top movie reviewers in india

Top 10 Famous Bollywood Critics/Film Reviewers

Films are the best source of entertainment for some of us. Films aren’t perfect on the logic, neither are they flawless, however that doesn’t stop us from enjoying the film. But, before booking tickets for a particular film we tend to go through reviews. Some of read film reviews by certain film critics. These critics/reviewers don’t write about the negative points of a film, but also highlight other pivotal points that may even help determine the success of a film. Critics who review Bollywood films have a special fan base of their own. If you wondering who Bollywood’s favorite critics are, then your search ends here. Here’s a list of popular Hindi film critics.

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10. Omar Qureshi

Omar Qureshi is a Bollywood film critic who is also the editor-in-chief for the Hindi channel ‘Zoom Tv’. His popular opinions on films have made him an influential film critic.

9. Raja Sen

Raja Sen is a film critic who started his career as a writer for Rediff.com. He first started writing for F1 and later began to write about movies. He is also working on penning scripts for films. He also starred in the Indie film ‘Good Night Good Morning’.

8. Khalid Mohamed

Film critic-turned-writer Khalid Mohamed began his career as a journalist. He was also the editor-in-chief for Filmfare magazine. He has directed films like Fiza and Tehzeeb.

7. Derek Bose

Derek Bose initially worked as a senior editor for Indian Express. One of the most well-known names in the industry, Derek has held senior position at the India’s top news organizations. He has authored the book Bollywood Unplugged: Deconstructing Cinema in Black & White.

6. Komal Nahta

Komal Nahta is a popular television personality and film critic. He is the editor of ‘Film Information’. He hosts a popular show where he analyses the business of Bollywood films. He discusses about the performance of a film based on the box office collection. Apart from that he also reviews Bollywood films on Friday. He has been representative for BBC for a period of 10 years, where he covered Bollywood news. He is the editor of the entertainment website, Koimoi. He has also been the host for ETC Bollywood Business since 2010. He is also a part of the advisory board for some well-known companies.

5. Mayank Shekar

Mayank started his career as a journalist for Mumbai Mirror and Mid-Day. He worked as a film journalist and editor at the Hindustan Times. He also doubles us as an author. Mayank has authored the book called Name Place Animal Thing. The book covers on everything from food, religion, politics and television. A member of the Central Board of Film Certification, Mayank was a recipient of the Young Achievers award awarded by the Indo-American film society. Mayank currently posts his reviews on his website theW14.com.

4. Anupama Chopra

Anupama Chopra is a journalist, author and a critic. Her first book Sholay: The Making of a Classic won her the National Film Award for Best Book on Cinema. She later went on to write King of Bollywood: Shah Rukh Khan and the Seductive World of Indian Cinema which was featured on the ‘Editor’s Choice’ list of the New York Times Book Review. She also released a book ‘100 films to see before you Die’ which featured all her weekly columns. She also hosted shows like ‘Picture This’ and ‘The Front Row with Anupama Chopra’. She currently hosts ‘Film Companion’ on YouTube where she reviews the latest Bollywood releases.

 3. Taran Adarsh

Son of popular film producer B. K. Adarsh, Taran Adarsh is a popular film critic and film analyst. He is also a journalist and an editor. Taran began his career as a producer with the Hindi film Hello Bollywood, which went unnoticed. He then went on to write on films and eventually went on to become a film critic. He also predicts and analysis Box Office collections for Bollywood films. In the show titled B BIZ he interviews celebrities and provides box office reports. He works as a film critic for the popular Bollywood website Bollywood Hungama.com.

2. Rajeev Masand

Rajeev Masand is a popular film critic and entertainment journalist who works for CNN-IBN. He began his career at the age of 16, while working for Times of India. He then went on to The Indian Express. His popularity soar heights after he began hosting the show ‘Now Showing’ where he reviewed the latest Bollywood films and rated each film with stars.

1. Baradwaj Rangan

Baradwaj Rangan is a popular critic and deputy editor for the popular Indian newspaper ‘The Hindu’. He started his career by writing for the website Sitagita.com. After which he began writing for The New Indian Express and later The Hindu. He has authored the books Conversations with Mani Ratnam and Dispatches From The Wall Corner: A Journey through Indian Cinema. He is described as the most intelligent writer who writes about Indian cinema. In 2015, he was awarded the National Award for Best Film Critic.

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Top 10 Bollywood Critics & Film Reviewers

Within the ever-changing realm of Bollywood, film critics and reviewers wield significant influence, molding public perceptions and steering the industry's trajectory. Let's explore the top 10 Bollywood critics and film reviewers who stand out for their astute assessments, articulate evaluations, and an unwavering ardor for the cinematic craft.

Raja Sen: Renowned for his incisive wit and perceptive critiques, Raja Sen is a seasoned film critic celebrated for his engaging writing style. His reviews, frequently featured in leading publications, provide audiences with a distinctive viewpoint on the diverse spectrum of Bollywood offerings.

Rajeev Masand: With an impressive career spanning over two decades, Rajeev Masand is a veteran film critic whose reviews carry substantial weight. His comprehensive film analyses and interviews with industry luminaries contribute to his reputation as a dependable voice in Bollywood criticism.

Mayank Shekhar: Bringing a contemporary and refreshing approach to film critique, Mayank Shekhar is a film critic and journalist whose work reflects a deep understanding of both mainstream and independent cinema. His reviews make him a preferred source for cinephiles.

Komal Nahta: A stalwart in the industry, Komal Nahta is not only a film critic but also a trade analyst. Recognized for his analytical prowess, Nahta's insights into box office performances and film reviews have established him as a prominent figure in Bollywood journalism.

Udita Jhunjhunwala: Udita Jhunjhunwala, a seasoned film critic, stands out for her comprehensive reviews delving into both the artistic and technical aspects of filmmaking. Her critiques offer audiences a deeper understanding of a film's narrative and impact.

Saibal Chatterjee: Saibal Chatterjee's contributions to film criticism are marked by keen observations and unbiased reviews. His insightful analyses, coupled with a wealth of experience, establish him as a respected authority on Bollywood cinema.

Shubhra Gupta: Recognized for her thought-provoking reviews, Shubhra Gupta brings a nuanced perspective to the table. Her insights into storytelling, performances, and societal relevance contribute to the ongoing cultural dialogue surrounding Bollywood films.

Conclusion:

These leading 10 Bollywood critics and film reviewers have established their unique presence through passion, dedication, and insightful analyses. As the industry continues to evolve, their invaluable contributions play a pivotal role in shaping the narrative and fostering a profound appreciation for the rich cinematic tapestry that emanates from the heart of Bollywood.

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INDIAN FILM INSTITUTE

TOP 10 of INdian Cinema - 2021

In a  survey to judge the best of Indian Cinema in the year 2021 , the IFI requested 07 eminent Film Critics of India to recommend their choice of top 10 Indian films and top three performances by an actor male and female in order of preference. The choices listed by the Critics were given marks by IFI e.g. the film rated by the Critic as No. 1 got 10 marks while the one placed at No. 10 got 01 marks . A similar formula was applied to the Performances by the Actors as well. The objective was to create a country-wide consensus on the Best of Indian Cinema which has largely been achieved if one goes by the Final List. The Final results are as under:  

BEST FEATURE FILMS 2021

‘The Disciple’ (Marathi) directed by Chaitanya Tamhane 

‘Minnal Murali’ (Malayalam)  directed by Basil Joseph 

‘Joji’ (Malayalam) directed by Dileesh Pothan   

'Nayattu' (Malayalam) directed by Martin Prakkat, jointly with 'Garuda Gamana Vrishabha Vahana' (Kannada) directed by Raj B. Shetty

'Milestone' (Hindi) directed by Ivan Ayr

'Sardar Udham' (Hindi) directed by Shoojit Sircar

'The Great Indian Kitchen' (Malayalam) directed by Jeo Baby

'Kala' (Malayalam) directed by Rohith VS, jointly with 'Jai Bheem' (Tamil) directed by T. J. Gnanavel

