Case Study House Tours
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Architectural homes in Los Angeles: Eames House
House tour: Architectural homes in Los Angeles
Visit these important architectural homes from some of LA's pioneering greats like Eames, Gehry and Neutra.
From tract homes to Case Study Houses, Southern California has always been at the forefront of residential home design ( even Ice Cube knows it ). Whether you’re interested in local history, celebrity digs or plain old house porn, we’ve got a spot for you. So get off the beaten museum track and check out these landmark architectural homes, all within a few mile radius and (mostly) open to the public.
Been there, done that? Think again, my friend.
Eames House
- Historic buildings and sites
- Pacific Palisades
Designing couple Charles and Ray Eames were known for their intelligence and their joie de vivre , both of which are apparent at the Eames House nestled in the Pacific Palisades. One of Southern California’s most beloved examples of modernist residential design, with its Mondrian-style color-block exterior and environmentally-sensitive siting, this home was the Eames’ residence from the time they moved in—on Christmas Eve of 1949—until their deaths in the '70s and '80s, respectively. Visitors park a couple blocks away and walk up the hilly driveway for a self-guided tour of the exterior ($10, reservations required). Interior tours are more difficult to come by: Members are invited for an appreciation day, always scheduled near the Eames’ June 20 anniversary. Anyone can book a one-hour personal tour ($275; $200 for members), but if you’re a real Eames fan, you may want to splurge on the picnic for four in the meadow ($750; $675 for members) and recreate the opening shots of the duo’s popular Powers of Ten video.
Schindler House
- Things to do
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- West Hollywood
Sleeping baskets on the roof, communal kitchens and a revolving-door salon of artists. Nope, not a Burning Man camp: This is the Schindler House, designed by Austrian architect Rudolf Schindler, who built it as a dual-family residence in which his family cohabited for a time with his frenemy and fellow influential architect Richard Neutra. A quiet, Japanese-influenced concrete building hidden behind a bamboo grove on a street of condos, this experiment in living now houses the Mak Center , a Vienna-based institute that runs a fantastic program of events in the space, including experimental fashion shows, innovative performance art and concerts of new, original compositions. During the week, visitors can wander around the empty house and imagine themselves part of the freewheeling LA bohemia of the 1920s and '30s.
Lummis House (El Alisal)
- Highland Park
Where would we be without those energetic civic boosters that built Los Angeles? The prolific Charles Fletcher Lummis founded the Southwest Museum, was an editor at the Los Angeles Times , and still managed to design this house (the name of which means “the Sycamore” in Spanish) on the banks of the Arroyo Seco. Its exterior is made almost entirely from river rock and the interior is heavily influenced by Pueblo Indian dwellings. Fans of today’s DIY movement will appreciate the rustic Craftsman charm of this home, which is furnished with hand-crafted wood pieces; it’s interesting to see how closely modern-day bohemian design mirrors that of Lummis House. The Historical Society of Southern California is now headquartered here, and it holds several Sunday afternoon programs a year, as well as an annual holiday open house in December.
Hollyhock House
This 1921, Mayan-inflected Frank Lloyd Wright house was originally built as a “progressive theatrical community” space by activist and oil heiress Aline Barnsdall. Today it’s the centerpiece of Barnsdall Park and is open for tours during the park’s popular Friday night wine tasting events . Rudolf Schindler, a protégé of Wright’s, was the overseeing architect on this project (unusual for Wright, who typically was on-site for all of his buildings) and by all reports it was a contentious building process, with the same delays and cost overruns familiar to anyone who’s attempted construction. After it was completed, frequent flooding of the living room in the short yet destructive rainy season and seismic concerns prevented Barnsdall from living in the gorgeous but impractical concrete and stucco house for long—though she did spend the rest of her life in a smaller house on the property, which the family called Olive Hill.
Sam Maloof House
- Inland Empire
Master woodworker Sam Maloof and his carpenters designed and built this lovely, thoughtful home piece by piece in his on-site workshop; no two door openings are the same here, and each joint is a wonder of craftsmanship. A MacArthur Genius Grant recipient, Maloof has had his iconic rocking chairs shown at the Smithsonian; he also designed the chairs that were used on-camera at the history-changing Nixon/Kennedy debates. Visitors can see some of this furniture, as well as the wide-ranging collection of arts-and-craft pieces that he and his wife of 50 years, Alfreda, amassed together. The garden, which he tended, and the house are both open for tours; if you ask, you might be able to peek into the workshop, where he continued building until his death in 2009 at the age of 93.
Greystone Mansion
- Beverly Hills
Is the Greystone Mansion haunted ? The society that runs it certainly wants us to think so—haunted house tours and a popular interactive play capitalize on the 1929 scandal in which the owner of the mansion, oil heir Ned Doheny, died in a mysterious murder-suicide with his boyhood friend and employee. Doheny’s father was mired in the Teacup Dome Scandal at the time, and the deaths meant that he was excused from testifying; rumors also abounded that Ned, who was married with children, was trying to cover up a same-sex affair. Either way, a tour of this 55-room Tudor estate is a good way to get a glimpse into the lives of LA’s historical 1%—costly slate clads the façade and walkways, the windows are leaded glass and guests were entertained in the bowling alley and two movie theaters. When the home was finished in 1929, it cost a reported $3M, making it the most expensive private home in the city at the time.
Gamble House
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- price 2 of 4
Pasadena may think it owes much of its traditional Arts and Crafts style to Charles and Henry Greene, the brothers and architects responsible for designing many of the city’s landmark buildings, but really, they should be honoring Thomas Greene, the architects’ father. He was the one who decided on their profession, sending them off to MIT and then demanding they move out to Pasadena once they graduated. No word on whether he determined their style as well, but no matter who the progenitor, this graceful house originally built for one of the heirs of the Proctor & Gamble fortune remains one of the best examples of their work. Programming at the Gamble House is exceptional—there are tours that focus on things like the art glass or the details and joinery in the house, as well as more casual events like Brown Bag Tuesday, when visitors bring their own picnic lunch to eat on the grounds, followed by a 20-minute tour. However you decide to experience it, don’t miss the remarkable zig-zag staircase, a joyous element that adds a bit of fun to the perfection of the house.
Neutra VDL Research House
- Silver Lake
The original Neutra VDL Research House, a living laboratory for architect Richard Neutra’s theories on residential design, was built for $8,000 (including the site!) in 1932; it burned down in 1963 and two years later his son oversaw the rebuilding of an updated version. Neutra was something of a control-freak as a designer—he made recommendations to his clients that included the ideal flowers to display, and would occasionally make unannounced visits to see how, exactly, people were living in his homes. This remodel retains Neutra’s clarity of vision and is still a stunner. Today, this glass-walled paragon of modern design overlooking the Silver Lake Reservoir is an active part of LA’s design community and home to occasional art installations. Each Saturday, students in Cal Poly Pomona’s architecture program lead half-hour tours.
Avila Adobe
Visit this 1818 home to see what life was like in California when it was still governed by Mexico. This is the oldest standing residence in the city, built by wealthy cattle rancher Francisco Avila, whose extensive 4,439-acre land grant covered much of Beverly Hills and the Miracle Mile district. Built of tar from the La Brea Tar Pits , clay from the LA River and wood from the riverbank, this adobe structure is located near the Zanja Madre (in English, "mother ditch"), the original aqueduct that brought water to the LA River for El Pueblo de Nuestra Senora La Reina de Los Angeles (the original name of our fair city). Though visitors only see about half of the original house, it’s well-preserved with an interesting mix of Spanish, Mission and ranchero influences.
Frank Gehry House
- Santa Monica
The neighbors love to hate it, carloads of architecture students drop by to gawk at it: This unexpected intersection of chicken wire, plywood, corrugated metal and traditional Santa Monica house is famed architect Frank Gehry’s actual place of residence. This year the AIA gave it the Twenty-Five Year Award, for a building that has stood the test of time for 25 to 35 years. Rumor has it that when Gehry had a party for his firm here, design enthusiast Brad Pitt knocked on the door and invited himself in. You probably shouldn’t do the same, but you can take it in from the outside. There are no official visiting hours or tickets, but the house is very easy to view from the street.
