english 101 essays

Writing Process: Organizing

Types of essays and suggested structures, introduction.

The structural organization of an essay will vary, depending on the type of writing task you’ve been assigned. Below are outline templates for specific types of writing projects.  Keep in mind these are just a starting point: there is always room for variation and creativity in how a subject is most effectively presented to a reader.

Analytical essay

This is perhaps the most common structure. Examples of this include questions which ask you to discuss , analyze , investigate , explore, or review . In an analytical structure you are required to break the topic into its different components and discuss these in separate paragraphs or sections, demonstrating balance where possible.

• Background information on topic
• Overall point of view of the topic (thesis)
• Overview of components to be discussed (structure)
• Topic sentence outlining first component
• Sentences giving explanations and providing evidence to support topic sentence
• Concluding sentence – link to next paragraph
• Topic sentence outlining second component
• Sentences giving explanations and providing evidence to back topic sentence
• These follow the same structure for as many components as you need to outline
• Summary of the main points of the body
• Restatement of the main point of view
• Justification/evaluation (if required by task)

Argumentative essay

Examples of this type of essay include questions which ask you to take a position on a topic, such as a particular decision or policy, and present arguments which support your position. An effective way to argue a point can be to present the opposing view first then counter this view with stronger evidence.

• Statement of your position on the topic (thesis)
• Overview of arguments to be presented (structure)
• Topic sentence outlining first argument
• Topic sentence outlining second argument
• These follow the same structure for as many arguments as you wish to put forward in support of the topic.
• Restatement of the position

Interpretive essay

Examples of this type of essay include assignments where you are given data such as a case study or scenario, a diagram, graphical information, or a picture and expected to interpret this information to demonstrate your application of knowledge when answering the task. Based on this data, you may be asked to do a range of things such as provide recommendations or solutions, develop a nursing care plan, a teaching plan, suggest legal advice, or plan a marketing strategy.

• Brief background information on topic
• Overview of issues to be addressed in the essay (structure)
• State overall interpretation (thesis)
• Topic sentence outlining first issue identified from the data
• Sentences giving further explanation and providing evidence from both the literature and the data, e.g. the case study to support the topic sentence (it is very important in this types of essays to make reference to the data you have been supplied to give your essay context).
• Topic sentence outlining second issue identified
• These follow the same structure for as many issues as you wish to discuss from the data you have been supplied.
• Statement of overall interpretation
• Summary of the main issues from the data supplied
• Make recommendations or suggest solutions to address the issues arising from the data supplied.

Comparative essay

Examples of this type of essay include compare , compare and contrast , or differentiate questions. In this structure the similarities and/or differences between two or more items (for example, theories or models) are discussed paragraph by paragraph. Your assignment task may require you to make a recommendation about the suitability of the items you are comparing.

• Outline of two (or more) things being compared or contrasted
• Purpose for making the comparison / contrast
• Overview of the specific points to be compared / contrasted
• Topic sentence outlining first similarity or difference
• Topic sentence outlining second similarity or different
• These follow the same structure for as many items or aspects as you need to compare/contrast
• Restatement of the main purpose for the comparison / contrast
• Summary of the main similarities and differences
• Recommendation about suitability of compared items for purpose (if requirement of assessment task)
• Overall conclusion

Problem and solution essay

These essay questions often require you to structure your answer in several parts. An example may be to ask you to investigate a problem and explore a range of solutions. You may also be asked to choose the best solution and justify your selection, so allow space for this in your essay if needed.

• Background information about the problem
• Description of the problem and why it is serious
• Overview of the solutions to be outlined
• Topic sentence outlining first solution
• Explanation of the positive and negative aspects of the solution
• Evidence to support explanations 
• Concluding sentence
• Topic sentence outlining second solution
• Evidence to support explanation
• These follow the same structure for as many solutions as you need to discuss
• Summary of the problem and overview of the solutions
• Evaluation of solutions and recommendation of best option

Note : Depending on the topic, body paragraphs in a problem and solution essay could be devoted to discussing the problem in more detail, as well as the solution. It’s up to the writer to assess the needs of the project, in order to decide how much time is spent on each part.

Cause and effect essay

Examples of this type of essay include questions which ask you to state or investigate the effects or outline the causes of the topic. This may be, for example, an historical event, the implementation of a policy, a medical condition, or a natural disaster. These essays may be structured in one of two ways: either the causes(s) of a situation may be discussed first followed by the effect(s), or the effect(s) could come first with the discussion working back to outline the cause(s). Sometimes with cause and effect essays you are required to give an assessment of the overall effects, such as on a community, a workplace, an individual. Space must be allocated for this assessment in your structure if needed.

• Background information on situation under discussion
• Description of the situation
• Overview of the causes or effects to be outlined
• Topic sentence outlining first cause or effect
• Sentences giving explanations and providing evidence to support the topic sentence
• Concluding sentence – linking to next paragraph
• Topic sentence outlining second cause or effect
• These follow the same structure for as many causes or effects as you need to outline
• Conclusion, prediction or recommendation

Finally, consider that some essay assignments may ask you to combine approaches, especially in more advanced classes. At that point, you may have to vary your body paragraph strategy from section to section.

This chart gives an idea of what different roles paragraphs can play in a mixed-structure essay assignment.

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Types of Research Essays

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There are multiple types of essays that everyone should be able to write or be familiar with and they are: analytical, argumentative (persuasive), cause & effect, compare & contrast, critical, definition & expository, descriptive, experimental research, interpretative, literary analysis, literature review,  reports, and surveys.

Analytical , the analytical research paper often begins with the student asking a question (a.k.a. a research question) on which he has taken no stance. such a paper is often an exercise in exploration and evaluation. this type of paper hopes to offer a well-supported critical analysis without necessarily persuading the reader to any particular way of thinking. , the kinds of instructions for an analytical assignment include: 'analyze', 'compare', 'contrast', 'relate', and 'examine'., example: do later school start times increase student success, argumentative (persuasive), the argumentative research paper consists of an introduction in which the writer clearly introduces the topic and informs his audience exactly which stance he intends to take. an important goal of the argumentative research paper is persuasion, which means the topic chosen should be debatable or controversial., the kinds of instructions for a persuasive assignment include: 'argue', 'evaluate', 'discuss', and 'take a position'. example: self-driving cars are dangerous and should be banned from the streets., the argumentative essay  - lois roma-deeley & john nelson, causal analysis - cause & effect  a cause is something that produces an event or condition; an effect is what results from an event or condition. the purpose of the cause-and-effect essay is to determine how various phenomena relate in terms of origins and results. sometimes the connection between cause and effect is clear, but often determining the exact relationship between the two is very difficult., causal analysis information  - lois roma-deeley & john nelson, compare & contrast, this essay is needed to analyze the differences between two subjects, authors, viewpoints, leadership styles, or other criteria and it is a common assignment for subjects such as literature, philosophy, social sciences, and many other disciplines. , writing the comparison essay  - lois roma-deeley & john nelson, critical , critical writing is common for research, postgraduate and advanced undergraduate writing. it has all the features of persuasive writing, with the added feature of at least one other point of view. while persuasive writing requires you to have your own point of view on an issue or topic, critical writing requires you to consider at least two points of view, including your own., for example, you may explain a researcher's interpretation or argument and then evaluate the merits of the argument, or give your own alternative interpretation. examples of critical writing assignments include a critique of a journal article or a literature review that identifies the strengths and weaknesses of existing research. the kinds of instructions for critical writing include: 'critique', 'debate', 'disagree' and 'evaluate'., characteristics of a critical thinker  - dr. tom butler,  it is a focused analysis of a piece of writing or a live performance. while it may contain a sentence or two of summary material, the critique will offer the reader a “considered evaluation” of the writing or performance in question., how to write a critique  - pvcc english division, definition & expository , an expository essay "exposes" the reader to a new topic; it informs the reader with descriptions or explanations of a subject. if you are writing an expository essay, your thesis statement should explain to the reader what they will learn in your essay. example: how to lead a healthy lifestyle on a tight budget., descriptive/narrative , the simplest type of academic writing is descriptive. its purpose is to provide facts or information. an example would be a summary of an article or a report of the results of an experiment. the kinds of instructions for a purely descriptive assignment include: 'identify', 'report', 'record', 'summarize' and 'define'.​, writing the descriptive/narrative essay  - lois roma-deeley & john nelson, experimental research, this essay is commonly written for biology, chemistry, physics, psychology, and sociology papers. it is used to describe an experimental research case in detail. the student conducts the experiment, shares their results and provides data evidence and sums up the case.  the paper describes your experiment with supporting data and an analysis of the experiment. experiments are aimed to explain some causation or predict a fact or reality with certain actions., interpretive,  this essay requires one to use the knowledge that he or she has gained from a particular case study situation, for example, a poem or work of art, or material from business and psychology fields. this paper requires using learned theoretical knowledge to write the paper and using supporting information for the thesis statement and findings., literary analysis, the purpose of a literary analysis essay is to carefully examine and sometimes evaluate a work of literature or an aspect of a work of literature. , literature review, a "literature review“ is a critical analysis of a segment of a published body of knowledge through summary, classification, and comparison of prior research studies, reviews of literature, and theoretical articles” (university of wisconsin writing center)., outlines the case of a study situation. as a rule, such text includes the summary of a breakdown, situation, identification of the main issue, and recommendations, which means that it is basically a logical and detailed summary of some case study situation. a report is a mere restatement of the significant elements or components of a piece of writing or a live performance. it is, primarily, a summary of the substantial elements (the who, what, where, when and how) which are embedded in a piece of writing or a live performance. .

