is biography a genre or subgenre

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Is Biography “Allowed” to Have Sub-Genres?

One of the things I found puzzling about this week’s reading from Mapping Lives was the claim each author seemed to be making that they had discovered the ‘correct’ way to write biography. Of course, it’s sometimes hard to tell which camp particular scholars are in, since many love to include both sides of an argument just to hedge their bets, and to such a degree that the reader must ask, “Wait… what are you actually saying?”

Hence, in William St. Clair’s article we get this quote:

The varied record across time confirms that the writing of biography is as much subject to what the Romantics called ‘the spirit of the age’ as other forms of writing. Regular updatings and reappraisals are, therefore, not only to be expected as more source material is discovered, but can be legitimately regarded as a necessary part of each generation’s attempts to reach its own understanding of the past.

Almost directly alongside the following:

The abandonment of Ockham’s razor has encouraged a kind of restless biographical consumerism, a constant repackaging of the same materials in ways which give an appearance of novelty.

So… which is it? Are subsequent biographies about the same subject “legitimate and necessary attempts to understand the past” or are they simply “material repackaged to give the appearance of novelty?”

In the article by Mark Kinkead – Weekes we get this quote:

The price that has to be paid for strict chronology, however, is also huge. Every one of its gains will increase the length, slow the pace, and involve a degree of repetition when the eventual bearing of previous developments becomes clearer… To be able to treat relationships or problems thematically, abstracted from chronology, brings obvious advantages in both clarity and economy…

Conversely it may be that a strictly chronological method shows greater reverence and respect than confident analysis does for the changefulness and mystery of human beings.

So… which is it? Are chronological biographies “lengthy, slow, and repetitive” or do they show “reverence and respect for the mystery of human beings.”

This is the kind of doublespeak which sometimes makes my hands itch to grab these gentlemen (gently) by the lapels, and shake them (gently) while inquiring “But what do you BELIEVE!?!” Perhaps mine is an unusual stance to take, but I like writers, even academic ones, to have a clear and passionate opinion about their topic. Otherwise it all seems like less of an ideological debate than an exercise in sheer mental gymnastics, and I prefer the former.

If we boiled down the tautologies which these two authors seem to be, however irresolutely, presenting we have the following.

1. Biographers can only exercise imagination within tight limits.

2. All biographies should be written chronologically.

Both of these statements seem, to me, intolerable limitations. In a sense, they are arguments against the ability of biography to branch out into various sub-genres. Take music, for example. There is classical music, opera, indie folk, rock, pop, heavy metal. In the art world we have cubism, Neo-Dada, fantastic realism, landscapes, tribal art. The great beauty within a discipline often derives not from genre, but from the multiplicity of sub-genres. The instant we deny biography the ability to branch out in this way is the instant that it becomes a dead genre. It would be crazy to insist that every classical music lover must also love indie folk. That every fan of avant-garde theatre must also enjoy Shakespeare.

I, personally, don’t enjoy reading loose baggy monsters when it comes to biography. I tend to trust, however naively, in the biographer to parse the information since I don’t want to go to the source and read all 50,000 documents myself. Part of the point of reading biography is to learn a great deal about the subject without having to wade through every document, but another important point is to learn how the biographer saw their subject. (You guessed it! I also like opinionated biographers…) If I finish reading a biography and think “Huh, you know, that wasn’t a nuanced enough portrait of Florence Nightingale for my tastes!” or “I’d really like to know how a woman would write about this subject” or “This scholarship seems fishy,”  then I’m free to head to the nearest library and pick up a different version. I can read Jane Austen, I can read Pride and Prejudice and Zombies,  or I can preferably read both.   

To each his/her own [biography].

4 thoughts on “ Is Biography “Allowed” to Have Sub-Genres? ”

You bring up some good points about the contradictions in these articles. I agree that writers should always be forthright about where they stand on an issue. I also think that part of the difficulty comes from the fact that academic writing is not always persuasive in nature, it is not necessarily attempting to prove a point, but is sometimes purely interpretive or exploratory, looking at multiple points of view and leaving the reader to decide.

Ray – This is precisely what I’ve been coming to terms with this semester. When scholars are engaged in research, they’re not *always* developing conclusions that get their hackles up. Sometimes their discovery might just be a new interpretation or way of synthesizing. Or like you said, being able to see an issue for more than one side. Those pieces of writing seem more difficult. It’s always easier for me to feel the force of my writing when it’s being driven by a strong opinion, but maybe that’s precisely why I ought to try something new.

The word “genre” is so charged. I struggled with whether biography is a genre while writing my dissertation, and given that I was writing about biographical non-fiction, the “literary biography,” biographical novels and biographical plays (not to mention my favorite — though here I go — the khronologicheskaia kanva, chronological line), I guess I did decide that it is.

Also our course is a course in genre. So yes, it is.

I was not too surprised by one of the critics in ML saying that the arena of biographies should be supervised a little bit by “ethics.” I think this does not necessarily mean that things should be entirely objective or chronological. Rather, like our guest Prof. Conn mentioned, biographers should rather make sense out of the chronological facts and trace the subject’s development of psychology or personality.

So as far as the biographer’s “imagination” pieces up the personality and its growth logically, I think it is quite ethical.

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Literary Genres: Definition and Examples of the 4 Essential Genres and 100+ Subgenres

by Joe Bunting | 1 comment

What are literary genres? Do they actually matter to readers? How about to writers? What types of literary genres exist? And if you're a writer, how do you decide which genre to write in?

To begin to think about literary genres, let's start with an example.

Let's say want to read something. You go to a bookstore or hop onto a store online or go to a library.

But instead of a nice person wearing reading glasses and a cardigan asking you what books you like and then thinking through every book ever written to find you the next perfect read (if that person existed, for the record, they would be my favorite person), you're faced with this: rows and rows of books with labels on the shelves like “Literary Fiction,” “Travel,” “Reference,” “Science Fiction,” and so on.

You stop at the edge of the bookstore and just stand there for a while, stumped. “What do all of these labels even mean?!” And then you walk out of the store.

Or maybe you're writing a book , and someone asks you a question like this: “What kind of book are you writing? What genre  is it?”

And you stare at them in frustration thinking, “My book transcends genre, convention, and even reality, obviously. Don't you dare put my genius in a box!”

What are literary genres? In this article, we'll share the definition and different types of literary genres (there are four main ones but thousands of subgenres). Then, we'll talk about why genre matters to both readers and writers. We'll look at some of the components that people use to categorize writing into genres. Finally, we'll give you a chance to put genre into practice with an exercise .

Table of Contents

Introduction Literary Genres Definition Why Genre Matters (to Readers, to Writers) The 4 Essential Genres 100+ Genres and Subgenres The 7 Components of Genre Practice Exercise

Ready to get started? Let's get into it.

What Are Literary Genres? Literary Genre Definition

Let's begin with a basic definition of literary genres:

Literary genres are categories, types, or collections of literature. They often share characteristics, such as their subject matter or topic, style, form, purpose, or audience.

That's our formal definition. But here's a simpler way of thinking about it:

Genre is a way of categorizing readers' tastes.

That's a good basic definition of genre. But does genre really matter?

Why Literary Genres Matter

Literary genres matter. They matter to readers but they also matter to writers. Here's why:

Why Literary Genres Matter to Readers

Think about it. You like to read (or watch) different things than your parents.

You probably also like to read different things at different times of the day. For example, maybe you read the news in the morning, listen to an audiobook of a nonfiction book related to your studies or career in the afternoon, and read a novel or watch a TV show in the evening.

Even more, you probably read different things now than you did as a child or than you will want to read twenty years from now.

Everyone has different tastes.

Genre is one way we match what readers want to what writers want to write and what publishers are publishing.

It's also not a new thing. We've been categorizing literature like this for thousands of years. Some of the oldest forms of writing, including religious texts, were tied directly into this idea of genre.

For example, forty percent of the Old Testament in the Bible is actually poetry, one of the four essential literary genres. Much of the New Testament is in the form of epistle, a subgenre that's basically a public letter.

Genre matters, and by understanding how genre works, you not only can find more things you want to read, you can also better understand what the writer (or publisher) is trying to do.

Why Literary Genres Matter to Writers

Genre isn't just important to readers. It's extremely important to writers too.

In the same way the literary genres better help readers find things they want to read and better understand a writer's intentions, genres inform writers of readers' expectations and also help writers find an audience.

If you know that there are  a lot  of readers of satirical political punditry (e.g. The Onion ), then you can write more of that kind of writing and thus find more readers and hopefully make more money. Genre can help you find an audience.

At the same time, great writers have always played with and pressed the boundaries of genre, sometimes even subverting it for the sake of their art.

Another way to think about genre is a set of expectations from the reader. While it's important to meet  some  of those expectations, if you meet too many, the reader will get bored and feel like they know exactly what's going to happen next. So great writers will always play to the readers' expectations and then change a few things completely to give readers a sense of novelty in the midst of familiarity.

This is not unique to writers, by the way. The great apparel designer Virgil Abloh, who was an artistic director at Louis Vuitton until he passed away tragically in 2021, had a creative template called the “3% Rule,” where he would take an existing design, like a pair of Nike Air Jordans, and make a three percent change to it, transforming it into something completely new. His designs were incredibly successful, often selling for thousands of dollars.

This process of taking something familiar and turning it into something new with a slight change is something artists have done throughout history, including writers, and it's a great way to think about how to use genre for your own writing.

What Literary Genre is NOT: Story Type vs. Literary Genres

Before we talk more about the types of genre, let's discuss what genre is  not .

Genre is  not  the same as story type (or for nonfiction, types of nonfiction structure). There are ten (or so) types of stories, including adventure, love story, mystery, and coming of age, but there are hundreds, even thousands of genres.

Story type and nonfiction book structure are about how the work is structured.

Genre is about how the work is perceived and marketed.

These are related but  not  the same.

For example, one popular subgenre of literature is science fiction. Probably the most common type of science fiction story is adventure, but you can also have mystery sci-fi stories, love story sci-fi, and even morality sci-fi. Story type transcends genre.

You can learn more about this in my book  The Write Structure , which teaches writers the simple process to structure great stories. Click to check out  The Write Structure .

This is true for non-fiction as well in different ways. More on this in my post on the seven types of nonfiction books .

Now that we've addressed why genre matters and what genre doesn't  include, let's get into the different literary genres that exist (there are a lot of them!).

How Many Literary Genres Are There? The 4 Essential Genres, and 100+ Genres and Subgenres

Just as everyone has different tastes, so there are genres to fit every kind of specific reader.

There are four essential literary genres, and all are driven by essential questions. Then, within each of those essential genres are genres and subgenres. We will look at all of these in turn, below, as well as several examples of each.

An important note: There are individual works that fit within the gaps of these four essential genres or even cross over into multiple genres.

As with anything, the edges of these categories can become blurry, for example narrative poetry or fictional reference books.

A general rule: You know it when you see it (except, of course, when the author is trying to trick you!).

1. Nonfiction: Is it true?

The core question for nonfiction is, “Is it true?”

Nonfiction deals with facts, instruction, opinion/argument reference, narrative nonfiction, or a combination.

A few examples of nonfiction (more below): reference, news, memoir, manuals, religious inspirational books, self-help, business, and many more.

2. Fiction: Is it, at some level, imagined?

The core question for fiction is, “Is it, at some level, imagined?”

Fiction is almost always story or narrative. However, satire is a form of “fiction” that's structured like nonfiction opinion/essays or news. And one of the biggest insults you can give to a journalist, reporter, or academic researcher is to suggest that their work is “fiction.”

3. Drama: Is it performed?

Drama is a genre of literature that has some kind of performance component. This includes theater, film, and audio plays.

The core question that defines drama is, “Is it performed?”

As always, there are genres within this essential genre, including horror films, thrillers, true crime podcasts, and more.

4. Poetry: Is it verse?

Poetry is in some ways the most challenging literary genre to define because while poetry is usually based on form, i.e. lines intentionally broken into verse, sometimes including rhyme or other poetic devices, there are some “poems” that are written completely in prose called prose poetry. These are only considered poems because the author and/or literary scholars  said  they were poems.

To confuse things even more, you also have narrative poetry, which combines fiction and poetry, and song which combines poetry and performance (or drama) with music.

Which is all to say, poetry is challenging to classify, but again, you usually know it when you see it.