'Thinkalazhcha Nishchayam' (Malayalam) directed by Senna Hegde

'Sherni' (Hindi) directed by Amit V. Masurkar, jointly with 'Pushpa: The Rise – Part 01' (Telugu) directed by Sukumar

best actor 2021 (male)

1. Fahadh Faasil  - Malik

2. Vicky Kaushal  - Sardar Udham, jointly with  Tovino Thomas  - Minnal Murali

best actor 2021 (FEmale)

1. Konkona Sen Sharma - Geeli Pucchi, jointly with  Nimisha Sajayan - The Great Indian Kitchen

2. Taapsee Pannu - Haseen Dilruba

The survey invited top 07 Film Critics of the country through a rating mechanism where a film rated by the Critic at No. 1 spot got 10 marks while the one placed at No. 10 got 01 mark and so on. The Critics who participated in the Survey included Baradwaj Rangan (Chennai), Sachin Chate (Goa), Siraj Syed (Mumbai), Chandi Mukherjee (Kolkata), Murtaza Ali Khan (New Delhi), Christopher Dalton (Kerala) and Utpal Datta (Guwahati).

Participating Film Critics

Baradwaj Rangan is an Indian film critic, writer, and formerly the deputy editor of The Hindu. He later became a senior editor of Film Companion. He won the National Film Award for Best Film Critic in 2006. He has also authored two books, worked as a screenwriter, and is a teacher at the Asian College of Journalism, Chennai.

Sachin Chate has been writing on cinema for 24 years. A Computer Technology graduate, he started writing for The Hitavada in Nagpur and after moving to Goa, he has been writing a weekly column for The Navhind Times, Goa. He has contributed to various magazines and national dailies and served on the Indian Panorama Jury at IFFI, 2017. He also teaches Film Appreciation in Goa. Sachin is also a radio jockey with All India Radio’s FM Rainbow since 1998.

Prof. Siraj Syed is an actor, broadcaster, film critic and lecturer. He is also a member of FIPRESCI, the International Federation of Film Critics, Germany and pens his blog at https://www.filmfestivals.com/blog/siraj_syed

Chandi Mukherjee has been a journalist, film critic and film historian for the last four decades. He has written for numerous Bengali dailies and magazines, including Aajkal, Ekdin, Sananda, Anandalok, and Television. For his film criticism he has won BFJA Award, Rotary Puraskar and Uttam Puraskar. Mukherjee has been a jury at the National Film Awards and also now served as the President of Bengal Film Journalist’s Association (BFJA).

Murtaza Ali Khan is a film critic / journalist based out of Delhi, India. He is a regular contributor to The Hindu, The Sunday Guardian, Newslaundry, etc. He has been a guest panelist on various television channels and also associated with radio. He also conducts workshops on screenwriting, film appreciation and digital filmmaking.

Dalton is a film critic, essayist and festival advisor. He began his journalistic odyssey writing for ‘The Hindu’ and the ‘Times Group’. His film-reviewing stint spans almost a decade, and includes such publications as ‘Rediff’, ‘The Film Street Journal’, ‘Dear Cinema’, ‘Upper Stall’, and the ‘Deccan Chronicle’ /‘The Asian Age’. n addition to being a writer, he is a prolific cameraman too with over ten years of experience as a documenter of reality. He has briefly captured in moving images a var

Utpal Datta is a National Film Award-winning film critic. He has been associated with different magazines such as Bismoi, Rangghar, Roopkar. He is known primarily for his books, plays and radio shows. He has now directed an impressionistic 10-minute short film, “By-lane 2”, which is his first ever independent work as a director. The film is based on the works of Pabitra Kumar Deka.

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Amit Khanna

Christopher Dalton

Christopher Dalton — quintessentially a film critic /essayist /festival advisor — began his journalistic odyssey with The Hindu. He’s the editor of Cinematic Illusions & the Journal of Indian Cinema; founder of the Cinema Society of India (Kerala), which screens films; CEO of House of Illusions (Mumbai), a film studio that creates meaningful cinema; chief advisory board member of the Kautik International Film Festival (Uttarakhand); & artistic director of the Chalachitram National Film Festival (Assam). He has served on the music jury of Mahatma Gandhi University & on the film jury of the 67th National Film Awards of India.

Baradwaj Rangan

Apurba Sarma

Deepa Gahlot

Anil Zankar

Aseem Chhabra

Balaji Vittal

Yasser Usman

Dnyanesh Moghe

Devdutt Trivedi

Rashmi Doraiswamy

Saumil Gandhi

Saumil Gandhi is an award-winning film critic and a co-founder of the pioneer Indian film reviews site, Upper Stall.

Sreehari Nair

Sukanya Verma

Jayashree Chakravarti

Johnson Thomas

Johnson Thomas reviews books and films for The Free Press Journal and DNA. He has served on the Panorama jury of IFFI.

Rahul Desai

Batul Mukhtiar

Dipsikha Bhagawati

Dipsikha Bhagawati writes on cinema and literature in a variety of journals and newspapers, and is a Govt. of Assam & British Council teacher holding a PhD on TS Eliot. She is the granddaughter of Uday Chandra Bhagawati, a doyen and one of the pioneers of the erstwhile NE traveling drama troupes.

Amartya Acharya

Amartya Acharya is a PhD scholar who reviews films for High on Films, Digital Mafia Talkies, Film Fugitives, Upper Stall, and the Journal of Indian Cinema. Additionally, he does film podcasts.

Cris started her journalistic life as a features writer for the Kerala edition of the Deccan Chronicle, giving up her previous profession, Engineering. She presently reviews films, interviews people, and writes predominantly on film and social issues, for The News Minute.

Ashameera Aiyappan

Shoma A. Chatterji

Vijaykrishnan

Vijay Sharma

Babu Subramanian

Utpal Borpujari

Debasis Mukhopadhyay

Debasis Mukhopadhyay is the author of 12 books, a librarian, and a film historian/scholar specialising in the works of Satyajit Ray. He has written a reference book on the master, co-edited a book on Pather Panchali, and worked as an assistant editor of 4 books authored by Ray, who called him a “compendium of my works”.

Anirban Lahiri

Darshana Goswami

Ratnottama Sengupta

Utpal Datta

Bikas Mishra

Oorvazi Irani

Anjali Monteiro

Anjali Monteiro is a retired Professor at the TISS School of Media & Cultural Studies with a Ph.D in Sociology. Jointly with KP Jayasankar, she has made over 40 documentaries. She is the recipient of a Howard Thomas Memorial Commonwealth fellowship, Sydney, & an Erasmus Mundus scholarship, Sweden. She has been conferred a Special Mention – National Film Award for the best book on cinema, a Prof. Satish Bahadur Lifetime Achievement Award for Outstanding Contribution to Film Education from NID; a Basil Wright Prize; & a jury’s commendation in the Intangible Culture category at the Royal Anthropological Institute Festival, UK.

KP Jayasankar

KP Jayasankar is a retired Professor at the TISS School of Media & Cultural Studies with a Ph.D in Humanities & Social Sciences. Jointly with Anjali Monteiro, he has made over 40 documentaries. He is the recipient of a Heidelberg University scholarship; the Howard Thomas Memorial Commonwealth fellowship, London; the Erasmus Mundus scholarship, Sweden; & the Key Technology Partner scholarship, Sydney. He has been conferred a Special Mention – National Film Award for the best book on cinema, a Prof. Satish Bahadur Lifetime Achievement Award for Outstanding Contribution to Film Education from NID; a Basil Wright Prize; & a jury’s commendation in the Intangible Culture category at the Royal Anthropological Institute Festival, UK.

Joshy Joseph

Joshy Joseph is the winner of 7 National Film Awards; 6 for documentary films, and 1 for the best book on cinema.