• English Division Writing Rubric (Based on Arizona State Standardswith college-level emphasis on higher order thinking skills, research, documentation, and manuscript preparation)
• PVCC ENG101 Handbook The ENG101 Handbook was created by PVCC professors Lois Roma-Deeley and John Nelson. This was created prior to the 2009 updates to MLA; therefore, if you use them, be aware you will need to update them. However, the instructions on how to write each essay type are clear and very helpful.
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Chapter 3: Writing as a Process

3.1. ENG 100/101 Writing Process

The writing process.

In ENG 101, you are expected to follow a process in order to craft strong, revised, and edited drafts for each essay. Below are the terms and brief descriptions for each step of the writing process we will use in my class:

Free-writing begins the writing process. This is usually an informal in-class writing or brainstorming a possible topic or argument.

Outlining creates a roadmap of your essay and helps you stay focused and organized. A lot of students “hate” outlining but it is a mandatory part of the process and many students have become life-long converts after realizing its benefits.

Drafting  involves working through ideas, finding an organizational pattern that fits the assignment, and roughly integrating sources. In my course this process involves the creation of at least two separate drafts. The first is Draft 1 and   is ½ of the total length of your essay including the intro + thesis + context + 1st body paragraph. Basically, I ask you to write a “shitty” first draft and bring it to class.  Draft 2 is the complete rough draft of your essay including all sections. This is still a rough draft but your ideas should all be in there.

Highlighting and Labeling are completed for and on Drafts 1 and 2 as homework and often during the Peer Response process. These are cognitive strategies I use to ensure students are including the major requirements in the essay, helps me recognize any issues you might be having with determining the purpose of each paragraph, and allows students to “talk to me” on his or her text. (See below for more information)

Peer and Self Response Workshops require that you use a rubric to make sure you’ve included all of the global requirements. I allow students to work alone or with a partner but I strongly recommend working in pairs.

The Final Draft is the final revised draft of the assignment. This draft should reflect the entire process up until this point and should be as refined as possible. You will print, label and bring it to class on the due date. This is the one I will grade.

Final Editing is done in class on the final printed draft. You will be given the opportunity to perform a final read through during class to make sure you do not overlook small errors such as misplaced commas, margin size, spelling errors, etc. I include final editing because I don’t want you to think of me as your editor and/or the last word in good writing. YOU wrote the essay, YOU put thought and effort into it, and YOU get the opportunity to clean-up any silly mistakes because writing is a process and good writers know that writing is never finished.

A Writing Reflection will be done in class and helps you connect your assignment to your life, my class, other CSU classes, and your future career. It should help you make connect transferable skills from the assignment to other areas of your life.

Revising  involves rethinking content and structural decisions and does not mean simply correcting errors. You are able to revise an essay if it does not earn a grade of 80% or higher. Writing is always about revision and if you want to revise at any time, for any reason simply justify your reasons to me during office hours.

What is Highlighting and Labeling?

Highlighting

You will highlight everything you read and write using the same colors. In this way, I hope to help you see that paragraphs in texts “do” certain things such as introduce main ideas, provide example, concede to arguments, make arguments, etc. At first this seems confusing, but over time, it will not only make sense but will help you become stronger readers and writers. However, to keep it easy we will have only four colors that correspond to writing features:

You will be asked to label portions of your text in order to help you learn how to revise independently. Each assignment asks you to point out key genre (essay-type) and rhetorical (persuasive) features. For instance, in the summary you might be asked to label your introduction, thesis statement, and main ideas.

Labeling also helps me grade your essays faster, shows me that you are actively participating in class discussions and the drafting/editing process, and that your revisions are global, not small sentence-level revisions.

Labeling helps you visualize what might be missing in your essay, recognize what sentences and/or paragraphs “do” in essays, and shows me what you’re thinking so that I can respond to it accordingly.

The Writing Center

The Writing Center is located on the 1st floor of the library in the back left corner. To make an appointment you should use Starfish. The Writing Center is open Monday – Thursday from 9:30am – 7:00pm and on Fridays from 9:30am – 4:00pm.

I strongly recommend using the Writing Center, but remember, it is not an editing service. Instead, it is a place to go and get feedback about your writing, not only your grammar. In order to get the most out of your 30-minute session, I suggest the following:

• Bring a paper with instructor feedback;
• Write at least two questions on the paper about issues you want to address;
• Bring the assignment and/or rubric so that you can get help talking out organization;
• Be polite and be on time.

The Writing Center is an excellent place to get help for all of you classes and for all assignments including but not limited to; lab reports, research papers, group projects, journal entries, ESL help/guidance, and grammar tutorials. In my class, if you go to the Writing Center get them to sign your Bonus Point Writing Center slip (available on Blackboard) to earn two bonus points per visit.

Revision versus Editing

Generally speaking, students assume that editing is the same as revision. Within this assumption is the idea that revising means either correcting errors pointed out by the instructor and/or correcting “grammar mistakes,” which is often code for punctuation, spelling, and grammar. Neither of these options is revising. To revise a work a student must consider his or her goal in writing the paper. He or she must then think metacognitively (thinking about thinking) about how well the paper achieves that goal. To do that a student might consider the following:

• Is the organization clear and logical?
• Does each paragraph “do” something? Does it have an obvious point and/or purpose?
• Are the sources relied upon credible and diverse?
• Does the language, documentation style, and formatting reinforce credibility?
• Are the language choices, documentation style, and formatting appropriate for the target audience?

Changes made after considering these metacognitive questions, are revisions. Incorporating more evidence, adding a concession, removing a personal story, etc. are all examples of global-level revisions.

Editing, on the other hand, often includes reading and rereading to check for errors. Errors are associated with spelling, grammar, punctuation, etc. but editing considers the readability of a text. So, it is not that one person is right or wrong, it more about how well you can reach the audience you are targeting.

Social Media Writing Scenario:

You want your friends to know you’ve just gotten a promotion but you do not want to seem too braggy. So you sit and think about how to craft a message that lets everyone know what you earned, while still seeming modest. You begin typing. You read it. You realize the language you used doesn’t make sense. You delete the post. You try again. You write a short and concise sentence, “I am so thankful for my, new job and lovely new opportunities.” You like it. You decide that is the idea you want to get across. Then you reread it and realize that the word “lovely” doesn’t really sound like you, so you change it to “awesome,” which sounds much more you. You think you made a mistake with punctuation, you check Google, you’re right, you did. So, you change it, “I am so thankful for my new job and the awesome opportunity.” There—finished.

As you can see, this process involved revision and editing and it is likely something you encounter all the time, now I am just asking you to be aware of it.