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Eames House
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The Eames House, also known as Case Study House No. 8, is a landmark of mid-20th century modern architecture located in the Pacific Palisades neighborhood of Los Angeles. It was designed and constructed in 1949 by husband-and-wife Charles and Ray Eames to serve as their home and studio. They lived in their home until their deaths: Charles in 1978 and Ray, ten years to the day, in 1988.
Charles described the house as unselfconscious . There is a sense of that “way-it-should-be-ness”. Charles and Ray designed a house specifically to meet their needs, but they were those universal needs that we all share as humans. They believed in the honest use of materials and straightforward connections. The details WERE the product!
And then by nestling the house into the hillside, rather than imposing it on the site, they realized their original intent: for the house in nature to serve as a re-orientor. The scent, the sound of birds, the shadow of the trees against the structure whether inside or out, the openness of the site—all the elements join seamlessly.
Charles said, “Just as a good host tries to anticipate the needs of his guest, so a good architect or a designer or a city planner tries to anticipate the needs of those who will live in or use the thing being designed.”
Come visit and explore how the house exemplifies many of the themes of the Eameses’ work: from furniture to exhibitions, the guest/host relationship, the iterative process that leads to meeting the need, the importance of the direct experience, the relation with nature, the life in work and work in life, the importance of details, and more. Together the structure, collections, and landscape tell the story of the couple’s approach to life and work.
The Eames House consists of two glass and steel rectangular boxes: one is a residence; one, a working studio, exploring process, materiality and color.
The Eameses looked at life as being an act of design. The residence is filled with the “stuff” of their living: the stuff that tells the story of their lives, interests and loves.
The Eames House structure and its contents are often the focus of attention, but the landscape is critical to their understanding. As Charles said, “Eventually everything connects”.
Help us share the Eameses’ joy and rigor with future visitors, so they may have a direct experience of Charles and Ray’s approach to life and work.
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The Eames House, or Case Study House no. 8
I am sticking around the Pacific Palisades to talk about another one of my favorite places in Los Angeles–The Eames House and Foundation. But first a film.
I hope this video gave you some context about why the Eames House is such an important part of Los Angeles’ cultural landscape. I love taking my friends here who love architecture and Mid-Century design. The Eames house is a marvel in making do with what you have and testing the limits of what an object can do.
Table of Contents
The Case Study House Program
The Case Study House program, which the Eames House is part of, was ahead of its time in many ways. The idea came from a group of editors at Art and Architecture Magazine who posed a question to architects on how to produce homes cheaply and quickly. The program coincided with a projected population boom in the Western states after the end of WWII. One of the criteria was using materials that were readily available during the war. Think of the 3 Rs-Recycle/Reuse/Restore before it was cool.
The Case Study question was brought to several architects and designers that now read like a who’s who of the Mid-Century aesthetic: Richard Neutra, Eero Saarinen, Pierre Koenig, and Craig Ellwood, to name a few. In all, thirty-six houses were designed. Many of these were never built or were demolished before they could be protected. Luckily, two of these homes are on tour to the public in Los Angeles. Case Study House no. 22, or the Stahl House, and Case Study no. 8, built by Charles and Ray Eames.
The name Eames may not be familiar to you, but I assure you that you have seen their work copied again and again by places like Design Within Reach and West Elm. In addition to being architects of Case Study House No. 8, this husband and wife team designed all the furniture and textile pieces featured in the home. All the Eames designs are both aesthetic and functional.
The Eames’ home
What you notice about Case Study No. 8, which ended up being the Eames’ home, is that the house is separated into two buildings made from sections of shipping containers. A working space that served as their design studio and another larger space which I will talk about more in-depth in a second. The walkway between the two buildings is a green space meant to leave the worries of work at work.
The Eames were purveyors of the guest/host relationship. The home was designed so that it has a natural flow and puts guests first in the kitchen, then to the dining room, and ending the evening in the living room. After dinner, they can sip their after-dinner drinks with a spectacular view of the sun setting over the Pacific Ocean. This house was definitely planned with dinner parties in mind. The floor-to-ceiling windows really showcase the nature surrounding the property. The meadow outside is lined with milkweed that attracts Monarch butterflies that flit around the property. Tall eucalyptus trees with peeling bark reveal new colors and smell sweet on the air. Looming in the distance is the outline of Catalina Island.
Hours, cost, and information
Case Study No. 8 is now run by The Eames House Foundation who offers tours of the home and grounds.
- Website: http://eamesfoundation.org
- Location: 203 Chautauqua Boulevard, Pacific Palisades
- When: By appointment, closed on Wednesdays and Sundays
- Cost: As of this update, 4/6/23, they are only offering guided exterior tours at $30 per person. Check the website for all costs and to make an appointment
- Ages: All are welcome on the exterior tour. People under 15 years of age are not allowed on an interior tour
[Getting there: Driving: Just an FYI that although the directions to the place are good, please note that this area straddles two cities–one side of the street is Vance while the other is Corona Del Mar, a helpful hint since there is no place to turn around once you have missed the street. By Public Transit: Los Angeles Metro bus 602.]
Missed my first favorite place; check out Monday’s post .
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Comments (2).
Hannah Siller
September 10, 2020 at 8:47 am
I had no clue this existed and I’ve lived in Southern California my whole life. Might have to check it out.
Leo Carrillo State Beach's Tide Pools –
September 10, 2020 at 10:52 am
[…] I hope I convinced you to incorporate Leo Carrillo State Beach’s tide pools to your trip and life in Los Angeles. If you missed out on my other favorite things to do in Los Angeles, check out the Self-Realization Fellowship Lake Shrine and the Eames House. […]
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Self-Realization Fellowship Lake Shrine
Leo carrillo state beach's tide pools.
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The Stahl House by Pierre Koenig | Case Study House #22
Perched on the Hollywood Hills with a commanding view of Los Angeles, the Stahl House, also known as Case Study House #22, is a paragon of mid-century modern architecture. Designed by Pierre Koenig and completed in 1960, this residence is an architectural masterpiece and a symbol of a particular era in Los Angeles, characterized by a burgeoning optimism and a new approach to residential design.
The Stahl House Technical Information
- Architects 1 : Pierre Koenig
- Location: 1636 Woods Drive, Los Angeles , California , United States
- Topics: Mid-Century Modern Houses
- Area: 210 m 2 | 2,300 ft 2
- Project Year: 1959-1960
- Photographs: Various, See Caption Details
If you don’t know the Stahl House, then you don’t know mid-century modern architecture. – Julius Shulman 3
The Stahl House Photographs
A Vision of Glass and Steel
The journey of the Stahl House began in 1954 when Buck Stahl purchased a lot that was considered unbuildable. His vision was clear—a home that embraced its surroundings with vast expanses of glass to capture the sprawling cityscape. In 1957, Koenig, known for his proficiency with industrial materials, was commissioned to realize this vision. The result was a structure of steel and glass that was both minimalistic and expressive.
Design and Layout
Koenig’s design was a masterclass in the use of industrial materials in residential architecture. The house is distinguished by its “L” shaped plan, separating public and private spaces through a simple yet effective layout. Large, 20-foot-wide panes of glass form the majority of the walls facing the view, offering unobstructed panoramas of Los Angeles.
The design also cleverly incorporates the landscape into the living experience. The swimming pool, positioned between the wings of the house, not only serves as a physical buffer separating the living spaces but also as a visual corridor to the city beyond.
I design for the present, with an awareness of the past, for a future which is essentially unknown. – Pierre Koenig 2
Iconic Status and Architectural Significance
Julius Shulman’s photography cemented the Stahl House’s iconic status. In a series of images that have become synonymous with mid-century modern architecture, Shulman captured the essence of the house. These photographs highlight the house’s integration with its surroundings and open, transparent design.
The Stahl House was included in the Case Study House program, which aimed to reimagine residential architecture post-World War II. Case Study House #22 became an influential model showcasing the possibilities of modernist aesthetics in suburban settings.
Cultural Impact and Legacy
Over the years, the Stahl House has transcended its role as a private residence to become a cultural landmark. It has been featured in numerous films, commercials, and fashion shoots, each time underscoring its timeless appeal and architectural significance.