Next, let's talk about the genres and subgenres within those four essential literary genres.

The 100+ Literary Genres and Subgenres with Definitions

Genre is, at its core, subjective. It's literally based on the tastes of readers, tastes that change over time, within markets, and across cultures.

Thus, there are essentially an infinite number of genres.

Even more, genres are constantly shifting. What is considered contemporary fiction today will change a decade from now.

So take the lists below (and any  list of genres you see) as an incomplete, likely outdated, small sample size of genre with definitions.

1. Fiction Genres

Sorted alphabetically.

Action/Adventure. An action/adventure story has adventure elements in its plot line. This type of story often involves some kind of conflict between good and evil, and features characters who must overcome obstacles to achieve their goals .

Chick Lit. Chick Lit stories are usually written for women who interested in lighthearted stories that still have some depth. They often include romance, humor, and drama in their plots.

Comedy. This typically refers to historical stories and plays (e.g. Shakespeare, Greek Literature, etc) that contain a happy ending, often with a wedding.

Commercial. Commercial stories have been written for the sole purpose of making money, often in an attempt to cash in on the success of another book, film, or genre.

Crime/Police/Detective Fiction. Crime and police stories feature a detective, whether amateur or professional, who solves crimes using their wits and knowledge of criminal psychology.

Drama or Tragedy. This typically refers to historical stories or plays (e.g. Shakespeare, Greek Literature, etc) that contain a sad or tragic ending, often with one or more deaths.

Erotica. Erotic stories contain explicit sexual descriptions in their narratives.

Espionage. Espionage stories focus on international intrigue, usually involving governments, spies, secret agents, and/or terrorist organizations. They often involve political conflict, military action, sabotage, terrorism, assassination, kidnapping, and other forms of covert operations.

Family Saga. Family sagas focus on the lives of an extended family, sometimes over several generations. Rather than having an individual protagonist, the family saga tells the stories of multiple main characters or of the family as a whole.

Fantasy. Fantasy stories are set in imaginary worlds that often feature magic, mythical creatures, and fantastic elements. They may be based on mythology, folklore, religion, legend, history, or science fiction.

General Fiction. General fiction novels are those that deal with individuals and relationships in an ordinary setting. They may be set in any time period, but usually take place in modern times.

Graphic Novel. Graphic novels are a hybrid between comics and prose fiction that often includes elements of both.

Historical Fiction. Historical stories are written about imagined or actual events that occurred in history. They usually take place during specific periods of time and often include real or imaginary characters who lived at those times.

Horror Genre. Horror stories focus on the psychological terror experienced by their characters. They often feature supernatural elements, such as ghosts, vampires, werewolves, zombies, demons, monsters, and aliens.

Humor/Satire. This category includes stories that have been written using satire or contain comedic elements. Satirical novels tend to focus on some aspect of society in a critical way.

LGBTQ+. LGBTQ+ novels are those that feature characters who identify as lesbian, gay, bisexual, transgender, queer, or otherwise non-heterosexual.

Literary Fiction. Literary fiction novels or stories have a high degree of artistic merit, a unique or experimental style of writing , and often deal with serious themes.

Military. Military stories deal with war, conflict, combat, or similar themes and often have strong action elements. They may be set in a contemporary or a historical period.

Multicultural. Multicultural stories are written by and about people who have different cultural backgrounds, including those that may be considered ethnic minorities.

Mystery G enre. Mystery stories feature an investigation into a crime.

Offbeat/Quirky. An offbeat story has an unusual plot, characters, setting, style, tone, or point of view. Quirkiness can be found in any aspect of a story, but often comes into play when the author uses unexpected settings, time periods, or characters.

Picture Book. Picture book novels are usually written for children and feature simple plots and colorful illustrations . They often have a moral or educational purpose.

Religious/Inspirational. Religious/ inspirational stories describe events in the life of a person who was inspired by God or another supernatural being to do something extraordinary. They usually have a moral lesson at their core.

Romance Genre. Romance novels  or stories are those that focus on love between two people, often in an ideal setting. There are many subgenres in romance, including historical, contemporary, paranormal, and others.

Science Fiction. Science fiction stories are usually set in an imaginary future world, often involving advanced technology. They may be based on scientific facts but they are not always.

Short Story Collection . Short story collections contain several short stories written by the same or different authors.

Suspense or Thriller Genre. Thrillers/ suspense stories are usually about people in danger, often involving crimes, natural disasters, or terrorism.

Upmarket. Upmarket stories are often written for and/or focus on upper class people who live in an upscale environment.

Western Genre. Western stories are those that take place in the west during the late 19th century and early 20th century. Characters include cowboys, outlaws, native Americans, and settlers.

2. Nonfiction Genres

From the BISAC categories, a globally accepted system for coding and categorizing books by the Book Industry Standards And Communications group.

Antiques & Collectibles. Nonfiction books about antiques and collectibles include those that focus on topics such as collecting, appraising, restoring, and marketing antiques and collectibles. These books may be written for both collectors and dealers in antique and collectible items. They can range from how-to guides to detailed histories of specific types of objects.

Architecture. Architecture books focus on the design, construction, use, and history of buildings and structures. This includes the study of architecture in general, but also the specific designs of individual buildings or styles of architecture.

Art. Art books focus on visual arts, music, literature, dance, film, theater, architecture, design, fashion, food, and other art forms. They may include essays, memoirs, biographies, interviews, criticism, and reviews.

Bibles. Bibles are religious books, almost exclusively Christian, that contain the traditional Bible in various translations, often with commentary or historical context.

Biography & Autobiography. Biography is an account of a person's life, often a historical or otherwise famous person. Autobiographies are personal accounts of people's lives written by themselves.

Body, Mind & Spirt. These books focus on topics related to human health, wellness, nutrition, fitness, or spirituality.

Business & Economics. Business & economics books are about how businesses work. They tend to focus on topics that interest people who run their own companies, lead or manage others, or want to understand how the economy works.

Computers. The computer genre of nonfiction books includes any topics that deal with computers in some way. They can be about general use, about how they affect our lives, or about specific technical areas related to hardware or software.

Cooking. Cookbooks contain recipes or cooking techniques.

Crafts & Hobbies.  How-to guides for crafts and hobbies, including sewing, knitting, painting, baking, woodworking, jewelry making, scrapbooking, photography, gardening, home improvement projects, and others.

Design. Design books are written about topics that include design in some way. They can be about any aspect of design including graphic design, industrial design, product design, fashion, furniture, interior design, or others.

Education. Education books focus on topics related to teaching and learning in schools. They can be used for students or as a resource for teachers.

Family & Relationships. These books focus on family relationships, including parenting, marriage, divorce, adoption, and more.

Foreign Language Study. Books that act as a reference or guide to learning a foreign language.

Games & Activities. Games & activities books may be published for children or adults, may contain learning activities or entertaining word or puzzle games. They range from joke books to crossword puzzle books to coloring books and more.

Gardening. Gardening books include those that focus on aspects of gardening, how to prepare for and grow vegetables, fruits, herbs, flowers, trees, shrubs, grasses, and other plants in an indoor or outdoor garden setting.

Health & Fitness. Health and fitness books focus on topics like dieting, exercise, nutrition, weight loss, health issues, medical conditions, diseases, medications, herbs, supplements, vitamins, minerals, and more.

History. History books focus on historical events and people, and may be written for entertainment or educational purposes.

House & Home. House & home books focus on topics like interior design, decorating, entertaining, and DIY projects.

Humor. Humor books are contain humorous elements but do not have any fictional elements.

Juvenile Nonfiction. These are nonfiction books written for children between six and twelve years old.

Language Arts & Disciplines. These books focus on teaching language arts and disciplines. They may be used for elementary school students in grades K-5.

Law. Law books include legal treatises, casebooks, and collections of statutes.

Literary Criticism. Literary criticism books discuss literary works, primarily key works of fiction or memoir. They may include biographies of authors, critical essays on specific works, or studies of the history of literature.

Mathematics. Mathematics books either teach mathematical concepts and methods or explore the history of mathematics.

Medical. Medical books include textbooks, reference books, guides, encyclopedias, and handbooks that focus on fields of medicine, including general practice, internal medicine, surgery, pediatrics, obstetrics/gynecology, and more.

Music. Music books are books that focus on the history, culture, and development of music in various countries around the world. They often include biographies, interviews, reviews, essays, and other related material. However, they may also include sheet music or instruction on playing a specific instrument.

Nature. Nature books focus on the natural world or environment, including natural history, ecology, or natural experiences like hiking, bird watching, or conservation.

Performing Arts. Books about the performing arts in general, including specific types of performance art like dance, music, and theater.

Pets. Pet books include any book that deals with animals in some way, including dog training, cat care, animal behavior, pet nutrition, bird care, and more.

Philosophy. Philosophy books deal with philosophical issues, and may be written for a general audience or specifically for scholars.

Photography. Photography books use photographs as an essential part of their content. They may be about any subject.

Political Science. Political science books deal with politics in some way. They can be about current events, historical figures, or theoretical concepts.

Psychology. Psychology books are about the scientific study of mental processes, emotion, and behavior.

Reference. Reference books are about any subject, topic, or field and contain useful information about that subject, topic or field.

Religion. These books deal with religion in some way, including religious history, theology, philosophy, and spirituality.

Science. Science books focus on topics within scientific fields, including geology, biology, physics, and more.

Self-Help. Self-help books are written for people who want to improve their lives in some way. They may be about health, relationships, finances, career, parenting, spirituality, or any number of topics that can help readers achieve personal goals.

Social Science. Focus on social science topics.

Sports & Recreation. Sports & Recreation books focus on sports either from a reporting, historical, or instructional perspective.

Study Aids. Study aids are books that provide information about a particular subject area for students who want to learn more about that topic. These books can be used in conjunction with classroom instruction or on their own.

Technology & Engineering. Technology & engineering nonfiction books describe how technology has changed our lives and how we can use that knowledge to improve ourselves and society.

Transportation. Focus on transportation topics including those about vehicles, routes, or techniques.

Travel. Travel books are those that focus on travel experiences, whether from a guide perspective or from the author's personal experiences.

True Crime. True Crime books focus on true stories about crimes. These books may be about famous cases, unsolved crimes, or specific criminals.

Young Adult Nonfiction.  Young adult nonfiction books are written for children and teenagers.

3. Drama Genres

These include genres for theater, film, television serials, or audio plays.

As a writer, I find some of these genres particularly eye-roll worthy. And yet, this is the way most films, television shows, and even theater productions are classified.

Action. Action genre dramas involve fast-paced, high-energy sequences in which characters fight against each other. They often have large-scale battles, chase scenes, or other high-intensity, high-conflict scenes.

Horror.  Horror dramas focus on the psychological terror experienced by their characters. They often feature supernatural elements, such as ghosts, vampires, werewolves, zombies, demons, monsters, and aliens.

Adventure. Adventure films are movies that have an adventurous theme. They may be set in exotic locations, feature action sequences, and/or contain elements of fantasy.

Musicals (Dance). Musicals are dramas that use music in their plot and/or soundtrack. They may be comedies, dramas, or any combination.

Comedy (& Black Comedy). Comedy dramas feature humor in their plots, characters, dialogue, or situations. It sometimes refers to historical dramas (e.g. Shakespeare, Greek drama, etc) that contain a happy ending, often with a wedding.

Science Fiction. Science fiction dramas are usually set in an imaginary future world, often involving advanced technology. They may be based on scientific facts but do not have to be.

Crime & Gangster. Crime & Gangster dramas deal with criminals, detectives, or organized crime groups. They often feature action sequences, violence, and mystery elements.

War (Anti-War). War (or anti-war) dramas focus on contemporary or historical wars. They may also contain action, adventure, mystery, or romance elements.

Drama. Dramas focus on human emotions in conflict situations. They often have complex plots and characters, and deal with serious themes. This may also refer to historical stories (e.g. Shakespeare, Greek Literature, etc) that contain a sad or tragic ending, often with one or more deaths.

Westerns. Westerns are a genre of American film that originated in the early 20th century and take place in the west during the late 19th century and early 20th century. Characters include cowboys, outlaws, native Americans, and settlers.

Epics/Historical/Period. These are dramas based on historical events or periods but do not necessarily involve any real people.

Biographical (“Biopics”). Biopics films are movies that focus on real people in history.

