additionally, Dunkey's interactions with developers through social media and conventions have fostered a direct line of communication between creators and the gaming community.

His playful yet respectful interactions with developers have illustrated a bridge between content creators and the gaming industry. These engagements have not only enriched Dunkey's content but also provided developers with valuable feedback and insights from the gaming community's perspective.

In essence, Videogamedunkey's notable reviews, impactful influence on player perceptions, and interactions within the gaming industry have collectively contributed to shaping discussions, influencing player experiences, and enriching the gaming culture at large. His entertaining yet thoughtful approach continues to leave an enduring mark within the gaming landscape.

VI. The Future of Videogamedunkey

A. speculation on dunkey's future content and potential directions for his channel.

As Videogamedunkey continues to evolve, fans eagerly anticipate the directions his channel might take. Given his penchant for creativity and unpredictability, Dunkey's future content could encompass a diverse range of possibilities. There might be an expansion into other forms of media, such as live streaming, podcasts, or collaborations with fellow creators outside the gaming realm. His channel may also venture into deeper explorations of specific gaming niches, delving into lesser-known titles or focusing on specific genres to provide more in-depth analyses.

Moreover, Dunkey's talent for satire and storytelling may lead to the creation of original content beyond game reviews. He might explore broader cultural commentary, creating videos that merge gaming with societal observations or current events, all while maintaining his trademark humor and insight.

B. Predictions Regarding His Continued Influence on Gaming Culture

Dunkey's influence on gaming culture is poised to endure. As he continues to produce engaging and thought-provoking content, his impact on both gamers and game developers will likely persist. His unique blend of entertainment and critique has set a standard for gaming content creation, encouraging others to innovate and think creatively.

Furthermore, as gaming evolves and diversifies, Dunkey's role as a tastemaker within the gaming community may expand. His ability to bridge the gap between developers and players, providing valuable feedback while entertaining audiences, could become even more crucial as the gaming landscape continues to evolve.

VII. Conclusion

A. recap of videogamedunkey's impact and contributions to the gaming community.

Videogamedunkey stands as a trailblazer within the gaming community, leaving an indelible imprint on gaming culture. His ability to blend humor, insightful critique, and genuine passion for games has not only entertained millions but also influenced how games are perceived and discussed.

Through his engaging content, Dunkey has fostered a sense of camaraderie among gamers, creating a vibrant community that cherishes his unique style and viewpoints. His contributions extend beyond entertainment; they have influenced game development, highlighted noteworthy titles, and sparked meaningful conversations within the gaming sphere.

B. Final Thoughts on the Enduring Legacy of Dunkey's Unique Content Style

As Videogamedunkey's journey continues, his legacy remains firmly entrenched in the annals of gaming culture. His unique content style, characterized by humor, insight, and a genuine love for games, has set a precedent for content creators across various platforms.

Dunkey's impact transcends mere entertainment; it symbolizes the potential of passionate individuals to influence and shape communities through their creativity. As the gaming landscape evolves, his enduring legacy will continue to inspire a new generation of content creators and enrich the gaming experience for audiences worldwide. Videogamedunkey's contribution to gaming culture is not just a chapter but an ongoing narrative that continues to captivate and inspire.

Bobcat Moretti review – heartfelt boxing underdog tale goes down the signpost route

Despite evident passion from the film-makers, this personal transformation through sporting achievement story borders on parody

T raditionally, genre labels gave a broad sense of what kind of experience you might be in for, whether horror, comedy or action. In the streaming era, things are much more specific, with platforms such as Netflix offering ever more niche microgenres: “Cynical Comedies Featuring a Strong Female Lead” for example, or “Classic Feelgood Opposites-Attract Movies”. Bobcat Moretti feels tailor-made for this kind of categorisation. Here we have an “Inspirational Personal Transformation Following Tragic Life Event Sports Movie”, in which a man with multiple sclerosis takes up boxing as part of an effort to turn his life around after a horrific family tragedy.

