the road tamil movie review in tamil

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Published :

Last Updated : 06 Oct, 2023 05:27 PM

Published : 06 Oct 2023 05:27 PM Last Updated : 06 Oct 2023 05:27 PM

‘The Road’ Review: பாதை மாறிய நெடும் பயணம்!

மகனின் பிறந்த நாளை கொண்டாடும் வகையில் கன்னியாகுமரி வரையிலான ‘ரோட் ட்ரீப்’ ஒன்றுக்கு திட்டமிடுகின்றனர் மீரா (த்ரிஷா) குடும்பத்தினர். இதில் மீரா கர்ப்பமாக இருப்பதால் அவர் அந்தப் பயணத்தை தவிர்க்க, மகனும் கணவரும் செல்லும் கார் விபத்துக்குள்ளாகி உயிரிழப்பு நேர்கிறது. இழப்பை தாங்க முடியாமல் மன உளைச்சலில் இருக்கும் மீரா, ஏற்கெனவே அந்தக் குறிப்பிட்ட நெடுஞ்சாலையில் பலர் இவ்வாறு மரணித்திருப்பதை அறிந்து விசாரணையில் இறங்குகிறார். அதில் பல திடுக்கிடும் தகவல்கள் கிடைக்கின்றன.

இதற்கு மறுபுறம் தனியார் கல்லூரியில் பேராசிரியராக பணியாற்றும் மாயா (‘டான்சிங் ரோஸ்’ ஷபீர்) மாணவி ஒருவரின் பொய்க் குற்றச்சாட்டால் கல்லூரியில் இருந்து நீக்கப்படுகிறார். பாலியல் குற்றச்சாட்டுக்கு ஆளான மாயாவுக்கு வேறு கல்லூரியில் வேலை கிடைக்காததால், வாங்கிய கடனை அடைக்க முடியாமல் தவிக்க, இழப்பு ஒன்றையும் சந்திக்கிறார். வெவ்வேறு பாதைகளில் பயணிக்கும் இந்த இரண்டு கதைகளும் சந்திக்கும் புள்ளியே ‘The Road’ (தி ரோட்) படத்தின் திரைக்கதை.

அறிமுக இயக்குநர் அருண் வசீகரன் இயக்கத்தில் உருவாகியிருக்கும் இப்படம் கதைக்குள் செல்லவே நீ......ண்டநேரத்தை எடுத்துகொள்கிறது. போய் சேர வேண்டிய ரூட்டுக்கான மேப்பை தொலைத்துவிட்டது போல சுற்றிக்கொண்டிருக்கும் கதையில் சூடுபிடிக்க தொடங்கும்போது சம்பந்தேமில்லாத மற்றொரு கதை கிளைக்கதை பிரிகிறது. வழிதவறி வந்த பயணியைப்போல பார்வையாளர்கள் முழித்துகொண்டிருக்க, மீண்டும் த்ரில்லர் கதைக்குள் நுழைகிறது படம். இப்படியாக மாறி மாறி பயணிக்கும் கதைகளில் எதனுடனும் ஒன்ற முடிவதில்லை. படத்தின் மிகப் பெரிய பிரச்சினை செயற்கையான சூழலை உருவாக்கி அதன் மூலம் கதை சொல்வது.

குறிப்பாக, ஷபீர் கதையில் வரும் மாணவியின் காதல், அதற்காக அவர் எடுக்கும் முடிவுகள், பின் அந்த காதலை மறந்து காணாமல் போவது, விசாரிக்காமல் எடுக்கப்படும் நடவடிக்கைகள், ஒட்டாத சென்டிமென்ட் என மொத்த கதையிலும் செயற்கை தன்மை இழையோடுகிறது. பெண்ணை மையப்படுத்திய கதையில் மாணவியின் பொய் பாலியல் குற்றச்சாட்டால் ஒருவரின் வாழ்க்கையை ஒன்றுமில்லாமல் ஆக்க முடியும் என காட்டியிருப்பது, மற்றொரு பெண்ணை வில்லத்தனத்தில் இறக்கிவிட்டிருப்பது நெருடல்.