Introduction to Writing in College by Melanie Gagich is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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• Example of a great essay | Explanations, tips & tricks

Example of a Great Essay | Explanations, Tips & Tricks

Published on February 9, 2015 by Shane Bryson . Revised on July 23, 2023 by Shona McCombes.

This example guides you through the structure of an essay. It shows how to build an effective introduction , focused paragraphs , clear transitions between ideas, and a strong conclusion .

Each paragraph addresses a single central point, introduced by a topic sentence , and each point is directly related to the thesis statement .

As you read, hover over the highlighted parts to learn what they do and why they work.

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Other interesting articles, frequently asked questions about writing an essay, an appeal to the senses: the development of the braille system in nineteenth-century france.

The invention of Braille was a major turning point in the history of disability. The writing system of raised dots used by visually impaired people was developed by Louis Braille in nineteenth-century France. In a society that did not value disabled people in general, blindness was particularly stigmatized, and lack of access to reading and writing was a significant barrier to social participation. The idea of tactile reading was not entirely new, but existing methods based on sighted systems were difficult to learn and use. As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness. This essay begins by discussing the situation of blind people in nineteenth-century Europe. It then describes the invention of Braille and the gradual process of its acceptance within blind education. Subsequently, it explores the wide-ranging effects of this invention on blind people’s social and cultural lives.

Lack of access to reading and writing put blind people at a serious disadvantage in nineteenth-century society. Text was one of the primary methods through which people engaged with culture, communicated with others, and accessed information; without a well-developed reading system that did not rely on sight, blind people were excluded from social participation (Weygand, 2009). While disabled people in general suffered from discrimination, blindness was widely viewed as the worst disability, and it was commonly believed that blind people were incapable of pursuing a profession or improving themselves through culture (Weygand, 2009). This demonstrates the importance of reading and writing to social status at the time: without access to text, it was considered impossible to fully participate in society. Blind people were excluded from the sighted world, but also entirely dependent on sighted people for information and education.

In France, debates about how to deal with disability led to the adoption of different strategies over time. While people with temporary difficulties were able to access public welfare, the most common response to people with long-term disabilities, such as hearing or vision loss, was to group them together in institutions (Tombs, 1996). At first, a joint institute for the blind and deaf was created, and although the partnership was motivated more by financial considerations than by the well-being of the residents, the institute aimed to help people develop skills valuable to society (Weygand, 2009). Eventually blind institutions were separated from deaf institutions, and the focus shifted towards education of the blind, as was the case for the Royal Institute for Blind Youth, which Louis Braille attended (Jimenez et al, 2009). The growing acknowledgement of the uniqueness of different disabilities led to more targeted education strategies, fostering an environment in which the benefits of a specifically blind education could be more widely recognized.

Several different systems of tactile reading can be seen as forerunners to the method Louis Braille developed, but these systems were all developed based on the sighted system. The Royal Institute for Blind Youth in Paris taught the students to read embossed roman letters, a method created by the school’s founder, Valentin Hauy (Jimenez et al., 2009). Reading this way proved to be a rather arduous task, as the letters were difficult to distinguish by touch. The embossed letter method was based on the reading system of sighted people, with minimal adaptation for those with vision loss. As a result, this method did not gain significant success among blind students.

Louis Braille was bound to be influenced by his school’s founder, but the most influential pre-Braille tactile reading system was Charles Barbier’s night writing. A soldier in Napoleon’s army, Barbier developed a system in 1819 that used 12 dots with a five line musical staff (Kersten, 1997). His intention was to develop a system that would allow the military to communicate at night without the need for light (Herron, 2009). The code developed by Barbier was phonetic (Jimenez et al., 2009); in other words, the code was designed for sighted people and was based on the sounds of words, not on an actual alphabet. Barbier discovered that variants of raised dots within a square were the easiest method of reading by touch (Jimenez et al., 2009). This system proved effective for the transmission of short messages between military personnel, but the symbols were too large for the fingertip, greatly reducing the speed at which a message could be read (Herron, 2009). For this reason, it was unsuitable for daily use and was not widely adopted in the blind community.

Nevertheless, Barbier’s military dot system was more efficient than Hauy’s embossed letters, and it provided the framework within which Louis Braille developed his method. Barbier’s system, with its dashes and dots, could form over 4000 combinations (Jimenez et al., 2009). Compared to the 26 letters of the Latin alphabet, this was an absurdly high number. Braille kept the raised dot form, but developed a more manageable system that would reflect the sighted alphabet. He replaced Barbier’s dashes and dots with just six dots in a rectangular configuration (Jimenez et al., 2009). The result was that the blind population in France had a tactile reading system using dots (like Barbier’s) that was based on the structure of the sighted alphabet (like Hauy’s); crucially, this system was the first developed specifically for the purposes of the blind.

While the Braille system gained immediate popularity with the blind students at the Institute in Paris, it had to gain acceptance among the sighted before its adoption throughout France. This support was necessary because sighted teachers and leaders had ultimate control over the propagation of Braille resources. Many of the teachers at the Royal Institute for Blind Youth resisted learning Braille’s system because they found the tactile method of reading difficult to learn (Bullock & Galst, 2009). This resistance was symptomatic of the prevalent attitude that the blind population had to adapt to the sighted world rather than develop their own tools and methods. Over time, however, with the increasing impetus to make social contribution possible for all, teachers began to appreciate the usefulness of Braille’s system (Bullock & Galst, 2009), realizing that access to reading could help improve the productivity and integration of people with vision loss. It took approximately 30 years, but the French government eventually approved the Braille system, and it was established throughout the country (Bullock & Galst, 2009).

Although Blind people remained marginalized throughout the nineteenth century, the Braille system granted them growing opportunities for social participation. Most obviously, Braille allowed people with vision loss to read the same alphabet used by sighted people (Bullock & Galst, 2009), allowing them to participate in certain cultural experiences previously unavailable to them. Written works, such as books and poetry, had previously been inaccessible to the blind population without the aid of a reader, limiting their autonomy. As books began to be distributed in Braille, this barrier was reduced, enabling people with vision loss to access information autonomously. The closing of the gap between the abilities of blind and the sighted contributed to a gradual shift in blind people’s status, lessening the cultural perception of the blind as essentially different and facilitating greater social integration.

The Braille system also had important cultural effects beyond the sphere of written culture. Its invention later led to the development of a music notation system for the blind, although Louis Braille did not develop this system himself (Jimenez, et al., 2009). This development helped remove a cultural obstacle that had been introduced by the popularization of written musical notation in the early 1500s. While music had previously been an arena in which the blind could participate on equal footing, the transition from memory-based performance to notation-based performance meant that blind musicians were no longer able to compete with sighted musicians (Kersten, 1997). As a result, a tactile musical notation system became necessary for professional equality between blind and sighted musicians (Kersten, 1997).

Braille paved the way for dramatic cultural changes in the way blind people were treated and the opportunities available to them. Louis Braille’s innovation was to reimagine existing reading systems from a blind perspective, and the success of this invention required sighted teachers to adapt to their students’ reality instead of the other way around. In this sense, Braille helped drive broader social changes in the status of blindness. New accessibility tools provide practical advantages to those who need them, but they can also change the perspectives and attitudes of those who do not.

Bullock, J. D., & Galst, J. M. (2009). The Story of Louis Braille. Archives of Ophthalmology , 127(11), 1532. https://​doi.org/10.1001/​archophthalmol.2009.286.

Herron, M. (2009, May 6). Blind visionary. Retrieved from https://​eandt.theiet.org/​content/​articles/2009/05/​blind-visionary/.

Jiménez, J., Olea, J., Torres, J., Alonso, I., Harder, D., & Fischer, K. (2009). Biography of Louis Braille and Invention of the Braille Alphabet. Survey of Ophthalmology , 54(1), 142–149. https://​doi.org/10.1016/​j.survophthal.2008.10.006.

Kersten, F.G. (1997). The history and development of Braille music methodology. The Bulletin of Historical Research in Music Education , 18(2). Retrieved from https://​www.jstor.org/​stable/40214926.

Mellor, C.M. (2006). Louis Braille: A touch of genius . Boston: National Braille Press.

Tombs, R. (1996). France: 1814-1914 . London: Pearson Education Ltd.