Despite its fame, the house remains a family-owned property, preserved as the Stahls left it. The family offers tours, allowing architecture enthusiasts to experience the space and its spectacular views firsthand.
The Stahl House Plans
The Stahl House Image Gallery
About Pierre Koenig
Pierre Koenig was a pioneering American architect, born on October 17, 1925, in San Francisco. Renowned for his influential contributions to mid-century modern architecture, Koenig is best known for his work in the Case Study House program, particularly the iconic Case Study House #22, or Stahl House. His designs emphasized industrial materials like steel and glass, integrating buildings seamlessly into their environments while promoting sustainability through the use of prefabricated materials. A long-time professor at the University of Southern California, Koenig’s legacy continues to influence architectural practices and education. He passed away on April 4, 2004, leaving behind a significant impact on the landscape of Southern California architecture.
Notes & Additional Credits
- Client: Buck Stahl
- Case Study Houses by Elizabeth A. T. Smith
- Modernism Rediscovered by Julius Shulman
- Pierre Koenig: Living with Steel by Neil Jackson
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Case Study House #26 was built in San Rafael (near San Francisco) in 1962, on a design by Beverley Thorne.
Intended as the residence of Bethlehem Steel CEO Harrison Fuller, after his death, a TWA pilot/flight attendant couple lived in this home until it was sold in 2015.
The design is based on a simple concept: A shoebox comprised of 8 identical bays, steel-framed and covered with a flat roof. The social spaces are accentuated by a double height space, whose dramatic roof follows the slope of the lot.
Using a steel structure allowed the ultimate indoor/outdoor living experience: All typical exterior walls are fully glazed; also allowing panoramic views over the nearby State Park and golf course.
Landscape designer Garrett Eckbo (EDAW, now Aecom) designed the landscape. Recent renovation and preservation work was conducted by Cord Struckmann, AIA.
Both past and current owners have been taking great care to preserve the home for future generations.
The ARCHITEcT
Beverley (David) Thorne (1924 - 2017) liked the challenge to design houses for hillsides, typically shunned by regular developers. His preferred medium was steel. It allowed him large spans, boldly cantilevered structures, while reducing earthwork and number of foundations to the absolute minimum.
He himself helped welding the steel members for Case Study House, which is his only Case Study House project.
A graduate of UC Berkeley, David Thorne gained early fame for his spectacular 1954 Oakland home for jazz musician Dave Brubeck. Working later under his given name Beverley and out of the limelight of architecture circles, he completed more than 100 homes throughout California and Hawaii, where he spent his last years. He was the last living architect of the Case Study House program.
More info on docomomo northern california
The PROGRAM
The Case Study House Program ran from 1944 to 1967 and was sponsored by the ‘Arts and Architecture’ magazine. The idea of editor John Entanza, with support from the Eames, Richard Neutra and others, was to show the American public how families can live in modern times: with modern layouts, good connection to the outdoors, with modern amenities like cars electric and appliances, and using industrial materials to allow for efficient, inexpensive construction.
Under the program, about 30 homes were designed; and about 20 were built; with almost all of them in the Los Angeles area. The 1949 Eames House (#8) and the 1960 Stahl House (#22) are the most well-known ones. After construction, each Case Study House was open to the public for tours. For the Case Study House 26’s Open Houses in 1962, helicopters landed on the roof - aka helipad - ; one of the house’s innovative features.
The program represented the optimistic, innovative character of post-war Californian architecture.Only few of the Case Study Houses - with #26 among them - are still in their original condition.
Link: www.artsandarchitecture.com/
LInk: A&A Articles about Case Study House #26
The BUILDERS
Case Study House #26 - as many other houses in the Marin Bay Development - was built by 20th Century Homes. Its founders, Roy Claxton and Hal Weiss, met when working on an Eichler development, where they also lived before they moved out to the Marin Bay / Peacock Gap. They were very interested in advancing construction means and methods as well as developing outstanding homes. For Marin Bay, they partnered with Bethlehem Steel (for CSH#26) and the Plywood Industry for the 'Hanging Garden House' (shown to the left).
In the late 1960s, Roy and Hal developed patented house designs that improved the quality and construction speed by cutting the wood directly at the mill in Idaho, so the framing arrived ready to be installed on site. Many of these truncated A-frame houses can still be found in Northern California.
VISITS & STAYS
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AD Classics: Stahl House / Pierre Koenig
- Written by Andrew Kroll
- Architects: Pierre Koenig
- Year Completion year of this architecture project Year: 1959
- Photographs Photographs: Flickr User: dalylab
Text description provided by the architects. The Case Study House Program produced some of the most iconic architectural projects of the 20th Century, but none more iconic than or as famous as the Stahl House, also known as Case Study House #22 by Pierre Koenig. The modern residence overlooks Los Angeles from the Hollywood Hills. It was completed in 1959 for Buck Stahl and his family.
Buck Stahl had envisioned a modernist glass and steel constructed house that offered panoramic views of Los Angeles when he originally purchased the land for the house in 1954 for $13,500. Stahl had originally begun to excavate and take on the duties of architect and contractor; it was not until 1957 when Stahl hired Pierre Koenig to take over the design of the family’s residence.
The two-bedroom, 2,200 square foot residence is a true testament to modernist architecture and the Case Study House Program. The program was set in place by John Entenza and sponsored by the Arts & Architecture magazine. The aim of the program was to introduce modernist principles into residential architecture, not only to advance the aesthetic, but to introduce new ways of life both in a stylistic sense and one that represented the lifestyles of the modern age.
Pierre Koenig was able to hone in on the vision of Buck Stahl and transform that vision into a modernist icon. The glass and steel construction is understandably the most identifiable trait of architectural modernism, but it is the way in which Koenig organized the spatial layout of the house taking the public and private aspects of the house into great consideration. As much as architectural modernism is associated with the materials and methods of construction, the juxtaposition of program and organization are important design principles that evoke utilitarian characteristics.
The house is “L” shaped in that the private and public sectors are completely separated save for a single hallway that connects the two wings. Compositionally adjacent is the swimming pool that one must cross in order to get into the house; it is not only a spatial division of public and private but its serves as the interstitial space that one must pass through in order to experience the panoramic views.
The living space of the house is set back behind the pool and is the only part of the house that has a solid wall, which backs up to the carport and the street. The entire house is understood to be one large viewing box that captures amazing perspectives of the house, the landscape, and Los Angeles.
Oddly enough, the Stahl house was fairly unknown and unrecognized for its advancement of modern American residential architecture, until 1960 when Julius Shulman captured the pure architectural essence of the house. It was the night shot of two women sitting in the living room overlooking the bright lights of the city of Los Angeles.
That photo put the Stahl House on the architectural radar as being an architectural gem hidden up in the Hollywood Hills.
The Stahl House is still one of the most visited and admired buildings today. It has undergone many interior transformations, so you will not find the same iconic 1960s furniture, but the architecture, the view, and the experience still remain. You can make reservations and a small fee with the Stahl family, and even get a tour with Buck Stahl’s wife, Carlotta, or better recognized as Mrs. Stahl.
This building is part of our Architecture City Guide: Los Angeles . Check all the other buildings on this guide right here.
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Marion Davies House - Annenberg Beach House
The site that is currently known as the Annenberg Community Beach House was originally a five-acre oceanfront property belonging to William Randolph Hearst and his mistress, Marion Davies. The lavish compound was designed in the Georgian Colonial-style by architects Julia Morgan and William Flannery and featured a three-story main house, three detached guest houses, servants' quarters, dog kennels, tennis courts and two swimming pools. The legendary parties held at the compound during Hearst and Davies’ tenure had guest lists that often numbered in the thousands. Luminaries such as Howard Hughes, Clark Gable, Charlie Chaplin, Bette Davis, Carole Lombard, Cary Grant, Winston Churchill, and Gloria Swanson all spent time at the massive estate at one time or another.