Saibal Chatterjee

Madhu Eravankara

Shantanu Ray Chaudhuri

Shantanu Ray Chaudhuri is the executive editor at Penguin Random House India; a former publisher and features editor of film magazines ‘Lights Camera Action’ and ‘Cinemaazi’, respectively; and an author of 2 books. His writings on cinema appear in The Daily Eye, Silhouette, Outlook India, and Film Companion. Books commissioned and edited by him while he was the executive editor at HarperCollins Publishers India have won National Film Awards for Best Writing on Cinema as well as an award at the Mumbai Film Festival. Additionally, he is the recipient of the Editor of the Year Award instituted by the apex publishing body in India.

Tanul Thakur

Theodore Baskaran

Anirudha Bhattacharjee

Anirudha Bhattacharjee is the co-author of four books including bios of father and son SD and RD Burman. He is a film/music quizzer, a musician, and a columnist for Quint and Scroll. Previously, he had film columns in The Statesman and Analalok, Calcutta. He has served on the jury of the National Film Awards. His RD Burman book has won the National Film Award, and his book titled Gaata Rahe Mera Dil the inaugural MAMI award for writing on cinema.

CS Venkiteswaran

Jai Arjun Singh

Past members, who are no more with us.

Late PK Nair

PK Nair was the founder of the National Film Archive of India (NFAI), and one of the pioneers behind the setting up of the International Film Festival of Kerala (IFFK). A documentary on him won 2 National Film Awards.

Late KNT Sastry

KNT Sastry won 7 National Film Awards — Best Film Critic, Book Publisher, Film Book Writer, Docu, First Film, Feature Film, & Regional Film. He served on the National Film Awards and 5 times on the IFFI Panorama jury.

Late Ervell Menezes

Ervell E. Menezes was a film reviewer /journalist at the Indian Express. Post retirement, he wrote a biographical book that “makes journalism a hero; journalism that took up the cause of downtrodden & exposed rackets.”

Late Altaf Mazid

Altaf Mazid was a double National Film Award winner — one as a film critic and the other as a documentary filmmaker. He served on the film jury of the Assam State Awards, IFFI, IFFK, Dubai, Moscow, and Cannes.

Late RK Bidur Singh

RK Bidur was a National and State Award winning film critic, recipient of a Certificate of Honour by the Govt. of Manipur, founder of the Manipur Film Journalist/Critics Association, and festival director of NE Film Festival.

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Anupama Chopra, Rajeev Masand, Baradwaj Rangan, Bharati Pradhan and others form Film Critics Guild

The Film Critics Guild will, over time, create a platform where the best Indian movies — short, feature and documentaries — can be honoured and celebrated

Indian Cinema, now over a century old, is at the cusp of a big change. With the explosion of technology and mediums to make and showcase films, it is now throwing up talent, techniques and stories that we hadn’t seen before. This new-found democracy is also challenging us to engage with cinema in a way we hadn’t done before.

In a first ever event, independent, well-known, movie-loving film critics from across the country — from newspapers, TV channels, websites and radio — have come together formally to form the Film Critics Guild. This registered body aims to foster a better understanding of cinema by nurturing qualitative film criticism and putting in place exacting ethical standards for reviews across platforms.

India is the world’s largest producer of films, and in terms of money, the industry will be worth $3.7 billion by 2020. Yet, the country lacked a single independent, unbiased platform where the best of cinema from across the country can be rewarded.

The Film Critics Guild (FCG) will, over time, create a platform where the best Indian movies — short, feature and documentaries — can be honoured and celebrated.

The Guild’s other priorities shall include representing the pan-Indian membership while lobbying for better interaction with studios and production houses, attending film festivals and conducting workshops.

The Film Critics Guild will be run by an elected managing committee. Currently, the committee is headed by Anupama Chopra and includes Rajeev Masand, Bharathi Pradhan, Bhawana Somaaya, Rohit Khilnani, Shubhra Gupta, Baradwaj Rangan, Suparna Sharma, Udita Jhunjhunwala, Suhani Singh and Rahul Desai.

“The Film Critics Guild aims to bring together Indian critics so that we can further the cause of criticism and help to raise standards. It’s very important for us to come together as a community, especially in the age of social media, when everyone has a platform to express opinions. What is it then that differentiates what we do? These are interesting and complicated times and we hope the FCG can help to provide clarity,” Anupama Chopra, Chairperson of the Guild said in a statement.

“With members who have been reputed critics for a variety of publications and outlets over the years, the Guild aims to map the direction and outline the relevance and responsibility of professional critics in a landscape where everyone In a climate where ’everyone’s a critic’. The Film Critics Guild will serve as a reminder that solid, professional journalism is the bedrock of our craft and our discipline,” said Vice-Chairperson, Rajeev Masand in a statement.

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10 Best Movie Review Blogs & Websites In India

In the era of digital dominance, where cinema enthusiasts seek insightful critiques and comprehensive analyses before choosing their next cinematic experience, the role of movie review blogs & websites has become paramount. In India, a country with a rich tapestry of diverse film industries, several platforms have emerged as the go-to destinations for discerning moviegoers.

Movie buffs may stay informed about new film releases, reviews by critics, ratings, and more by subscribing to the top movie blogs on the internet. This list of movie blogs will point you in the direction of many bookmarkable possibilities, whether you’re looking for inspiration to launch your own movie blog or want to discover the greatest resources to share with your movie-loving audience on Instagram, YouTube, or another social media site. These websites not only provide a platform for critics to express their opinions but also serve as a valuable guide for audiences navigating the vast landscape of Indian cinema . 

Best Movie Review Websites | What is covered in this post?

• What Movie Review Blogs Offer
• The Top 10 Film Blogs
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Top Film Review Blogs | What Movie Review Blogs Offer

One of the most popular activities in India is watching movies, and one of the best ways to stay up to date on industry news, entertainment, and your favorite industry influencers is to read movie blogs. You can also use them to establish yourself as a go-to authority on films and filmmaking. The greatest movie blogs provide their readers something special that makes them stand out from the competition, such as first-look interviews with actors and directors or lists of the newest releases in particular genres.

The top 10 movie blogs covering subjects that movie buffs adore are compiled here:

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Best Movie Review Blogs | Top 10 Movie Review Blogs in India

Rank 1 | cinegenics .in | best movie review blog & website.

In the dynamic landscape of Indian entertainment, where the demand for quality movie and web series content is at an all-time high, Cinegenics.in has emerged as a beacon for enthusiasts seeking the best reviews and curated lists . This online platform has successfully carved its niche as the go-to destination for cinephiles, providing a unique blend of insightful reviews and thoughtfully crafted lists that cater to the diverse tastes of the Indian audience.

Cinegenics.in is not just a website; it is a cinematic journey curated with passion and precision and one of the best movie review websites in India . As the digital pulse of the Indian film industry , the website stands as a testament to its commitment to quality and depth in film criticism . Boasting a team of seasoned critics and movie aficionados, Cinegenics.in transcends the realm of ordinary reviews, digging into the complex layers of storytelling, direction, and performances.

What sets Cinegenics.in apart is its dedication to capturing the essence of Indian cinema in all its diversity. From Bollywood blockbusters to regional gems, the website embraces the rich tapestry of storytelling that defines the Indian film landscape. Each review on Cinegenics.in is a thoughtfully crafted exploration, providing readers with a nuanced understanding of the film’s strengths, weaknesses, and cultural impact.

In addition to individual reviews, Cinegenics.in: Top Movie Review Blogs has gained popularity for its curated lists that serve as valuable guides for movie and web series enthusiasts . From “ Must-Watch Bollywood Classics ” to “ Top 10 Thriller Series to Binge-Watch ,” these lists are meticulously compiled to cater to specific genres and themes. This approach not only helps users discover hidden gems but also makes navigating the vast sea of content a more enjoyable and efficient experience.

The user-friendly interface of Cinegenics.in ensures that cinephiles can effortlessly navigate through a treasure trove of reviews, rankings, and curated lists. The website’s commitment to staying abreast of the latest releases, film festivals, and industry trends positions it as a reliable companion for those seeking informed opinions and recommendations.