த்ரில்லர் கதையில் அடுத்தடுத்த சம்பவங்கள் மறைத்து வைத்திருப்பதே சுவாரஸ்யம். ஆனால், இப்படத்தில் அப்படியான காட்சிகளை எளிதாக கணித்து விட முடிவது பெரும் பலவீனம். ஒரு கட்டத்தில் த்ரிஷா காணாமல் போய்விடுகிறார். அவரை வேறு தேடவேண்டியிருக்கிறது. படம் த்ரில்லருக்குள் நுழையும்போது, ஏகப்பட்ட லாஜிக் பிரச்சினைகள். கான்ஸ்டபிளாக வரும் எம்.எஸ்.பாஸ்கர், இன்ஸ்பெக்டர் உள்ளிட்ட யார் தலையீடு இல்லாமல் நினைத்த நேரத்தில் தடவியல் துறையினரை வரவழைக்கிறார், த்ரிஷாவின் ஒரே அறையில் உண்மையை ஒப்புக்கொள்ளும் குற்றவாளி, கடைசி வரை காவல் துறைக்கு சொல்லாமல் தனியாளாக எல்லாவற்றையும் கண்டறியும் த்ரிஷா, எவ்வளவு பெரிய குற்றவாளியாக இருந்தாலும் தனியாக சென்று அவரை கொல்லும் காட்சிகள் உண்மையில் இது ஃபேன்டஸி உலகில் நடக்கும் கதையா என தோன்றாமல் இல்லை.

படத்தின் நடுவில் ‘என் பொறுமைய சோதிக்காத... எனக்கு பொறுமையே கிடையாது’ என்கிறார் த்ரிஷா. பார்வையாளர்களின் பொறுமையை மட்டும் சோதிக்கலாமா? நெடுஞ்சாலையில் நடந்த கொலைகள் குறித்தும் அதற்கான காரணங்களை சொல்லும் இடங்களும் கவனம் பெறுகின்றன.

த்ரிஷா ஒரே ஆளாக இந்தக் கதையை தாங்கி சோர்வடையக் கூடாது என்பதற்காக ஷபீர் மற்றொரு தோள் கொடுத்திருக்கிறார். குடும்பத்தை இழந்து தவிப்பது, மகனின் வீடியோவைக் கண்டு உடைந்து அழுவது, எதற்கும் பயப்படாத உடல்மொழி என த்ரிஷா தனது வழக்கமான நடிப்பில் ஈர்க்கிறார். கட்டுக்கோப்பான உடல் அமைப்பில் கல்லூரி பேராசிரியராக கவனம் பெறும் ஷபீர் அனைத்தையும் இழந்து குறுகி விரக்தியில் கண்ணீர் சிந்தும் இடங்களில் நடிப்பில் தனக்கான இடத்தை உறுதி செய்கிறார். சந்தோஷ் பிரதாப் ஓரிரு காட்சிகளில் வந்து செல்கிறார். வேல.ராமமூர்த்தி, எம்.எஸ்.பாஸ்கர், மியா ஜார்ஜ் கதைக்கு தேவையான பங்களிப்பை செலுத்துகின்றனர்.

‘இசை அரக்கன்’ என்ற டைட்டிலுடன் சாம் சி.எஸ் பெயர் தோன்றுகிறது. அதற்கேற்ப பின்னணியை இசையில் அடித்து தீட்டியிருக்கிறார். பாடல்களில் ஈர்ப்பில்லை. இரவில் நெடுஞ்சாலைக் காட்சிகளில் தேவையான பயத்தை விதைக்கிறது வெங்கடேஷின் கேமரா. சிவராஜ் கட்ஸில் இன்னும் கவனம் செலுத்தி கச்சிதம் கூட்டியிருக்கலாமோ என தோன்றுகிறது. காரணம் இரண்டாம் பாதியின் நீளம்.

வாழ்வில் பணம் எத்தனை முக்கியமானது என்பதை மையப்படுத்திய கதை பாதை வழி தெரியாமல் மாறி சென்றதால் திரைக்கதையில் பெரும் விபத்து நேர்ந்திருக்கிறது. “எங்கையோ பொறந்து எங்கேயோ வளர்ந்து இங்க வந்து உசுற விடறாங்க” என்ற படத்தின் வசனம் குறியீடாக எதையோ உணர்த்துகிறது.

அன்பு வாசகர்களே....

இந்த ஊரடங்கு காலத்தில் வீட்டை விட்டு வெளியே வராமல் நமக்கு நாமே சமூக விலகல் ( Social Distancing) செய்து கொள்வோம். செய்தி ஊடகங்களின் வழியே உலகுடன் தொடர்பில் இருப்போம். பொதுவெளியில் இருந்து தனிமைப்படுத்திக் கொண்டு கரோனா பரவலைத் தடுப்பதில் நம் பங்கை முழுமையாக இந்த சமூகத்துக்கு அளிப்போம்.

CoVid-19 கரோனா தடுப்பு / விழிப்புணர்வு கையேடு - இலவசமாக டவுன்லோடு செய்து பயன்பெறுங்கள்!

- வாசகர்கள் நலனில் அக்கறையுடன் இந்து தமிழ் திசை

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The Road review: Director Arun Vaseegaran’s latest is a riveting thriller

The film maintains its intense pace with excellent narration, full marks to the director for his gripping story.