The site operated as the popular Sand & Sea Club for decades, then sat vacant and boarded up for years until the city of Santa Monica announced plans to renovate and reopen it as a public beach facility. Renowned philanthropist Wallis Annenberg donated $27.5 million to the cause. During the renovation, all of the remaining original structures from the Hearst days were demolished, except for a 110-foot Italian marble swimming pool and one of the guest homes, now known as the Marion Davies Guest House . The Annenberg Community Beach House opened to the public in April 2009. The site is open daily and is also used as a special events/wedding venue and filming location.
Neutra VDL Studio and Residences
The only Richard Neutra-designed house that is now open regularly to the public, the Neutra VDL Studio and Residences is a Silver Lake hidden gem that was built by the famed architect in 1932. He ran his practice out of a studio here, and along with his wife Dione, raised three sons in this house, which he designed to demonstrate that Modernist principles could be enjoyed by less affluent clients, while maintaining privacy. Natural light, glass walls, patios and mirrors are hallmarks of the Neutra VDL House. Tours of the property, given by Cal Poly Pomona architecture students, are offered on Saturdays from 11 a.m. to 3 p.m.
In January 2017, the Neutra VDL Studio and Residences was added to the National Register of Historic Places. The U.S. Department of the Interior press release describes Neutra as "a nationally and internationally seminal figure of the twentieth century Modern movement in architecture" and the VDL Research House as "the only property where one can see the progression of his style over a period of years and is among the key properties to understanding the national significance of Richard Neutra.”
Schindler House
When this residential house was built by Vienna-born Rudolf Schindler back in1922 - inspired by a recent trip to Yosemite with his wife - it was extremely unconventional at the time for a place to live. In reality, it was meant to be a cooperative live-work space between two families, much like a camp site. Having been the residence of the Schindlers and then other creatives, this WeHo hidden gem is now listed on the National Register of Historic Places and is open to the public Wednesday through Sunday as an architectural center.
Stahl House
The Stahl House (aka Case Study House #22) was designed by architect Pierre Koenig and built in 1959. Perched in the Hollywood hills above the city, the Stahl House is an icon of Mid-Century Modern architecture. A 1960 black and white photograph by Julius Shulman, showing two women leisurely sitting in a corner of the house with panoramic views through floor-to-ceiling glass walls, is one of the most famous architectural photos in history and a quintessential Los Angeles image. In 2016, TIME named Shulman's photo one of the 100 Most Influential Images of All Time .
The Stahl House was declared Los Angeles Historic-Cultural Monument #670 in 1999. In 2007, the American Institute of Architects (AIA) listed the Stahl House as one of the top 150 structures on its "America's Favorite Architecture" list, one of only 11 in Southern California, and the only private residence on the list. The Stahl House was added to the National Register of Historic Places in 2013.
Discover LA Newsletter
What are the Los Angeles Case Study Houses?
It started out simple enough; figure out how to build economic, reliable homes in the Los Angeles area after the end of World War II, that would be suitable and sufficient for families. This quest would continue from the 1940’s to the 1960’s, and its effects are still visible and relevant to this day across L.A.
What are Case Study Houses?
The “Case Study Houses” were an architectural experiment in Los Angeles, California between 1945 and 1966 (The homes are located in the Los Angeles area aside from one in the San Francisco, California area and one in Phoenix, Arizona.) The editor of Arts & Architecture magazine at the time, John Entenza, asked architects to design and create homes that were simple, liveable, cost effective, and allowed owners to revel in the indoor-outdoor lifestyle that California is famous for ( read the magazine’s original call-out here ). In a competition of sorts, he asked for designs to be submitted for homes that would then be built and judged on their ability to live up to this criteria.
How many Case Study Houses were built?
The Case Study Houses initiative began with a total of 36 prototypes to be experimented with. The magazine set the requirement that “each house must be capable of duplication and in no sense be an individual performance.” Despite there being 36 designs, only 24 were ultimately built.
In terms of materials and layout, Entenza did not give much guidance or many instructions about what needed to be done when creating these homes, so the architects were free to use the materials they wanted. Some opted for brick whereas others opted for steel or wood.
Many architects chose to use smaller steel beams, which helped in designing homes that could be replicated easily and at a low cost. The use of cement, industrial glass, and plywood also tremendously decreased the price of building and therefore would be create a more budget-friendly option for families looking to purchase and maintain a home.
Los Angeles Case Study Houses: homes for modern families
In the end, almost every architect involved in this experimental project ended up aiming for an economically reasonable home that promoted a lot of natural light (via huge glass doors and windows that also reduced energy costs), openness, relaxation, and harmony.
Many of the homes were built with a modular layout that made the construction of them easier and quicker. The homes provided a feeling of togetherness for families, typically by rooms that we would now consider living rooms, but they also featured separate rooms to promote privacy when desired.
Famous architects of the Case Study Houses program
Entenza had such a reputation, and the idea of the Case Study Homes project was so appealing that he was able to commission several high-profile architects including Pierre Koenig, JR Davidson, and Richard Neutra.
These architects were already familiar with using these newer building materials materials and construction methods to build homes with the mid-century modernist theme, so they were perfect options for the Case Study Houses.
An announcement released by Arts & Architecture magazine stated that the architects were chosen based on “reasonableness, which they have consistently maintained at a high level.” The announcement concluded by stating that the Case Study Houses project would “assist in giving some direction to the critical thinking on housing being done by good architects and good manufacturers whose joint objective is good housing.”
The initial plan was to have each of the designs of the Case Study Houses built and then analyzed to see which ones could be recommended to be replicated based on sturdiness, structural design, appearance, economic benefit (versus losses), and public acceptance of modern architecture.
Ultimately, the goal was to find the best modern model that could be duplicated and would be reasonable and affordable for a family facing post-war challenges at that time. Many soldiers were returning home after being deployed for several years and needed places to support their families that didn’t come with exorbitant expenses. Seeing as there was a shortage of many materials and a lack of time for construction, a solution needed to be found.
Of course, the project was also geared towards finding out what construction methods and materials wouldn’t be suitable in that era.
The architects were all well aware of the Danish and Bauhaus modernist movements that were unveiled at the 1939 World’s Fair, which likely influenced the choices most of them made for their Case Study homes; many of the homes have modernist designs.
L.A. Case Study Homes today
At the time, these homes were stunning examples of ‘modern’ architecture and technology, and many of them still exist today. Several of the homes have unfortunately been demolished or completely remodeled to the point where they have lost their initial design integrity, but about 20 of the homes still exist much as they did when they were built. The most popular ones are likely the Stahl House, which was designed by Pierre Koenig in 1960 in West Hollywood, and the Eames House, which was designed by Charles and Ray Eames in 1949 in the Pacific Palisades area. Both of these homes can be toured today.
Pierre Koenig’s Case Study House #21 has been altered but was initially praised for being completely surrounded by water, and Case Study House #10 is now owned by the actress Kristen Wiig. The Case Study House in Phoenix, Arizona, is an apartment that is still in existence today.
The Case Study Houses are a testament to how the United States tried and succeeded in leading the architecture and building industry after the war. Building economic, sturdy homes with advanced (for that time) technology, modern materials, and lower cost was critical for Americans looking to restructure their lives post-war, and the Case Study Houses project turned out to become one of the most memorable and inspiring ventures in architectural history.
How to tour Case Study Houses: Architecture tours
Coming soon, we will be creating tours for these and other important homes in Los Angeles. To inquire, please click here .
The Mid-Century Fairytale of LA’s Case Study Houses
Featured image credit: mbtrama
It’s not often that we get to witness experiments in architecture while they’re in motion. Yet, that’s exactly the experience case study houses offer. Arts & Architecture magazine challenged notable architects to create affordable homes to address the U.S.’s residential housing boom. With World War II finally coming to an end, millions of soldiers were returning home to start families or pick up where they’d left off. The need for new housing was crucial. Arts & Architecture funded the experiment which ran just over two decades from 1945 until 1966. While one of the homes was built in Northern California and another in Phoenix, Arizona, most were erected in the Southern California region. Today, we take a closer look at this innovative moment in California’s housing history.
The Mid-Century Fairytale of Case Study Houses
It’s safe to say that the project piqued the public’s curiosity, drawing over 350,000 visitors to the initial six houses revealed in 1948. But Arts & Architecture did what it could to bring the case study houses to the Americans who couldn’t make the pilgrimage themselves.