The passion and commitment of the film-makers are evident. Starring as the eponymous Bobcat, Tim Realbuto also co-wrote the script (with director Rob Margolies) and lost 70kg (11st) during the course of making the film. A lot of work has evidently also gone into securing the rest of the cast, with Vivica A Fox (Independence Day, Kill Bill) representing the biggest coup for an indie production of this nature and budget. They’ve also bagged a very brief cameo from the late Coolio, though his screen time is minimal.

As is unfortunately sometimes the case, hard work and passion don’t always translate into works of genius. The film is uneven, with some moments that work perfectly well (shout out to actor-slash-stuntman Jay Hieron, who gives a credibly nasty performance as an abusive boyfriend) sitting alongside scenes that borrow so extensively from boxing movie cliches that they almost feel like parody, however heartfelt the intention. Lines such as “All right kid, I’m gonna take a chance on you”, suggest either a deliberate attempt to create a sort of ultimate underdog boxing movie tribute collaged together from earlier films, or simply a lack of familiarity with the genre. It’s as if the film doesn’t quite trust its original moments to stand alone, and instead feels the need to signpost everything.

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Movie Reviews

'la chimera' is marvelous — right up to its most magical ending.

Justin Chang

Carol Duarte and Josh O'Connor in La Chimera . Neon hide caption

Carol Duarte and Josh O'Connor in La Chimera .

The wonderful 42-year-old filmmaker Alice Rohrwacher practices a kind of cinema that I've come to think of as "Italian magical neorealism." She gives us portraits of hard-scrabble lives in poor rural communities, but they're graced by a whimsical, almost fable-like sense of enchantment.

Rohrwacher's 2014 film, The Wonders , was a lyrical drama about a family of Tuscan beekeepers. She followed that in 2018 with Happy as Lazzaro , about a group of sharecroppers on a tobacco farm whose story moves from picaresque comedy to aching tragedy.

'The Wonders' Of Family And Change

Her marvelous new movie, La Chimera , follows in much the same vein, with one key difference. While Rohrwacher has generally worked with non-professional Italian actors, this time she's cast the English actor Josh O'Connor , best known for his Emmy-winning performance as a young Prince Charles on The Crown .

But O'Connor's character here doesn't give off even a whiff of royalty, even if his name is Arthur. When we first meet him, he's asleep on a train bound for his old stomping grounds in Tuscany. He's just been released from prison after serving some time for the crime of grave robbing.

Arthur has a mysterious archeological talent: Wielding a divining rod, he can detect the presence of buried artifacts, many of which date back to the Etruscan civilization more than 2,000 years ago. Arthur works with a group of tombaroli , or tomb raiders, who rely on him to figure out where to dig.

Upon his return, many of those old friends welcome him back with a parade — one of several moments in which Rohrwacher briefly channels the vibrant human chaos of a Fellini film. Arthur is a little reluctant to rejoin his old gang, since they let him take the rap after their last job. But he doesn't seem to have anything else to do, or anywhere else to go. He may be an outsider — his Italian throughout is decent but far from perfect — but it's the only place in the world that feels remotely like home. And O'Connor plays him with such a deep sense of melancholy that it feels almost special when his handsome, careworn face breaks into a warm smile.

It's not immediately clear what Arthur wants; unlike his cohorts, he doesn't seem all that interested in making money off their spoils. The answer turns out to lie in his dreams, which are haunted by a beautiful young woman named Beniamina — the love of his life, whom he's lost under unclear circumstances.

And so Arthur's determination to go underground becomes a metaphor for his longing for an irretrievable past: Beniamina is the Eurydice to his Orpheus, and he wants her back desperately.

Arthur is still close to Beniamina's mother, Flora, played with a wondrous mix of warmth and imperiousness by the great Isabella Rossellini. Her presence here made me think of her filmmaker father, the neorealist titan Roberto Rossellini — a fitting association for a movie about how the past is forever seeping into the present.

One of the pleasures of Rohrwacher's filmmaking is the way she subtly blurs our sense of time. La Chimera is set in the 1980s, but it could be taking place 20 years earlier, or 20 years later. Rohrwacher and her brilliant cinematographer, Hélène Louvart, shot the movie on a mix of film stocks and sometimes tweak the image in ways that evoke the cinematic antiquities of the silent era. As sorrowful as Arthur's journey is, there's a playfulness to Rohrwacher's sensibility that keeps pulling you in, inviting you to get lost in the movie's mysteries.