Melodramas, Women's or “Weeper” Films, Tearjerkers. A type of narrative drama that focuses on emotional issues, usually involving love, loss, tragedy, and redemption.

“Chick” Flicks. Chick flicks usually feature romantic relationships and tend to be lighthearted and comedic in nature.

Road Stories. Dramas involving a journey of some kind, usually taking place in contemporary setting, and involving relationships between one or more people, not necessarily romantic.

Courtroom Dramas. Courtroom dramas depict legal cases set in courtrooms. They usually have a dramatic plot line with an interesting twist at the end.

Romance. Romance dramas feature love stories between two people. Romance dramas tend to be more serious, even tragic, in nature, while romantic comedies tend to be more lighthearted.

Detective & Mystery. These dramas feature amateur or professional investigators solving crimes and catching criminals.

Sports. Sports dramas focus on athletic competition in its many forms and usually involve some kind of climactic tournament or championship.

Disaster. Disaster dramas are adventure or action dramas that include natural disasters, usually involving earthquakes, floods, volcanoes, hurricanes, tornadoes, or other disasters.

Superhero. Superhero dramas are action/adventure dramas that feature characters with supernatural powers. They usually have an origin story, the rise of a villain, and a climactic battle at the end.

Fantasy. Fantasy dramas films are typically adventure dramas that feature fantastical elements in their plot or setting, whether magic, folklore, supernatural creatures, or other fantasy elements.

Supernatural. Supernatural dramas feature paranormal phenomena in their plots, including ghosts, mythical creatures, and mysterious or extraordinary elements. This genre may overlap with horror, fantasy, thriller, action and other genres.

Film Noir. Film noir refers to a style of American crime drama that emerged in the 1940s. These dramas often featured cynical characters who struggled, often fruitlessly, against corruption and injustice.

Thriller/Suspense. Thriller/suspense dramas have elements of suspense and mystery in their plot. They usually feature a character protagonist who must overcome obstacles while trying to solve a crime or prevent a catastrophe.

Guy Stories. Guy dramas feature men in various situations, usually humorous or comedic in nature.

Zombie . Zombie dramas are usually action/adventure dramas that involve zombies.

Animated Stories . Dramas that are depicted with drawings, photographs, stop-motion, CGI, or other animation techniques.

Documentary . Documentaries are non-fiction performances that attempt to describe actual events, topics, or people.

“Foreign.”  Any drama not in the language of or involving characters/topics in your country of origin. They can also have any of the other genres listed here.

Childrens – Kids – Family-Oriented . Dramas with children of various ages as the intended audience.

Sexual – Erotic . These dramas feature explicit sexual acts but also have some kind of plot or narrative (i.e. not pornography).

Classic . Classic dramas refer to dramas performed before 1950.

Silent . Silent dramas were an early form of film that used no recorded sound.

Cult . Cult dramas are usually small-scale, independent productions with an offbeat plot, unusual characters, and/or unconventional style that have nevertheless gained popularity among a specific audience.

4. Poetry Genres

This list is from Harvard's Glossary of Poetic Genres  who also has definitions for each genre.

Dramatic monologue

Epithalamion

Light verse

Occasional verse

Verse epistle

What Are the Components of Genre In Literature? The 7 Elements of Genre

Now that we've looked, somewhat exhaustively, at examples of literary genres, let's consider how these genres are created.

What are the elements of literary genre? How are they formed?

Here are seven components that make up genre.

• Form . Length is the main component of form (e.g. a novel is 200+ pages , films are at least an hour, serialized episodes are about 20 minutes, etc), but may also be determined by how many acts or plot lines they have. You might be asking, what about short stories? Short stories are a genre defined by their length but not their content.
• Intended Audience . Is the story meant for adults, children, teenagers, etc?
• Conventions and Tropes . Conventions and tropes describe patterns or predictable events that have developed within genres. For example, a sports story may have a big tournament at the climax, or a fantasy story may have a mentor character who instructs the protagonist on the use of their abilities.
• Characters and Archetypes. Genre will often have characters who serve similar functions, like the best friend sidekick, the evil villain , the anti-hero , and other character archetypes .
• Common Settings and Time Periods . Genre may be defined by the setting or time period. For example, stories set in the future tend to be labelled science fiction, stories involving the past tend to be labelled historical or period, etc.
• Common Story Arcs . While every story type may use each of the six main story arcs , genre tends to be defined by specific story arcs. For example, comedy almost always has a story arc that ends positively, same with kids or family genres. However, dramas often (and when referring to historical drama, always) have stories that end tragically.
• Common Elements (such as supernatural elements, technology, mythical creatures, monsters, etc) . Some genres center themselves on specific elements, like supernatural creatures, magic, monsters, gore, and so on. Genre can be determined by these common elements.

As you consider these elements, keep in mind that genre all comes back to taste, to what readers want to consume and how to match the unlimited variations of story with the infinite variety of tastes.

Read What You Want, Write What You Want

In the end, both readers and writers should use genre for what it is, a tool, not as something that defines you.

Writers can embrace genre, can use genre, without being controlled by it.

Readers can use genre to find stories or books they enjoy while also exploring works outside of that genre.

Genre can be incredibly fun! But only if you hold it in tension with your own work of telling (or finding) a great story.

What are your favorite genres to read in? to write in?  Let us know in the comments!

Now that we understand everything there is to know about literary genres, let's put our knowledge to use with an exercise. I have two variations for you today, one for readers and one for writers.

Readers : Think of one of your favorite stories. What is the literary genre of that story? Does it have multiple? What expectations do you have about stories within that genre? Finally, how does the author of your favorite story use those expectations, and how do they subvert them?

Writers : Choose a literary genre from the list above and spend fifteen minutes writing a story using the elements of genre: form, audience, conventions and tropes, characters and archetypes, setting and time periods, story arcs, and common elements.

When you’re finished, share your work in the Pro Practice Workshop here .  Not a member yet? Join us here !

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

So how big does an other-genre element need to get before you call your book “cross-genre”? Right now, I’m writing a superhero team saga (which is already a challenge for platforms that don’t recognize “superhero” as a genre, since my team’s powers lie in that fuzzy land where the distinction between science and magic gets more than a little blurry), so it obviously has action/adventure in it, but it’s also sprouting thriller and mystery elements. I’m wondering if they’re big enough to plug the series to those genres.

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What Is a Biography?

Learning from the experiences of others is what makes us human.

At the core of every biography is the story of someone’s humanity. While biographies come in many sub-genres, the one thing they all have in common is loyalty to the facts, as they’re available at the time. Here’s how we define biography, a look at its origins, and some popular types.

“Biography” Definition

A biography is simply the story of a real person’s life. It could be about a person who is still alive, someone who lived centuries ago, someone who is globally famous, an unsung hero forgotten by history, or even a unique group of people. The facts of their life, from birth to death (or the present day of the author), are included with life-changing moments often taking center stage. The author usually points to the subject’s childhood, coming-of-age events, relationships, failures, and successes in order to create a well-rounded description of her subject.

Biographies require a great deal of research. Sources of information could be as direct as an interview with the subject providing their own interpretation of their life’s events. When writing about people who are no longer with us, biographers look for primary sources left behind by the subject and, if possible, interviews with friends or family. Historical biographers may also include accounts from other experts who have studied their subject.

The biographer’s ultimate goal is to recreate the world their subject lived in and describe how they functioned within it. Did they change their world? Did their world change them? Did they transcend the time in which they lived? Why or why not? And how? These universal life lessons are what make biographies such a meaningful read.

Origins of the Biography

Greco-Roman literature honored the gods as well as notable mortals. Whether winning or losing, their behaviors were to be copied or seen as cautionary tales. One of the earliest examples written exclusively about humans is Plutarch’s Parallel Lives (probably early 2 nd century AD). It’s a collection of biographies in which a pair of men, one Greek and one Roman, are compared and held up as either a good or bad example to follow.

In the Middle Ages, Einhard’s The Life of Charlemagne (around 817 AD) stands out as one of the most famous biographies of its day. Einhard clearly fawns over Charlemagne’s accomplishments throughout, yet it doesn’t diminish the value this biography has brought to centuries of historians since its writing.

Considered the earliest modern biography, The Life of Samuel Johnson (1791) by James Boswell looks like the biographies we know today. Boswell conducted interviews, performed years of research, and created a compelling narrative of his subject.

The genre evolves as the 20th century arrives, and with it the first World War. The 1920s saw a boom in autobiographies in response. Robert Graves’ Good-Bye to All That (1929) is a coming-of age story set amid the absurdity of war and its aftermath. That same year, Mahatma Gandhi wrote The Story of My Experiments with Truth , recalling how the events of his life led him to develop his theories of nonviolent rebellion. In this time, celebrity tell-alls also emerged as a popular form of entertainment. With the horrors of World War II and the explosion of the civil rights movement, American biographers of the late 20 th century had much to archive. Instantly hailed as some of the best writing about the war, John Hersey’s Hiroshima (1946) tells the stories of six people who lived through those world-altering days. Alex Haley wrote the as-told-to The Autobiography of Malcom X (1965). Yet with biographies, the more things change, the more they stay the same. One theme that persists is a biographer’s desire to cast its subject in an updated light, as in Eleanor and Hick: The Love Affair that Shaped a First Lady by Susan Quinn (2016).

Types of Biographies

Contemporary Biography: Authorized or Unauthorized

The typical modern biography tells the life of someone still alive, or who has recently passed. Sometimes these are authorized — written with permission or input from the subject or their family — like Dave Itzkoff’s intimate look at the life and career of Robin Williams, Robin . Unauthorized biographies of living people run the risk of being controversial. Kitty Kelley’s infamous His Way: The Unauthorized Biography of Frank Sinatra so angered Sinatra, he tried to prevent its publication.

Historical Biography

The wild success of Lin-Manuel Miranda’s Hamilton is proof that our interest in historical biography is as strong as ever. Miranda was inspired to write the musical after reading Ron Chernow’s Alexander Hamilton , an epic 800+ page biography intended to cement Hamilton’s status as a great American. Paula Gunn Allen also sets the record straight on another misunderstood historical figure with Pocahontas: Medicine Woman, Spy, Entrepreneur, Diplomat , revealing details about her tribe, her family, and her relationship with John Smith that are usually missing from other accounts. Historical biographies also give the spotlight to people who died without ever getting the recognition they deserved, such as The Immortal Life of Henrietta Lacks .

Biography of a Group

When a group of people share unique characteristics, they can be the topic of a collective biography. The earliest example of this is Captain Charles Johnson’s A General History of the Pirates (1724), which catalogs the lives of notorious pirates and establishes the popular culture images we still associate with them. Smaller groups are also deserving of a biography, as seen in David Hajdu’s Positively 4th Street , a mesmerizing behind-the-scenes look at the early years of Bob Dylan, Joan Baez, Mimi Baez Fariña, and Richard Fariña as they establish the folk scene in New York City. Likewise, British royal family fashion is a vehicle for telling the life stories of four iconic royals – Queen Elizabeth II, Diana, Kate, and Meghan – in HRH: So Many Thoughts on Royal Style by style journalist Elizabeth Holmes.

Autobiography

This type of biography is written about one’s self, spanning an entire life up to the point of its writing. One of the earliest autobiographies is Saint Augustine’s The Confessions (400), in which his own experiences from childhood through his religious conversion are told in order to create a sweeping guide to life. Maya Angelou’s I Know Why the Caged Bird Sings is the first of six autobiographies that share all the pain of her childhood and the long road that led to her work in the civil rights movement, and a beloved, prize-winning writer.

Memoirs are a type of autobiography, written about a specific but vital aspect of one’s life. In Toil & Trouble , Augusten Burroughs explains how he has lived his life as a witch. Mikel Jollett’s Hollywood Park recounts his early years spent in a cult, his family’s escape, and his rise to success with his band, The Airborne Toxic Event. Barack Obama’s first presidential memoir, A Promised Land , charts his path into politics and takes a deep dive into his first four years in office.

Fictional Biography

Fictional biographies are no substitute for a painstakingly researched scholarly biography, but they’re definitely meant to be more entertaining. Z: A Novel of Zelda Fitzgerald by Therese Anne Fowler constructs Zelda and F. Scott’s wild, Jazz-Age life, told from Zelda’s point of view. The Only Woman in the Room by Marie Benedict brings readers into the secret life of Hollywood actress and wartime scientist, Hedy Lamarr. These imagined biographies, while often whimsical, still respect the form in that they depend heavily on facts when creating setting, plot, and characters.