Cinegenics.in also recognizes the growing influence of web series in the Indian entertainment landscape . The platform is at the forefront of tracking and reviewing the latest and most compelling web series , acknowledging the evolving preferences of the audience. This commitment to staying current with industry trends has helped Cinegenics.in maintain its relevance in an ever-changing media landscape.

In a world where opinions on cinema abound, Cinegenics.in: Top Movies Blog  distinguishes itself by offering more than just reviews; it provides a cinematic experience through words. As the go-to destination for the best movie reviews in India , Cinegenics.in stands as a virtual cinephile haven, inviting audiences to explore, critique, and celebrate the magic of Indian cinema in all its glory.

Rank 2 | Film Companion | Top Movie Review Blog & Website

Founded by noted film critic Anupama Chopra , Film Companion  has carved a niche for itself by providing thoughtful and comprehensive movie reviews that go beyond mere evaluations of performances and technical aspects. The website is a haven for those who seek a deeper understanding of the cinematic art form, as it explores the cultural, social, and emotional dimensions of films.

One of Film Companion ‘s notable strengths is its diverse pool of critics and contributors. The platform boasts a team of seasoned film enthusiasts and experts who bring a variety of perspectives to the table. This diversity ensures that reviews cater to a wide audience, covering genres ranging from mainstream blockbusters to indie gems. Whether you are a fan of Bollywood extravaganzas or a connoisseur of world cinema , Film Companion: Best Movie Review Blogs has something for everyone.

The website’s user-friendly interface adds to its appeal, making it easy for visitors to navigate and discover a treasure trove of reviews, interviews, and articles. The thoughtful categorization of content allows users to explore reviews based on genres, languages, or themes, providing a personalized and enriching browsing experience.

Film Companion ‘s commitment to fostering a community of film enthusiasts extends beyond traditional reviews . The platform hosts engaging interviews with filmmakers and actors , providing audiences with unique insights into the creative process. These interviews offer a backstage pass to the world of cinema , making Film Companion: Top Movie Review Blogs not just a review site but a hub for cinephiles to connect with the industry on a more personal level.

The website’s influence extends to social media platforms, where it actively engages with its audience. Film Companion ‘s social media presence keeps followers updated on the latest releases, industry trends, and exclusive content. This interactive approach fosters a sense of community among film lovers , turning the platform into more than just a review blog – it’s a virtual space where conversations about cinema thrive.

Film Companion ‘s commitment to inclusivity is evident in its coverage of regional cinema . Recognizing the richness and diversity of Indian filmmaking across languages , the platform ensures that regional gems receive the attention they deserve. This dedication to showcasing the breadth of cinematic creativity in India sets Film Companion apart as a truly comprehensive guide for movie enthusiasts.

Rank 3 | Blog To Bollywood | Movie Review Blog & Website

In the vast realm of Bollywood cinema , where every frame tells a story, Blog To Bollywood emerges as the go-to destination for movie enthusiasts seeking insightful reviews and comprehensive analysis. This online platform has cemented its position as the best movie review blog and website in India, offering a unique blend of expertise, passion, and a finger on the pulse of the ever-evolving film industry.

Blog To Bollywood: Movie Review Blogs stands out for its commitment to delivering honest and unbiased movie reviews . The team of seasoned reviewers goes beyond the surface, dissecting performances, storytelling techniques, and cinematography with a keen eye for detail. What sets this blog apart is its ability to cater to diverse audiences, from hardcore cinephiles to casual moviegoers, ensuring that everyone finds valuable insights tailored to their preferences.

The website’s user-friendly interface adds to the overall appeal, providing a seamless navigation experience for visitors. Movie buffs can easily browse through an extensive collection of reviews, ranging from the latest blockbusters to hidden gems that might have slipped under the radar. The blog covers a wide spectrum of genres, ensuring that there’s something for everyone, whether you’re into gripping dramas, heartwarming comedies, or pulse-pounding action.

Beyond reviews, Blog To Bollywood takes a holistic approach to film journalism . The blog features engaging articles, industry news, and exclusive interviews with actors and directors, offering readers a well-rounded cinematic experience . This multifaceted approach has transformed Blog To Bollywood: Best Movie Review Blogs into a one-stop destination for anyone looking to stay informed and entertained within the Bollywood universe .

What truly sets Blog To Bollywood apart is its interactive community. The comment sections of each review become virtual discussion forums where readers share their opinions, creating a dynamic and engaged community of film enthusiasts . This sense of community adds an extra layer to the overall movie-watching experience , fostering a sense of camaraderie among fans.

Rank 4 | Baradwaj Rangan | Movie Review Blog

Baradwaj Rangan’s movie review blog stands as a beacon of insightful film critique in the vast landscape of Indian cinema . With a writing style that is both erudite and accessible, Rangan has carved a niche for himself as one of the most respected and influential voices in the realm of movie reviews .

His blog serves as a virtual cinephile’s haven, offering a rich tapestry of reviews that delve beyond the surface of the silver screen. What sets Rangan apart is his ability to seamlessly blend his vast knowledge of cinema with a genuine passion for storytelling. Each review is a journey into the heart of the film , where Rangan dissects not only the plot and performances but also the nuances of direction, cinematography, and sound design.

One of the notable strengths of Rangan’s reviews is his nuanced understanding of regional cinema . Whether it’s a Bollywood blockbuster or an indie gem from the South , Rangan treats each film with the same level of scrutiny and respect. His inclusive approach has garnered him a diverse and dedicated readership, transcending geographical boundaries.

Furthermore, Rangan’s blog is a treasure trove for cinephiles seeking recommendations beyond mainstream releases. His reviews often shed light on hidden gems and underrated masterpieces, making his blog a go-to resource for those looking to explore the diverse landscape of Indian cinema .

In addition to reviews, Rangan’s blog is a platform for thoughtful essays and reflections on the evolving nature of filmmaking. His ability to contextualize films within the broader socio-cultural landscape adds depth to his critiques, elevating the discourse around cinema .

In a digital age where opinions abound, Baradwaj Rangan’s movie review blog stands out as a bastion of quality criticism. It not only informs but also engages readers, fostering a deeper appreciation for the art of filmmaking . As the cinematic landscape continues to evolve, Rangan’s blog remains an indispensable guide for cinephiles navigating the vast and dynamic world of Indian cinema .

Rank 5 | NDTV Movies | Movie Blog

NDTV Movies has established itself as a frontrunner in delivering insightful and comprehensive movie reviews through its engaging blog, making it the go-to source for cinephiles across India . Renowned for its credibility and in-depth analysis, NDTV Movies ‘ Best Movie Review Blog stands out in the realm of film criticism.

The blog’s success can be attributed to its team of seasoned and articulate critics who bring a wealth of cinematic knowledge to their reviews . Their writing transcends mere summarization, delving into the nuances of storytelling, cinematography, and performances. Each review is a thoughtful exploration of the film’s merits and demerits , offering readers a nuanced understanding before they decide to invest their time and money.

What sets NDTV Movies: Movie Review Blogs apart is its commitment to covering a diverse range of films , from mainstream Bollywood blockbusters to independent and regional cinema . This inclusivity resonates with a wide audience, catering to the varied tastes of movie enthusiasts . The blog’s reviews also extend beyond the confines of popular genres, ensuring that readers are exposed to a rich tapestry of cinematic experiences .

The user-friendly interface of the blog enhances the overall reading experience, allowing visitors to navigate effortlessly through a plethora of reviews . The blog doesn’t limit itself to traditional written reviews; it incorporates multimedia elements such as trailers, stills, and interviews, providing a holistic view of the film in question .

Moreover, NDTV Movies Top Movie Review Blog is adept at keeping pace with the ever-evolving film industry . It remains attuned to emerging trends, new releases, and the pulse of the audience. This adaptability ensures that readers receive timely and relevant information, making the blog an indispensable guide for moviegoers .