One of the story's most significant characters is Italia, played by the Brazilian actor Carol Duarte, who works in Flora's household. Italia is a bit of an odd duck with a beguiling bluntness about her, and she might be just the one to pull Arthur out of his slump and get him to stop living in the past.

I won't give away what happens, except to say that La Chimera builds to not one but two thrilling scenes of underground exploration, in which Arthur must finally figure out his life's purpose — not by using a divining rod, but by following his heart. And it leads to the most magical movie ending I've seen in some time, and also the most real.

Movie Reviews

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The trailer for “Abigail” tells you almost everything you need to know about the movie, a wacky high-concept horror thriller about a group of kidnappers who bite off more than they can chew when they unwittingly abduct a child-sized vampire ballerina. The vamp, played with some relish by Alisha Weir , only really comes alive when she’s leering at or stalking her prey. Genre fans will also spot some familiar faces among the movie’s ensemble cast, all of whom do their best with this tic-y, schtick-y material. They curse (enough to seem like they’re overcompensating for some things); they run (around each other, mostly); they get picked off one by one. 

You already know what you’re in for if you’ve come to “Abigail” to watch a body count caper featuring plummy character actor performances from That Guys like Kevin Durand and Dan Stevens . Most of their co-stars keep up in less attractive roles, including Melissa Barrera ’s thinly drawn anti-heroine team leader. There’s also plenty of viscous-looking blood splatter and some modestly good-looking vampire makeup—the fangs, in particular. Some action scenes are well-choreographed, but generally over-edited and shot just ahead of whatever’s moving on-screen. The rest of this 90-minute genre exercise is unfailingly conventional, though that’s also a big part of its ostensible appeal.

I can’t really get or stay mad at “Abigail” for essentially delivering what its marketing promises. Sure, the movie’s creators, led by co-helmers Matt Bettinelli-Olpin and Tyler Gillett (better known as “ Radio Silence ,” directors of “ Ready or Not ” and the 2022 “Scream” reboot), could have delivered more, even though disenchanted viewers can’t exactly claim false advertising. The setup is strictly by the numbers and the characters are all stock types.

A team of bickering misfits kidnaps the title character (Weir). They follow her home with a comically oversized gizmo stuck to the bottom of her chauffeur’s car. Then they bring the 12-year-old-looking girl to a secluded mansion, where they’re reminded of their mission’s stakes. Shady but well-dressed ring-leader Lambert ( Giancarlo Esposito ) gives us and them the rundown: no real names, no cell phones, nothing personal—it’s 24 hours of baby-sitting a pre-teen who really likes to plié and step-toe her way through “Swan Lake” rehearsals. Simple is as simple does.

We learn very little about everyone, thanks in no small part to a scene where Lambert nicknames the characters after members of the Rat Pack. Durand’s character, a jolly-but-dim muscle-bro named Peter, tries to find the sense in being nicknamed after rats. Later, he gets that it’s a disposable pop culture reference and promptly moves on.

Peter’s the most sympathetic character in “Abigail,” partly because he’s constantly straining against the limits of what his character can know and do. He’s joined by a call sheet of tropes, including Abigail’s minder, the empathetic and observant Joey (Melissa Barrera); their irritating and wasted driver Dean (the late “ Euphoria ” star Angus Cloud ); and the strong-silent ex-soldier Rickles ( William Catlett ). Eventually, the team has to worry not only about Abigail, but a few predictable liabilities, like their bratty and easily bored electronics hacker Sammy ( Kathryn Newton ) and their foul-mouthed, inexplicably accented ex-cop backup leader Frank (Stevens).

None of these party game-light character traits really matter once Abigail gets loose from her handcuffs. The house that Abigail’s prey stay in has more personality, but it’s basically the house from “ Clue ” with some extra goth-y touch-ups. Maybe that’s all you need to enjoy watching a game cast check off every box as they struggle to figure out how to stop a “real” vampire. Nothing worth writing home about comes to mind.