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What is a Biography? Definition, Elements, and More

Have you found yourself browsing the biography section of your favorite library or bookstore and wondered what is a biography book ? 

Don’t worry, we’ve got you covered! Plenty of people wonder “What is a biography vs autobiography?” or “What is a biography vs memoir?” And today we are here to set the record straight.

In this brief guide to what a biography is, we’ll explore the definition of a biography, along with its purpose, how you might write one yourself, and more. Let’s get started.

Need A Nonfiction Book Outline?

In this article, we’ll explore:

What is a biography of a person .

What is a biography? A biography is what we call the written account of someone’s life. It is written by someone other than whom the book is about. For example, an author named Walter Isaacson has written biographies on Steve Jobs , Leonardo da Vinci , and Einstein . 

A biography is what focuses on the significant events that occurred in a person’s life, along with their achievements, challenges they’ve overcome, background, relationships, and more. 

They’re an excellent way to get a comprehensive understanding of someone you admire. 

So now you understand what a biography is, but what is the point of a biographical story?

What is the point of a biography? 

Biographies have a few purposes. They can serve as historical records about a notable figure, inspire and educate readers, and give us more insight into how the folks we’re interested in lived their lives. 

And, if you are studying a notable figure, like Einstein, a biography is what you will use as a research resource !

Does a biography cover someone’s entire life? 

Biographies typically encompass most of a person’s life. Obviously, if the subject of the book is still alive, their entire life cannot be written about. 

If the person lived a long and eventful life with many achievements, the author may cover only an especially noteworthy period of the subject’s life. 

Even so, the point of a biography is to learn about your subject beyond just what they achieved, so there will likely still be contextual information about the subject’s childhood, formative experiences, and more. 

Is a biography always nonfiction? 

Surprisingly, a biography is not always nonfiction . There is a genre called biographical fiction in which the author uses real-life people and events to inspire their fictional narrative . 

This genre is fun because the author can postulate about what their subject may have been thinking, feeling, and more in a way they may not be able to with a nonfiction biography. 

Just keep in mind that biographical fiction blends facts with made-up information, so it can’t be used as a primary research source. That said, it’s a fun supplement to learning about a figure you’re interested in, and can help generate curiosity and insights about their lives. 

If you’d like to read a biographical fiction book, check out books like: 

• The Paris Wife by Paula McLain
•   The Other Boleyn Girl by Philippa Gregory
• The Aviator’s Wife by Melanie Benjamin 

Biography vs autobiography

What is a biography vs autobiography? Well, a biography is written about another person . An autobiography is when the writer writes about their own life. So Becoming by Michelle Obama would be an autobiography, not a biography. It’s only a biography if another author decides to write about Michelle Obama.

Biography vs memoir

What is a biography vs memoir? This distinction is a bit harder to define. A memoir is usually written around a theme or a specific time period in someone’s life, and the author is writing about their own memories. Whereas a biography is in chronological order and follows (more or less) the whole lifetime of a person, but it is a person other than the author.

So if someone is telling stories about their travels through South America, that isn’t covering their life story, and it is written about themself, so it would be a memoir instead of a biography.

Now that you know what a biography is, and the importance of biographies, let’s discuss why someone would want to write one.

Why would someone write a biography? 

An author may want to write a biography about someone because they’re inspired by them and want to educate the public about them. Or, they want to create a historical resource for scholars to study. 

An author may even have a commercial motivation for writing a biography, like a lucrative celebrity profile or a biography that has the potential to be adapted into a film or television series. 

Is it possible to write a biography about yourself? 

If you write a book about yourself, it’s called an autobiography or a memoir—not a biography. So, when you start writing your book, make sure you don’t get caught in the autobiography vs biography or biography vs memoir maze.

If you’d like a book written about you that you’re not the author of, you can hire a writer to create one for you. You may choose to do this if you feel your writing skills are not up to par or you don’t have time to write your own biography .

Hiring a writer to write your biography can also make sense if you’d like to make sure the book is as objective and professional as it can be. Of course, this means you have to surrender control of the narrative! 

Some folks may also feel that a biography has more credence than an autobiography or memoir since the book’s subject doesn’t get to decide what is said about them. So hiring a writer for your biography can be a good way to credibly get your story out there. 

Can you write a biography about anyone you’d like? 

When it comes to writing about other people’s lives, it’s wise to proceed with an abundance of caution. After all, you don’t want to be sued for defamation or find yourself in other legal hot water. 

We highly suggest you look into the legal ramifications of writing about your chosen subject before you begin writing about them, but here are a couple of general things to know: 

• Typically, you don’t need permission to write about someone who is a public figure. However, the definition of a public figure can vary depending on your jurisdiction and more, so you’ll need to do your research.
• Even if you discover that you can write about your subject without permission, it’s still advisable to contact the subject and/or their family. Not only is it good manners, but it may afford you some insider information about your subject. 
• If your subject or the family of your subject tells you they don’t want a biography about them, you may still legally be able to proceed—consult a lawyer—but you might face backlash when the book is published, limited access to information about your subject, and perhaps a pressing sense of guilt. Not worth it, if you ask us! 

Examples of biographies

What’s a biography that is really good? Here are a few of the best biographies you should add to your list: 

• Frida: A Biography of Frida Kahlo by Hayden Herrera 
• Heavier Than Heaven: A Biography of Kurt Cobain by Charles R. Cross
• Anne Frank: The Biography by Melissa Müller
• You Never Forget Your First: A Biography of George Washington by Alexis Coe
• The Beatles: The Biography by Bob Spitz
• Victoria the Queen: An Intimate Biography of the Woman Who Ruled an Empire by Julia Baird

We’ve also reviewed the best business biographies of highly successful entrepreneurs. These books offer invaluable lessons and inspiration for aspiring business leaders and authors.

Final thoughts 

Now if anyone asks you “What’s a biography?” You should be able to tell them (and give them some great examples).

Reading a biography is a great way to get inspired, learn from other people’s experiences, and more. And writing a biography can be an excellent educational experience in its own right! If you’d like to publish a biography but don’t know where to start, we’re here to help. Simply schedule a book consultation to get started. 

English Studies

This website is dedicated to English Literature, Literary Criticism, Literary Theory, English Language and its teaching and learning.

Biography: A Literary Genre

The literary device of biography involves the meticulous construction of a narrative that captures the essence of an individual’s life through various literary techniques.

Etymology of Biography

Table of Contents

The term, biography, originates from the combination of two ancient Greek words: bios meaning “life” and graphein meaning “to write.” The word first appeared in the English language in the late 17th century, derived from the French word biographie. Its etymology reflects the essence of the genre , which involves the written account or narrative of an individual’s life.

Meanings of Biography

Biography has different meanings in different contexts. Here are some possible meanings.

• Written Account: Refers to a written account or narrative of a person’s life, detailing their experiences, achievements, and challenges.
• Comprehensive Exploration: Involves a comprehensive exploration of an individual’s personal and professional journey , offering insights into their character, motivations, and societal impact.
• Literary Genre: Describes the genre of literature or non-fiction writing that focuses on writing biographical accounts.
• Broader Scope: Can encompass any detailed study or examination of a person’s life, including audiovisual presentations, documentaries, or oral histories.
• Figurative Usage: Used metaphorically to describe the compilation or documentation of information about non-human entities, such as the biography of a company or an animal species, providing an understanding of their origins, development, and significance.

Definition of Literary Device of Biography

The literary device of biography involves the meticulous construction of a narrative that captures the essence of an individual’s life through various literary techniques. It uses characterization to portray the subject’s personality, motivations, and inner conflicts. It utilizes techniques such as direct and indirect characterization, dialogue, and anecdotal evidence.

Types of Biograph ies

Please note that these are general descriptions, and there may be some overlap or variations within each type of biography.

Literary Examples of Biographies

These biographies provide unique insights into the lives, experiences, and contributions of the individuals they feature, shedding light on historical events, social issues, and the complexities of human existence.

Suggested Readings about Biographies

• A xelrod, Alan, and Charles R. Cooper. The St. Martin’s Guide to Writing Biography . Bedford/St. Martin’s, 2003.
• Le, Hermoine. Biography: A Very Short Introduction . Oxford University Press, 2009.
• Lejeune, Philippe. On Autobiography . University of Minnesota Press, 1989.
• Smith, Sidonie, and Julia Watson. Reading Autobiography: A Guide for Interpreting Life Narratives . University of Minnesota Press, 2001.
• Spengemann, William C. The Forms of Autobiography: Episodes in the History of a Literary Genre . Yale University Press, 1980.

Related posts:

• Onomatopoeia: A Literary Device

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10 Key Characteristics, Origin, Types And Classification Of A Biography

We explain what a biography is, its origin and how this writing is classified. Also, what are its features, extension and more.

What is a Biography?

Origin of the term biography, genre of the biography, biography background.

biography types

• Authorized.  The one that has the approval of the biographer or his heirs and executors, that is, the one that has survived a certain process of censorship.
• Unauthorized. That written without approval and revision of the biographed character or his heirs.
• False. It is known as false autobiography or false biography to works of fiction that pretend to be biographical writings.

Delimitation of the biography

Objectivity of the biography

Biographical approach.

biographical novelty

Biography extension.

Biography Value

Kalum Talbot

MA student of the TransAtlantic Masters program at UNC-Chapel Hill. Political Science with a focus on European Studies. Expressed ideas are open to revision. He not only covers Technical articles but also has skills in the fields of SEO, graphics, web development and coding. .

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What Are Biographies? Crafting Lifelong Stories That Move [With Examples]

A biography is our window into the lives of individuals who’ve shaped our world, offering an intimate glimpse into their journeys.

It’s the art of telling another person’s life story , weaving the tapestry of their experiences into a narrative that resonates and inspires.

What Is A Biography?

A biography is a detailed account of another person’s life, comprising more than just the basic facts.

It includes experiences, relationships, and the various nuances that helped shape their existence.

Biographies are meticulously researched, often involving interviews, perusal of letters, diaries, and an exploration of other personal records.

The genre presents a well-rounded picture of an individual’s character.

Biographies go deeper than surface-level events, delving into the psychology and motivations behind a person’s actions and decisions.

They are an intersection of history and storytelling, where the reader is invited to step into someone else’s shoes.

Capturing the essence of true life events requires a nuanced approach, particularly in filmmaking.

Real-life narratives transformed into films, like Schindler’s List or The Social Network , require a careful balance of fact and creative interpretation.

Our storytelling becomes a tool to enlighten and engage audiences, bringing to light unexplored angles and hidden truths.

Beneath the umbrella of biography, there are several subgenres to consider:

• Autobiographies, written by individuals about their own lives,
• Memoirs, focusing on specific aspects or periods within a person’s life,
• Diaries, providing an intimate day-to-day look into the writer’s experiences.

Each format offers a unique lens through which we can examine the vast tapestry of human experience.

As filmmakers, we understand the power that well-crafted biographical stories hold in connecting with viewers on a deeply emotional level.

It’s through these narratives that we can present compelling tales of persistence, innovation, tragedy, and triumph.

Why Write A Biography?

Exploring the motives behind penning a biography uncovers a deep-seated desire to celebrate an individual’s achievements and their impact on society.

Authors often feel a compelling need to share someone’s story when it holds a particular significance, whether they’re documenting the life of an unsung hero or a renowned public figure.

These narratives hold the power to educate and inspire, shedding light on the trials and triumphs that define a person’s journey.

Within the realms of filmmaking, producing a biographical film stems from the intent to bring a person’s narrative to life on-screen in a way that resonates visually with an audience.

It’s about crafting a story that transcends the pages of a book, transforming it into a sensory experience.

A powerful biographical film can create a lasting impact that reverberates through the halls of time, such as Martin Scorsese ’s The Wolf of Wall Street or Steven Spielberg’s Lincoln .

Biographies also serve as a bridge between the past and the present, connecting readers and viewers with historical contexts that are often left untouched by textbooks.

Our engagement with these accounts opens up windows to experiences that, although not our own, enrich our understanding of human resilience and innovation.

Here are key reasons we jump into writing biographies:

• To honor someone’s legacy,
• To offer insights into the human condition,
• To highlight pivotal moments and decisions that have altered the course of history,
• To provide a comprehensive look at the societal contributions of the individual.