The magazine regularly featured the completed homes in its pages, often supported by the keen eye of photographer Julius Shulman. Working in moody black-and-white, Shulman brought a classiness to his legendary shots of the forward-thinking domiciles. Furthermore, having specialized in architectural photography, Shulman fit naturally into the ambitious project.
Of course, his photographs benefited from the otherworldly glamor of Southern California. Homes perched proudly atop Hollywood hilltops with the stars seeming to bow at their feet. Other times, the open promises of the Pacific Ocean lapped at the perimeter while palms kissed cloudless skies.
In a world that had recently clawed itself out of the burned out crater of a devastating war, Arts & Architecture offered a “happily ever after” that was just sensible enough to believe. Soon, the case study houses became synonymous with the aesthetic of post-war Southern California.
Seeking Protections for SoCal’s Case Study Houses
The completed case study houses haven’t always had an easy time over the resulting decades. Some owners remodeled homes beyond recognition. Others razed them altogether.
But in 2013, the Los Angeles Conservancy Modern Committee petitioned to include 11 of the homes in the national registry. These homes range throughout Southern California, from Ventura to San Diego, though most stand in the Greater Los Angeles area.
Ultimately, the National Register of Historic Places accepted ten of these homes. The 11th would have made the list as well, but the private owner requested the home not appear on the official register. However, the California Environmental Quality Act (CEQA) has protected all 11 of these case study houses since July 24, 2013.
While the Los Angeles Conservancy Modern Committee nominated whatever case study houses they could, some didn’t make the list. They excluded extensively remodeled properties. Yet, the successful inclusion of the 11 petitioned properties paved the way to potentially include remodeled properties in the future. Additionally, the committee neglected to nominate other well-known case study homes, such as the Eames house, simply because they already appeared on the register.
Of the 11 homes submitted for registry, eight stand in Los Angeles County. Two more are located in San Diego County and another in Ventura County. Perhaps we’ll review those at a later date in our Los Angeles Home Spotlight column. But for today, we’re going to focus on the Los Angeles County offerings to the registry.
Case Study House #1
10152 Toluca Lake Ave, Los Angeles
Architect: j.r. and greta davidson, year completed: 1948.
Don’t let the number system fool you. Case study house #1 was not the program’s first home to be constructed. Thus, we introduce the notoriously irrational numbering system of the case study program. Even the editor of Arts & Architecture admitted there’s little to no rhyme or reason to the numbers.
J.R. Davidson, a force in the early days of California architecture, designed this home with the assistance of his wife, Greta. Efficiency was at the heart of the architecture as the Davidsons envisioned the busy lives of two working parents. Case study house #1 would allow working families more free time by keeping daily maintenance to a minimum.
This case study abode also introduced a series of features that became hallmarks of the program including:
- Open floor plan
- Floor-to-ceiling windows
- Keeping corridors to a minimum
- Multi-purpose rooms
- Garden access from all primary rooms
- Standardized materials (ie. concrete, plywood, and industrial glass)
Case Study House #9
205 Chautauqua Blvd, Los Angeles
Architect: charles eames and eero saarinen, year completed: 1949.
Case study home #9 is popularly recognized as the Entenza House since it was built for Arts & Architecture ’s editor and publisher John Entenza. Designers Charles Eames and Eero Saarinen challenged themselves to offer a wealth of space with simple, minimalist construction. The home, built from a steel frame and covered in wood-paneling, overlooks the Pacific Ocean from a scenic hill in Pacific Palisades.
Case Study House #10
711 S. San Rafael Ave, Pasadena
Architect: kemper nomland and kemper nomland, jr., year completed: 1947.
This tri-level structure would have existed regardless of the case study program. That’s because it wasn’t built in response to the program. Rather, it just happened to fit many of the ideals of the program including:
- Utilization of contemporary materials
- Employing modern building techniques
- Affordable to working class Americans
- Simple construction
- Economic use of materials
- Blending of indoor and outdoor features
So, how did this unrelated structure come to be case study house #10? Just two years into the case study program, Arts & Architecture were having trouble keeping a consistent pace. Without the completion of a new house on the horizon, they needed to find a way to keep the inertia.
So, despite the fact that Kemper Nomland and son had already built the home without regard to the program, its symbiosis found it ripe for inclusion. The Nomlands used the home’s multi-level design to fit it to a Pasadena hillside. In 2017, it sold to comedian, actress, and Saturday Night Live alum Kristen Wiig.
Case Study House #16
1811 Bel Air Rd, Los Angeles
Architect: craig ellwood, year completed: 1953.
The designer of case study home #16 (although that number changes depending on who you ask) was one of the most prolific in the program. So, it may come as a surprise that Craig Ellwood actually had no formal design instruction. Rather, he learned what he knew through his contracting work. It was enough to place his homes not once, not twice, but three times in the case study program.
Sadly, two of Ellwood’s designs have been remodeled beyond recognition. Thus, case study home #16 is the only remainder we have of his unique vision in relation to the program. Ellwood was noted for his propensity to use industrial materials and techniques for residential purposes.
But, as this home illustrates, he also had a gift for blending interiors and exteriors. This Bel Air home blurs the lines between the inside and outside by stretching inner walls beyond the outer walls.
Case Study House #18
199 Chautauqua Blvd, Los Angeles
Architect: rodney walker.
Pacific Palisades was a popular place for the case study program. Though it appears later on the list than home #8, home #18 (sometimes referred to as 18A) was the first to be completed in the area. Overlooking the tumultuous Pacific Ocean, the structure is built atop a cliff far away from the battering waves. It’s also positioned back from the cliff’s edge to reduce the roar of the sea.
But perhaps the most notable feature of Rodney Walker’s contribution to the program is the fireplace. The floor-to-ceiling double-sided brick fireplace is shared by a living room on one side and an interior garden room on the other. Three neighboring homes, including the aforementioned #8, would join #18 in the case study program over the next few years.
Case Study House #20
2275 N. Santa Rosa Ave, Altadena
Architect: conrad buff iii, calvin c. straub, and donald c. hensman, year completed: 1958.
While the majority of case study houses being built in the late 1950s employed steel, case study house #20 was crafted from a variety of natural woods. The design team from architectural firm Buff, Straub, and Hensman leveled a decaying estate in Altadena to bring their economical vision to life. The idea was to create a home for young parents who couldn’t afford more than the essentials. However, the home went to industrial designer Saul Bass and his biochemist wife Dr. Ruth Bass.
Case Study House #21
9038 Wonderland Park Ave, Los Angeles
Architect: pierre koenig, year completed: 1959.
Pierre Konig was a regular contributor to the case study program with his steel framed take on residential living. It was a trend that never quite caught on, but not for his lack of trying. One of the most notable case study houses, the Stahl House (#22 for those counting at home), was a result of Koenig’s lust for steel.
Case study house #21 was dreamt up as a model for efficient modern living with the possibility of mass production. But it was originally distinguished by a surrounding moat. The home was accessible via walkways at the front entry and carport. Though this property was extensively remodeled over the decades, Koenig returned to it in the 1990s to attempt to aid in its return to its original vision.
Case Study House #22
1635 Woods Dr, Los Angeles
Year completed: 1960.
Easily the most iconic of the case study homes on this list, case study house #22 is reserved for Koenig’s aforementioned Stahl House. It seems to float above the Greater Los Angeles area, kissing the interminable blue sky with the corners of its flat roof. To create this effect, Koenig employed the largest piece of glass available to commercial enterprises at the time. Furthermore, Koenig worked with the cliff’s edge site instead of against it to create a piece of LA history you can visit to this day.
The Aftermath of the Case Study Program
While the case study program aimed to build 36 examples of modern living, builders never completed (or even started) several planned homes. For example, case study house #19 would have been erected in the San Francisco Bay area. On the other hand, home #27 wouldn’t have even been in California. It was marked to be constructed in Smoke Rise, New Jersey.
The majority of LA’s remaining case study houses are private residences, yet two remain open to public tours. The Eames and Stahl Houses can be visited by scheduling a tour through their respective websites.
Will we ever see another age of innovation like the case study houses commissioned by Arts & Architecture magazine? It’s hard to say, but we hope it doesn’t take us another war to get there.