It’s hard to get too excited watching so many talented actors try and barely succeed in making you want to care about their characters, especially since that isn’t the same thing as making you care. More could have been done with less tedious dialogue, as what's here is designed mostly just to hold the hands of viewers as the plot skips from beat to beat. More could have also been done with Joey, who, at one point, stuffs a loaded gun into her tight jeans’ waistband. I do and I don’t believe it.

“Abigail” may find its audience given a lucky combination of good timing and wishful thinking. It’s not badly made, just uninspired and played out. If you like B-movies made with a budget and are specifically looking for an undemanding time, “Abigail” might be for you. “Abigail” might also disappoint you, especially if you’re hoping for more than what’s advertised.

This review was filed from the Overlook Film Festival. It will be released on April 19th.

Simon Abrams

Simon Abrams is a native New Yorker and freelance film critic whose work has been featured in  The New York Times ,  Vanity Fair ,  The Village Voice,  and elsewhere.

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Abigail (2024)

Alisha Weir as Abigail

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Netflix’s most addictive movie of 2024 is now streaming. Here’s why you need to watch it

Thrillers come in all shapes and sizes. There’s the psychological or serial killer thriller, which was popularized in the ’90s by The Silence of the Lambs and Se7en . There’s the erotic thriller, which had its heyday in the late ’80s and early ’90s with such hits as Fatal Attraction and Basic Instinct . And then there’s the action thriller, which is probably the most popular offshoot of the genre right now, with the Taken series and Salt as prime examples.

The story everyone is after

A tense standoff, a killer cast, more than just an effective thriller.

Recently, there’s been a revival of a subgenre that’s been dormant since the 1970s: the journalism thriller. From Nightcrawler with Jake Gyllenhaal to the Oscar-winning Spotlight to 2022’s She Said, this type of thriller usually centers around journalists pursuing a controversial and sometimes dangerous story. One of the best journalism thrillers has just been released by Netflix : Scoop . In chronicling how the BBC managed to snag the scoop of the decade by interviewing Prince Andrew about his connections to convicted sex offender Jeffrey Epstein, the movie manages to be suspenseful, informative, and one of 2024’s most purely entertaining films.

If your memory is foggy, or if you don’t follow royal scandals or the news on a regular basis, here’s the real-life event that Scoop depicts. In late 2019, Prince Andrew was interviewed by British journalist Emily Maitlis about his decades-long relationship with Jeffrey Epstein, a rich American financier who had been convicted of being a sex offender and, that August, had died under mysterious circumstances while in prison.

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The interview was aired on the BBC program Newsnight on November 19 and immediately received worldwide attention for Andrew’s odd explanations for his behavior and unwillingness to show any sympathy toward Epstein’s victims. For example, in response to an allegation that he sweated on an underage girl at a dance club, he asserted that he doesn’t sweat, ever , so that couldn’t possibly be true.

The consequences of the interview were devastating for Prince Andrew. After it aired, he was stripped of his royal titles and receded from public view. The royal establishment took yet another public beating, with some wondering why taxpayer money was funding a member who seemingly partook in illegal activities with Epstein and yet didn’t experience any legal ramifications. Almost everyone, both in the U.K. and across the world, asked the same question: why on Earth would someone as private and protected as Prince Andrew agree to such an interview in the first place?

Scoop is a two-hour-long answer to that question. It starts in 2010 in New York City, when an enterprising paparazzo photographs Andrew and Epstein together walking in Central Park, establishing a clear and public link between the two men. That picture is remembered by Sam McAlister (Billie Piper), a talent booker for the BBC, who smells a story developing with Epstein’s ongoing trial, subsequent conviction, and eventual death, which puts pressure on Andrew to address his controversial association with the sex offender.

Scoop presents two sides of the story: the BBC journalists, represented by McAlister, Maitlis (Gillian Anderson), and editor Esme Wren (Romola Garai); and the Royal Family, who, aside from Andrew (Rufus Sewell), is almost entirely run by Amanda Thirsk (Keeley Hawes), who is torn between duty and a gradual realization her boss is a sleazebag.