For us, the process of creating a biography isn’t just about recounting events; it’s about weaving a tapestry of someone’s existence that captivates and educates.

It’s an invitation to step inside someone else’s reality, to celebrate their existence, and, potentially, to learn lessons that can influence our own lives.

Whether on the page or on the screen, biographies hold a mirror up to humanity, reflecting the diversity and complexity of the human spirit.

Types Of Biographies

When exploring the world of biographies, understanding the different types is crucial.

We can classify biographies into several main categories, each offering a unique lens through which to view a life story.

• Authorized Biographies : These works are written with the permission, and often the cooperation, of the subject or the subject’s heirs.
• Unauthorized Biographies : These texts jump into an individual’s life without their consent, which can sometimes lead to controversy and legal issues.
• Academic Biographies : These are meticulously researched, focusing heavily on accuracy and the subject’s contributions to their field.
• Historical Biographies : Delving into the past, these biographies illuminate the lives of figures who have shaped our history, often combining storytelling with historical analysis.
• Literary Biographies : These explore the life of an author, poet, or playwright, intertwining the individual’s personal journey with their literary contributions.

Each type offers us a unique way to engage with the nuances of an individual’s life.

The thorough research of academic biographies ensures a factual recount, while the narrative-driven approach of historical biographies brings the past to life in vivid detail.

Literary biographies open the door to understanding the minds behind some of the world’s most treasured literary works.

The Life of Samuel Johnson by James Boswell is often cited as a groundbreaking work in this subgenre, providing an intimate look at the literary icon.

Authorized biographies like Walter Isaacson’s Steve Jobs provide an insider’s perspective, offering an in-depth look at the tech mogul’s life with his input and blessing, while unauthorized biographies offer less filtered accounts, though they can be contentious.

In film, these narratives become even more compelling.

Biopics like The Imitation Game dramatize the life of a historical figure, blending facts with cinematic artistry to connect audiences to the heart of the story.

Our exploration doesn’t stop there – within each main category, we find further subdivisions.

Personal memoirs, autobiographies, and diaries serve as firsthand accounts, adding a layer of intimacy and authenticity that third-person narratives cannot always capture.

Elements Of A Biography

In dissecting the anatomy of a compelling biography, it’s vital for us to consider the foundation that makes these tales resonate.

Every biography is structured around key elements that weave into the fabric of the story, offering depth and color to the subject’s life journey.

Chronology is the backbone, as biographies generally unfold in a linear progression from birth to death or to the present moment.

This chronological approach gives readers a historical context and a timeline of the subject’s life.

Context is equally imperative.

It’s not enough to catalogue events; a robust biography also paints a vivid picture of the societal, cultural, and personal circumstances surrounding the individual.

Context turns bare facts into a rich tapestry that envelops readers and transports them to the era in question.

Primary sources , such as interviews, letters, and diaries, are treasure troves.

They provide an unfiltered glimpse into the thoughts, motivations, and emotions of the subject, authenticating the narrative and grounding it in reality.

Secondary sources , like critical analyses or historical texts, offer external perspectives that can help corroborate the story.

They also add a layer of scholarly rigor, ensuring the biography is not just an intimate portrait but a credible one as well.

Here’s what we always look out for:

• A strong opening that captures the subject’s essence,
• Vivid character development,
• Quotations that enrich narratives,
• Critical milestones in the subject’s life,
• Challenges and conflicts that reveal character and drive the story.

In Amadeus or The Imitation Game , for example, these elements aren’t merely bullet points — they’re artfully intertwined to create an immersive viewer experience.

It’s the same with compelling biographies; facts are interlaced with narrative finesse, turning the historical and personal into an engaging chronicle that’s both enlightening and captivating.

Crafting a biography with these elements in mind ensures the subject’s story is not just told but felt.

Our task as storytellers is to harness these components to construct a narrative that offers insight and inspires a deeper understanding of the individual.

Whether exploring the life of a legendary filmmaker or a revolutionary innovator, we apply these fundamental elements to relate a story that resonates with authenticity and impact.

These are the intricate details that help us connect the dots between the person and their legacy, illustrating not just what they did, but who they were.

Tips For Writing A Biography

When embarking on the journey of crafting a biography, we’re tasked with blending research and narrative to bring another person’s life story to the page or screen.

It’s critical to strike a balance between factual accuracy and engaging storytelling.

To start , we always identify the central theme of the biography.

This theme guides the narrative arc and helps maintain focus throughout the writing process.

It’s what connects readers or viewers emotionally to the subject.

Next, we jump deep into research.

We gather information from:

• Primary sources – including interviews, letters, and diary entries,
• Secondary sources – such as books, documentaries, and scholarly articles.

Accuracy is the cornerstone of a biography; hence we verify every fact and resist the temptation to embellish.

Misrepresenting information can discredit the entire work and, by extension, us as writers or filmmakers.

For the sequence of events, we opt for a logical progression.

Whether we choose a traditional chronological approach or a more thematic one, we ensure the timeline is clear and enhances the subject’s story.

In portraying the subject , we aim for a well-rounded depiction.

This involves:

• Highlighting significant achievements,
• Acknowledging flaws and controversies,
• Demonstrating personal growth or change.

As we weave the narrative, we maintain a critical eye.

Each scene or chapter should serve the purpose of the biography and advance the story.

Superfluous details that don’t support the central theme or contribute to the subject’s portrayal are trimmed.

When rich descriptions are needed, we use vivid language to paint scenes and bring historical contexts to life.

This not only grounds the reader or audience in the era but also adds a layer of relatability to the subject.

As the biography takes shape, we pay special attention to pacing.

It’s essential to engage our audience without overwhelming them with dense information or dragging them through unnecessary detours.

Finally, editing and proofreading are non-negotiable steps.

A well-edited biography reflects the care we take in presenting someone’s life.

It’s about respecting both the subject and the audience.

In our approach to biography writing, we honor the trust placed in us to tell another person’s story accurately and compellingly.

We craft biographies that are not just recountings of a life but also works of art that stand the test of time.

Understanding Biographies: Crafting Lifelong Stories – Wrap Up

We’ve explored the intricate tapestry that is biography writing, understanding its power to immortalize individuals and their stories.

Crafting a biography is an art form, requiring a delicate balance of research, narrative skill, and respect for the truth.

By following our outlined tips, we can create biographies that not only inform but also inspire, connecting readers across time with the multifaceted lives of those who have shaped our world.

Let’s continue to write biographies that do more than just tell a story—they bring history to life and endure as cultural treasures.

Frequently Asked Questions

What is the importance of biographies.

Biographies are important because they document personal histories, providing insight into the lives of influential people, and help us understand historical contexts through individual experiences.

They serve as a source of inspiration and learning.

What Are The Different Types Of Biographies?

There are several types of biographies, including historical biographies, literary biographies, celebrity biographies, and autobiographies, which are written by the subjects themselves.

Each type focuses on different aspects of a person’s life.

How Can A Biography Balance Factual Accuracy And Engaging Storytelling?

To balance factual accuracy and engaging storytelling, a biography writer needs to conduct thorough research to ensure accuracy while employing narrative techniques , such as vivid language and logical sequencing of events, to engage readers.

What Tips Are Given For Writing A Biography?

The article suggests identifying a central theme, conducting thorough research, organizing events logically, portraying the subject in a well-rounded manner, using vivid language, paying attention to pacing, and diligently editing and proofreading the final work.

Why Should A Biography Be Well-edited And Proofread?

A well-edited and proofread biography ensures that the text is free of errors, maintains its pacing, and presents a polished and professional account.

It contributes to the credibility of the work and the reader’s overall experience.

What Makes A Biography A Work Of Art?

A biography becomes a work of art when it transcends mere factual recounting and infuses artistic narrative techniques, depth of insight, and thoughtful thematic explorations that resonate with readers and stand the test of time.

What Is Fiction In Film & Literature? Crafting Characters & Worlds

What Is An Autobiography? Crafting Personal Stories [Complete Guide With Examples]

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Literary Devices

Literary devices, terms, and elements, definition of biography, difference between biography and autobiography, common examples of biography, significance of biography in literature.

The genre of biography developed out of other forms of historical nonfiction, choosing to focus on one specific person’s experience rather than all important players. There are examples of biography all the way back to 44 B.C. when Roman biographer Cornelius Nepos wrote Excellentium Imperatorum Vitae (“Lives of those capable of commanding”). The Greek historian Plutarch was also famous for his biographies, creating a series of biographies of famous Greeks and Romans in his book Parallel Lives . After the printing press was created, one of the first “bestsellers” was the 1550 famous biography Lives of the Artists by Giorgio Vasari. Biography then got very popular in the 18th century with James Boswell’s 1791 publication of The Life of Samuel Johnson . Biography continues to be one of the best selling genres in literature, and has led to a number of literary prizes specifically for this form.

Examples of Biography in Literature

And I can imagine Farmer saying he doesn’t care if no one else is willing to follow their example. He’s still going to make these hikes, he’d insist, because if you say that seven hours is too long to walk for two families of patients, you’re saying that their lives matter less than some others’, and the idea that some lives matter less is the root of all that’s wrong with the world.

Tracy Kidder’s wonderful example of biography, Mountains Beyond Mountains , brought the work of Dr. Paul Farmer to a wider audience. Dr. Farmer cofounded the organization Partners in Health (PIH) in 1987 to provide free treatment to patients in Haiti; the organization later created similar projects in countries such as Russia, Peru, and Rwanda. Dr. Farmer was not necessarily a famous man before Tracy Kidder’s biography was published, though he was well-regarded in his own field. The biography describes Farmer’s work as well as some of his personal life.

On July 2, McCandless finished reading Tolstoy’s “Family Happiness”, having marked several passages that moved him: “He was right in saying that the only certain happiness in life is to live for others…” Then, on July 3, he shouldered his backpack and began the twenty-mile hike to the improved road. Two days later, halfway there, he arrived in heavy rain at the beaver ponds that blocked access to the west bank of the Teklanika River. In April they’d been frozen over and hadn’t presented an obstacle. Now he must have been alarmed to find a three-acre lake covering the trail.

A commanding woman versed in politics, diplomacy, and governance; fluent in nine languages; silver-tongued and charismatic, Cleopatra nonetheless seems the joint creation of Roman propagandists and Hollywood directors.

Stacy Schiff wrote a new biography of Cleopatra in 2010 in order to divide fact from fiction, and go back to the amazing and intriguing personality of the woman herself. The biography was very well received for being both scrupulously referenced as well as highly literary and imaginative.

Confident that he was clever, resourceful, and bold enough to escape any predicament, [Louie] was almost incapable of discouragement. When history carried him into war, this resilient optimism would define him.

( Unbroken: A World War II Story of Survival, Resilience, and Redemption by Laura Hillenbrand)

I remember sitting in his backyard in his garden, one day, and he started talking about God. He [Jobs] said, “ Sometimes I believe in God, sometimes I don’t. I think it’s 50/50, maybe. But ever since I’ve had cancer, I’ve been thinking about it more, and I find myself believing a bit more, maybe it’s because I want to believe in an afterlife, that when you die, it doesn’t just all disappear. The wisdom you’ve accumulated, somehow it lives on.”

Test Your Knowledge of Biography

2. Which of the following scenarios qualifies as a biography? A. A famous person contracts a ghostwriter to create an autobiography. B. A famous author writes the true and incredible life story of a little known person. C. A writer creates a book detailing the most important moments in her own life. [spoiler title=”Answer to Question #2″] Answer: B is the correct answer.[/spoiler]

3. Which of the following statements is true? A. Biographies are one of the best selling genres in contemporary literature. B. Biographies are always written about famous people. C. Biographies were first written in the 18th century. [spoiler title=”Answer to Question #3″] Answer: A is the correct answer.[/spoiler]

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Autobiography vs. Biography vs. Memoir: Differences of Each Type

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• autobiography

Do you ever get confused when trying to differentiate between an autobiography, biography, and memoir? If so, you’re not alone—these three genres are often used interchangeably, but each one actually requires its own unique approach. In this blog post, we’ll discuss the differences of each type and provide some handy tips on how best to write them all!