Seth Styles
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8 Famous Midcentury Homes You Can Actually Tour
The simple, rational homes designed by the illustrious architects of the 1950s and ’60s define the era’s values, aesthetics, and lifestyle. The impact of midcentury icons like Philip Johnson’s Glass House and the Eames House is hard to overstate, and more easily understood when experienced in person. As preservation efforts continue across the country, famous homes are increasingly opening as house museums. Read on for the eight residences at the top of our list.
Gropius House in Lincoln, Massachusetts
Walter Gropius designed his residence in Lincoln, Massachusetts, after fleeing Germany’s Third Reich regime for a teaching position at Harvard.
Designed by famed architect and founder of the Bauhaus school Walter Gropius, the Gropius House in Massachusetts was completed in 1939. Gropius and his wife fell in love with rural New England and opted to design and build their family home in the countryside instead of in Boston or Cambridge. The home incorporates traditional elements of New England architecture—wood, brick, and fieldstone—with distinctly modern forms, technology, and materials like glass block, chrome banisters, a rectilinear shape, and acoustical plaster. Inside, visitors will find the family’s possessions still in place, from furniture designed by Marcel Breuer to pieces designed by Gropius himself while leading the Bauhaus. The house is run by Historic New England and is open to the public Wednesday through Sunday.
The Glass House in New Canaan, Connecticut
Philip Johnson's Glass House is in fact one building out of 14 that sit on the 49-acre property, each with their own approach to structure, geometry, siting, and proportion.
Designed between 1949 and 1995 by architect Philip Johnson , The Glass House is a campus of multiple buildings on a 49-acre landscape. The 14 structures include the famed Glass House, completed in 1949, which functioned as Johnson’s residence until his death in 2005 and is noted for its minimal structure, geometry, proportion, and use of glass to achieve transparency and reflection (as well as its close resemblance to Mies van der Rohe’s 1947-1951 Farnsworth House, also included in this list). Other buildings on the property include the Brick House, the solid counterpart to the Glass House, a studio, and a painting gallery, among others. The home is now owned by the National Trust for Historic Preservation, and tours of the site are available to the public in May through November.
Georgia O’Keeffe Museum in Abiquiu, New Mexico
Visitors can take a trip to Georgia O'Keeffe's former home and studio in Abiquiu, New Mexico, and get a sense of the landscape and surroundings that inspired her.
Open to the public since 1997, the Georgia O’Keeffe Museum, which has cared for and preserved O’Keeffe’s home and studio in Abiquiu, New Mexico, since 2003, offers the unique experience to see and experience the residence and surroundings that inspired the influential and significant artist. Although the compound was originally constructed in the Spanish Colonial-era, O’Keeffe purchased it in 1945 and supervised its restoration that was carried out by her friend Maria Chabot; its interiors are simple and sparsely decorated, speaking to the influence of Modernist aesthetics. The site is only open to the public for tours by appointment, and can be visited along with one other of O’Keeffe’s former homes and residences.
Manitoga in Garrison, New York
Manitoga, or Dragon Rock, was the residence of industrial designer Russel Wright and is filled with design details that incorporated nature, including rooms with boulders rising from the floors and a tiered layout that worked with the natural topography.
Manitoga is the former residence of American industrial designer Russel Wright , and is comprised of a house, studio, and 75-acre quarried landscape. With the help of architect David Leavitt, Wright realized Dragon Rock, the name given to the home; both shared an influence and interest in Japanese design and together incorporated nature and natural elements into the house and studio through siting, scale, structure, intimacy, and details. Approached from below, the house sits on a dramatic landscape created by a former limestone quarry; the home is open to the public seasonally.
The Miller House and Garden in Columbus, Indiana
The Miller House and Garden features a custom-made sofa in the open-plan living area designed by Saarinen with textiles by Girard. The home was widely published and is in part credited for the popularity of conversation pits in the 1950s and 1960s.
The Miller House and Garden, completed in 1953, is a one-of-a-kind showcase of the work of architect Eero Saarinen , designer Alexander Girard, and landscape architect Dan Kiley at a single residence. Originally designed for the family of J. Irwin Miller, a local industrialist and philanthropist, the home features an open floor plan with several custom built-in pieces of furniture—such as one of the earliest conversation pits —that was clad in bold textiles designed by Girard. The geometric gardens include a dramatic allée of honey locust trees, and the home is open to the public for a 90-minute tour.
Eames House in Los Angeles, California
The Eames House, also known as Case Study House #8, is on Chautauqua Drive in the Pacific Palisades area of Los Angeles, California.
As one of the most iconic private residences in American midcentury design, the Eames House was completed in 1949 to serve as the home and studio for the husband-and-wife partnership of Charles and Ray Eames . Also known as Case Study House No. 8, the landmark residence was commissioned by the magazine Arts & Culture as part of their program for architects to design progressive, affordable, and modest homes in Southern California. The home’s exterior is comprised of glass and painted metal panels in a grid steel, and was recognized for its bold use of color and functional interior layout. The historic house museum is maintained by the Eames Foundation and is open to the public by appointment.
Duplex at Modulightor in New York City
246 East 58th Street was designed by Paul Rudolph in 1989 and is the only residence designed by Rudolph that is currently open to the public.
Although technically not a midcentury building, the Duplex at Modulightor is the only New York City residence designed by noted architect Paul Rudolph that is open to the public and features many of the motifs, materials, and concepts evident in much of his work. Completed in 1989, the building was designed as a residence and commercial building to house Modulightor, the lighting company Rudolph founded with Ernst Wagner. The fifth and sixth floors of the building were added in 2007-2015 by a former Rudolph employee and were based on Rudolph’s early sketches for an unbuilt nine-story building. Today, the building serves in part as the headquarters of the Paul Rudolph Heritage Foundation is open for Foundation events and for tours by appointment.
The Farnsworth House in Plano, Illinois
The Farnsworth House in Plano, Illinois, was designed by Ludwig Mies van der Rohe as a retreat for client Dr. Edith Farnsworth.
Located about two hours outside of Chicago, the Farnsworth House was completed in 1951 by famed architect Mies van der Rohe and is considered one of his most significant and influential works. Consisting of an almost puritanical, transparent facade of glass propped up on thin, white I-beams, the home is an essay on Mies’ struggles to perfect modernist ideals of minimalism and structural expression. Although the home has been subject to flooding from a nearby river near which it was intentionally sited, mitigation efforts have allowed it to remain open to the public seasonally from April through November.
Related Reading:
Design Icons: 24 Modern Architects and Designers That Have Shaped Our World
10 Classic Midcentury Pieces That Will Never Go Out of Style
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Thorough restoration—not demolition—underway on Case Study House No. 21
One of the most important homes in Los Angeles was starting to slip downhill
Built between 1956 and 1958, Case Study House No. 21, also known as the Bailey House , features walls of glass, reflecting pools, and sliding doors. The boxy residence was designed by Stahl House architect Pierre Koenig and, seen from the street, the landmarked dwelling resembles a quintessential midcentury modern home.
But it was one of a just a handful of houses in the influential program orchestrated by Arts & Architecture magazine . So when neighbors and onlookers noticed drastic work underway on the site in Laurel Canyon , they feared for the future of the iconic home.
“Drove by the Bailey House and only found her bones,” one Instagram user who photographed the construction site posted on Monday.
Far from being harmed, the house is actually being rescued, says designer Mark Haddaway . He was hired by the new owner—a trust linked to Alison Sarofim, a film producer and daughter of billionaire Fayez Sarofim—who purchased the property in February for $3.26 million.
Case Study Houses were meant to be inexpensive, reproducible homes for the middle class—a solution to the postwar housing shortage. The Bailey House was built out of prefabricated steel and topped by a corrugated metal roof.
View this post on Instagram Bailey House - Case Study House #21 | Pierre Koenig, 1959 Drove by the Bailey House and only found her bones. So sad. I can't find anything about this online but since the steel frame remains, I hope that means it will be renovated as per the original. . . . . #casestudyhouse #casestudyhouse21 #pierrekoenig #california #californiamodern #midcenturymodern #baileyhouse #LAarchitecture #losangeles #modernarchitecture #architecturephotography #archilovers #steelframe A post shared by Vanessa Guillen (@vassilisag) on Jul 21, 2019 at 10:04am PDT
But as Haddaway told the the city’s cultural heritage commission in June, “because the budget for the project was small, the foundations for the house were minimal.”