Weygand, Z. (2009). The blind in French society from the Middle Ages to the century of Louis Braille . Stanford: Stanford University Press.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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An essay is a focused piece of writing that explains, argues, describes, or narrates.

In high school, you may have to write many different types of essays to develop your writing skills.

Academic essays at college level are usually argumentative : you develop a clear thesis about your topic and make a case for your position using evidence, analysis and interpretation.

The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

Your essay introduction should include three main things, in this order:

• An opening hook to catch the reader’s attention.
• Relevant background information that the reader needs to know.
• A thesis statement that presents your main point or argument.

The length of each part depends on the length and complexity of your essay .

A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

A topic sentence is a sentence that expresses the main point of a paragraph . Everything else in the paragraph should relate to the topic sentence.

At college level, you must properly cite your sources in all essays , research papers , and other academic texts (except exams and in-class exercises).

Add a citation whenever you quote , paraphrase , or summarize information or ideas from a source. You should also give full source details in a bibliography or reference list at the end of your text.

The exact format of your citations depends on which citation style you are instructed to use. The most common styles are APA , MLA , and Chicago .

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Guides for Students and Instructors in English 101

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• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

Perhaps you're a new grad student who has just been assigned three large sections of freshman composition. On the other hand, you might be a seasoned instructor looking for fresh approaches to an overly familiar course.

Whatever the case, you may find something useful in this collection of tips, topics, and exercises for the first week of English 101. The overall purpose of these seven short articles is to encourage students to think about their own writing habits, attitudes, standards, and skills. As they do, you'll have occasion to identify your own goals for the course and provide an overview.

• Seven Secrets to Success in English 101 English 101 (sometimes called freshman English or college composition) is the one course that almost every first-year student in every American college and university is required to take—and it should be one of the most enjoyable and rewarding courses in your college life!
• The Write Attitude and Your Writing Goals Spend some time thinking about why you would like to improve your writing skills: how you might benefit, personally and professionally, by becoming a more confident and competent writer. Then, on a sheet of paper or at your computer, explain to yourself why and how you plan to achieve the goal of becoming a better writer.
• A Writer's Inventory: Evaluating Your Attitudes Toward Writing This questionnaire invites students to examine their attitudes toward writing. To encourage honest responses (rather than teacher-pleasing ones), you might want to assign the questionnaire at the start of the first class meeting.
• Your Role as a Writer This isn't a formal composition assignment but a chance to write a letter of introduction to yourself. Nobody will be passing judgments about you or your work. You'll simply take a few minutes to think about your writing background, skills, and expectations. By putting those thoughts down on paper (or a computer screen), you should gain a clearer sense of just how you plan to improve your writing skills.
• Your Writing: Private and Public If you require students to keep a journal in your class, this article should serve as a good introduction to "private writing."
• The Characteristics of Good Writing Experiences in school leave some people with the impression that good writing simply means writing that contains no bad mistakes—that is, no errors of grammar, punctuation, or spelling. In fact, good writing is much more than just correct writing; it's writing that responds to the interests and needs of our readers.
• Explore and Evaluate Your Writing Process No single method of writing is followed by all writers in all circumstances. Each of us has to discover the approach that works best on any particular occasion. We can, however, identify a few basic steps that most successful writers follow in one way or another.

Regardless of whether you use any of these materials, best wishes to you and your students in the new academic year!

• 7 Secrets to Success in English 101
• Editing and Proofreading Marks in Composition
• The Top 5 Online Writing Labs
• What's the Preferred Way to Write the Abbreviation for United States?
• What Is a Style Guide and Which One Do You Need?
• Definition and Examples of Theme-Writing
• A List of Exclamations and Interjections in English
• Advanced Composition
• Definition and Examples of Periods: Full Stop
• Using Readability Formulas
• How to Express Future Time in English
• What Are Allophones in English?
• Shaping a Positive Attitude Toward Writing
• Top 8 Free Online Style Guides in English
• The 5 Canons of Classical Rhetoric
• How to Take Better Notes During Lectures, Discussions, and Interviews

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English Composition I

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Our English 101 online course will help you develop the quality writing skills necessary for success in college and your future career. English Composition (also called English 101) covers five principle types of writing: argumentative, compare and contrast, descriptive, narrative, and persuasive. Lessons in this self-paced online course also highlight the importance of proper grammar, punctuation, and spelling, as well as explain effective research techniques, editing, and revision.

Completing English 101 online fulfills general education requirements in composition/writing, fits into our affordable degree plans, and includes one-on-one academic support (tutoring).

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How to Write an English 101 Essay

David boyles.

English 101 is designed to introduce new college students to college-level academic writing. Though assignments will vary from class to class, almost all English 101 essays involve formulating and supporting a defendable thesis.

Explore this article

• Formulating a thesis
• You must defend your thesis with evidence
• Have your reasons
• Have the meat
• Have the introduction

1 Formulating a thesis

Formulating a thesis is often the most difficult step, especially for students new to academic writing. Thesis statements can take on many different forms, but the most important thing is that you must be able to defend it. For example, let's say your assignment is to write about a meaningful event in your life (this is a common English 101 assignment). You don't want to simply fill five pages narrating the events of your first Little League baseball game. You want to formulate a thesis statement that essentially says "My first Little League baseball game was a meaningful event in my life because . . ." That is a proposition that you must then defend using evidence (which we'll get to in a minute). Your wording may vary depending on your instructor's requirements, but you are getting across the same point.

2 You must defend your thesis with evidence

You must defend your thesis with evidence, or what comes after the "because." You will want to come up with some reasons why your first Little League game was a significant event in your life. Perhaps it was because it taught you about teamwork, persistence and losing gracefully. The number of reasons you have will vary depending on the assignment and the required length, but if you are in doubt, three is a good place to start.

3 Have your reasons

Once you have your reasons why your first Little League game was the most important event of your life, you will need to tell your reader more about each of them to prove that what you say is true. Support each reason Each reason with a paragraph in which you explain how it supports your thesis. These paragraphs make up the body of your paper. In the first body paragraph of your Little League paper you would use stories and personal reflections to inform the reader about how the game taught you about teamwork, and why it was a significant moment in your life.

4 Have the meat

Now that you have the "meat" of your paper (the body paragraphs), it's time to slap on the bread. First, the introduction. Introductions can be done in different ways, but the goal is to grab your reader's attention with a compelling story, clever quotation or surprising statistic. and lead them into your thesis statement, which is typically the last sentence of your intro paragraph. For our Little League paper, a good intro would probably consist of a detailed description of a key moment in the game. It gets the reader interested and lets them know what to expect in the rest of the paper.

5 Have the introduction

After you have the introduction and body paragraphs, all you need is the conclusion. Contrary to popular belief, this does not mean simply summarizing what you have already said. Instead, you should tie together the things you have been talking about and discuss their significance and how they relate to each other. How did the things you learned in the baseball game (teamwork, persistence, losing gracefully) combine to change you as a person?

• Know your instructor's expectations. These steps provide a basic outline for typical English 101 assignments, but your instructor may have more specific requirements that are not covered. Don't be afraid to email your instructor or go to his office hours to ask for clarification if you don't understand what is expected of you.
• Start early. Don't try to go through all of these steps the night before the paper is due. It takes time to formulate and organize your ideas.
• Pay attention to the order of your body paragraphs. Each paragraph should flow smoothly from the last one, so put paragraphs that have a natural relationship with each other together, and find ways to transition between paragraphs that don't.
• Don't go it alone. Most campuses have a writing center or other tutoring services available free for students. A writing tutor can help you with any step of the process. Friends, classmates and your instructor are also valuable resources, so make use of them.

About the Author

David Boyles is a graduate student, teacher and professional writer. He has been teaching writing since 2005, while his own work has been featured in various publications and websites, including "Vegas Seven," "ArtsVegas," "AZ on the Scene Magazine" and the "Las Vegas Review of Books." Boyles holds a master's degree in English literature.

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18 Narrative and Memoir Essays

Narrative writing.

Human beings tell stories every day. We understand most of nature through stories. Though facts can be memorized, stories — the details, the description, the experience — make us believe.