Introducing the different genres of writing—autobiography, biography, and memoir 

Three genres that often get jumbled together are autobiography, biography, and memoir. While they may seem similar at first glance, each genre has its own unique characteristics. An autobiography, for example, is a first-person account of someone’s life, typically written by the subject themselves. A biography, by contrast, is a third-person account of someone’s life, written by someone else. And a memoir is a focused, often thematic account of a particular period or experience in someone’s life. Knowing the distinctions between these genres can help you decide which approach is best for telling your own story or for crafting a compelling biography or memoir.

Understanding the differences between autobiography, biography and memoir

Autobiography, biography, and memoir are often confused with each other. An autobiography is a book written by the author about their own life experiences. In contrast, a biography is a book written by someone else about another person’s life experiences. Finally, a memoir is a book written about a specific time or event in the author’s life. These three genres require different approaches to writing and reading. Autobiographies are generally more personal, while biographies generally intend to provide a more objective view of a person’s life. Memoirs allow for a deeper exploration of a specific period of time or event.

Exploring the benefits of writing an autobiography

Writing an autobiography can serve as a time capsule for one’s life experiences and also act as a vehicle for personal growth and self-reflection. Through the process of writing, individuals have the opportunity to gain a deeper understanding of themselves. Additionally, an autobiography can be an invaluable resource for future generations by providing them with a window into the past and the inner workings of their ancestors. If you’re looking for a way to capture your life story and leave a meaningful legacy, writing an autobiography might be a good idea.

Discovering the advantages of writing a biography

A biography records the life and accomplishments of a person. A biography can provide insight into the individual’s beliefs, accomplishments, and experiences that shaped their life. Writing a biography requires research , attention to detail, and a thorough understanding of the individual’s life. It takes time and effort. By capturing a person’s story in writing, we can learn from their life experiences and be inspired to pursue our own passions and dreams. Writing a biography can be challenging, but the end result is a rewarding tribute to a person.

Examining the unique aspects of writing a memoir

Writing a memoir is an incredible way to tell your story and leave a lasting legacy. What makes a memoir unique is that it is not just about recounting facts or events. It is more so about exploring the deeper meaning and emotions behind those experiences. It requires a delicate balance of vulnerability and objectivity, as you must be willing to share personal details while also maintaining a sense of clarity and purpose. To truly connect with your audience, it is important to infuse your writing with your own voice and personality, making the story feel authentic and relatable.

Making efficient use of resources when writing your story

Making an efficient use of resources will help create a compelling story that resonates with readers. Whether it’s time management, research, or even word choice, every decision plays an integral role in crafting a well-structured narrative. One useful tool for maximizing your efficiency is outlining your story beforehand, allowing you to flesh out characters and plot points in a clear and concise manner. Additionally, don’t be afraid to take advantage of resources such as writing groups, online tutorials, and feedback from industry professionals who can provide valuable perspective and insight into your work.

As you now know, autobiographies, biographies, and memoirs each have their own unique focus, purpose, and advantages. Writing your life story can be rewarding and fulfilling. Having a writing partner experienced with these genres to guide you on your journey can be invaluable in producing the story you want to tell. If it is time to tell your story―whether fact or fiction―contact Elite Authors today! We will help you choose the genre that best fits your project goals while helping you craft a stunning personal account that is sure to capture the imagination of readers everywhere.

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Biography: what is biography, definition, types of biography, characteristics, origin and more 

What is biography.

It is one of the most important subgenres of the didactic genre of literature, since it consists of the text of the history of the life of a person. It is a written narration in which the most important facts of a person’s life are related as a summary, starting with the birth, with the whole context of the place of origin, and in some cases even going back to family history. The narrator is not the protagonist.

As for the completion of the biography, many of them are written when the protagonist has already died, so that it covers his or her life from beginning to end. However, it is up to the writer to choose how far the biography will go, especially if the protagonist lives.

Meaning of the subgenre biography

The term comes from the union of the Greek bios, which refers to life, and graphein, which refers to writing. This is how the term is configured, giving rise to a form of writing focused on life, so that it can also be used in a symbolic sense.

Definition of the sub-genre biography

It is a type of text written in the third person, in which the content consists of a summary of the life of a person, however, it may include appreciations by the author in which aspects related to the context of the life of the protagonist of the biography are specified, in addition to information related to accurate data.

What is the function of a biography?

A text like this gathers a great amount of information about the life of a person, so that its purpose is, above all, to make known fundamental features of the life of the person about whom the biography is made, in most cases it is about public people in which their professional activity is highlighted, appreciations about their private life or other activities for which they have stood out, which are essential to understand their work.

History and origin of the biographical subgenre

It is considered that the biographical text type has its beginnings since Antiquity, however, it should be noted that at that time it had not been established as a literary subgenre, so it had not been formally classified. It was in the Middle Ages, with the Renaissance movement, that biography began to be recognized, since at that time it was necessary to provide specific information on the artists in order to gradually eliminate the ancient Greek models from which it sought to dissociate itself.

With the passage of time, biography, like humanity, achieved an important evolution, in which it gradually came to incorporate a desperate search for documents that would allow an approach to the lives of subjects and artists. This will be key to the realist movement, which we have already talked about in a previous article. Thus, by the present time, the biography manages to consolidate itself as a writing that allows us to know the life of a character from the most relevant and determining events for the activity for which he is publicly known, in the case of figures recognized in the political, social, cultural, etc. field.

Characteristics of the biography subgenre

Let us look at the essential characteristics of this literary subgenre:

The central theme that distinguishes the biography from other didactic subgenres is the narration of the most relevant facts of a person’s life, which is presented through a written text. It deals with real events in the life of an equally existing person. Its content goes from the birth of a person until the present time or the time of his death. Some authors write about the author even after death, especially if he left works that keep his name active.

Mode of composition

At the time when a biography is being written, as well as when it is read, the organization of the events that are exposed are arranged chronologically, following the line of life. Likewise, in the writing, the author maintains an objective and accurate look in which everything he mentions can be verified. However, the author may mention some particular assessments.

Another of the most relevant aspects of this type of subgenre has to do with the type of narrator who writes, since the story is narrated in the third person.

Mode of presentation

Although it is essentially a written text, so that it can be presented in documents and books, the truth is that these serve as a basis for the reproduction of the biography through other formats, as has happened in recent years where the lives of key characters are exposed through documentaries, films, programs, etc.

Historical content

A biography, although it has a series of data on important dates, also tends to make tours around important trips or journeys made by the character, so that it incorporates historical events during their travels, as many of them influence their activities and will have an important impact on decision making. This information also allows the reader to situate and contextualize the reader in relation to the time and space of the person’s life.

Structure of the biography subgenre

As for the structure of this type of text, it is similar to the organization usually used in narrative texts, since it has an opening section, an introduction and a closing section as a conclusion at the end of the text. Thus, the biography is organized as follows:

Introduction: as its name indicates, this initial part introduces the character about whom we are going to talk. Thus, the full name, date and place of birth (if desired date and place of death), and finally the activity he/she developed in life, that is to say, his/her profession and specialty, are mentioned.

Development: in this part begins as such the order of the biography. Here the author begins with the narration of all those events that were transcendental for the protagonist’s life, so he can start by pointing out particularities of his origin, the activity of his parents and siblings, if he focuses on the family circle, etc.

Conclusion : it is the closing of the text in which we reach the last years of the character’s life, if he/she has passed away, or the present time, if the author prefers. Often, in this part the author’s subjectivity is evident due to a series of evaluations that are made in relation to the transcendence of the protagonist.

Likewise, the structure of the biography usually includes other elements in its organization such as:

Dedication: this is a space that occupies one or two short sentences in which the author or writer of the biography allows himself to show affection, either to the protagonist of his biography or to people he esteems.

Preface: in this section the author can relate some of his or her personal experiences in relation to the moment prior to consolidating the biography to be presented. In this sense, he/she can address issues such as the reasons that prompted him/her to develop his/her work, the reasons and the research tools, for example.

Acknowledgements: in the final part of the biography, although it can also appear at the beginning, the author proceeds to thank different people, including those who helped him/her to find relevant information about the protagonist, as well as other people who have accompanied the process through complementary activities, company, photographic work, data collection, etc.

Annexes: in this section the author can include annexes such as photographs, articles and documents that have been mentioned during the course of the biography and that are duly indicated to lead the reader to them.

Types of the biography subgenre

According to the field in which a biography is developed, it is possible to identify some modalities that give rise to a number of types of biography. These are:

Authorized biography

These are all biographies that have been reviewed and validated by the author, who, once he/she has reviewed them, approves everything that is exposed within their content and allows the publication of the biography that has been written.

Unauthorized biography

In this case, the biography has not been reviewed by the author, in most cases without seeking the approval of the person whose life is narrated. Often this type of biography is part of the journalistic activity when reporting on a public person, especially when it is a political or social figure.

Book biography

It is given by the type of format in which the biography is presented. Its length allows for a much more detailed and thorough exploration of the protagonist. Often the person written about is a public personality of interest in a specific society and context. Its content includes background, moments prior to becoming known, work, etc.

Professional biography

In this type of biographies the content is focused on the exaltation of the person’s skills, as well as his or her knowledge, abilities, experience and other aspects that may increase the value of the proposal. It includes skills related to personality traits in the quality of the activity.

Informative biographies

They are usually biographies not marked within the literary world, but within the journalistic world, since they tend to emphasize in-depth research with the intention of informing a much wider audience. There is no deepening of the data presented, but they are exposed in an objective and concrete way where specific aspects are highlighted.

How to write a biography?

Now that we have seen what a biography consists of in broad strokes, it is time to see how to write such a text correctly:

Choosing the protagonist 

The first thing we must do when we plan to write a biography is to choose the person about whom we want to develop the text. We can practically choose any person, whether it is a friend, a relative, an acquaintance, an artist, a doctor, a lawyer, a teacher or any other person we want to write about.

Collecting the information 

Once you have chosen the person you are going to write the biography about, it is time to start gathering as much information about the person as possible. Gather information about their life, background, institutions they went through, their jobs, activities and so on, this will allow you to make a complete biography. If you can have contact with the person, interviewing him or her, for example, will be of great help.

If you choose a famous personality, you may find much of this information in audiovisual media, interviews, books, among others. If not, you can approach relatives, friends and people close to you to obtain much more information.

Asking important questions

As you collect information, it is important, at the same time, to keep in mind a series of key questions that will allow you to go deeper and collect baseline information to provide as much data as possible about your entire life. So some of these questions can be: Who were his parents and what did they do, what was the relationship with his family circle like, what was his childhood like, what led him to approach what would become his main activity in life, what are his first steps in his passion, etc.

Organization of the information

When you have all this information, it is time to organize it. Remember to keep a chronological order, even though there are connections between past and present directly, so you should go deeper into different moments that allow you to configure the future of the protagonist seen from the past.

Establish a central idea 

Many biographies maintain an order that revolves around a particular idea, it can be a particularity of the character, an activity or profession that he/she has developed, etc. Elaborating this central idea will allow you to develop the content around the character’s life, through which all the events will pass.

Start writing

It is time to get down to work. Start writing keeping the order you have chosen and the central idea you have set up, although you can indicate it from the beginning, you must take care that the information you add builds it during the course of the biography.

Adding the bibliography 

Because of the type of text you are writing, since it involves a large number of sources of information, it is necessary that each of the sources be added to the final document, including not only documents or books, but also interviews and people who gave you their word, online sources consulted, etc.

Final proofreading 

We have the whole document ready, now we just need to check again aspects such as spelling and grammar, as well as the coherence between paragraphs and other divisions you have decided to make within the biography. You can ask someone to read it so that they can give you their feedback, especially if the person you are talking about is of interest to them as well.

Remember to check some sources beforehand. You can refer to existing biographies of authors, artists, doctors, politicians or any other important personalities. This will allow you to have a closer guide to start writing the biography.

Example of the biography subgenre

The following is an excerpt from the authorized biography of Steve Jobs, one of the most well-known biographies of our times, written by Walter Isaacson:

“This is a book about the eventful life and searing, intense personality of a creative entrepreneur whose passion for perfection and fierce determination revolutionized six different industries: personal computers, animated films, music, telephony, electronic tablets, and digital publishing. We could even add a seventh: retail, which Jobs didn’t exactly revolutionize, but he did revamp. He also paved the way for a new digital content market based on applications rather than websites. Along the way, he has not only created products that have transformed the industry, but also, on his second try, an enduring company, imbued with his very DNA, filled with creative designers and daring engineers who will be able to carry his vision forward.”

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What is a biography?