Published:Oct 07, 2023

Trisha in 'The Road'. (X)

A gripping watch!

The Road (Tamil)

• Cast: Trisha, Miya George, 'Dancing Rose' Shabeer, Santhosh Prathap, MS Bhaskar, Vela Ramamoorthy and Vivek Prasanna
• Director: Arun Vaseegaran
• Producers: Jai Sampath and Subramani Doss
• Music: Sam CS
• Runtime: 2 hours 23 minutes
• Cast: Salman Khan, Katrina Kaif, Emraan Hashmi, and Revathy
• Director: Maneesh Sharma
• Producer: Aditya Chopra
• Music: Pritam Chakraborty
• Runtime: 2 hours 35 minutes

Director Arun Vaseegaran comes up with an investigative thriller — The Road — that keeps you entertained for the most part.

The film is intense and engaging, thanks to a refreshingly fresh plot that has two parallel sets of developments happening in two different parts of the state.

An immensely content woman, Meera (Trisha) is thrilled to know that she is pregnant with her second child. However, she is also slightly disappointed that the pregnancy will not allow her to undertake a road trip that she promised her young school-going son Kavin, for his birthday.

A poster of the film ‘The Road’. (X)

Unwilling to disappoint her son, she lets her husband Anand (Santhosh Prathap) take her son on the trip.

Both father and son set off on the trip, intending to return in a couple of days.

However, fate delivers a cruel blow. A car heading on the opposite side of the highway loses control and swerves around to cut the median and crash into Anand’s car, killing them both.

Meera is shattered by the news of their deaths. She rushes to the spot and suffers a shock, resulting in an abortion.

Eventually, when Meera goes to the spot of the accident to pay homage to her son and husband, she becomes aware that the crash which killed her husband and son could not be merely dismissed as an accident and that it may well have been orchestrated.

Also Read: ‘Abhiramachandra’ is an unimaginable triangular love story

A parallel story.

In another part of the state, Maya (Shabeer Kallarakkal), a professor at an arts and science college, is immensely respected for his professionalism and hugely admired by his women students for his physical attributes. One girl in particular looks to propose to him.

A dedicated teacher with strong moral and ethical values, Maya turns down the proposal. Enraged at having been rejected, she levels a MeToo allegation against him, saying that the professor sought sexual favours from her.

The false allegation ruins Maya’s life. He is humiliated and thrown out of the college.

Even after that, the humiliation continues with villagers targetting not just him but also his father who has been slogging all his life to get his son educated.

At one point, both Maya and Meera’s lives converge. What happens then is what the film is all about.

#TheRoad An exclusive #bts teaser. Thank you🫶🏻 pic.twitter.com/JeDnNSCnh5 — Trish (@trishtrashers) May 5, 2023

Also Read: ‘Chaaver’ is elevated by Kunchacko Boban’s career-best performance and technical brilliance

Shabeer kallarakkal steals the show.

The Road gets off to a blistering start with a couple that is stranded on the highway being murdered by dacoits. Right from that point on, the movie maintains its intense pace with some excellent narration by the director.

Trisha and ‘Dancing Rose’ Shabeer in ‘The Road’. (X)

Full marks to Arun Vaseegaran for his intense and gripping story that keeps you on the edge of your seats. The story’s intensity goes up one more notch once Meera begins investigating the accident.

Trisha, as Meera, does a decent job in the film.

Shabeer Kallarakkal, who received widespread praise for his portrayal of the character Dancing Rose in Sarpatta Parambarai (2021), steals the limelight in the film with yet another powerful performance.

Shabeer’s portrayal of Maya makes a profound impact on you. Maya’s struggle to come to terms with the cruel blow that eventually results in his father hanging himself makes you feel for his character. In fact, that is exactly what makes the film work.

Sam CS’s background score is perfect and KG Venkatesh’s visuals are striking.

Except for editor Shivaraj, who could have been a little more unforgiving while trimming the climax, The Road has a sound technical team that has delivered a neat product.

The Road has very few flaws, other than the fact that its climax is unnecessarily long. Apart from that, the film is an intense and gripping thriller that is definitely worth your time and money.

(Views expressed here are personal.)

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How a national highway becomes a primary conflict in the lives of Meera, a journalist, and Maya, a college professor, and makes their life upside down. How a national highway becomes a primary conflict in the lives of Meera, a journalist, and Maya, a college professor, and makes their life upside down. How a national highway becomes a primary conflict in the lives of Meera, a journalist, and Maya, a college professor, and makes their life upside down.