Rank 6 | A Potpourri of Vestiges | Film Review Blog & Website

Founded by Murtaza Ali Khan , a seasoned film critic and commentator, A Potpourri of Vestiges has become a go-to destination for those seeking thoughtful and comprehensive movie reviews . The blog boasts an extensive collection of reviews , covering everything from mainstream Bollywood blockbusters to niche independent films and international cinema . This diversity reflects the founder’s commitment to providing a holistic cinematic experience for readers.

What sets A Potpourri of Vestiges: Top Movie Review Blogs apart is its commitment to unbiased and honest reviews . The blog doesn’t shy away from critiquing popular releases while also highlighting hidden gems that might have slipped under the radar. The reviews are crafted with a keen eye for detail, delving into aspects such as storytelling, cinematography, performances, and overall thematic resonance.

Beyond reviews, the blog offers engaging features, interviews with filmmakers, and insightful articles on film theory and criticism . This multifaceted approach adds depth to the platform, making it more than just a review repository. It’s a community for film enthusiasts to engage in meaningful discussions about the art of cinema .

A Potpourri of Vestiges also stays attuned to the ever-evolving film industry , covering film festivals, industry trends, and emerging talents. This proactive approach keeps the blog relevant and ensures that readers stay informed about the latest in the world of movies .

In a country where cinema is more than just entertainment – it’s a cultural phenomenon – A Potpourri of Vestiges serves as a guiding light for those navigating the vast and diverse landscape of Indian and global cinema . As it continues to evolve and adapt to the changing cinematic landscape , this blog remains a vital resource for anyone passionate about the art of storytelling through moving images.

Rank 7 | R Crit Reviews | Film Review Blog

R Crit Reviews has carved a niche for itself by seamlessly blending insightful critique with a passion for cinema that resonates with readers. With a commitment to delivering unbiased and comprehensive reviews , the blog has become a trusted source for movie enthusiasts seeking guidance on what to watch and what to skip.

One of the key strengths of R Crit Reviews lies in its diverse team of seasoned critics, each bringing a unique perspective to the table. The reviews are not mere summaries; they are in-depth explorations of cinematic elements , from storytelling and character development to cinematography and sound design . This multifaceted approach caters to a broad audience, ranging from casual moviegoers to cinephiles seeking a more profound understanding of the art.

The blog’s user-friendly interface and well-organized content make it easy for readers to navigate and find reviews on their favorite films or discover hidden gems. The reviews are not confined to mainstream Bollywood releases ; R Crit Reviews also delves into regional cinema, indie films, and international masterpieces , showcasing a commitment to a holistic appreciation of the cinematic medium .

What sets R Crit Reviews apart is its ability to strike a balance between critique and celebration. While the blog isn’t afraid to highlight flaws, it also recognizes and applauds the achievements of filmmakers, actors, and the entire crew. This nuanced approach contributes to a positive and constructive discourse within the film community .

Rank 8 | Flickside | Film Review

Founded with a passion for storytelling and a keen eye for cinematic nuances , Flickside has evolved into a go-to platform for comprehensive movie reviews, analysis, and industry insights . What sets this blog apart is its dedication to covering a broad spectrum of films , spanning regional languages and genres, ensuring a holistic view of the Indian cinematic experience .

One of the key strengths of Flickside lies in its team of seasoned and perceptive reviewers who bring a wealth of knowledge and a genuine love for cinema to their critiques. Whether it’s Bollywood blockbusters, thought-provoking indie films, or regional gems , Flickside provides a platform for every cinematic voice to be heard and appreciated.

The blog’s user-friendly interface and well-organized categories make it easy for readers to explore and discover films that align with their preferences. Beyond reviews, Flickside offers in-depth articles on filmmaking techniques, emerging trends, and interviews with industry professionals , creating a space for cinephiles to engage with the art and craft of cinema on a deeper level.

Flickside ‘s commitment to objectivity and integrity in its reviews has earned it a loyal following, with readers trusting its recommendations and insights. The blog doesn’t shy away from addressing both the strengths and weaknesses of a film, providing a balanced perspective that resonates with audiences seeking genuine opinions.

In a country as culturally diverse as India, Flickside plays a crucial role in bridging the gap between mainstream and regional cinema, fostering a greater appreciation for the rich tapestry of stories that the Indian film industry has to offer. As Flickside continues its cinematic journey, it remains an invaluable resource for anyone looking to navigate the ever-expanding world of Indian cinema with discernment and passion.

Rank 9 | Don’t Call It Bollywood | Film Review Website

Don’t Call It Bollywood is a refreshing and insightful movie review blog that has taken the Indian film critique scene by storm. In a cinematic landscape dominated by traditional Bollywood narratives , this blog stands out for its diverse and discerning taste, offering a platform for films that often fall under the radar.

The blog, founded by passionate cinephile and critic , goes beyond the glitz and glamour of mainstream Hindi cinema , exploring the rich tapestry of Indian films from various languages and regions. With a keen eye for storytelling and a commitment to showcasing the depth and diversity of Indian cinema , Don’t Call It Bollywood has become a go-to destination for cineastes seeking more than just song-and-dance routines.

One of the strengths of this blog lies in its commitment to breaking stereotypes associated with Indian cinema . While Bollywood has long been synonymous with a particular style of filmmaking , the blog’s reviews delve into regional cinema , independent films, and experimental projects, celebrating the unique narratives that often go unnoticed. It serves as a bridge, connecting audiences with cinematic gems that might otherwise be lost in the vast sea of mainstream releases.

The blog’s writing style is engaging and accessible, making it equally appealing to both seasoned film enthusiasts and casual moviegoers . Each review goes beyond the surface, offering thoughtful analysis and shedding light on the cultural and social contexts that shape the films. The passion for cinema evident in every post creates an immersive experience for readers, fostering a deeper appreciation for the art of storytelling through film.

Don’t Call It Bollywood has successfully carved a niche for itself in the Indian film criticism landscape. It is a testament to the evolving tastes of audiences and the growing recognition that Indian cinema is not a monolith. As the blog continues to champion cinematic diversity , it serves as a beacon for those who seek a more nuanced understanding of the vibrant and multifaceted world of Indian cinema . In a country where Bollywood often takes center stage, this blog is a refreshing reminder that there’s much more to explore beyond the glittering lights of mainstream cinema .

Rank 10 | Moviezupp | Movie Review Website

With an intuitive interface and a user-friendly design , Moviezupp makes it easy for visitors to navigate through a vast collection of reviews. Whether you are a Bollywood buff , a fan of regional cinema , or someone intrigued by international films , Moviezupp caters to a diverse audience with its wide-ranging coverage.

One of the standout features of Moviezupp is its commitment to honesty and transparency. The reviews on the platform are crafted with care, offering readers a balanced perspective on various aspects of a film , including performances, direction, screenplay, and cinematography. The team at Moviezupp understands the importance of delivering unbiased opinions, allowing moviegoers to make informed decisions about what to watch.

In addition to traditional written reviews, Moviezupp also embraces multimedia content. Engaging video reviews and interviews with filmmakers and actors provide an immersive experience for users. It enhancs the overall appeal of the website. This multimedia approach sets Moviezupp apart in the competitive realm of online movie reviews .

The website also keeps users informed about upcoming releases, industry news, and exclusive behind-the-scenes content. Moviezupp is not just a review platform ; it’s a hub for cinephiles looking to stay connected with the pulse of the film industry .

Furthermore, Moviezupp encourages community engagement through user comments and ratings. This interactive feature allows movie lovers to share their opinions and engage in discussions. It fosters a sense of community among like-minded individuals.

In a world flooded with entertainment options, Moviezupp emerges as a reliable guide. It helps the audiences sift through the vast array of films to find the gems worth watching. Whether you are a casual viewer or a dedicated cinephile, Moviezupp is your trusted companion on the cinematic journey . It offers a blend of expertise, passion, and genuine love for the art of filmmaking .