An account of someone's life written by another person., the story of someone's life: understanding biography in a creative sense.

Biography is a literary genre that focuses on the story of someone's life, written by another person. This type of writing often involves research, interviews, and a deep understanding of the subject's personality, experiences, and motivations.

In a creative writing context, biography can be a powerful tool for developing characters and understanding the arc of a story. By exploring the lives of others, we gain insight into the human experience and can use this knowledge to enrich our own work.

Furthermore, biography can be an excellent way to improve our grammar and language skills. As we research and write about historical figures, we are exposed to a rich vocabulary and must hone our ability to describe complex events and emotions. In this sense, biography can be both a literary and a linguistic exercise.

Biography is a genre that has been used widely throughout literary history, both in non-fiction and fictional works. Here are two examples of how biography is used in literature to add depth and nuance to the storytelling.

In her autobiography Becoming, Michelle Obama reflects on her life journey and how she came to be the woman that the world knows today. Through candid and personal anecdotes, she shares her experiences, struggles, and triumphs, providing a valuable insight into her character and the events that have shaped her.

Colm Tóibín's The Master is a fictionalized account of the life of Henry James - a renowned American-British writer. In it, Tóibín explores James's quirky personality, his social anxieties, and his literary ambitions, providing a fascinating glimpse into the mind of this literary giant.

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Introducing and Teaching the Biography Genre

Listen to the full episode to hear how to teach the biography genre:

We’ve made it through January! The first month of 2022 is already over, I can’t believe it!  As we enter the month of February it is time that we discuss and celebrate what Black History Month really stands for with our students. My favorite way to do this is by acknowledging iconic Black and African American figures. 

This is truly a great opportunity to teach biography and I have so many creative ways to do this that I’m going to share with you today. In this episode I will share how to teach this nonfiction genre so your students get the most out of their reading experience. 

We all know that biographies are nonfiction texts that describe a person’s life, achievements, and impact they’ve had on their community or even the world. This may appear interesting to us as adults, but it is very likely that your student’s may actually find this genre to be quite boring. This is why it is so important to have interactive and exciting lessons when first introducing this genre. There are so many ways you can do this and it is so important to integrate creativity and movement in the process. 

Let’s not forget that knowing your students is the best way to make teaching biographies fun. It will be beneficial for you to get an inventory of their interests and hobbies so you can choose mentor texts accordingly. This will hook your students and ultimately spark their curiosity and hold their attention. 

It will also help your students relate to the person since they’ll be familiar with the vocabulary. Biographies have the ability to be interesting and engaging, and by using these tips and strategies you will have your students undivided attention.

In this episode on how to teach the biography genre, I share:

• Simple ways to help your students understand how biographies work
• Ways to use mentor texts when teaching your students biographies
• How to identify biographies from a big group of texts 
• Tips for recognizing the main purpose of the genre
• My favorite techniques to let students share their ideas with others

Related Resources:

• Free Biography Templates
• Easy Reader Biographies
• Black History Biography Activity Bundle

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Do you find yourself seeking new ideas when it comes to literacy instruction in elementary classrooms? The Literacy Dive Podcast was created to offer actionable steps and to share information for teachers, like you, who are always looking to improve their craft! ELA is our jam and we are excited to dive into all things reading and writing with you!

Your host, Megan Polk, is the creator and owner behind The Literacy Dive and loves to support students and their teachers with curriculum, literacy instruction, best practices, and engaging literacy activities.

Dive in with us every Monday for a new episode from Megan! She, and her guests, will chat about various literacy topics and will bring you tips and tricks that can easily be implemented in your classrooms. You can tune in wherever you get your podcasts! Listen to The Literacy Dive Podcast on platforms like Apple, Spotify, Stitcher, Google, and more! If you find value from listening to this podcast, please rate this show, leave a review, and follow!

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Hey, I'm Megan!

I am a literacy specialist and curriculum designer who loves sharing tips and ideas to help students thrive in literacy! It brings me joy to await those a-ha moments and to see light bulbs turn on!

I have a huge passion for reading and writing and love to co-mingle the two any chance I get! You can expect to learn new strategies and ways to keep your students engaged during your literacy block! I am so glad you’re here!

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50+ Literary Genres and Subgenres Every Student Should Know

So many genres, so little time to read them all …

Once kids learn to read, they unlock a very rich world of books and other writings to explore. This list of literary genres and subgenres offers definitions and examples for a wide array of writing styles. Encourage students to explore them all!

What are literary genres?

A genre (ZHAHN-ruh) is a category of literature in which the various works share certain characteristics. We often break writing into four main literary genres: fiction, nonfiction, poetry, and drama. (Some people consider fiction and nonfiction to be one category called prose.)

Each of the literary genres has its own set of subgenres. There’s no definitive list of literary subgenres, and authors regularly invent new styles. For our list, we’ve chosen common literary genres and subgenres that students should learn to recognize. This is not a complete list by any means.

Students should also understand that many literary works fit into multiple categories, so narrowing down the literary genres and subgenres can be difficult. Still, knowing these different types can help kids learn which types of books they enjoy most and make it easier to find more of them.

Stories, poems, and plays that tell imaginary tales are called fiction. The people and events may be completely imaginary or based on real people and events but in fictionalized form.

When fiction is written as it is spoken, it’s known as prose. If the structure includes a focus on rhyme and rhythm, we call it poetry. Prose fiction can be broken down into categories by its length.

We use the term “novel” to describe a long piece of fiction, often described as “book-length.” Graphic novels use illustrations to help tell the tale, while novels in verse are very long poems that tell a story.

Examples: Moby Dick by Herman Melville, Huckleberry Finn by Mark Twain

Novellas are shorter than full-length novels but longer than a short story. There’s no one accepted definition of the length of a novella; they generally range from 10,000 to 50,000 words.

Examples: A Christmas Carol by Charles Dickens, Of Mice and Men by John Steinbeck ADVERTISEMENT

Short Story

A short story tells a complete tale with a fully developed theme, but it’s shorter than a novel or novella. They’re usually about 10,000 words or less.

Examples: “The Gift of the Magi” by O. Henry, “The Story of an Hour” by Kate Chopin

• 51 Irresistible Short Stories for Kids
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• 75 Best Short Stories for High School Students

While fiction is one of the major literary genres, it can be broken down into many categories known as subgenres. These subgenres describe the style and/or subjects of the literary work. It’s important to note that many works of fiction can fit into multiple subgenres.

In adventure novels, the characters face exciting and often dangerous challenges. They frequently take long journeys, exploring new lands or worlds. The hero of the story may face off against a villain that must be defeated. Adventures and epics have a lot in common, though epic adventure tales are usually told in verse.

Examples: Hatchet by Gary Paulsen, The Adventures of Huckleberry Finn by Mark Twain

• Best Books Like Choose-Your-Own-Adventures for Kids

Bildungsroman

Also described as a “coming-of-age” book, the bildungsroman (German for “education book”) tells the story of a protagonist from childhood to adulthood. It explores their moral and psychological growth, and is often (but not always) written in the first person.

Examples: Great Expectations by Charles Dickens, The Catcher in the Rye by J.D. Salinger

Originally, this term was used to describe long poems that tell the story of a hero’s journey’s and adventures. Over the years, this term has evolved to include novels and plays that trace a person’s or family’s history over a long period of time.

Examples: The Odyssey by Homer, War and Peace by Leo Tolstoy

Fables are short stories that teach a specific moral. Aesop is the most famous author of fables; his tales often use animals to tell the story and state the moral at the end.

Examples: “The Tortoise and the Hare” by Aesop, Fables for Our Time by James Thurber

• 35 Best Aesop’s Fables for Kids (Free Printables)

Fairy tales are highly fictionalized short stories that generally include magic and fantastical characters. They’re usually intended for children and often feature a protagonist who receives a “happy ending” and an antagonist (villain) who is punished in the end.

Examples: “Cinderella” by the Brothers Grimm, “The Little Mermaid” by Hans Christian Andersen

Fantasy works are set in imaginary magical worlds and include mythical creatures like dragons, witches, vampires, and more. Avoid confusing this genre with science fiction; remember that fantasy deals with the impossible, while sci-fi explores the possible. (The two are frequently combined, though, and many works have characteristics of each.)

Examples: The Hobbit by J.R.R. Tolkien, Harry Potter and the Sorcerer’s Stone by J.K. Rowling

• 20 Fantasy Books Kids Won’t Be Able to Put Down

Folktales are similar to fairy tales but originally were passed down orally rather than being written down. Therefore, they often don’t have attributed authors. Many folktales have more realistic settings than fairy tales.

Examples: Paul Bunyan stories, “Headless Horseman”

• 30 Fabulous Folktales To Add to Your Bookshelf

Gothic/Horror

Stories that involve ghosts, otherworldly beings, and mystical happenings that cannot be explained rationally fall into the category of gothic or horror. These novels seek to cause a sense of fear in their readers. Gothic novels were very popular in the 18th and 19th centuries and gave rise to horror writers like Stephen King.

Examples: Frankenstein by Mary Shelley, Jane Eyre by Charlotte Brontë

• 23 Scream-Worthy Horror Books for Teens To Read Right Now

Historical Fiction

Any fiction writing set in the past, in a real place and time, fits the definition of historical fiction. The characters can be real people or imaginary ones living through the events of that time.

Examples: The Book Thief by Markus Zusak, The Good Earth by Pearl S. Buck

• 16 Page-Turning Historical Fiction Books for Readers of All Ages

Legend/Myth

Legends and myths are ancient tales that explain early history or natural events, often using supernatural characters. Greek, Roman, and Egyptian myths remain popular today, though all cultures have their own myths and legends that have been passed down for hundreds or thousands of years. As most started as oral tradition, they rarely have attributed authors.

Examples: “Theseus and the Minotaur,” “Robin Hood,” “King Arthur and the Knights of the Round Table”

• 8 Egyptian Myths Students Should Know
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• 16 Fascinating Greek Mythology Books for Kids

In a mystery, the characters must solve a puzzle, usually a crime of some sort. Generally, the solution isn’t revealed until the end of the story. The reader can use clues to try to solve the mystery themselves as they read.

Examples: Murder on the Orient Express by Agatha Christie, The Westing Game by Ellen Raskin

• 21 Must-Read Mystery Books for Kids
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• Books Like Encyclopedia Brown for Mystery-Loving Kids

Roman à clef

French for “novel with a key,” a roman à clef (pronounced “roh-MAHN ah clay”) is a story about real-life people and events, thinly disguised as fiction. The characters are given fictional names, and other details may be changed slightly. The “key” is the hints the author gives the reader to help them make the connection between fact and fiction.

Examples: The Bell Jar by Sylvia Plath, Animal Farm by George Orwell

Any writing that primarily focuses on the love story between two (or more) people is a romance. These stories often have happy or emotionally satisfying endings, though some end tragically instead.

Examples: Pride and Prejudice by Jane Austen, The Fault in Our Stars by John Green

Satire ridicules a topic or person in an attempt to provoke the reader into rethinking their opinions on the subject. They may use irony, caricature, parody, and other literary devices, and authors write exaggerated plots and extreme characters to make their point.

Examples: Gulliver’s Travels by Jonathan Swift, Catch-22 by Joseph Heller

Science Fiction

Also called sci-fi, this form of fiction speculates about potential changes to the real world based on scientific principles. Many sci-fi works focus on space travel, parallel universes, and time travel. They often take place in the future or on distant planets or in distant worlds. Generally science fiction is considered to be stories that are possible based on our understanding of science, while fantasy works include magic or other supernatural elements. The two are often combined, and many works fit into both categories.

Examples: The Time Machine by H.G. Wells, Flowers for Algernon by Daniel Keyes

• 16 Thrilling Sci-Fi Books for Tweens and Young Adults

Utopian/Dystopian

In utopian literature, the writer imagines a “perfect” world, while dystopian writing posits a dark and cataclysmic future or alternate present. In many cases, the imaginary world is initially presented as utopian, but as more details emerge, the dystopian elements become clear. Therefore, these literary genres are often lumped together.

Examples: The Handmaid’s Tale by Margaret Atwood, The Hunger Games by Suzanne Collins

The opposite of fiction is nonfiction, which focuses on information and facts about real people, events, and other topics. Nonfiction can be full-length books or shorter compositions like articles or essays. It also includes “how-to” writing like cookbooks and self-help books.