Those foundations are now an issue.
Haddaway said that when contractors lifted up the concrete slab over the living room floor, they found an 18-inch gap between the ground and where the room’s floor had hovered. The soil had subsided, sliding out under the rest of the foundation.
In other words, it appeared Case Study House No. 21 was starting to slip downhill.
The solution Haddaway’s team has come up with involves inserting a grid of “helical anchors” under the living room with the goal of stabilizing the house and preventing any further slippage. In some places, Haddaway says, the house has moved two inches off its original elevation. The anchors wouldn’t undo that, but they would halt any new movement.
In a phone interview, Haddaway says the improvements are needed to ensure the home’s survival for decades to come.
In addition to the foundation work, Haddaway also plans to restore the original yellow kitchen (the one in the house now is from 1997), reform and waterproof the pools that make up the original water features, and replace the original white vinyl tile with white terrazzo—a switch that would leave the door open for a future owner to put the vinyl tiles back in if they wanted to, Haddaway told commissioners.
Speaking at the June meeting, Lambert Giessinger of the city’s office of historic resources, told the commissioners that the project had initially sparked concern in the community because work had begun on the removal of the 1990s-era kitchen—before the city had been given a chance to weigh in. Now, however, the two groups are working together, Giessinger said.
Haddaway has worked on the house before and was, for a time, its owner. He has restored a number of other midcentury homes and is also working now on John Lautner’s Elrod House in Palm Springs.
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3 Mid-Century Homes You Can Visit In Los Angeles
As anyone with an appreciation for great architecture knows, photographs, no matter how stunning, only tell part of the story. To truly appreciate a great building you have to experience it – how it is sited in the landscape, the flow of spaces and play of natural light, the contrast of finishes and textures. It’s not just about how a building looks, but how it feels, how it works as a space for living.
Fortunately, many significant Mid-century modern homes have been preserved as house museums and are open to the public for tours throughout the year. Others, which continue to be inhabited as private residences are opened by their owners once a year for events such as Modernism Week in Palm Springs, California, and Sydney Open, in Sydney, Australia.
Here are three significant Mid-century modern homes you can tour and experience in Los Angeles,to gain a full understanding of the innovation and beauty of their design.
Eames House, Pacific Palisades, California
(Photo by Michael Locke )
The Eames House, Case Study House #8 , was designed by Charles and Ray Eames, who moved into the house in 1949 and lived there for the remainder of their lives. Sensitively sited in a beautiful meadow, the house offered the couple a space where work, play, life and nature could coexist. The interiors remain intact, much as they were in the Eames’ lifetimes.
Stahl House, Hollywood, California
(Photo via James Vaughan )
Case Study House #22, the Stahl House is sited on a cliff high above Hollywood and its pioneering use of glass and steel in its geometry and symmetry reflects the gridlines of the streets below. The iconic house, completed in 1960, was designed for Buck and Carlotta Stahl by ingenious young architect Pierre Koenig, the only architect the Stahl’s approached daring enough to consider the cantilevered foundation that is so awe-inspiring today.
For tour reservations, visit the Stahl House site.
Richard Neutra VDL House, Los Angeles, California
Tours are available of the VDL House every Saturday from 11am to 3pm, for details visit the Neutra VDL site.
A Perfect Blend of Midcentury and Contemporary Design
The reiner house: a mid-century modern icon for sale in savannah, georgia.
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Case Study House #1
Case Study House #1 introduced architectural elements that came to characterize the Case Study House program, including floor to ceiling glass, a flat roof, and an open floor plan.
Place Details
- J.R. Davidson
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- Private Residence - Do Not Disturb
Property Type
- Single-Family Residential
- Los Angeles
Case Study House #1, despite its numbering, was not the first house to be completed as part of Arts & Architecture magazine’s Case Study House program. The 2,000 square foot house was completed in 1948 and designed by Julius Ralph Davidson, one of the European émigrés who jump-started California’s modern architecture movement. Davidson’s design for Case Study House #11 became the first completed house in the program, in 1946, but later earned the unfortunate distinction of being the first to be demolished.
Case Study House #1 was constructed on a gently sloping lot elevated several feet above street level in the prestigious Toluca Lake neighborhood of Los Angeles. Other homes by significant mid-century architects are in the immediate neighborhood.
The house introduced architectural elements that came to characterize the program such as floor to ceiling glass, a flat roof, an open floor plan, a minimum of hallways, flexible multi-purpose rooms, immediate access to gardens from all major rooms, and use of standardized materials such as concrete block, plywood panels and industrial glass.
The plan, materials, and siting of the house encourage a relaxed lifestyle based on indoor-outdoor living.
The dwelling is of wood frame post and beam construction on a concrete slab foundation. It is approximately 2,000 square feet in size with a large combination living and dining room overlooking the rear gardens and pool through floor-to-ceiling windows. There are three bedrooms, two bathrooms and a kitchen. The windows throughout the house consist of floor-to-ceiling sliding glass and metal frame casements.
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This Couple’s Creative Los Angeles Wedding Blended Bengali And Jewish Traditions
Content creator Meeka Hossain and talent manager Jeffrey Klein had their meet-cute in Barneys’ shoe department in Beverly Hills during the summer of 2018. “Our first date went so well that it ended up lasting nearly 24 hours,” says Meeka. Three and a half years later, on New Year’s Day, the couple would take the next step in their relationship. “After an early breakfast on the Malibu pier, we went for a hike in the Santa Monica Mountains,” remembers Meeka. “When Jeff felt we were far enough into our hike, he paused in the middle of a secluded canyon to propose. He wanted the moment to be just for us – without any photographers – so we could own that memory completely.”
One special touch of the engagement? Meeka’s sister, jewellery designer Stella Simona of Haati Chai , designed the ring together with Jeff. “I hadn’t seen my engagement ring before the proposal, nor did I give any hints about what I wanted,” says Meeka. “Jeff wanted a design with a vintage feel inspired by my heritage, and Stella nailed it, bringing his vision to life.”
The couple admits that wedding planning was “more stressful than we ever imagined.” After touring venues in Mexico and India, as well as interviewing 10 wedding planners, neither felt a connection to their potential options. “Ultimately, our real-estate agent – who also found us our house – suggested the stunning Paramour Estate ,” says Meeka. With a date available six months away, Jeff and Meeka would need to quickly start planning to achieve a wedding that blended both their style and cultures.
“I decided to take it on myself and teamed up with my friend Misha Sumitra , the events and marketing manager at Saie ,” Meeka says. “Neither of us had planned a wedding before, but I love and trust her expertise and creativity. Every idea I brought to her was met with a resource or a solution. Together, we came up with outrageous ideas like transforming the valet parking lot at the Paramour into our dinner set-up. Despite having hosted so many weddings, we were told that ours achieved a lot of ‘firsts’ for the venue.”
As planning kicked into high gear, Meeka and Jeff began looking for a wardrobe befitting the scale of their wedding celebrations. The first night would take place at a Case Study House in Silver Lake with the couple’s family and wedding party. The rehearsal dinner also doubled as a birthday party for Jeff, who wore a Sandro suit and Bottega Veneta slippers for the event. Meeka decided to wear a custom two-piece set by Wiederhoeft from Loho Bride that night. “I fell in love with the corset details and intricate hand-beading done in India, which made it perfect for my fusion wedding,” she shares. “I added length to the skirt and designed a tulle neck scarf inspired by a traditional Indian dupatta.”
For the ceremony, Meeka chose a classic strapless Vera Wang gown. “Funny enough, the first wedding dress I tried on was it ,” she says. “I decided on Vera Wang and never looked back. I knew I wanted something timeless and with a long train. The drop waist and simplicity of the dress gave it a slightly edgy, understated feel that perfectly matched my personal style, while the veil added that delicate touch to tie the whole look together.” She paired the ensemble with Jimmy Choo heels and pearl studs for a minimalist touch. Jeff wore a suit by his favourite designer, Alexander McQueen , to say his vows. Meeka adds, “A sheer Acne Studios shirt provided a soft contrast, and he accessorised with heirloom pieces – his grandfather’s gold pocket watch and gold diamond ring.”