• Arun Vaseegaran
• Trisha Krishnan
• Shabeer Kallarakkal
• Santhosh Prathap
• 9 User reviews
• 1 Critic review

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• Dec 10, 2023
• October 6, 2023 (India)
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Home » Movies » ‘The Road’ Tamil Movie Review

‘The Road’ Tamil Movie Review

The Tamil thriller ‘The Road’ has a massive buzz as it’s full of suspense and excitement! The movie stars Trisha Krishnan and Shabeer Kallarakkal, and it’s directed by Arun Vaseegaran. Let’s dive into what makes this movie interesting!

The Road is about a journalist named Meera, played by Trisha. She has a happy life until something very sad happens: her husband and son are in a terrible car accident. Meera finds out that this wasn’t just a regular accident but part of something much bigger and scarier. She decides to find out the truth and get justice for her family.

The wrecked vehicle and the twisted body on the road served as a grim reminder of the recent accident. Amidst the wreckage, a lone witness stood, her gaze capturing the eerie scene. Despite her earnest report to the police, they brushed her off as an overreactive complainant. Unwavering, she committed herself to uncovering the truth of this mystery. As the only eyewitness, she was determined to seek justice for the accident’s victims.

This was no tale of supernatural occurrences or accidental tragedies, but rather a story of a brutal gang hidden in the depths of an inescapable forest, mercilessly taking lives. Our protagonist, caught in this treacherous forest with these ruthless criminals, had to find a way to escape their grip and reveal their evil deeds to the world.

The film, inspired by actual events, chronicles the courageous journey of a woman through a land marked by violence. Filmed on the very locations where these events unfolded, the movie promises to deliver a raw and captivating narrative.

There’s also another story in the movie about a college professor named Maya, played by Shabeer Kallarakkal. He gets into trouble because of a student who lies about him. His story and Meera’s story come together in a surprising way!

What’s Special About the Movie?

• Exciting Plot : The movie keeps you guessing what will happen next. It’s like a puzzle that Meera and Maya are trying to solve.
• Great Acting : Trisha and Shabeer do an amazing job in their roles. They make you feel like you’re right there with them, feeling what they’re feeling.
• Music and Pictures : The music in the movie is really cool and adds to the suspense. The way the movie is shot, which means how it’s filmed, is also pretty awesome. It makes everything look very real and exciting.
• Emotional Journey : The movie isn’t just about the action; it’s also about how the characters feel. You get to see how they deal with tough situations, which can be really moving.

The Road” touches on various themes that deeply connect with its viewers. A key theme is the relentless pursuit of truth and justice. The character Meera’s unwavering effort to reveal the truth behind a staged accident underscores a mother’s extreme dedication to achieving justice for her family. Meanwhile, Maya’s battle against unfounded allegations brings to light the repercussions of premature judgments and reflects on the #MeToo movement’s influence.

Additionally, the movie probes into the intricacies of human nature, examining our inherent potential for both benevolence and malevolence. It portrays the fragility of characters like Meera and Maya, who are ensnared in circumstances beyond their control. As the story progresses, it becomes apparent that the lines between victims and culprits are often blurred.

The atmosphere of The Road is marked by intense suspense and tension. Director Arun Vaseegaran skillfully maintains a gripping hold on the audience, with each sequence heightening the sense of anticipation and intrigue. The film achieves a harmonious blend of emotionally rich moments and thrilling sequences, offering a deeply immersive and thrilling movie-going experience.

The cast of The Road

Lead performances: trisha krishnan and shabeer kallarakkal.

“The Road” features Trisha Krishnan in the lead role, portraying the character of Meera, a journalist and a grieving mother. Trisha’s performance is a standout, as she skillfully depicts Meera’s emotional journey from shock and despair to determination and resilience. Her ability to convey a wide range of emotions adds depth and authenticity to the character. Alongside Trisha, Shabeer Kallarakkal plays the role of Maya, a college professor caught in a web of false accusations. Shabeer’s portrayal is both powerful and nuanced, effectively evoking empathy from the audience. His performance, particularly in the emotionally charged scenes, is commendable and adds a significant layer to the film’s narrative.

Supporting Cast of The Road

The film also features a strong supporting cast that contributes significantly to its overall impact. Santhosh Pratap plays the role of Anand, Meera’s husband, whose character is central to the unfolding of the plot. Miya George, as Meera’s friend Anu, and M. S. Bhaskar, as constable Subramani, deliver solid performances, enhancing the film’s authenticity. Vivek Prasanna and other supporting actors also play crucial roles, each adding their unique touch to the story. The ensemble cast works well together, creating a believable and engaging world that draws the audience into the film’s narrative.