There are many categories of nonfiction, usually based on the topic or subject. Here are some common nonfiction subgenres kids should learn about.

Autobiography/Biography

A biography tells the story of a person’s life, usually from birth to death. When a person writes their own biographical work, we call it an autobiography.

Examples: The Diary of a Young Girl by Anne Frank, The Immortal Life of Henrietta Lacks by Rebecca Skloot

• How To Use Picture Book Biographies in the Classroom
• 12 Inspiring Memoirs and Biographies for Teens

An essay is a short nonfiction work on a specific topic. It’s usually a personal reflection on a subject, in which the author shares their own experiences and thoughts. Sometimes authors publish their essays together in collections as books. These collections can include essays on related topics or simply be a compilation of an author’s works.

Examples: A Room of One’s Own by Virginia Woolf, Walden by Henry David Thoreau

Expository Nonfiction

This catch-all category includes any nonfiction book that seeks to tell its readers about a specific topic. It often uses illustrations, diagrams, and quotes from original sources.

Examples: We Are Water Protectors by Carole Lindstrom, Freakonomics by Stephen J. Dubner and Steven Levitt

• 10 Nonfiction Text Features To Teach Your K-5 Students
• 16 Must-Read Nonfiction Books Tweens Will Love
• 20 #OwnVoices Nonfiction Books for the Classroom

Any nonfiction book that focuses on real people or events of the past is a history book. Biographies and autobiographies can fall into this category, but histories usually encompass a larger group of people and their impact on contemporary events.

Examples: Hidden Figures by Margot Lee Shetterly, 1776 by David McCullough

• 30 History Books for Kids That Bring the Past to Life

While memoirs are similar to autobiographies, they differ in a few small ways. Memoirs don’t generally try to tell the entire story of a person’s life. Instead, they reflect on a person’s experiences during important parts of their life. They are nearly always written in the first person.

Examples: All Boys Aren’t Blue by George M. Johnson, I Am Malala by Malala Yousafzai

Narrative Nonfiction

In narrative nonfiction, the author tells the tale of a real person or event in a way that feels more like a fiction story. The information is factual, but the style is entertaining and engaging.

Examples: In Cold Blood by Truman Capote, Killers of the Flower Moon by David Grann

When an author writes about their travel experiences, we call it a travelogue or simply “travel writing.” Usually, the author recounts a specific trip or series of related journeys. They describe the people and places they see along the way, offering their own thoughts and opinions about these encounters.

Examples: A Walk in the Woods by Bill Bryson, The Mosquito Coast by Paul Theroux

• 50 Nonfiction Picture Books for Learning About the World

Also called verse, poetry gives special importance to the use of words, imagery, and rhythm. Poems are individual works of poetry. Poems usually break down into lines and stanzas rather than sentences and paragraphs. They can be fiction or nonfiction and of any length, from a few lines to an entire book.

We can break poetry into subgenres based on characteristics like rhyme scheme (or lack thereof), rhythmic patterns, subject, and more. Here are some common poetic literary genres kids should know. See their definitions and details here: 15 Types of Poetry To Teach Kids and Teens .

• Blackout Poetry
• Blank Verse
• Concrete Poetry
• Narrative Poetry
• Sonnet (Shakespearean and Petrarchan)
• 75 Must-Share Poems for Your Elementary Classroom
• 60 Must-Share Poems for Middle School and High School

This literary genre includes plays, musical, operas, and operettas, written to be performed in front of an audience. Students often study plays in literature classes, reading them instead of seeing them performed. They can be short or longer works broken into multiple scenes and acts.

While dramatic works can be nonfictional, they are usually fiction. Experts break plays and other dramatic works into multiple categories. These are the most common.

Make them laugh! Comedies are light and humorous dramatic works. The Greeks and Romans used this term for plays where the hero faces adversity and overcomes it in the end. By Shakespeare’s time, comedies involved humor, silly situations, and happy endings all around, and that’s how we usually use the term today.

Examples: The Taming of the Shrew by William Shakespeare, The Importance of Being Earnest by Oscar Wilde

A farce is a type of comedy, with exaggerated characters and improbable situations. There’s usually a lot of physical comedy, with characters taking ludicrous circumstances and happenings very seriously.

Examples: The Comedy of Errors by William Shakespeare, She Stoops to Conquer by Oliver Goldsmith

A tragedy tells the story of a protagonist with a tragic flaw, which ultimately leads to their downfall. Tragedies can also relate terrible or sorrowful events, from the point of view of one or more characters.

Examples: Romeo and Juliet by William Shakespeare, Death of a Salesman by Arthur Miller

Tragicomedy

As the name implies, these dramatic works have elements of both comedy and tragedy. They can have sad or happy endings, or even those that are inconclusive. They often tell tragic tales, with enough humor to lighten the overall mood throughout.

Examples: The Merchant of Venice by William Shakespeare, Waiting for Godot by Samuel Beckett

History Play

Today, we use this term almost exclusively to describe Shakespeare’s plays about real historical people and events. These dramatic works were very popular during Elizabethan times.

Examples: Richard III and Julius Caesar by William Shakespeare

Problem Play

In the late 19th and early 20th centuries, playwrights began writing dramatic works to draw attention to social issues or problems. Henrik Ibsen and George Bernard Shaw are well-known for this subgenre.

Examples: A Doll’s House by Henrik Ibsen, Mrs. Warren’s Profession by George Bernard Shaw

We believe in encouraging kids to read all kinds of literary genres and books, including these banned books to read before 12th grade .

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Fictionalized biography

Fiction presented as biography.

• “Special-purpose” biography
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• Literary Devices - Biography
• Humanities LibreTexts - Biographical and Background Information
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• The British Academy - What is biography?
• biography - Children's Encyclopedia (Ages 8-11)
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The books in this fifth category belong to biographical literature only by courtesy. Materials are freely invented, scenes and conversations are imagined; unlike the previous category, this class often depends almost entirely upon secondary sources and cursory research. Its authors, well represented on the paperback shelves, have created a hybrid form designed to mate the appeal of the novel with a vague claim to authenticity. This form is exemplified by writers such as Irving Stone , in his Lust for Life (on Vincent van Gogh ) and The Agony and the Ecstasy (on Michelangelo ). Whereas the compiler of biographical information (the first category) risks no involvement, the fictionalizer admits no limit to it.

The sixth and final category is outright fiction, the novel written as biography or autobiography. It has enjoyed brilliant successes. Such works do not masquerade as lives; rather, they imaginatively take the place of biography where perhaps there can be no genuine life writing for lack of materials. Among the most highly regarded examples of this genre are, in the guise of autobiography, Robert Graves ’s books on the Roman emperor Claudius , I, Claudius and Claudius the God and His Wife Messalina ; Mary Renault ’s The King Must Die on the legendary hero Theseus ; and Marguerite Yourcenar’s Memoirs of Hadrian . The diary form of autobiography was amusingly used by George and Weedon Grossmith to tell the trials and tribulations of their fictional character Charles Pooter in The Diary of a Nobody (1892). In the form of biography this category includes Graves’s Count Belisarius and Hope Muntz’s Golden Warrior (on Harold II , vanquished at the Battle of Hastings , 1066). Some novels-as-biography, using fictional names, are designed to evoke rather than re-create an actual life, such as W. Somerset Maugham ’s Moon and Sixpence ( Paul Gauguin ) and Cakes and Ale ( Thomas Hardy ) and Robert Penn Warren ’s All the King’s Men ( Huey Long ).

“ Special-purpose” biography

In addition to these six main categories, there exists a large class of works that might be denominated “special-purpose” biography. In these works the art of biography has become the servant of other interests. They include potboilers (written as propaganda or as a scandalous exposé) and “as-told-to” narratives (often popular in newspapers) designed to publicize a celebrity. This category includes also “campaign biographies” aimed at forwarding the cause of a political candidate ( Nathaniel Hawthorne ’s Life of Franklin Pierce [1852] being an early example); the weighty commemorative volume, not infrequently commissioned by the widow (which, particularly in Victorian times, has usually enshrouded the subject in monotonous eulogy); and pious works that are properly called hagiography , or lives of holy men, written to edify the reader.

Informal autobiography

Autobiography, like biography, manifests a wide variety of forms, beginning with the intimate writings made during a life that were not intended (or apparently not intended) for publication. Whatever its form or time, however, autobiography has helped define a nation’s citizens and political ambitions. The form is crucial to not only how an individual meets the challenge of stating “I am” but how a nation and a historical period do so.

Letters, diaries , and journals

Broadly speaking, the order of this category represents a scale of increasingly self-conscious revelation. Collected letters, especially in carefully edited modern editions such as W.S. Lewis’s of the correspondences of the 18th-century man of letters Horace Walpole (34 vol., 1937–65), can offer a rewarding though not always predictable experience: some eminent people commit little of themselves to paper, while other lesser figures pungently re-create themselves and their world. The 15th-century Paston Letters constitute an invaluable chronicle of the web of daily life woven by a tough and vigorous English family among the East Anglian gentry during the Wars of the Roses; the composer Mozart and the poet Byron, in quite different ways, are among the most revealing of letter writers. Diarists have made great names for themselves out of what seems a humble branch of literature . To mention only two, in the 20th century the young Jewish girl Anne Frank created such an impact by her recording of narrow but intense experience that her words were translated to stage and screen; while a comparatively minor figure of 17th-century England, Samuel Pepys —he was secretary to the navy—has immortalized himself in a diary that exemplifies the chief qualifications for this kind of writing—candour, zest, and an unselfconscious enjoyment of self. The somewhat more formal journal is likewise represented by a variety of masterpieces, from the notebooks, which reveal the teeming, ardent brain of Leonardo da Vinci , and William Wordsworth’s sister Dorothy ’s sensitive recording of experience in her Journals (1897), to French foreign minister Armand de Caulaincourt ’s recounting of his flight from Russia with Napoleon (translated as With Napoleon in Russia , 1935) and the Journals of the brothers Goncourt , which present a confidential history of the literary life of mid-19th-century Paris.

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A biography is a record of a person’s life. Written in third person, biographies generally span a subject’s lifetime, from birth to death, and include major events in his or her public and private life. Biographies may delve into a person’s psychology and explore their emotional, intellectual, and spiritual lives.

The biography is one of the oldest forms of literature. Since ancient times, writers have recorded the lives of great leaders and warriors. Some early biographies were viewed as a form of historical record, others took on fantastical elements and grew into cultural epics. Notable ancient biographies include Plato’s Apology , which records a portion of the life of Socrates, and the Gospels of the Christian bible, which present four biographies of Jesus Christ. As the centuries progressed, the biography as a style of literary importance waxed and waned. In 1791, James Boswell reshaped the image of the biography with his Life of Samuel Johnson , a two-volume tome that recounted his own interactions with Johnson in exhaustive detail. As the influence of Romanticism and later psychoanalysis intersected with the world of literature, biographies continued to become more detailed in their explorations of the subject’s emotional and psychological experiences.

Although biographies and autobiographies are categorized as nonfiction, they are not necessarily devoid of bias. Biographers may portray their subjects in various lights depending on their relationship to and opinion regarding the subject. Shakespeare’s historical plays, for example, purport to be historical accounts of British kings (Richards, and Henrys), but the portrayal of each king is clearly influenced by Shakespeare’s own opinion, literary artistry, and awareness of his audience.

Today biographies make up a stable portion of yearly publications. Some take the form of plays, such as The Miracle Worker depicting the life of Helen Keller; others have been successfully adapted into films, like the 2014 film adaptation of Louis Zamperini’s biography Unbroken . Whether they are read or watched, biographies continue to fascinate and inform their modern audience.

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Literature in the biography genre.

• The Miracle Worker by William Gibson
• Life of Samuel Johnson by James Boswell
• The Boy on the Wooden Box by Leon Leyson
• Apology by Plato
• The Life of Charlotte Bronte by Elizabeth Gaskell
• Churchill: A Life by Martin Gilbert
• Naked at the Feast: A Biography of Josephine Baker by Lynn Haney
• John Adams by David McCullough
• The Immortal Life of Henrietta Lacks by Rebecca Skloot
• Cyrus the Great by Xenophon
• Hurricane: The Life of Rubin Carter, Fighter by James S. Hirsch
• Einstein: His Life and Universe by Walter Isaacson

Want to learn more? Check out our educational article on Literary Genres !

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