Therefore, as we begin to study writing, we need to begin with the properties of the story. How do good storytellers make us believe? How can good writing draw a reader into a story? How can we harness the power of the story to make a point, even in a dry, academic context?

The purpose of narrative writing is to tell stories. This is a form we are familiar with, as any time we tell a story about an event or incident in our day, we are engaging in a form of narration. In terms of writing, narration is the act of describing a sequence of events. Sometimes this is the primary mode of an essay—writing a narrative essay about a particular event or experience, and sometimes this is a component used within an essay, much like other evidence is offered, to support a thesis. This chapter will discuss the basic components of narration, which can be applied either as a stand-alone essay or as a component within an essay.

Ultimately, narrative writing tries to relay a series of events in an emotionally engaging way. You want your audience to be moved by your story, which could mean through laughter, sympathy, fear, anger, and so on. The more clearly you tell your story, the more emotionally engaged your audience is likely to be.

WHERE DO WE FIND NARRATIVE?

We talk about narrative writing in many ways. Books will introduce it as Narration, Narrative, and Storytelling. Narrative creeps into most of the other kinds of writing we learn about, too. Persuasive essays use short stories — often called anecdotes  — to engage a reader’s attention and sympathy. Consider the difference between these two openings to the same essay:

Which opening makes you want to read more? The second one engages its readers with a story — and we’re hard-wired, as humans, to want to hear the end of a story.

Television plays on this characteristic all the time. Think of your favorite show and the maddening, brief preview that starts before the credits roll. It’s always a quick snippet that makes you stay tuned because the writers and producers know their audience will sit through several minutes of mindless commercials just to find out how the story will continue.

In our own writing, we can use stories in just the same way. We can draw our readers into our own experiences, even if they’ve never been through anything even similar to what we have, by telling our own stories.

HOW DO WE WRITE A NARRATIVE?

A narrative essay is a piece that tells one consistent, cohesive story. In academic writing, a narrative essay will also always convey a lesson, a moral, or a point that the writer wishes the reader to take.

When we say “moral,” some people think of after-school specials and having “good behavior” tips crammed down their throat. However, the most powerful lessons conveyed through writing are often done with great subtlety. True, the punishing pace of writing expected in a college course may not leave enough time to develop a nuanced story — no one is going to churn out War and Peace  or even  The Hobbit  in ten weeks — but not every story has to have the moral stated clearly, in bold font, at the very beginning.

Think about it this way: When you were a kid, if your grandmother had sat you down and said, “Listen. We’re now going to have a thirty-minute conversation about how it’s really bad if you start smoking,” would you have listened? Probably not. If, however, your grandmother took you to visit your uncle Larry, who had terminal lung cancer, and then casually mentioned as you left that Larry had been smoking since he was your age — would you get the lesson? Would you remember it? Do you remember better the 200 lectures you had as a teenager about not being a bully, or do you remember the one time that you witnessed its effects firsthand?

In a narrative, we want to pull that same kind of trick on our readers: get our point across, but do it in a way that engages the imagination and attention. Use the power of the story.

The narrative relies on the same components that all good writing does: it needs detail, clear organization, and a central purpose (AKA our friends Development, Organization, and Unity).

NARRATIVE DEVELOPMENT: BRING THE DETAILS

Consider this passage from the very first Sherlock Holmes mystery, “A Study in Scarlet,” which describes a major character:

The author includes detail upon detail to describe this gentleman. He could have simply said, “He was dying from hunger and from thirst,” which would tell us everything we need to know. Instead, he describes how these feelings have had an effect upon the man — he is  gaunt , he’s starting to look like a skeleton, and he can barely stand without the support of his rifle.

Think of the best book you’ve ever read (or the best television show you’ve ever watched, or the movie you love), and you may be able to relate to this. Good description is the difference between hearing a game on the radio and watching it live in the stadium (or on a ginormous 3-D television). The very breath of life in a narrative will always be your ability to describe a scene.

This relies on the use of specific language. As you read through the revision section, you were encouraged to avoid phrases that your audience might find misleading. Consider this as you write a story. With every sentence, ask, “What does my audience know? What do they think?” If you say a car is “beautiful,” will your audience think of a 2018 Hybrid Honda Accord or of a 1966 Chevelle (pictured at right)? If there’s some doubt, change your words to reflect your meaning.

You may have heard the advice that asks you to “show, not tell” in writing. This is what we mean: be so descriptive in telling a story that the reader feels s/he is there beside you, seeing the swimming pool or the school’s front doors or the new car or the new child with his/her own eyes.

NARRATIVE ORGANIZATION

Narrative traditionally follows time order, or  chronological order , throughout. This seems obvious when you think about it — we tell stories in time order, starting (usually) at the beginning and working through to the end.

In an essay, pieces of the story can be organized into timespans by paragraph. For instance, if I’m describing a particularly harrowing day at work, I might have a paragraph just for the morning, and then a paragraph about my terrible lunch break, and then a paragraph about my afternoon.

Narrative essays usually can’t cover more ground than a day or two. Instead of writing about your entire vacation experience, study abroad month, two years of work at the plant, or 18 years living at home, focus on one particular experience that took place over a day or two. That’s enough for a reader to digest in a few pages, and it will also give you a chance to really lay in details without feeling rushed.

Sometimes, we start stories out of order. Many popular movies and television shows do this regularly by showing a clip of something that happens later before starting the whole show. If you’ve ever seen an episode of NCIS, you’ll be familiar with this technique: they start each section of the show with a photo of the ending scene, then start an hour or two before that scene in the live-action. Shows often jump to “One Week Earlier” between commercial breaks.

Think of the emotional impact that has upon you as a viewer. Again, it’s a trick the writers pull with their story to drive you through the boring/silly/pointless/insulting commercials so that you’ll stay with them. We want to know how the characters get to that end.

You can manipulate your audience in this way, too, but be careful; giving away too much of the ending may sometimes make a reader simply put down what they’re reading. It’s safer (though not always better) to just start at the beginning and write things down as they happened. Particularly in a first draft, sticking to the natural story order will be a good way to make sure nothing gets missed.

Chronological order , the order in which events unfold from first to last, is the most common organizational structure for narratives. Stories typically have a beginning, a middle, and an end. Certain transitional words and phrases aid in keeping the reader oriented in the sequencing of a story. Some of these phrases are listed below.

Figure 5.2 Transition Words and Phrases for Expressing Time

The following are the other basic components of a narrative:

•  Plot . The events as they unfold in sequence.

•  Characters . The people who inhabit the story and move it forward. Typically, each narrative has there are minor characters and main characters. The minor characters generally play supporting roles to the main character, or the protagonist.

•  Conflict . The primary problem or obstacle that unfolds in the plot, which the protagonist must solve or overcome by the end of the narrative. The way in which the protagonist resolves the conflict of the plot results in the theme of the narrative.

•  Theme . The ultimate message the narrative is trying to express; it can be either explicit or implicit.

Writing at Work

When interviewing candidates for jobs, employers often ask about conflicts or problems a potential employee had to overcome. They are asking for a compelling personal narrative. To prepare for this question in a job interview, write out a scenario using the narrative moved structure. This will allow you to troubleshoot rough spots as well as better understand your own personal history. Both processes will make your story better and your self-presentation better, too.

Narrative Anecdotes

An  anecdote  is a short, personal  narrative  about something specific. It is often used as a component in an essay, acting as evidence to support your thesis, as an example to demonstrate your point, and/or as a way to establish your credibility. It always has a point in telling it.

Elements of an Anecdote

1. Who, Where, When

Have you ever wondered why children’s stories begin something like this?

Once upon a time, in a galaxy far, far away, the teachers were revolting …

It is the start of a simple narrative. It also contains all the elements of a beginning to any narrative: when, where, and who. An anecdote, because it is short, will begin similarly:

One day, while I was sitting at a stop sign waiting for the light to change…

This little particle of an anecdote tells when, who, and where before the first sentence even ends.

Note : An anecdote sets up a particular incident; it does not tell about a long period of time.