As we see the two sides circle each other warily, the movie’s director, Philip Martin, never lets up on the tension felt both within the opposing ranks as well as when they intermittently meet to decide on if, when, and how the interview will take place. It’s genuinely thrilling to see McAlister chase her story and for the other journalists to pick up the baton after her part is largely finished. As the interview is set up, Maitlis wryly observes that it feels like she’s going to a gunfight in an old Western movie. And that’s what the interview comes down to: two people facing each other, one armed with facts and the other with a ludicrous defense and a complete lack of awareness that he’s done anything wrong.

This kind of thriller doesn’t work if you don’t have a great cast, which is why Scoop is so effective. Anderson continues to add to her already impressive resume as Maitlis, who has to navigate the fine line between respecting the institution she’s investigating and getting answers to questions everyone in the nation has been asking for years. When Andrew casually wonders why everyone is so interested in his relationship with Epstein when he’s far better friends with Jimmy Savile (a DJ who was also a sex offender), Anderson gives an incredulous look to her producer that’s at once very funny and incredibly revealing. She can’t believe this guy is so delusional about the serious situation he’s in, and she uses that knowledge in her interview to let Andrew symbolically hang himself with his own rope.

It’s Piper, though, who impresses the most as McAlister. Armed with leopard print boots, bottle blonde curls, and a don’t-mess-with-me attitude, she sticks out among her conservative BBC peers, but it’s precisely her outsider status and her willingness to chase after a story when no one else dares to pursue it that makes her such a great character to follow. She’s the only one that Scoop allows us to see at home, where she confides to her mother about wanting to be seen as important and tries to guide her teenage son through the first pangs of romance.

Piper is probably best known in the U.S. for her work as the companion Rose Tyler on Doctor Who , but she’s quietly put together an impressive CV with standout performances in The Secret Diary of a Call Girl , Collateral , and I Hate Suzie . In Scoop , she leads an ensemble with an authority and brassiness that only a star could deliver. Scoop is revelatory in many ways, but perhaps its biggest shock to most audiences is just how good Piper is and how good she’s always been.

Like all good thrillers, Scoop is more than its subject matter. While it faithfully and expertly re-enacts the lead-up to, and quick production of, the interview with Prince Andrew, it also poses intriguing arguments about the state of journalism and the culpability of public figures to own up to their past sins. Everyone knows and respects the BBC, but that doesn’t make it profitable or competitive with other news outlets and social media, and it’s this conundrum — the need for relevance while still preserving a brand of integrity — that drives many of Scoop ‘s characters.

In addition, Scoop is in many ways a sister to Steven Spielberg ‘s The Post and She Said , to other movies about the need for journalism to hold public figures like Richard Nixon, Harvey Weinstein, and yes, the Royal Family, accountable for their actions. It’s not wrong to categorize Scoop as a thriller — its slick direction and propulsive score by Anne Nikitin and Hannah Peel more than supports that justification — but it’s also a great movie about the value and necessity of a free press in the 21st century. Who knew a dramatic retelling of a five-year-old interview could be so thrilling to watch and so rich to think about?

Watch Scoop  on Netflix now.

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That's why we've put together this list of the three underrated movies on Peacock that you need to watch in April. Two of our picks are comedies, but our first choice is a crime drama that is also one of Al Pacino's most underappreciated films from the '90s. Carlito's Way (1993)

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After an exciting premiere at South by Southwest, Monkey Man is finally hitting theaters this weekend. The film marks the directorial debut of Dev Patel, who co-wrote the screenplay with Paul Angunawela and John Collee. Patel also stars as Kid, a man who makes a living as a masked fighter in an underground fight club. After his mother's death, Kid embarks on a mission to find and kill her murderers, leading him down a path of vengeance and destruction.

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‘Coup de Chance’ Review: Woody Allen’s Usual With a French Twist

Despite its Parisian setting, the setup is familiar from any of Allen’s New York movies: An act of infidelity presents a dilemma. Some of the jokes are funny.