As a nod to Meeka’s heritage, both the bride and groom wore custom Sabyasachi at the reception. “After meeting the designer in New York, I knew I wanted to be a Sabya bride, so we traveled to India for the perfect piece,” shares Meeka. “My red lehenga, from the Heritage collection, honoured my culture and paid tribute to the women of Calcutta, where my mother is from.” She also wore a gold choker with rubies, emeralds, and pearls; a pearl and emerald nose ring; and bangles by the designer to complete the ensemble. As a sentimental touch, the bride re-created her mother’s wedding-day henna design on her hands and feet. For his look, Jeff wore a cream sherwani with a gold kurta underneath and slippers he purchased from a street vendor in Jaipur. “He accessorised with a custom Haati Chai earring, inspired by our family vacation at an elephant sanctuary in Jaipur. The hint of red in his earring, combined with his McQueen suit, hinted at the vibrant colours that would be revealed later in the night,” says Meeka.
The wedding party looks were thoughtfully curated as well, with the bridesmaids in saris and the groomsmen in kurtas. “The girls brought in the vibrant colours, while the guys balanced it out with neutrals,” shares the bride. “I personally selected each sari during my trip to India in March, choosing different jewel tones to complement my red lehenga.” Meeka called on her friend designer Sam Adair to create the sari tops. “My sister and I gathered inspiration from our favourite Bollywood movies, which Sam brought to life with beautiful sketches,” she says.
On 9 August, Jeff and Meeka, along with their bridesmaids and groomsmen, checked into the storied Chateau Marmont to celebrate the wedding all weekend long. The rehearsal dinner at the Case Study House owned by the couple’s friend Gina Correll also doubled as their own take on a Gaye holud. “In Bengali culture, the holud is one of the key pre-wedding rituals, where everyone wears yellow and orange and you put turmeric on the bride and groom,” explains Meeka. “So even without a full holud ceremony, I had my bridesmaids wear yellow to celebrate my culture.”
When the wedding day arrived, Meeka and her bridal party spent the morning getting ready together. “ Chanel exclusively handled my wedding-day makeup, with artist Kate Lee creating my looks,” says the bride. “After a trial with Kate, I instantly loved her natural, soft glam approach. For my Vera Wang look, I aimed to look like myself, just enhanced.” Hairstylist Nicolas Flores created a sleek, slicked-back bun she would wear the entire evening. The couple decided to do a first look and took portraits in a vintage Mercedes.
Guests gathered on the grounds of the Paramour Estate before the ceremony began. The band Freedom Fry , who is managed by Jeff, played a few songs for the crowd before the procession began. “For our ceremony, we stayed away from the traditional arch or chuppah, and instead used soft, airy botanicals from the ground up, creating a more grounded feel with the garden and our surroundings,” shares Meeka of the scene. “Jeff described the ceremony as déjà vu because it was exactly what we envisioned from the start. From the sitar player composing our walk-down-the-aisle song to the canvas-draped benches filled with our closest friends and family, everything felt perfect as we exchanged our vows.” The couple also nodded to both their heritages in the ceremony. “We included a variation of the Indian ‘ring game,’” says the bride. “We filled a large bowl with uncooked rice and Jeff’s ring, and whoever found the ring first would be the ruler of the household – naturally, I won! To conclude the ceremony, we followed Jewish tradition by breaking a glass to symbolise our life together and everything that lies ahead.”
After the cocktail hour, the guests made their way to the dinner reception. “Our table was custom-built in the shape of a crescent moon. After the Jewish prayers over challah and wine, we shared a meal of traditional Bengali cuisine,” says Meeka. “We personalised each guest’s place setting with custom curry tins, and their seating assignments were revealed through a spice market–inspired display. After dinner, guests could fill their tins with spices to take home.”
The fun was far from over after the party headed indoors. Meeka and Jeff changed into their Sabyasachi looks and made a grand entrance through marigold garlands curated by floral designer Albasa . Then the newlyweds performed a fully choreographed, five-minute Bollywood routine featuring their wedding party. “The entire routine felt like a scene from a Bollywood film,” recalls the bride. “Both Jeff and I had solos, and my sister joined me to end the performance with a hit song from the Bollywood movie Devdas . After our performance, we invited all the guests to join us on the dance floor. We had brought Indian slippers from Jaipur for guests to dance in once they got tired of their heels.” The couple even arranged for special Macallan cocktails, a speakeasy room, and a dessert installation that featured a mix of Bengali and Jewish sweets by Sophie Dalah . While the guests eventually needed to leave the venue, the party continued late into the night back at Chateau Marmont.
Reflecting on the day, the bride shares she feels both happy and relieved. “Despite all the planning, there are always things beyond your control on the wedding day. It’s important to go with the flow and embrace the imperfections,” she says. “Looking at the photos brings back all the best memories and makes it all worth it!”
Ever since we started dating, Jeff and I have been exploring Case Study Houses, so it felt perfect to welcome our closest friends and family to a Schindler house for our rehearsal dinner.
I actually didn’t pick this Wiederhoeft set at first, but Loho Bride thought I might like it. Once I tried on that corset and knew the hand-beading was done in India, I was set on it.
I wore a custom Wiederhoeft two-piece set to our rehearsal dinner and designed a tulle neck scarf inspired by a traditional Indian dupatta. I also wore white satin Jimmy Choo pumps. Jeff put his outfit together the day of and selected a Sandro suit that he paired with Bottega Veneta slippers.
My older sister, Stella, and I are four years apart – just like her two boys, Noah and Liam. This image perfectly captures our sibling dynamic.
The female statue behind me embodied the energy I wanted to channel for the night: angelic, feminine and bold.
My “something yellows”. For our fusion wedding, I wanted to honour my Bengali heritage, so even without a full holud ceremony, I had my bridesmaids wear yellow to celebrate our culture.
Jeff simply told his groomsmen “suits but no ties” for the rehearsal dinner.
Once our guests stepped into the backyard (for our Friday night rehearsal dinner), they had sunlit views of the Silver Lake reservoir followed by sunset. It was a beautiful scene to kick off the weekend.
COMMENTS
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Luckily, two of these homes are on tour to the public in Los Angeles. Case Study House no. 22, or the Stahl House, and Case Study no. 8, built by Charles and Ray Eames. ... Cost: As of this update, 4/6/23, they are only offering guided exterior tours at $30 per person. Check the website for all costs and to make an appointment;
Perched on the Hollywood Hills with a commanding view of Los Angeles, the Stahl House, also known as Case Study House #22, is a paragon of mid-century modern architecture. Designed by Pierre Koenig and completed in 1960, this residence is an architectural masterpiece and a symbol of a particular era in Los Angeles, characterized by a burgeoning optimism and a new approach to residential design.
Under the program, about 30 homes were designed; and about 20 were built; with almost all of them in the Los Angeles area. The 1949 Eames House (#8) and the 1960 Stahl House (#22) are the most well-known ones. After construction, each Case Study House was open to the public for tours. For the Case Study House 26's Open Houses in 1962 ...
Completed in 1959 in Los Angeles, United States. The Case Study House Program produced some of the most iconic architectural projects of the 20th Century, but none more iconic than or as famous as...
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Case Study House No. 21, as photographed by Julius Shulman in the late 1950s. Julius Shulman, J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10)
Stahl House, Hollywood, California. Case Study House #22, the Stahl House is sited on a cliff high above Hollywood and its pioneering use of glass and steel in its geometry and symmetry reflects the gridlines of the streets below. The iconic house, completed in 1960, was designed for Buck and Carlotta Stahl by ingenious young architect Pierre ...
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On 9 August, Jeff and Meeka, along with their bridesmaids and groomsmen, checked into the storied Chateau Marmont to celebrate the wedding all weekend long. The rehearsal dinner at the Case Study House owned by the couple's friend Gina Correll also doubled as their own take on a Gaye holud. "In Bengali culture, the holud is one of the key ...