2. What Happened (Sequence of Events)

Any narrative also includes a sequence of events. You should be able to read an anecdote and tell what happens first, what happens next, and so on. In the following anecdote, the bolded words suggest each event in the sequence.

Example Anecdote:

My first day of college I parked in the “South Forty,” which is what everyone called the huge parking lot on the edge of the campus. It was seven forty-five in the morning, hazy and cool. I walked across the parking lot, crossed a busy street, walked over a creek, through a “faculty” parking lot, crossed another street, and came to the first row of campus buildings. I walked between buildings, past the library and the student mall. I passed many quiet, nervous-looking students along the way. Many of them smiled at me. One trio of young girls was even chuckling softly among themselves when they all smiled and said “Hi” to me at once. By the time I got to my classroom, far on the other side of campus from the parking lot, I was smiling and boldly saying “Hi” to everyone, too, particularly the girls. Every single one of them smiled or responded with a “Hi” or made a friendly comment or even chuckled happily. It was my first day of college.

When I found the building I was looking for, a friend from high school appeared. She was in my first class! I smiled at her and said, “Hi!” She looked at me. She smiled. Then she laughed. She said, “Why are you wearing a sock on your shirt?” I looked down. A sock had come out of the dryer clinging to my shirt.

3. Implied Point

Most of us want to make sure that we “get the point across” to whatever story we are telling, assuming it has a point. To do this, we tend to explain what we are telling. It is sometimes very difficult to stop. However, stopping in a timely way allows the reader to draw his or her own conclusions.

Show, don’t tell

In the anecdote above, I am very tempted to tell the reader what I felt at the moment I realized that everyone was laughing AT me rather than just being friendly. For the ending, where the point is in this case, it is best to let the reader infer (draw conclusions, fill in the blanks) what happens implicitly rather than to state explicitly what the point is, or what the narrator felt, or anything else.

The more indirect you are about your object or place the better. In the anecdote above, it might be obvious that my object is a sock or my place is a parking lot. The point is, it is not an anecdote “about” a sock; it is referred to indirectly.

How do we show rather than tell? First, describe what you see (I don’t really see anything with “I was SO embarrassed…”) or what you smell, hear, or taste, but NOT what you feel. An easy way to check whether you are showing or telling is to go through your anecdote and underline the verbs. If the verbs are “be”-verbs (is, was, were, etc.) or verbs that describe actions we cannot see (“I thought…” “I believed…” “I imagined…” “it made me upset…” and so on) then you are probably telling. In the sentence above I used “walked,” “lecturing,” “ripped,” and “said.”

Most Common Question:

“What makes stories or anecdotes interesting and something I can relate to?”

Actually, it is a simple principle, even though it may not be obvious. We “relate” or “connect” most easily to situations we recognize and so fill in the blanks. If you “tell” me, for example, “I was SO embarrassed …” then you have not let me fill in MY embarrassment. On the other hand, if you “show” me a scene, it allows me to fit my own experience into it:

“I walked past the corner of the aluminum whiteboard tray while lecturing to a class. It ripped my pants. After a moment I said, ‘Class dismissed.’”

The writer of those statements, hopes the reader will fill in some similarly embarrassing moment without the writer clearly stating that this is what is supposed to be done. The connection, the act of “filling in,” is what people tend to refer to as “relating to.”

Interestingly, it does not even matter whether or not readers fill in what the writer intend for them to fill in; it is the act of filling in our own experiences that makes us “relate” to an incident. From a writer’s perspective, that means we should show rather than tell.

Second, resist the temptation to “explain.” Let the reader fill in the blanks! It is so much more personal when the reader participates by filling in.

Assignment 1

Write an anecdote that contains who, where, when, and what happens (a sequence of events). Think about an anecdote that  involves ,  alludes to, or otherwise includes your object or place ; it does not have to be “about” your place. It also does not have to be “true” in the strict sense of the word; we will not be able to verify any believable details if they add to the effect of the anecdote. Type it out. Keep it simple and to the point.

What are ‘clichés’ and why can’t we use them?

Clichés are figurative phrases and expressions that you have probably heard a million times. For our purposes, there are two kinds of clichés: the ones that jump out at you and the ones that we use without thinking.

If you are paying attention, you will notice that the two sentences above contain at least 3 clichés. You might also notice that clichés are best suited to spoken language, because they are readily available and sometimes when we speak, we don’t have time to replace a common expression with a unique one. However, we DO have time to replace clichés while we are writing.

The problem with clichés in writing is that they are too general when we should be much more specific. They also tend to tell rather than show. In the first sentence above, we have most likely heard the phrase, “have probably heard a million times.” In speech, that expression works. In writing, it should be  literal  rather than  figurative.  The first sentence is better this way:

Clichés are figurative phrases and expressions that we have heard so many times that we all share some understanding of what they mean.

Not exactly what you thought when you read it at the beginning of this answer, is it? That is why being  literal and specific  in writing is better than  figurative and vague  as a rule.

Here is a re-write of the second sentence at the start of this answer:

For our purposes, there are two kinds of clichés: the ones that are obvious expressions (like “You can lead a horse to water …”) and the ones that are not part of expressions but seem to “go” easily into a group of words (like “we use without thinking”).

The second type is more difficult to identify and eradicate. Usually it is a group of words we have heard before that doesn’t add anything to a statement. For example, instead of “We watched the donuts roll down the street every night,” you might be tempted to add to it this way: “We watched the donuts roll down the street each and every night.” Avoid clichés in your writing.

To see more see more commonly used clichés and for guidance on how to rewrite them, see this  handout (https://writingcenter.unc.edu/cliches/)from The University of North Carolina, Chapel Hill, Writing Center.

Some Other Rhetorical Tips

• To create strong details, keep the human senses in mind. You want your reader to be immersed in the world that you create, so focus on details related to sight, sound, smell, taste, and touch as you describe people, places, and events in your narrative.
• Create tension by making the reader nervous about what is going to happen through sentence structure, tone, and voice.
• Add dialogue to show the immediacy and drama of the personal interactions (re-creating conversations as necessary to make your narrative work).
• Name specific objects to re-create the scene by selecting details that leave the readers with a dominant impression of how things were.
• Show people in action by describing precise movements and dialogue to convey the action of the scene.

External Links:

“ Sixty-nine Cents ” (https://tinyurl.com/ybjasq9c) by Gary Shteyngart: In “Sixty-nine Cents,” author Gary Shteyngart describes a coming-of-age experience as a first-generation Russian-Jewish immigrant in modern America.

Sherman Alexie grew up on the Spokane Reservation in Washington State. He chronicles his challenges in school, starting in first grade, in  Indian Education (https://tinyurl.com/hlshngr).

Sandra Cisneros offers an example of a narrative essay in “ Only Daughter ”  (https://tinyurl.com/yc4srod7) that captures her sense of her Chicana-Mexican heritage as the only daughter in a family of seven children. The essay is also available here  (https://tinyurl.com/y7hzxhz6).

 Annie Dilliard offers an example of a narrative essay in an excerpt, often entitled “ The Chase ” (https://tinyurl.com/ycsen7r4) from her autobiography  An American Childhood , outlining a specific memorable event from her childhood. This essay is also available  here  (https://tinyurl.com/y7udsl88).

NARRATIVE UNITY

The final consideration in putting together a narrative essay should be unifying it around a single theme or lesson. As you draft, you may already have this lesson in mind:  everyone should wear a seatbelt.  However, remember that your reader needs to make up her own mind. Don’t insult a reader by beating them up with your lesson, and don’t leave them guessing about the meaning of your piece by leaving it out completely.

Many writers include a paragraph of reflection after telling a personal story in an essay that lets a reader know, directly, the significance that the story has on the writer’s life. This can be a good way to get a lesson across. Showing what you’ve learned or found important in an event will provide the reader with a clue about the overall meaning of the story.

You should use “I” in a personal, narrative essay . There are types of academic writing where “I” is inappropriate, but this is not one of those times. In fact, the best narratives will often be the most personal, the stories that avoid hiding behind “you” or “they” and instead boldly tell the writer’s own story.