Casting Choices in The Road and Its Impact

The casting choices in “The Road” are pivotal to its storytelling. Each actor seems carefully selected to fit their respective roles, contributing to the film’s overall coherence and impact. The performances are not just about individual brilliance but also about how well the actors interact and complement each other. This synergy among the cast members helps in effectively conveying the film’s themes and emotions, making “The Road” a compelling watch. The actors’ ability to embody their characters and interact naturally adds a layer of realism to the film, making the story more relatable and impactful for the audience.

Direction of The Road

Director Arun Vaseegaran deserves commendation for his adept handling of “The Road,” skillfully navigating the intricate narrative and seamlessly weaving together two parallel storylines. Arun’s storytelling prowess shines through in his ability to sustain suspense throughout the film, keeping the audience on edge until the final reveal.

One standout aspect of Arun’s direction is his portrayal of vulnerability. He adeptly captures the emotional fragility of the characters, making their struggles and dilemmas highly relatable. Particularly noteworthy are the film’s intense sequences, especially those set amidst a maze of rocks, which highlight Arun’s talent for creating gripping cinematic moments.

While the first two acts of the film are marked by suspense and emotional depth, the third act does falter slightly as the plot takes on a somewhat generic tone. This is where the film’s pacing could have been improved, as the climax feels prolonged and lacks the intensity seen in earlier scenes.

Score and Cinematography: Setting the Mood for The Road

The background score by Sam C.S. plays a crucial role in establishing and maintaining the tension in the film. The haunting melodies and pulsating rhythms contribute to the overall suspenseful atmosphere, effectively complementing the narrative and enhancing the emotional engagement of the audience.

Cinematographer KG Venkatesh’s visuals are remarkable, capturing the essence of the film’s diverse settings, from the desolate highway to the tranquil village. The use of lighting and camera angles adds depth to the storytelling, providing a visually captivating experience.

Production Design and Special Effects: Embracing Authenticity

“The Road” benefits from authentic production design that fully immerses the audience in the characters’ world. The portrayal of both urban and rural settings feels genuine, significantly contributing to the film’s realism.

While the film doesn’t heavily rely on special effects, choosing instead to utilize practical effects to convey its narrative, this decision enhances the film’s authenticity. It prioritizes character-driven storytelling over flashy visual effects.

Editing and Pace of The Road: A Riveting Journey with Minor Hiccups

Editor Ariyanthakka Rajamani Sivaraj’s work is commendable, maintaining a cohesive flow throughout most of the film. However, there are moments, especially in the climax, where tighter editing could have improved the pacing. While the film’s duration is not excessive, a slight trimming in the final act could enhance the overall experience.

Where to Watch The Road?

An imminent announcement is expected regarding the release of the movie “The Road” on an OTT platform. Although unconfirmed reports hint at Netflix possibly acquiring the rights to the film, official confirmation is still pending.

Wrapping up the Thrilling Expedition of The Road

In conclusion, “The Road” stands as a gripping thriller offering a compelling narrative, stellar performances, and moments of genuine emotional depth. Director Arun Vaseegaran expertly crafts a tale of vengeance and redemption, keeping the audience engaged for the majority of the film.

While the pacing falters slightly in the climax, and the third act ventures into generic territory, “The Road” remains a cinematic experience that keeps you on the edge of your seat. It successfully explores themes of justice, human nature, and vulnerability, inviting the audience to empathize with its characters.

Whether you’re a fan of suspenseful thrillers or nuanced character-driven dramas, “The Road” is a journey worth undertaking. It keeps you guessing, tugs at your heartstrings, and ultimately leaves a lasting impression, making it a noteworthy addition to Tamil cinema.

Unsa Faheem

Unsa Faheem is a seasoned content writer specializing in the streaming industry. With a keen eye for the latest trends in TV shows, movies, and celebrity culture, She brings her expertise and enthusiasm to each piece she writes. Her work is characterized by insightful analysis and a deep understanding of the evolving media landscape. Education: Engaging Content and Marketing.

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The Road Movie Review: A bumpy ride with p(l)otholes and convenient twists 

Rating: ( 1.5 / 5).

Be it a fun boys' trip turned adventure (Saroja), or a romantic drama topped with action (Paiyaa), roads have been used as major plot devices by filmmakers across genres and generations. And just like that a road, or in this case a highway lane, becomes a tool for a much larger organised crime chain. Headlined by Trisha, The Road is an investigative thriller meets an emotional drama, where one particular road doesn’t only personify a grim reaper, but also is the central tool for a gang that orchestrates accidents to rob the subsequently dead and injured ones. However, before we are introduced to this dark world, we are made to believe how Trisha’s Meera is living a content and spot-free life with her loving son Kavin and husband Anand (Santhosh Pratap), through just a song. The film chooses lethargic writing over hard work so much that Meera and Anand struggle to tell their 10-year-old son that his birthday road trip isn’t possible because that doesn’t suit the health conditions of expecting Meera. How difficult would it be for two adults to confront their child on noble grounds? But no, just for the film's sake to take a dark plunge, the father-son duo embarks on the trip, just for the grim reaper to hunt them down. The tragedy strikes, and it is Meera who has to probe into their deaths. Now don’t ask me how a woman who lives in a luxurious, well-settled villa, and is not even close to a sleuth profession, handles a gun with ease, forget being a mastermind of breaking a crime syndicate and hiring forensic experts on a washed-down case by the cops.