Frequently Asked Questions | Movie Review Blogs 

Q. what is the best blog about movies in india.

Cinegenics.in stands as India’s premier cinematic hub, captivating movie enthusiasts with its unparalleled blog. This digital haven transcends conventional reviews, offering a dynamic blend of insightful critiques, exclusive interviews, and behind-the-scenes glimpses. Cinegenics.in pioneers a fresh perspective on Indian cinema, navigating diverse genres with finesse. Seamlessly intertwining nostalgia and modernity, the blog navigates the labyrinth of Bollywood and regional gems. Its vibrant tapestry of articles celebrates the celluloid magic, making Cinegenics.in the go-to destination for cinephiles seeking an immersive, engaging, and culturally resonant movie experience. Discover the heartbeat of Indian cinema through Cinegenics.in, where every article unfolds a cinematic saga.

Q. What are some of the good movie review blogs?

Here is a list of Top 10 Best Movie Review Blogs & Websites :

• Cinegenics.in
• Film Companion
• Blog To Bollywood
• Baradwaj Rangan
• NDTV Movies
• A Potpourri of Vestiges
• R Crit Reviews
• Don’t Call It Bollywood

Q. What is the best film review site and why?

Cinegenics.in stands as India’s premier film review site, captivating audiences with insightful critiques and comprehensive analysis across diverse genres. Going beyond conventional reviews, the platform delves into the nuances of filmmaking, providing a reliable guide for cinephiles through its user-friendly interface and a team of seasoned critics. Known for its commitment to objectivity and eloquent expression, Cinegenics.in sets itself apart as the go-to destination for nuanced perspectives on both Indian and international cinema. Embracing the digital age, it seamlessly blends expertise with accessibility, solidifying its reputation as the pinnacle of film criticism in India.

Q. What is your favorite Hindi movie review website?

Cinegenics.in stands as India’s cherished destination for Hindi movie reviews, captivating cinephiles with insightful analyses in a succinct format. The website impeccably blends passion and professionalism, offering a nuanced perspective on Bollywood’s diverse cinematic landscape. Cinegenics.in navigates through the reels with a keen eye for storytelling, performances, and technical brilliance. Its reviews not only critique but also celebrate the magic of Hindi cinema, making it a go-to platform for film enthusiasts seeking a blend of intellect and entertainment. With a user-friendly interface and a commitment to quality content, Cinegenics.in continues to be the discerning moviegoer’s trusted companion in the dynamic realm of Indian cinema.

Q. What is your favorite bollywood movie review website? Why?

Cinegenics.in stands as India’s cherished Bollywood movie review destination, captivating cinephiles with its insightful analysis and vibrant critiques. With a finger on the pulse of the film industry, Cinegenics.in transcends mere reviews, offering a cinematic journey through eloquent storytelling. Navigating the diverse landscape of Bollywood, the website curates a collection of reviews that resonate with both seasoned movie buffs and casual viewers. Its user-friendly interface and in-depth assessments make it a go-to source for reliable and engaging Bollywood movie critiques. Cinegenics.in, a beacon for film enthusiasts, continues to shape the cinematic discourse, making it an indispensable hub for all things Bollywood.

Q. What’s the best conservative movie review website?

Cinegenics.in stands out as India’s premier conservative movie review platform, offering insightful critiques that resonate with traditional values. Known for its discerning analysis, the website caters to audiences seeking films aligned with conservative ideals. Cinegenics.in provides a curated selection of reviews, ensuring viewers make informed choices aligned with their values. With a focus on preserving cultural and moral sensitivities, the platform navigates the cinematic landscape, highlighting movies that align with conservative principles. Cinegenics.in is a trusted resource for those who appreciate thoughtful evaluations, making it the go-to destination for conservative audiences navigating the diverse world of cinema in India.

Q. What are some good websites for movie reviews?

Here is a list of Top 5 Best Movie Review Blogs & Websites :

Q. Which website do you recommend for movie reviews and criticism?

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How film criticism differs from ‘reviewing’ a movie, and how relevant it is today

R balki’s latest film chup, and the tamil nadu film producers council urging reviewers to wait for three days before pushing out negative reviews of films, have put the spotlight on what exactly film criticism and movie reviews are supposed to do, and what is the need for them in the first place. we explain..

Acclaimed director R Balki’s latest film Chup (2022), which has received mixed reviews , is a commentary on the nature of art, specifically films, and the relationship art shares with its ‘criticism’.

The film revolves around a serial killer who exclusively targets film critics, and a cop who is on the killer’s trail. More than just a thriller, the film also tries to take a deeper look at the question of whether a negative review can ‘kill’ a film.

This month, the Tamil Nadu Film Producers Council (TFPC) urged film reviewers to publish negative reviews three days after the film’s release. The Council also asked theatre owners to not allow YouTubers to shoot film reviews inside their premises.

“Any film has only a three-day window to make a difference at the box office,” said Dhananjeyan, producer of films like Kaatrin Mozhi and Mr Chandramouli and member of the Council. He added, “Even Bollywood star Akshay Kumar has made a similar request before. If there is a bad film, why the urgency to release a negative review? The film will…anyway fail. Why kill it even more?”

The discussions around Chup and the TFPC’s request have brought the spotlight once again on what exactly film criticism and movie reviews are supposed to do, and what is the need for them in the first place. We explain.

What is film criticism?

Film criticism, like criticism of other art forms, is concerned with the analysis and evaluation of cinema. It involves interpretation, a deeper understanding of the context of the film, and a connection to the history of the medium itself.

In his essay “The Psychology of the Critic and Psychological Criticism” (1962), academic Philip Weissman wrote that the critic is “minimally required to be a connoisseur”, but “the step from connoisseur to critic implies the progression from knowledge to judgement.”

How is a film critique different from a review?

Shubhra Gupta, veteran film critic with The Indian Express , says that the major difference between a film critic and a reviewer is that a critic “has in his/her head an arc— he/she has watched the industry grow in a certain way, and is aware of the atmosphere around us. He/she is aware that a piece of art is not created in isolation.”

One way to understand the difference is to see reviews as more consumer-driven, where the focus is to tell the audience whether or not a film is worth watching. A proper critique leans more towards a comprehensive understanding of the film in a non-fragmentary manner, and is not concerned so much with telling the audience what to watch and what to avoid, but to place it in the proper context of the ecosystem that it has come out of.

To put simply, if someone only reviews films, they are not necessarily critics; however, critics do review films and add more analytical nuances to an audience’s understanding of a film, or even the history of films. “I expect a good critic to have knowledge of all art forms, and to be aware of socio-political developments in society,” Gupta says. She adds, “Knowledge has to be knit into the review without being patronising.”

Can critics really ‘kill’ a film?

One of the biggest complaints against film critics is that their unfavourable reviews often discourage audiences from watching the film, resulting in low box office collections and low profits. With the prevalence of social media in every sphere of life, negative reviews also translate into constant trolling and bashing on platforms like Facebook , Twitter, Reddit, Instagram, etc.

However, in a country like India, where star power is seen as a major pull even today, negative reviews alone cannot sink a film. While it is true that the superstar culture seems to be waning, there are many examples of films powering through despite receiving a bad critical response, on the strength of their leading stars alone.

Anees Bazmee’s Bhool Bhulaiyaa 2 emerged as one of Bollywood’s biggest commercial successes this year, despite receiving unenthusiastic reviews . A lot of its success is being attributed to its leading man, Kartik Aaryan, and the fanbase that he has built for himself over the years. Similarly, the Tamil film Beast, which starred Kollywood superstar ‘Thalapathy’ Vijay, managed to do great business at the box office despite reviews criticising its storyline .

Gupta says that there are no easy answers to the question of critics and reviewers ‘killing’ a film. “If you had asked me earlier, my answer would have been an unequivocal no,” she says. “But so much has changed in the last 2-3 years… film reviewing now has a lot to do with agendas beyond the film itself. Trolling, particularly the kind that has a particular agenda, and questions of nepotism and boycotting Bollywood are now much more prominent.”