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By Manohla Dargis

“Coup de Chance,” the latest from Woody Allen, looks and plays like many of his recent movies, only better; it sounds like them, too, except that it’s in French. Set entirely in France, it features well-heeled, loquacious narcissists who circle one another in a comic-dramatic story that touches on existential worries and folds in lightly jaundiced observations about life. There are pretty people and handsome homes, repressed lives and unleashed desires, the usual. As is often the case in Allen’s movies, there’s also an act of infidelity, which presents a dilemma, if not an especially torturous one. The jokes are fairly muted; some are funny.

In a pleasant surprise, it centers on a woman, Fanny Fournier (Lou de Laâge), who didn’t make me cringe once. She’s intelligent as well as attractive, for starters, somewhere in her 30s and on her second husband, Jean (Melvil Poupaud). She lives in Paris, works at an auction gallery and seems interested in the world. Her life has texture and perhaps meaning, even if it’s a haut bourgeois bubble. There’s a Birkin bag on her arm when you meet her, as well as a maid to fetch drinks and a driver to deliver her and Jean to their country house, one of those quietly expensive retreats that most of us read about while waiting to get our hair cut.

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Dreams are meant to be shattered in some stories, and bubbles popped. And so it is that one day Fanny runs into an old school friend, Alain (Niels Schneider), a charmer with a piercing gaze and angelic crown of tousled hair made for tender caresses. They exchange smiles and pleasantries — she also repeats her married name for him — and they make plans to have lunch. Life seems to resume normally for Fanny, but meeting Alain disturbs something in the air, as if there was a drop in atmospheric pressure. That night when she goes to a party with Jean, a tightly wound guy with money and some mystery, she seems restless, almost uneasy.

Thereafter, everything quickly falls into place. Fanny and Alain have one lunch and then another, and before long they’re in bed in his fairy-tale garret apartment. The affair rocks her, yet while Laâge lets you see that her character’s pulse has quickened and her eyes seem brighter, whatever the liaison has stirred in Fanny’s soul isn’t of interest to Allen. There are no shots of the lovers lying sex-drunk in bed, entwined in each other’s arms; only the amber light of Vittorio Storaro’s cinematography suggests there’s any heat in the room. And when Fanny tells a friend that the affair excites her, you have to take her word for it.

“Coup de Chance” is more sketched-in than satisfyingly detailed. Most of the characters are types, and despite some local color, the story might as well play out in New York, but it’s amusing, technically adept and looks like a professionally made movie (no small thing in the streaming age). The mood and tone remain consistently light, even as Allen piles on the teasingly ominous details, including a mysterious death that hovers in the background, as well as some thugs and private detectives who lurk on the sidelines. He also introduces a great character with Fanny’s mother, Camille (the invaluable Valérie Lemercier), whose conveniently timed visit with her daughter leads to the movie’s strongest, funniest bits.

Not long into “Coup de Chance” it becomes clear that Allen isn’t much interested in the affair as a human experience, profound or not; his focus is on its fallout and the cascade of dramatic events that ensue after Jean begins to suspect Fanny. Once he does, the story’s center of gravity increasingly lists toward him. It isn’t a happy shift, at least at first, partly because Fanny is more appealing than Jean is. By that point, Allen has seeded the story with suggestive details about the couple: She fears that their friends see her as a trophy wife (they do), while Jean’s attentiveness seems controlling, at times creepy.

If your sympathies remain with Fanny, it’s partly because Laâge’s unforced naturalism draws you to her character while Poupaud’s heightened, at times borderline caricature can be almost aggressively off-putting. Poupaud can be a subtly expressive actor, so the broadness of his performance initially reads as a mistake, as if he — like so many of Allen’s actors — had been left to figure out the character on his own and went in the wrong direction. Whether that’s how it played out, the net effect serves the story and Allen’s views on human affairs of the heart and conscience. “People carry sins around,” as someone says in “Crimes and Misdemeanors,” one of Allen’s greatest films. “It passes — with time, it all fades.”

Coup de Chance Rated PG-13 for gun violence. In French, with subtitles. Running time: 1 hour 33 minutes. In theaters.

Manohla Dargis is the chief film critic for The Times. More about Manohla Dargis

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