NARRATIVE OUTLINES

The typical narrative essay follows an outline that should seem like common sense:

• Paragraph 1: Introduction
• Paragraph 2: Event #1
• Paragraph 3: Event #2
• Paragraph 4: Event #3
• Paragraph 5: Conclusion

This outline is flexible. Perhaps the first event in your story will take significant space to describe; it may need 2 paragraphs of its own. Maybe there are smaller events that happen within the larger events. Maybe for your piece, it makes sense to jump right into the story instead of spending an introduction paragraph to give some setup. What matters most is that a reader can easily follow the piece from beginning to end and that she will leave with a good understanding of what you wanted the reader to learn.

Student Sample Essay

My College Education

The first class I went to in college was philosophy, and it changed my life forever. Our first assignment was to write a short response paper to the Albert Camus essay “The Myth of Sisyphus.” I was extremely nervous about the assignment as well as college. However, through all the confusion in philosophy class, many of my questions about life were answered.

I entered college intending to earn a degree in engineering. I always liked the way mathematics had right and wrong answers. I understood the logic and was very good at it. So when I received my first philosophy assignment that asked me to write my interpretation of the Camus essay, I was instantly confused. What is the right way to do this assignment, I wondered? I was nervous about writing an incorrect interpretation and did not want to get my first assignment wrong. Even more troubling was that the professor refused to give us any guidelines on what he was looking for; he gave us total freedom. He simply said, “I want to see what you come up with.”

Full of anxiety, I first set out to read Camus’s essay several times to make sure I really knew what was it was about. I did my best to take careful notes. Yet even after I took all these notes and knew the essay inside and out, I still did not know the right answer. What was my interpretation? I could think of a million different ways to interpret the essay, but which one was my professor looking for? In math class, I was used to examples and explanations of solutions. This assignment gave me nothing; I was completely on my own to come up with my individual interpretation.

Next, when I sat down to write, the words just did not come to me. My notes and ideas were all present, but the words were lost. I decided to try every prewriting strategy I could find. I brainstormed, made idea maps, and even wrote an outline. Eventually, after a lot of stress, my ideas became more organized and the words fell on the page. I had my interpretation of “The Myth of Sisyphus,” and I had my main reasons for interpreting the essay. I remember being unsure of myself, wondering if what I was saying made sense, or if I was even on the right track. Through all the uncertainty, I continued writing the best I could. I finished the conclusion paragraph, had my spouse proofread it for errors, and turned it in the next day simply hoping for the best.

Then, a week or two later, came judgment day. The professor gave our papers back to us with grades and comments. I remember feeling simultaneously afraid and eager to get the paper back in my hands. It turned out, however, that I had nothing to worry about. The professor gave me an A on the paper, and his notes suggested that I wrote an effective essay overall. He wrote that my reading of the essay was very original and that my thoughts were well organized. My relief and newfound confidence upon reading his comments could not be overstated.

What I learned through this process extended well beyond how to write a college paper. I learned to be open to new challenges. I never expected to enjoy a philosophy class and always expected to be a math and science person. This class and assignment, however, gave me the self-confidence, critical-thinking skills, and courage to try a new career path. I left engineering and went on to study law and eventually became a lawyer. More important, that class and paper helped me understand education differently. Instead of seeing college as a direct stepping stone to a career, I learned to see college as a place to first learn and then seek a career or enhance an existing career. By giving me the space to express my own interpretation and to argue for my own values, my philosophy class taught me the importance of education for education’s sake. That realization continues to pay dividends every day.

Most People Don’t Understand Memoirs  

In 2006, James Frey wrote a memoir about parts of his life when he was under the influence of drugs called  A Million Little Pieces , and after Oprah had him on her show to discuss the book – it was featured in her popular book club, of course – she was told that he “lied” about certain parts. Well, he didn’t lie. Memoirs contain what we remember. What we remember isn’t always “fact.” What I always say is that if you have all of your family members report what happened at a family gathering – like a birthday party or Christmas – whose report would be correct? No ones! That’s what a memoir is. It’s still nonfiction because it’s what the person remembers, but it’s not false on purpose. If I remember that my sister responded to me in a snotty way one day and my other sister didn’t think so, no one is correct. It’s just my memory versus hers.

Now, typically, memoirs encompass just a chunk of someone’s life, like when James Frey wrote about his drug years, but sometimes, some famous person in their 70s (or older) will write his/her memoir. No matter what, it’s simply what they remember, and I suppose if someone’s on drugs or has an awful memory, the stories could appear to be false. But they aren’t. That’s why they say, “life is stranger than fiction.”

Memoirs are part of the nonfiction category of literature; they contain a lot of description and detail, and they are typically very, very personal in content.

The Bits and Pieces of Memoir

The memoir is a specific type of narrative. It is autobiographical in nature, but it is not meant to be as comprehensive as a biography (which tells the entire life story of a person). Instead, a memoir is usually only a specific “slice” of one’s life. The time span within a memoir is thus frequently limited to a single memorable event or moment, though it can also be used to tell about a longer series of events that make up a particular period of one’s life (as in Cameron Crowe’s film memoir Almost Famous ). It is narrative in structure, usually describing people and events that ultimately focuses on the emotional significance of the story to the one telling it. Generally, this emotional significance is the result of a resolution from the conflict within the story. Though a memoir is the retelling of a true account, it is not usually regarded as being completely true. After all, no one can faithfully recall every detail or bit of dialogue from an event that took place many years ago. Consequently, some creative license is granted by the reader to the memoirist recounting, say, a significant moment or events from his childhood some thirty years, or more, earlier. (However, the memoirist who assumes too much creative license without disclosing that fact is vulnerable to censure and public ridicule if his deception is found out, as what happened with James Frey and his memoir,  A Million Little Pieces .)

Furthermore, names of people and places are often changed in a memoir to protect those who were either directly or indirectly involved in the lives and/or event(s) being described.

Why read memoirs?

To learn about other people’s lives and their thoughts about events that have occurred.  Memoirs are a personalized look at history.

How to write memoirs?

Reflect n your life. write what you remember about events that matter to you from your unique point-of-view.

Dialogue is another way to bring life to your writing. Dialogue is conversation or people speaking in your story. An engaging dialogue goes beyond what is simply being said to include descriptions of non-verbal communication (facial expressions, body movement, changes in tone, and speed of speech) and characterization. The way people speak and interact while talking reveals much about them and the situation.

Writing a natural-sounding dialogue is not easy. Effective dialogue must serve more than one purpose – it should:

• Drive the plot forward,
• Reveal information about the characters, and
• Build tension or introduce conflict.

Sample Dialogue

“So, what was it really like?” I asked.

“I’ve told you. It was amazing.”

I shifted to my side so I could look at her. “You have to give me more than that,” I insisted, “and not the mom and dad version.”

Liv mirrored my move to her side and propped up her head with her arm. Her blue eyes searched my greens, looking for the right words. “I shouldn’t–”

We broke our gaze as we heard our mom call for us. Once again, I didn’t get the truth.

Basic Dialogue Rules

• “I want to go to the beach,” she said.
• He asked, “Where’s the champagne?”
• “That is,” Wesley said, “that neither you nor me is her boy.”
• Even if the speaker says only one word, with no accompanying attribution or action, it is a separate paragraph.
• Start a new paragraph when you wish to draw the reader’s attention to a different character, even if that character doesn’t actually speak.
• For internal dialogue, italics are appropriate.

Example Memoir

Chocolate Can Kill You

Just when you think your life could not get any better, the Great One Above throws you for a loop that causes you to think upon your life, yourself, and your “little” obsession with chocolate. I am somewhat ashamed of this story, but it taught me so much. I still remember Alisa’s face when I came crying into the Valley City gym, I can hear Dad’s echoing “Are you OKAY?” consistently in my mind as if it had been a childhood scolding, and I see the image of the snow coming at me at 70mph every time I drive on a highway now.

In 1997, the morning after Valentine’s Day, I took off to see my sister in Valley City. She was there because of a wrestling meet. She is one of their prized assistants and without her, they would never get to see how goofy they look in tights. It was a crisp morning, and I cannot remember if I filled the bronco’s tank, but I did purchase a Twix bar before heading out on I-94. I vaguely remember thinking, Gee a seat belt would be good, even though the roads were as clean as they could have been in a North Dakota February. On that ten-degree morning, I met up with no one on the highway.