Anyone following the film industry closely would have heard many people involved in it saying that if someone knew the formula to make a successful film, every film would be a hit. What this means, essentially, is that there is no predictability about the success or failure of a particular film. “How successful a film will be is pure alchemy,” says Gupta, adding that there is no way to foresee how a film will capture the cultural zeitgeist (‘zeitgeist’ refers to the defining spirit or mood of a specific period in history) and resonate with audiences.

“With some films,” she says, “It seems like we were just waiting for them to come. One of the last examples that I can think of is Rang De Basanti (2006).”

What is the role of a professional film critic today, when the Internet provides a space for everyone to come and leave their review?

One important feature of film criticism, which differentiates it from reviewing, is that it implies a certain degree of objectivity. Of course, it is impossible to leave one’s biases completely at home while consuming art, but the very nature of analysing and contextualising a film makes a critique more objective than a review, whose thrust is to recommend or reject a film.

For example, it probably won’t matter to a good critic where the film is coming from, be it the biggest production house or a new venture.

“Critics are important for films that need a bit of a push,” says Gupta. “That’s what our job is, to cut the clutter, and bring out films that otherwise would not have too much exposure.”

She adds, “We (critics) have never been as important as we are today. We can separate the wheat from the chaff, and give the audience more knowledge and more context of what they see and want to see.”

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Arushi works with the online desk at The Indian Express. She writes on entertainment, culture, women's issues, and sometimes a mix of all three. She regularly contributes to the Explained and Opinion sections and is also responsible for curating the daily newsletter, Morning Expresso. She studied English literature at Miranda House, University of Delhi, along with a minor in Sociology. Later, she earned a post-graduate diploma in Integrated Journalism from the Asian College of Journalism, where she learnt the basics of print, digital and broadcast journalism. Write to her at [email protected]. You can follow her on LinkedIn and Instagram. ... Read More

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Top 20 Must-Watch Bollywood Movies | List of Best Indian Films

By filmfare | july 31, 2023, 20:58 ist.

Immerse yourself in the enchanting world of Bollywood cinema that has bewitched audiences worldwide with its vibrant hues, infectious music, and compelling narratives. In this article, we'll embark on a fascinating exploration of the top 20 Must-Watch Bollywood Movies that have imprinted themselves on the industry and captured the hearts of millions.

The Classics

1. sholay (1975).

Celebrate the timeless masterpiece, "Sholay", an impeccable blend of action, drama, and romance. The film, directed by Ramesh Sippy, boasts of an iconic cast, unforgettable dialogues, and an everlasting villain, Gabbar Singh.

2. Mother India (1957)

Experience the moving saga of "Mother India," a testament to the resilience and strength of womanhood . This film by Mehboob Khan stands tall in the annals of Indian cinema, embodying the true essence of motherhood.

3. Dilwale Dulhania Le Jayenge (1995)

The quintessential Bollywood love story, " Dilwale Dulhania Le Jayenge ", is a heart-stealing masterpiece. Directed by Aditya Chopra, this film set new standards for romance and celebrated the victory of love over all obstacles.

4. Mughal-e-Azam (1960)

"Mughal-e-Azam", directed by K. Asif, is a cinematic gem that transports viewers back to the grandeur of the Mughal era. The epic historical drama narrates the forbidden love story between Prince Salim and the beautiful courtesan Anarkali.

5. Pyaasa (1957)

Guru Dutt's "Pyaasa" narrates the heartrending tale of a struggling poet seeking recognition and love amidst a materialistic world. With its potent narrative and haunting melodies, this film is a tribute to artistic beauty and the pursuit of dreams.

The New Age

6. lagaan (2001).

" Lagaan ," directed by Ashutosh Gowariker, is a cinematic spectacle blending sports, patriotism, and an inspiring underdog story. Set in British India, this cricket-centric drama captured the imagination of audiences worldwide.

7. 3 Idiots (2009)

"3 Idiots," a film that resonated with audiences of all ages, challenged societal norms and emphasized the pursuit of one's true passion. The film's thought-provoking storyline and standout performances were brilliantly executed by director Rajkumar Hirani.

8. Dil Chahta Hai (2001)

"Dil Chahta Hai," directed by Farhan Akhtar, revolutionized Bollywood with its depiction of urban youth and their self-discovery journey. This coming-of-age film became a cult favorite among the younger generation.

9. Kabhi Khushi Kabhie Gham... (2001)

Karan Johar's "Kabhi Khushi Kabhie Gham..." is a grand family saga exploring the intricacies of love, relationships, and societal expectations. The multi-starrer film features lavish sets, melodious songs , and unforgettable performances.

10. Rang De Basanti (2006)

"Rang De Basanti," directed by Rakeysh Omprakash Mehra, awakened the patriotic spirit within every Indian. The powerful film touched upon corruption, youth activism, and the yearning for change.

Recent Blockbusters

11. bahubali: the beginning (2015) and bahubali: the conclusion (2017).

S.S. Rajamouli's "Bahubali" duology elevated Indian cinema to unprecedented heights with its epic scale, stunning visuals, and riveting storytelling. These films became a cultural phenomenon, showcasing the power of Indian filmmakers on a global stage.

12. Padmaavat (2018)

" Padmaavat ," a visually mesmerizing period drama directed by Sanjay Leela Bhansali, tells the story of the legendary Rajput queen, Padmavati. The film's opulent sets, exquisite costumes, and powerful performances received critical acclaim.

13. Uri: The Surgical Strike (2019)

"Uri: The Surgical Strike" is a gripping war drama based on real events, paying tribute to the Indian Armed Forces. The film, directed by Aditya Dhar, resonated with audiences for its realistic portrayal of military operations and bravery.

14. Gully Boy (2019)

Zoya Akhtar's " Gully Boy " brought the underground hip-hop scene of Mumbai into the limelight. This coming-of-age musical drama portrayed the struggle, dreams, and triumphs of an aspiring rapper, captivating critics and audiences alike.

15. Andhadhun (2018)

A darkly comedic thriller, "Andhadhun," directed by Sriram Raghavan, crafts a complex tale of deception, mystery, and music. With its unpredictable twists and top-notch performances, the film kept viewers riveted till the end. ALSO READ: Top 30 Comedy Films Made in Bollywood

Modern Gems

16. article 15 (2019).

"Article 15," directed by Anubhav Sinha, addresses the sensitive issue of caste discrimination in India. This hard-hitting social drama sparked discussions about inequality and the need for social reform.

17. Dangal (2016)

" Dangal ," directed by Nitesh Tiwari, is a sports biographical drama based on the real-life story of wrestler Mahavir Singh Phogat and his daughters. Starring Aamir Khan, the film exemplifies the power of determination, shattering stereotypes, and achieving greatness.

18. Pink (2016)

"Pink," directed by Aniruddha Roy Chowdhury, delves into the critical subject of consent and women's rights. This hard-hitting courtroom drama brought societal issues to the forefront with its standout performances.

19. Badhaai Ho (2018)

"Badhaai Ho," directed by Amit Sharma, is a heartwarming comedy-drama exploring the dynamics of a middle-aged couple grappling with an unexpected pregnancy. The film challenges societal norms and celebrates the essence of family and love.

20. Super 30 (2019)

"Super 30," directed by Vikas Bahl, tells the inspiring story of mathematician Anand Kumar and his educational program for underprivileged students. This biographical drama showcases the transformative power of education.

Bollywood boasts a rich history of cinematic brilliance, with films that have not just entertained but inspired millions. The above list of the top 20 Bollywood movies epitomizes the diversity and depth of Indian cinema. Regardless of whether you're a seasoned cinephile or a casual moviegoer, these films offer a unique viewing experience that transcends cultural and linguistic barriers.