Director: Arun Vaseegaran 

Cast: Trisha, Shabeer Kallarakkal, MS Bhaskar, Vivek Prasanna, and others  The Road isn’t just a substandard mixed bag of many elements together but has a problematic moral compass on pressing issues of today’s times. In the era of social media, where harassment and bullying are common, and labelling communities based on hierarchical preferences is rampant, the film trivialises sexual harassment allegations and notions of residents of indigenous regions as mere plot-pushers. In one instance, a righteous college professor Maya (Shabeer Kallarakkal) is accused of predatory behaviour by student Priya to get back at him for rejecting her love. Now, the problem isn’t just about the romantic score when Priya pursues Maya, much to the latter’s chagrin (the case would definitely not be the same in a gender reversal situation), but also at one instance when Priya isn’t questioned about what she is doing in a library alone with Maya when she is taking a loo break from the exam hall. Even as the director uses this as a trigger point for Maya to spiral down into the drain hole and embrace the darker side, character arcs ask, “Am I a joke to you?” when you almost pity a man who comes all the way from a visibly impoverished hilly terrain to teach students, only for him to turn into a blood-sucking monster with no remorse whatsoever. As I said earlier, the ethical compass of the character is so skewed that years of righteousness turn bitter in a couple of incidents, reflecting the film’s flaws. The film trades convenient twists for an engrossing thriller. There is no point where you empathise and connect with the lead, who has just lost her family, experienced a miscarriage, and is facing a whole lot of evil men because the film never stops to build these moments organically. A montage song lasting a couple of minutes neither helps you understand why the trio is a close-knit family. On the other hand, The Road tries hard to make you sympathise with its antagonist’s past, that the drastic change in him, stands out like a sore thumb and the fear is never instilled. When the writing pushes you to accept the film’s way of things, it only becomes harder to nod and agree to what is in offer. Even as injustice is served to Maya, and just as when The Road begins to build a connection and piques your curiosity about where it is going, it collapses to nothingness and commodious choices.

Alas, with all that said, The Road is riddled with p(l)otholes, shallow writing and convenient twists that make up for a bumpy ride, reminding you of the trip that once gave you motion sickness.

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'The Road' review: Trisha starrer shows promise but stumbles on its journey

Trisha, preparing for a mass entertainer alongside Thalapathy Vijay in 'Leo,' returns with another female-centric film titled 'The Road', directed by Arun Vaseegaran. Following the disappointing reception of her previous movie 'Raangi,' in which she starred alongside Anaswara Rajan, anticipations for 'The Road' may not have been high. However, contrary to the low expectations, the film delivers a strong and satisfying thriller.

The film begins with a couple being involved in a carefully planned accident on the National Highway, setting the stage for two intertwining narratives. The first story follows Meera (Trisha), a pregnant woman living with her husband and son. Tragedy strikes when the husband and son become victims of one of these orchestrated accidents, turning Meera's life upside down.

The second story revolves around Maya (Shabeer Kallarakkal), a college professor known for his honesty and hard work. His life takes a downward spiral following an incident at the college. The movie explores how these two stories converge and reveals the masterminds behind these horrific accidents.

Trisha thanks fans for applauding her performance in ‘The Road’

After Mansoor Ali Khan issues apology, Trisha responds

The film primarily centres on the process of uncovering the culprits and the events that lead up to it. However, it occasionally loses momentum as it relies on a somewhat generic formula. Nevertheless, the skilful execution of blending the two storylines stands out as one of the movie's significant strengths. Viewers may or may not anticipate the outcome, but it undeniably constitutes a major triumph for the film. Shabeer Kallarakkal truly serves as the movie's backbone, effectively compensating for its weaker aspects. His storyline is more compelling and heart-wrenching compared to Trisha's, despite both stories being tragedies. However, the film does have its share of illogical moments scattered throughout. For instance, Trisha's character, Meera, suddenly takes on a nearly detective-like role and effortlessly confronts villains, which, while it could be attributed to her personal trauma, at times feels excessively exaggerated.

Trisha delivers a decent performance as Meera, effectively portraying a character who is grappling with a tragedy. Miya George, who plays Meera's supportive friend, also deserves commendation for her role.