I was just bee-bopping along the left side of the road, listening to the radio and singing aloud as if I was Mariah Carey. It was at this time that I chomped into my first Twix bar.

In an attempt at a different radio station or something or another, I dropped the last bar between my legs onto the floor of the black beastly bronco.

This is where I become a stupid human. I tried to recapture the chocolate bar thinking, or maybe not even thinking, It will only take me a second. Whoever has said that seconds count in any accident WAS RIGHT! All of a sudden, I look up to see that I am driving 70 mph into the median’s snowdrifts. I cranked the wheel, thinking I could just drive back onto the highway. I mumble a few swear words and realize I am going 70 MPH IN A VERY DEEP SNOWDRIFT! I take my foot off the accelerator and while the front end slows, the back end has accumulated too much energy or velocity (a good physics question) and begins to lift upwards. I close my eyes, cross my arms across my chest, and crouch back into my seat and start to feel the bronco as well as myself turn and twist and hover for what seemed an eternity in slow motion. I did not open my eyes once.

And then all of a sudden, the small jolted car lands- PLOP – ON ITS WHEELS! My chair has completely reclined, and I sit up seeing smoke coming from my engine. I forget how to work my car and instinctively get out as if to show God I am alive. I stand on top of the drift becoming taller than my boxy 4×4. There are small dents in the front where you would open the hood but that is the biggest damage I can see.

“Are you OKAY?” An old couple are parked and honking at me from the other side of the highway going towards Fargo. They tell me to come with them and turn off the engine. I grab my parka and make my way through the snow to sit down in the back seat of the long car and take in that old people smell. This is when I quietly cry.

“You did a flip! It’s amazing you walked away from it,” says the old man and I think to myself sarcastically to calm down, Yeah I tried to do that. I ask them to take me to Valley City trying not to sound three and a half. Another major thought echoes What will Dad say?

They turned around at the next available bridge which was a mile away and the lady told me the exit so I could give it to the people that will tow my little bruised bronco. They talked to themselves as I tried to think of what exactly happened, how glad I was to be alive, and how I felt about it. Once inside the gymnasium, I found Alisa’s eyes and she instantly frowned and looked scared.

“Did you and Jason fight?” No, I try to say but I am crying in front of a large crowd who all seem more interested in me now than the matches. I sit down beside her and say:

“I did a flip… the bronco… flipped … it did a 360.”

“The bronco did a WHAT! ARE YOU OKAY!” She panics. I go to call Dad as she tells her friends, and they also feel sympathetic and are quite amazed. I don’t know how I managed to remember my calling card number, but I reached Mom and Dad just waking up. Once again Dad frightens me with his voice and vows to be there as soon as possible and tells me to call the highway patrol.

I was the only accident that whole day on the highway, I think, so I looked pretty silly.

Mom and Dad showed up an hour later. Mom was half-awake, and Dad looked like he’d been chugging coffee left and right. They had seen the bronco being towed incorrectly towards Fargo, so Dad feared the transmission was screwed up again much less the rest of the car. We took off for Fargo and stopped at the spot seeing the tracks lead into the snow, then 25 feet of no tracks, and suddenly a large indentation where the bronco had sat down.

Once at the Mobile on I-29, Dad jumped into the bronco to try to start it. It revved right up. I shook my head and thought of the motto, Built Ford Tough. Only the alignment and steering was off from me trying to turn it back onto the road, and the steam I had seen was the radiator fluid splashing onto the hot engine.

We had to meet with a highway patrolman, so the bronco could get a sticker and photos could be taken. I also, fortunately for the taxpayers, had to pay a Care of Vehicle bill of thirty dollars which means that the government basically can fine someone for trashing his/her own vehicle. This pissed me off incredibly after a day like I had just had. My mom had to remind me though that at least it wasn’t a medical bill.

The highway patrolman reminds me how valuable it was that I had had a seat belt on because I would have for sure gone through the windshield with that type of event and all the tossing that I had endured. That does not make replaying this event in my memory any better. As if God was saying: “No, not yet.”

It’s a common joke to not let me eat while I am driving.

That day made me incredibly grateful for my life, and for the people who came to my aid, especially my parents for spending their whole Saturday with me. Whether we were trying to contact the highway patrolman, paying the tower and the ticket, or comforting me- they never complained. Who knew chocolate could lead to such a life-threatening, yet philosophical day?

Time to Write

Purpose:  This assignment will demonstrate the understanding of how to write a memoir

Task: This assignment frames a single event for the memoir essay.

Write a Memoir Essay.  This essay should clearly identify a significant event or series of closely tied events that convey the significance of that event or has somehow shaped your personal perspective.  Remember that you are writing for an audience that doesn’t share your knowledge of the event(s), people, setting, etc. It is up to you to make your memoir come to life.

Key Features of a Memoir:

• Invoke the 5 senses
• Use narrative suspense
• use metaphor
• include significant details
• provide descriptive language
• use effective dialogue
• include transitions

Key Grading Considerations

• The rhetorical purpose is clear, focused, and appropriate to the audience and assignment.
• The purpose is focused on the memoir.
• Shows engagement with issues of story, language, rhetoric, or thinking deeply about a personal event.
• The theme relates to a personal experience but also illustrates more universal principles.
• Transitions
• Learning Point Thesis Statement
• Topic Sentences
• Some Narrative Elements that flow with the paper
• Clear introduction, event story, and conclusion
• Dialogue is used
• Descriptions and quotes to help visualize the event
• Correct, appropriate, and varied integration of textual examples, including in-text citations
• Limited errors in spelling, grammar, word order, word usage, sentence structure, and punctuation
• Good use of academic English
• Demonstrates cohesion and flow
• Uses the rules of dialogue
• Date format

Attributions

• Memoir Content Adapted from Excelsior Online Writing Lab (OWL). (2020).  Excelsior College. Retrieved from https://owl.excelsior.edu/ licensed under a Creative Commons Attribution-4.0 International License .
• Narrative Writing Content Adapted from BETTER WRITING FROM THE BEGINNING . (2020).  Jenn Kepka. Retrieved from Better Writing from the Beginning licensed under a Creative Commons Attribution-4.0 International License .

English 101: Journey Into Open Copyright © 2021 by Christine Jones is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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English 101 (ENG 101): English Composition I: Getting Started

• Getting Started
• Discovery @ the Library: Articles, Books & Journals

Welcome to the English Composition I libguide! Use this guide to get started on your persuasive research paper assignment.

To begin, you will need to identify and research a political, legal, or social issue and determine whether you think a change should be made within the broader society. Then, you will need to argue convincingly. Ideally, you want to choose a narrow topic. Make sure you have your topic approved by your instructor before you begin researching. Try to choose an issue that intrigues you, since the genuine interest will result in a better final paper.

Make sure that you find quality sources. You can consult the videos below for help with this, or you can contact a librarian during our open hours via email, text, chat, or phone.

Cite Your Sources

Why do you need to cite sources?

As the MLA Handbook (8th ed) will tell you:

“Academic writing is at its root a conversation among scholars about a topic or question. . . .Given the importance of this conversation to research, authors must have comprehensible, verifiable means of referring to one another’s work.  Such reference enable them to give credit to the precursors whose ideas they borrow, build on, or contradict and allow future researchers interested in the history of the conversation to trace it back to its beginning” (5).

As a student, part of your education includes learning documentation styles like MLA.  Learning MLA and other styles will help prepare you for other conventions and standards when you enter a career field.  Also, by carefully documenting your research and by identifying the ideas that you have borrowed, you will avoid plagiarism .  Plagiarism is a very serious offense involving the theft of intellectual property, and it can lead to embarrassment, loss of credibility, and even lawsuits (7).  You can avoid plagiarizing by citing other authors when you quote or paraphrase their words and ideas.  Check out the 'citation help' box (to the right) for resources on how to cite books, websites, and articles.  Make sure you are properly citing sources in your papers.

Modern Language Association of America. MLA Handbook, 8th edition, MLA, 2016.

Using Artemis Literary Sources

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English 101 Final Reflection: My Growth as a Writer

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