Key Takeaways

• Bollywood offers a diverse array of films, from historical dramas like "Mughal-e-Azam" to modern classics like "Dilwale Dulhania Le Jayenge".
• Films like "Deewaar" and "Sholay" have become cultural landmarks, remembered for their iconic dialogues and performances.
• The new wave of Indian cinema, represented by films like Queen, Dangal, and Gully Boy, is pushing boundaries and exploring new themes.
• Bollywood's rich history of cinematic excellence continues to entertain and inspire audiences worldwide.

FAQs (Frequently Asked Questions)

Which bollywood movie has won the most awards.

The Bollywood movie "Gully Boy" holds the record for winning the most awards. It received numerous accolades, including several Filmfare Awards and the prestigious National Film Award.

Are Bollywood movies only popular in India?

While Bollywood movies primarily cater to Indian audiences, they have gained popularity worldwide. Indian diaspora and enthusiasts of Indian culture across the globe embrace Bollywood films, contributing to their international appeal.

Who are some of the iconic actors in Bollywood?

Bollywood has seen the rise of several iconic actors over the years. Amitabh Bachchan, Shah Rukh Khan, Aamir Khan, and Priyanka Chopra are a few names that have achieved immense fame and popularity both within India and internationally.

Are all Bollywood movies musicals?

While music plays a significant role in Bollywood movies, not all films are full-fledged musicals. Some movies focus more on drama, action, or other genres while incorporating songs and dance numbers to enhance storytelling.

How is Bollywood different from other film industries, like Hollywood?

Bollywood and Hollywood have distinct characteristics. Bollywood films tend to be longer, often featuring melodrama, song sequences, and a blend of genres. Hollywood, on the other hand, is known for its focus on realism, technology-driven filmmaking, and a wider range of genres.

Do Bollywood movies always have happy endings?

While Bollywood movies often have happy endings, it is not a rule set in stone. Indian cinema encompasses a variety of genres, including romantic dramas, comedies, thrillers, and tragedies, offering a range of different narrative outcomes.

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Users' Reviews

Refrain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks, name calling or inciting hatred against any community. Help us delete comments that do not follow these guidelines by marking them offensive . Let's work together to keep the conversation civil.

Biranchi Narayan Acharya 75031 426 days ago

I like the movie very well. It may be a simple story and to some extent appeared a bit superfluous (from the story's point of view) yet the twists and turns kept me very much engaged with a lot of curiosity as to what happened next.

Deven Vaijapurkar 57143 486 days ago

Guest Login 505 days ago

Irrelevant story now. Wrong timing

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Varun Grover’s Latest Movie All India Rank OTT Release Date Revealed

By Devanshi Basu

Varun Grover , the celebrated National Award-winning lyricist, is making headlines with his directorial debut film, All India Rank . The highly anticipated movie is gearing up to hit Netflix screens on Friday, April 19, 2024 .

When is Varun Grover’s All India Rank releasing on Netflix? 

In a recent announcement made by Netflix India, the streaming giant revealed the OTT release date of All India Rank with a special caption that encapsulates the essence of the film. They quipped, “Vivek is 17 and about to face the biggest competitions of his life- pyaar, dosti, aur exams. It is a coming-of-age story that will melt your heart. All India Rank arrives on 19 April, only on Netflix! #AllIndiaRankOnNetflix @allindiarankmovie.”

View this post on Instagram A post shared by Netflix India (@netflix_in)

Described as a coming-of-age story, the film promises to take viewers on a journey through the trials and triumphs of adolescence, set against the backdrop of late 1990s India. Vivek, the lead, played by Bodhisattva Sharma, grapples with the pressures of academic success. In addition to the complexities of family life and the challenges of young love, he is striving to crack the entrance exam for the Indian Institute of Technology (IIT).

In addition to its nostalgic storyline , All India Rank boasts a stellar cast, including Samta Sudiksha, Shashi Bhushan, and Geeta Agrawal. Furthermore, Sheeba Chaddha, Neeraj, Ayush Pandey, and Saadat Khan round up the ensemble.

Varun Grover, in a promotional video shared on his social media platforms, expressed his excitement about the film’s release. He stated, “All India Rank is my first film as a director… please watch it and let me know how you liked it.” The film, produced by Sanjay Routray and Sarita Patil, has become a sensation on the international festival circuit. It premiered at the International Film Festival of Rotterdam. Furthermore, it was showcased at events such as the MAMI Film Festival and the Dharamshala International Film Festival.

View this post on Instagram A post shared by Varun Grover (@vidushak)

As the countdown to April 19, 2024 begins, anticipation mounts for the release of All India Rank on Netflix.

When not obsessively writing about anything and everything related to cinema, you can catch her documenting nooks and crannies of Delhi.

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Miracles at the Movies: Locke + Signorelli

Showcases condensed versions of Come Out in Jesus Name and Domino Revival. Showcases condensed versions of Come Out in Jesus Name and Domino Revival. Showcases condensed versions of Come Out in Jesus Name and Domino Revival.

• Mike Signorelli
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‘Silence 2’ Review: Climax, dialogues make Manoj Bajpayee film a missed opportunity

Silence 2 review: manoj bajpayee and prachi desai-starrer 'silence 2: the night owl bar shootout' released on april 16. the film fails to impress as a crime thriller despite its potential, says our review..

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• Manoj Bajpayee returns as ACP Avinash Verma with 'Silence 2'
• Aban Bharucha Deohans is the writer and director
• The film suffers from an unsteady pace and a disappointing climax

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Manoj Bajpayee

Release Date: 16 Apr, 2024

Manoj Bajpayee and Prachi Desai-starrer ‘Silence 2: The Night Owl Bar Shootout’ isn’t a film with just a long title. With close to 2 hours and 40 minute run-time, the film also veers towards being a dud show with very melodramatic treatment. At the centre of it is ACP Avinash Verma (played by Bajpayee), who reiterates how Amitabh Bachchan says ‘No means no’ in Pink before beating up goons and can play out murder scenes with his vivid imagination.

He is a poet at heart who simply delivers philosophical lines in the middle of an investigation, ponders often and quotes Ghalib. This man, along with his team, is out to catch a killer, who has murdered 10 people in a bar. However, thanks to the hunch that ACP Verma has, he finds out that there is a deeper racket involved.

(SPOILERS AHEAD)

The racket that we are speaking about is a human trafficking racket. With a slow start, the story slowly progresses towards finding the culprit, not just behind the shootout but also the one operating the racket.

At the centre of it is a mad artist, Arjun Chauhan. He is shown as an elusive character who only a few have met. The mystery unfolds, little by little, over the next 160 minutes. While the film picks up pace, it is very sporadic. The pace keeps being unsteady, and the melodramatic treatment does not help the case.

(SPOILERS END)

What is worse is the climax and the revelation of the criminal. What follows is the motive provided. Thanks to the final sequence, it looks like the audience has very successfully wasted their time.

Aban Bharucha Deohans has written and directed ‘Silence 2: The Night Owl Bar Shootout’. The writing could have been much crisper, especially at times when very craftily-made crime thrillers are aplenty. Even as a director, he loses his reign over the film quite a few times. The execution does not help.

Manoj Bajpayee’s ACP Verma feels like Srikanth Tiwari with less quirk. The actor tries to incorporate the swag that he has in the Raj and DK show, but keeps stuck in philosophy. The lines given just make the character farcical at times. He tries to play ACP Verma with sincerity, but the script does not do justice.

Prachi Desai is a wasted opportunity here. The actor, who has spark and talent, doesn’t have much to showcase in the film. It also makes us wonder why makers are not doing justice to her.

There seems to be a poor parody running throughout with dialogues like ‘ kuch toh gadbad hai ’ (something is wrong), reminiscent of ACP Pradyuman from CID or ‘ iss khel ka nirdeshak Arjun Chauhan hai par iss drame ka antim scene hum likhenge ’ (Arjun Chauhan might be the director of the game, but I will write the last scene). There’s also, ‘her life was interrupted by death’ at a very serious point. So, you get the drift of how the film gets unintentionally funny.