As the second half unfolds, viewers can almost anticipate the direction the plot heads for if they connect the dots before the movie explicitly does so. Up until that point, the film maintains a gripping narrative. Interestingly, the movie manages to evoke some sympathy for its antagonist, a testament to Arun Vaseegaran's attempt at a unique storytelling approach. While this approach works to a certain extent, it doesn't reach outstanding or mind-bending levels.

The movie's climax disappoints as it veers into extreme clichés. Had the filmmakers opted for a more unique approach, the movie could have become an above-average thriller. Unfortunately, its reliance on clichés detracts the movie from that potential. Nevertheless, the film deserves recognition for its attempt to introduce a fresh concept, intertwining two parallel narratives and merging them into a coherent storyline. Initially, as viewers follow both stories, they may wonder how they are connected, but the movie manages to execute this connection effectively. While it may not be a must-watch, it is likely to be a delightful experience for fans of Trisha.

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• What is the release date of 'The Road'? Release date of Trisha Krishnan and Santhosh Prathap starrer 'The Road' is 2023-10-06.
• Who are the actors in 'The Road'? 'The Road' star cast includes Trisha Krishnan, Santhosh Prathap, Miya George and Vivek Prasanna.
• Who is the director of 'The Road'? 'The Road' is directed by Arun Vaseegaran.
• What is Genre of 'The Road'? 'The Road' belongs to 'Drama,Thriller' genre.
• In Which Languages is 'The Road' releasing? 'The Road' is releasing in Tamil.

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Tamil movie ‘The Road’ Review: Trisha Krishnan shines in gripping revenge thriller

October 4, 2023 S Ranjita South Indian Movies 1

“The Road ,” a suspenseful Tamil thriller written and directed by Arun Vaseegaran, will be released across India on October 6, 2023. The movie is based on a real-life incident.

Cast and Crew

The film stars Trisha Krishnan, Miya George, and Dancing Rose Shabeer in the lead roles, along with Santhosh Prathap, MS Bhaskar, Vivek Prasanna, Vela Ramamoorthy, Semmalar Annam, and many others in supporting roles. 

It is produced under the banner of AAA Cinemaa Pvt. Ltd., with music composed by Sam C.S. and cinematography by KG Venkatesh. Shivaraj handles the editing, while Phoenix Prabhu choreographs the action sequences.

A woman’s serene life with her husband and son is shattered one fateful night in a horrific highway accident. Driven by a relentless quest for truth, she embarks on a journey to unravel the hidden secrets behind the accident. Her relentless pursuit leads her to a disturbing discovery: the highway accidents are no coincidences but rather the work of a ruthless gang lurking in the shadowy depths of the unescaped forest.

The film follows a woman’s fearless journey in a blood-soaked land after her serene life with her husband and son is shattered one fateful night. Driven by a relentless quest for truth, she embarks on a journey to unravel the hidden secrets behind the highway accident that claimed her loved ones. 

Her relentless pursuit leads her to a disturbing discovery: the highway accidents are no coincidences but rather the work of a ruthless gang lurking in the shadowy depths of the unescaped forest.

Trapped in the Forest

When our heroine finds herself trapped in the unescapable forest with these merciless thugs, she must use all her cunning and courage to evade their clutches and expose their villainy to the world. This is the story of a woman’s unwavering determination to bring justice to her loved ones and make the world safer.

That is the remaining story of this film, which promises to be a gritty and gripping tale shot at the actual locations where the events took place.

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• 06 Oct 2023
• Crime, Thriller
• Play Trailer

• Status Released
• Release date 06 Oct 2023
• Running time 2h 23m
• Genres Crime, Thriller

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'Furiosa: A Mad Max Saga' review: A prequel that struggles to match Fury Road's intensity

Lower your expectations a bit, and 'Furiosa' is an engaging movie

'Furiosa: A Mad Max Saga', the prequel to George Miller’s 'Mad Max: Fury Road' and the fifth addition to the Mad Max franchise, attempts to fill in the backstory of Imperator Furiosa, originally played by Charlize Theron and now portrayed by Anya Taylor Joy.

The film follows Furiosa’s journey from a haughty child to becoming a force to reckon with and thus earning the description of the “darkest of angels, fifth rider of the apocalypse.” 

Early in the movie, a young Furiosa is seen plucking an apple before being captured by Dementus’s (Chris Hemsworth) men, evoking the symbolism of the forbidden fruit. “The Green Place of Many Mothers” is shown in the beginning, and the rest of the film takes place in the gritty desert.

The Doof Warrior, or the unforgettably crazy masked guitarist from 'Fury Road', is conspicuously absent, with only a glimpse of him in the second half. The soundtrack of 'Furiosa' also fails to leave a lasting impression, unlike the epic metal score of its predecessor.

The movie has its standout moments, such as the scene depicting how Furiosa loses her hand and an intense chase with her newly introduced mentor. However, the clips from 'Fury Road' shown during the end credits provide more goosebumps than the scenes within the film itself. Additionally, the use of CGI in Furiosa feels more prominent than in Fury Road.

Pacing is another area where Furiosa diverges from its sequel. While 'Fury Road' maintained a tight, riveting pace, 'Furiosa' often feels slower, and may make some viewers restless. This might be attributed to its nature as a prequel, focusing more on character development and backstory.

Chris Hemsworth’s Dementus, who torments Furiosa, falls short of being a truly menacing villain. Instead, his character becomes a source of comic relief, with his dialogues making him more sympathetic by the end. Alyla Browne, playing Young Furiosa, delivers a more compelling performance compared to Anya’s portrayal.

'Fury Road' ended with a quote attributed to The First History Man. A History Man plays a significant role in 'Furiosa', serving as a dictionary and encyclopedia to the Biker Horde. In one scene, he is asked to define human tears, showing the film's attempt at touching the emotional elements.

Despite scoring higher on the emotional scale, 'Furiosa' does not incite the same frenzied excitement as 'Fury Road'. Lower your expectations a bit, and Furiosa is an engaging movie.

Furiosa is currently running and can be “witnessed” in theatres. 

Movie: Furiosa: A Mad Max Saga

Director: George Miller

Cast: Anya Taylor-Joy, Chris Hemsworth, Tom Burke

Rating: 3.0

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'Furiosa A Mad Max Saga' Review: Fun, enthralling but not on par with ‘Fury Road’

'furiosa: a mad max saga', directed by george miller, is an adrenaline-pumping action drama. however, the film doesn't match up to 'fury road', says our review..

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• 'Furiosa: A Mad Max Saga' is directed by George Miller
• Anya Taylor-Joy stars as Furiosa, previously played by Charlize Theron
• The film is fun and enthralling, but misses the mark by a bit

Release Date: 24 May, 2024

Director George Miller first thought of ‘Fury Road’ in 1987, and it is almost surreal that the franchise still continues to give you an adrenaline rush. Returning as the director and writer for ‘Furiosa,’ eight years after the fantastically-mounted ‘Fury Road', Miller’s new film focusses on showing the journey of Furiosa (powerfully played by Charlize Theron in the 2015 film).

Furiosa [Anya Taylor-Joy] is robbed of her life from the Green Place of Many Mothers when she was young. She is held captive by a biker horde led by the warlord Dementus [Chris Hemsworth] only to become a gigantic and fearsome warrior in a post-apocalyptic desert wasteland. But her memories of Green Place and young Furiosa [Alyla Browne] shaped her into becoming the ‘Fury Road’ Furiosa, who leaves a towering impression when we first meet her.

In this prequel, Furiosa chronicles her struggle to make her way home as Dementus goes up against Immortan Joe [Tom Burke] and his Citadel, which still has food and water in abundance.

While this is supposed to be Furiosa’s story, we mostly see it through Dementus’ prism. The young Furiosa hardly speaks but is quite a quick learner, adapting to challenges, and finds a way to survive amongst her captivators. Often, Miller almost ends up treating Furiosa as a more secondary character than others.

The Furiosa that we met in 2015 hardly has anything to do here, except to step up and take charge when strong men around her fail to get the job done. Taylor-Joy commands those scenes with an easy flair, no doubt, but it is also just a stark reminder of how much of an impact her character made in ‘Fury Road’, reigning through the desert landscape, operating, and taking charge with one arm.

Chris, as Dementus, with his caricaturish nose prosthetics, is hilarious and charming. He follows Miller’s vision at best and, together with Taylor-Joy, they deliver a solid performance. Chris' Dementus is ruthless but also someone who exhibits childish behaviour.

While the storyline might seem disjointed at times with several flashbacks, it is the action sequences that really pump you up. No one better than Miller to make us shift on our seats and perhaps lean over a bit to truly absorb the action sequences, particularly a well-crafted chase sequence. Edited by Margaret Sixel and Eliot Knapman, the action scenes, the chase sequences, the overall sound effects and guitar riffs, just make it an experience worth every dime.

Miller promises you a heart-pounding experience with the action compensating for the lack of heart that this prequel has, compared to his previous offering.

‘Furiosa’ is fun, and enthralling at best, but do not expect ‘Fury Road’, because this one misses the mark a tad bit.

3.5 out of 5 stars for 'Furiosa: A Mad Max Saga'. Published By: K Janani Published On: May 24, 2024